Academic literature on the topic 'Chikamatsuza'
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Journal articles on the topic "Chikamatsuza"
แก้วฤทธิเดช, ลัดดา. "Chikamatsu กับทฤษฎีศิลปะการละคร (Chikamatsu and His Dramatic Theory)." Journal of Letters 28, no. 2 (September 1999): 34–44. http://dx.doi.org/10.58837/chula.jletters.28.2.2.
Full textGerstle, C. Andrew. "Hero as Murderer in Chikamatsu." Monumenta Nipponica 51, no. 3 (1996): 317. http://dx.doi.org/10.2307/2385613.
Full textSaltzman-Li, Katherine. "Chikamatsu: Five Late Plays (review)." Asian Theatre Journal 19, no. 2 (2002): 357–59. http://dx.doi.org/10.1353/atj.2002.0038.
Full textDewi, Putu Mia Sintya, Ni Luh Putu Ari Sulatri, and I. Made Sendra. "Shinju Dalam Cerpen Sonezaki Shinju dan Cerpen Shinju Ten No Amijima Karya Chikamatsu Monzaemon." Humanis 24, no. 2 (May 28, 2020): 159. http://dx.doi.org/10.24843/jh.2020.v24.i02.p07.
Full textCoats, Karen. "Somewhere Among by Annie Donwerth-Chikamatsu." Bulletin of the Center for Children's Books 69, no. 9 (2016): 462–63. http://dx.doi.org/10.1353/bcc.2016.0406.
Full textGerstle, C. Andrew. "Heroic Honor: Chikamatsu and The Samurai Ideal." Harvard Journal of Asiatic Studies 57, no. 2 (December 1997): 307. http://dx.doi.org/10.2307/2719482.
Full textLee, Su-Hyang. "The Use of “Beshi” in Chikamatsu Sewamonozyoururi." Korean Journal of Japanese Education 54 (February 28, 2021): 217–30. http://dx.doi.org/10.21808/kjje.54.13.
Full textMollard, Nicolas. "Chikamatsu Hanji, Imoseyama ou l’éducation des femmes." Cipango, no. 18 (June 1, 2011): 263–64. http://dx.doi.org/10.4000/cipango.1609.
Full textOyler, Elyzabeth. ""Shunkan on Devil Island": Domesticating Political Exile in the Japanese Puppet Play “Heike nōgyo no shima”." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 4, no. 2 (December 30, 2023): 205–26. http://dx.doi.org/10.54103/2724-3346/22207.
Full textKominz, Laurence Richard. "Ganjiro III and Chikamatsu's "Lost" Kabuki Masterpiece." Asian Theatre Journal 17, no. 1 (2000): 51–77. http://dx.doi.org/10.1353/atj.2000.0004.
Full textDissertations / Theses on the topic "Chikamatsuza"
Baratelli, Elena <1995>. "Amore e morte nei drammi di Chikamatsu Monzaemon." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17468.
Full textWalter, Alain. "Autour de Saikaku et Chikamatsu : 1642-1724 : essai d'érotique comparée des littératures japonaise et occidentale." Bordeaux 3, 1989. http://www.theses.fr/1989BOR30053.
Full textSaikaku - a novelist - (1642-1693) and chikamatsu - a dramatist - (1653-1724) are two of the greatest writers in ancient japan. Belonging to the rising class of the chonin (merchants, handy-craftsmen), they embody their aspirations for happiness, economic success, equality and stand against the values of the ruling military. But they are also under the influence of previously dominant cultures. Besides, for saikaku, love is turned towards life whereas, for chikamatsu, it chooses death. In the first part, saikaku's koshoku ichidai otoko leads to compare the character of the seducer in the japanese (ariwara, heichu, the genji, yonosuke) and in the western (don juan, casanova) literatures regarding beauty, time, the sacred and the being. . . In the second part, the author will examine what, in the tales of tragic love from koshoku gonin onna and the description of a prostitute's career in koshoku ichidai onna, is a demand for the liberation of women. The parallel with boccaccio and m. De navarre will enable to clarify the attitude of christianity and buddhism towards love. Prostitution, as it is described by saikaku, induces a comparison with defoe's moll flanders and zola's nana. In the third part, chikamatsu's position concer- ning love double suicide is being studied and diverse parallels with werther, romeo and juliet, carmen, othello are sketched
Inoue, Megumi. "Oshichi, the greengrocer's daughter : a cultural history of sewamono, 1686-1821 /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11146.
Full textFerreira, Gustavo Henrique Lima. "O Sangyo em Dolls: um encontro do Bunraku com Takeshi Kitano." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12450.
Full textCoordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This work aims to investigate the relationship between the Bunraku theater and the film Dolls (2002), by the Japanese director Takeshi Kitano. To do so, it was initially done a theoretical study of this theater, detailing its key elements, and thus allowing a direct analysis of the film to be made. The main objective here was to reveal the film‟s connections with the Bunraku. The Sangyo refers to the simultaneous presence of three arts in the Bunraku theater: the narrative, the music and the manipulation of puppets. In Dolls, the director Takeshi Kitano presents a narrative through three different stories, all built with references to the Bunraku. As in the theater the three distinct arts harmonize on stage, in Dolls three separate stories will perform in harmony within the film. By confronting the Bunraku Theater with the film Dolls, the intention is to establish the connections between the scenic language of the Bunraku, the dramaturgy of Chikamatsu and also the cinema of Kitano. These connections allow to the understanding of how characteristics of a secular art, governed by strong rules and conventions, can be presented again through another language: the cinematic language and its particular set of codes and conventions
Este trabalho tem por finalidade investigar as rela??es existentes entre o Teatro Bunraku e o filme Dolls (2002) do diretor japon?s Takeshi Kitano. Para isso, foi feito inicialmente um estudo te?rico desse teatro, elencando seus principais elementos, permitindo ent?o, uma an?lise direta do filme, buscando revelar suas conex?es com o Bunraku. O sangyo faz refer?ncia ? presen?a simult?nea de tr?s artes no teatro Bunraku: a narrativa, a m?sica e a manipula??o de bonecos. Em Dolls, o diretor Takeshi Kitano apresenta uma narrativa por meio de tr?s hist?rias distintas, todas elas constru?das com refer?ncias ao Bunraku. Assim como nesse teatro tr?s artes distintas se harmonizam no palco, em Dolls tr?s hist?rias independentes v?o se apresentar em harmonia no filme. Ao confrontar os dados do teatro Bunraku com os dados do filme Dolls, o objetivo ? estabelecer as conex?es entre a linguagem c?nica do Bunraku, a dramaturgia de Monzaemon Chikamatsu e o cinema de Takeshi Kitano. Estas conex?es permitem compreender como caracter?sticas de uma arte secular, regida por fortes regras e conven??es, podem ser reapresentadas atrav?s de outra linguagem, no caso a linguagem cinematogr?fica
Li, Ching-wen. "The evolution of Chikamatsu's history plays." Master's thesis, 1991. http://hdl.handle.net/1885/139344.
Full textSyu, Ting-Wei, and 徐廷瑋. "The Comparison of Chikamatsu’s Trilogy of Kokusenya-On Historical Backgrounds, Plots, and Characters-." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/689m7b.
Full text國立臺灣大學
日本語文學研究所
103
In 1715 Chikamatsu Monzaemon wrote a puppet play named Kokusenya Kassen. It is a play about how Kokusenya, a Chinese military leader, tried to resist the conquest of Qing dynasty. The great success of the play lead to a series of similar works regarding Kokusenya’s episodes. Though not as popular as Kokusenya Kassen, Chikamatsu Monzaemon himself also wrote two more related plays, Kokusenya Gonichi Kassen and Tōsenbanashi Ima-Kokusenya. Prior studies mostly focused on the comparison of Kokusenya Kassen and Kokusenya Gonichi Kassen. Among them only few articles mentioned Tōsenbanashi Ima-Kokusenya. However, there are many similar elements used in these three plays. The three stories all happened outside Japan, and focused on main characters inspired by the same historical figure, Kokusenya. Even the plots and character designs showed features in common. Furthermore, though the three plays were adapted from a real history event happened in Mainland China and Taiwan, Chikamatsu Monzaemon added quite a few Japanese elements into the works. This thesis will compare the three plays, firstly by studying how Chikamatsu Monzaemon added Japanese features into the plays, secondly by listing the similarities of plots and characters in the three works, and finally by analyzing how Kokusenya Kassen affected its two related works. Through the process above, we expect to find out Chikamatsu Monzaemon’s intentions when writing these three plays, and also the reasons resulted in the different reviews the three works received.
Chen, Nai-Hua, and 陳乃華. "The characterization of double suicide ─ The double suicide`s scripts written by Chikamatsu Monzaemon." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/82928022758665556340.
Full text淡江大學
日本研究所碩士班
94
As many countries in the word , double suicide keeps being described and praised during 2000 years of Japan history. Especially , in the Genroku age , it was spread out as contagion , and to be used as a topic of “kawaraban” which is similarly like the newspaper, “ukiyo zoushi” and drama. Today , the well know script “Sonezaki Shinju” and “Shinju ten no Amijima “ of Chikamatsu Monzaemon is the inheritance in this age. According to these two scripts which is adopted the double suicide, I find there is a big change about double suicide’s description of Chikamatsu Monzaemon. Therefore , this essay is reseached by the articles of Chikamatsu Monzaemon. , which was according to the double suicide of crzizen. The reference book is “sinnpenn nihonn kotenbunngaku zennsyu Chikamatsu Monzaemon2” which published by Shogakukan. There are two purposes of this essay’s research , focus on the double suicide`s scripts which written by Chikamatsu Monzaemon。1. How did the writer describe the topic of double suicide`s scripts? 2. This article exhibt Chikamatsu Monzaemon’s view and how he gaze at the death. There are five chapters in this whole essay, besides intro and conclusion, about two , three ,and four are the main parts of this essay. In chapter two , it describes the background of double suicide`s scripts in Chikamatsu Monzaemon ‘s article in the age, and also analyzes how the other ‘s articles describe double suicide in the same age. Chapter three , by comparing the two articles “Sonezaki no Akebono” of ukiyo zoushi’s “Shinju Daikan” and“keiseihuryusugihai”, to clarify the presentability of “Sonezaki Shinju”. And I regard the presentability of initial writing in “Sonezaki Shinju”, in chapter three , as the standard in chapter four . About the other ten writings are categorized into three periods , first , second and third period , there is more discussing of different double suicide characterization of these three periods. Finally in the conclusion, there are four characteristics induced about the double suicide`s scripts which written by Chikamatsu Monzaemon。Each of them is : 1. female image 2. negative money value 3. family ethics 4. gazing at death.
Books on the topic "Chikamatsuza"
(Japan), Tachimachi Haikukai. Chikamatsu. Sabae-shi: Sabae-shi Tachimachi Kōminkan, 1988.
Find full textMonzaemon, Chikamatsu. Chikamatsu jōrurishū. Tōkyō: Iwanami Shoten, 1993.
Find full text1948-2019, Hashimoto Osamu, ed. Chikamatsu Monzaemon. Tōkyō: Shinchōsha, 1991.
Find full textTsukakoshi, Yoshitarō. Chikamatsu, Monzaemon. Tōkyō: Kuresu Shuppan, 1997.
Find full textTamotsu, Watanabe. Chikamatsu monogatari: Uzumoreta jidaimono o yomu = Chikamatsu. Tōkyō: Shinchōsha, 2004.
Find full textChikamatsu no sekai. Tōkyō: Heibonsha, 1991.
Find full textTsukakoshi, Yoshitarō. Chikamatsu chosaku ippan. Tōkyō: Kuresu Shuppan, 1997.
Find full textJunzo, Kato, and Kinsei bungei kenkyū Kankōkai, eds. Chikamatsu no hitobito. Tōkyō: Kuresu Shuppan, 1997.
Find full textChikamatsu, Hanji. Chikamatsu Hanji jōrurishū. Tōkyō: Kokusho Kankōkai, 1987.
Find full text1931-, Torigoe Bunzō, ed. Chikamatsu Monzaemon shū. Tōkyō: Shōgakkan, 1997.
Find full textBook chapters on the topic "Chikamatsuza"
Königsberg, Matthew. "Chikamatsu Monzaemon." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2105-1.
Full textHammitzsch, Horst, and Matthew Königsberg. "Chikamatsu Monzaemon: Sonezaki shinjū." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2106-1.
Full textHammitzsch, Horst, and Matthew Königsberg. "Chikamatsu Monzaemon: Kokusenya kassen." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2107-1.
Full textHammitzsch, Horst, and Matthew Königsberg. "Chikamatsu Monzaemon: Shinjū ten no Amijima." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2108-1.
Full textKeene, Donald. "Chikamatsu." In Finding Wisdom in East Asian Classics, 301–9. Columbia University Press, 2011. http://dx.doi.org/10.7312/columbia/9780231153973.003.0026.
Full text"Acknowledgments." In Chikamatsu, vii—viii. Columbia University Press, 2002. http://dx.doi.org/10.7312/gers12166-001.
Full text"Abbreviations in the Bibliography and Notes." In Chikamatsu, ix—x. Columbia University Press, 2002. http://dx.doi.org/10.7312/gers12166-002.
Full text"Maps." In Chikamatsu, xi—xviii. Columbia University Press, 2002. http://dx.doi.org/10.7312/gers12166-003.
Full text"Twins at the Sumida River (Futago sumidagawa, 1720)." In Chikamatsu, 36–117. Columbia University Press, 2002. http://dx.doi.org/10.7312/gers12166-004.
Full text"Lovers Pond in Settsu Province (Tsu no kuni meoto ike, 1721)." In Chikamatsu, 118–201. Columbia University Press, 2002. http://dx.doi.org/10.7312/gers12166-005.
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