Academic literature on the topic 'Chicago Museum of Contempory Art'
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Journal articles on the topic "Chicago Museum of Contempory Art"
Stone, Lisa. "Playing House/Museum." Public Historian 37, no. 2 (May 1, 2015): 27–41. http://dx.doi.org/10.1525/tph.2015.37.2.27.
Full textMessage, Kylie, Eleanor Foster, Joanna Cobley, Shih Chang, John Reeve, Grace Gassin, Nadia Gush, Esther McNaughton, Ira Jacknis, and Siobhan Campbell. "Book Review Essays and Reviews." Museum Worlds 7, no. 1 (July 1, 2019): 292–317. http://dx.doi.org/10.3167/armw.2019.070117.
Full textNavvab, Mojtaba. "Daylighting System Design and Evaluation of the Museum of Contemporary Art in Chicago." Journal of the Illuminating Engineering Society 27, no. 2 (July 1998): 160–73. http://dx.doi.org/10.1080/00994480.1998.10748243.
Full textGable, Eric. "In Search of a Lost Avant-Garde: An Anthropologist Investigates the Contemporary Art Museum By Matti Bunzl. Chicago: University of Chicago Press, 2015." Visual Anthropology Review 33, no. 1 (May 2017): 97–98. http://dx.doi.org/10.1111/var.12126.
Full textORR, JOEY. "Radical View of Freedom: An Interview with Dread Scott." Journal of American Studies 52, no. 04 (November 2018): 913–28. http://dx.doi.org/10.1017/s0021875818001342.
Full textHaron, Muhammed. "Inscription as Art in the World of Islam." American Journal of Islam and Society 13, no. 4 (January 1, 1996): 589–92. http://dx.doi.org/10.35632/ajis.v13i4.2287.
Full textWilliamson, Bess. "Exhibition Review of “Rowan and Erwan Bouroullec: Bivouac”Museum of Contemporary Art, Chicago, (October 20, 2012–January 20, 2013)." Design Issues 30, no. 3 (July 2014): 101–3. http://dx.doi.org/10.1162/desi_r_00285.
Full textMargolin, Myra. "Victor Margolin’s Early Years." Disegno, no. 1-2 (2021): 10–21. http://dx.doi.org/10.21096/disegno_2021_1-2mm.
Full textEisensmith, Jake. "Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa." Contemporaneity: Historical Presence in Visual Culture 9, no. 1 (February 21, 2021): 95–98. http://dx.doi.org/10.5195/contemp/2021.328.
Full textLeimer, Ann Marie. "La Conquistadora: A Conquering Virgin Meets Her Match." Religion and the Arts 18, no. 1-2 (2014): 245–68. http://dx.doi.org/10.1163/15685292-01801013.
Full textDissertations / Theses on the topic "Chicago Museum of Contempory Art"
Howard, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Full textLarsen, Devon P. "Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001540.
Full textBenlian, Michèle. "Modes d'émergence de l'architecture contemporaine à travers l'édification des premiers musées d'art moderne, entre New York et Paris au XXème siècle." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA013.
Full textThe thesis concerns the history of contemporary architecture artistic and cultural. The period is the 20th century and the events take place in New York and Paris. - My research poses the following hypothesis. The creation and erection of the first museum of modern art, the MoMA in New York, opened the way to contemporary architecture though the edification of the museum. American and French views on architecture do not stem from the same school of thought. One direction of architecture leans on a formal view findings links in art and the reception of art, the other architecture opens the formal projection of architecture in relation to the city. - The demonstration is done using examples taken from the history of modern architecture from 1910 until the late sixties : the creation of MoMA in New York in 1929 and its construction in 1939. Then, there are the works of the Solomon Guggenheim Museum in 1959 and the realization of the Whitney Museum in 1966, and the enlargements of MoMA. In parallel, we are developing the construction of the National Museum of Modern Art in Paris in 1936, at the Palais de Tokyo. The following are taken into account the different intellectual considerations in Art, the artists, the conflicts, the actors and the places, the different uses and the influence of the neighbouring areas on the museums themselves, the architects and the aesthetics of the buildings put into function and the effects/influences caused by each building
Sbarra, Wendy M. "New Ways of Seeing: Examining Musuem Accessibility for Visitors with Vision Impairments." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/121.
Full textCastellano, González Cristina. "La construction du sens dans les expositions muséales : études de cas à Chicago et à Paris." Paris 1, 2011. http://www.theses.fr/2011PA010568.
Full textHsu, Ya-ting, and 許雅婷. "ON APPLYING CUSTOMER RELATIONSHIP MANAGEMENT TO THE MUSEUM OF CONTEMPORY ART, TAIPEI." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/09544541588258119891.
Full text元智大學
藝術管理研究所
95
Customer Relationship Management (CRM) comprises such aspects as methods, techniques and conceptual frameworks. In my thesis I propose to conduct a study of customer relationship management as applicable to non-profit cultural or art organizations. This is in part motivated by a wish to see museums or cultural institutions open themselves up, not just to actual visitors but to all potential “relation customers” or individuals that may directly or indirectly participate in the institutes’ activities. When museums stop considering visitors merely as “the crowd out there to be let in,” a new dimension is added to museum studies in creating and maintaining an engaging relationship with customers. The study is divided into three chapters. Chapter one traces the concept of management and its methodology in museum history to its origins in the business world. This chapter also makes reference to two important indices by which management can be measured in any institution. Chapter two provides a detailed account of how the concept of customer relationship management may be properly applied to non-profit organizations, including revised procedures for concept formation, customer classification and all other auxiliaries which facilitate execution. Chapter three studies the case of customer relationship management in Modern Art Museum, Taipei aided by my own experience as a volunteering there as well as by interviews with museum personnel and published materials. It is concluded with an evaluative review of the current policies, their consequences, values added and extended profits. I have attempted to rethink customer relationship management for Modern Art Museum, Taipei by suggesting recognition of its mutual dependence with customers and a more intelligent marketing strategy based on customizing for each category of customers.
LoGiudice, Peter. "Humanism and the classical the expansion of the Art Institute of Chicago /." 2006. http://etd.nd.edu/ETD-db/theses/available/etd-04212006-063136/.
Full textWebb, Guiniviere Marie. "Origins and philosophy of the Butler Art Gallery and Labor Museum at Chicago Hull-House." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2602.
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Books on the topic "Chicago Museum of Contempory Art"
Koons, Jeff. Jeff Koons: Museum of Contemporary Art, Chicago. Chicago, Ill: The Museum, 1988.
Find full textMesecke, Andrea. Museum of contemporary art, Chicago: Josef Paul Kleihues. Berlin: Gebr. Mann Verlag, 1996.
Find full textMuseum of Contemporary Art (Chicago, Ill.), ed. Collective vision: Creating a contemporary art museum. Chicago: Museum of Contemporary Art, 1996.
Find full textRussell, Ferguson, Kravagna Christian, UCLA Hammer Museum of Art and Cultural Center., Museum of Contemporary Art (Chicago, Ill.), and New Museum of Contemporary Art (New York, N.Y.), eds. Mathias Poledna: Crystal palace : Hammer Museum, Los Angeles; Museum of Contemporary Art, Chicago; New Museum of Contemporary Art, New York. [Los Angeles: Regents of the University of California], 2007.
Find full textR, Neff Terry Ann, and Museum of Contemporary Art (Chicago, Ill.), eds. Chicago artists in the European tradition: Museum of Contemporary Art, February 25-April 9, 1989. Chicago, IL: The Museum, 1989.
Find full textMuseum of Contemporary Photography (Columbia College (Chicago, Ill.)). Photography's multiple roles: Art, document, market, science. Chicago: Museum of Contemporary Photography, Columbia College, 1998.
Find full textR, Neff Terry Ann, and Museum of Contemporary Art (Chicago, Ill.), eds. Selections from the William J. Hokin collection: Museum of Contemporary Art, Chicago, April 20-June 16, 1985. Chicago, Ill: The Museum, 1985.
Find full textArchitects, Garofalo, Museum of Contemporary Art (Chicago, Ill.), and University of Illinois at Chicago Circle. Dept. of Architecture, eds. Between the museum and the city. [Chicago]: MCA and CAA/UIC, 2003.
Find full textSmith, Elizabeth A. T., 1958-, Pearlman Alison, Widholm Julie Rodrigues, Fitzpatrick Robert, and Museum of Contemporary Art (Chicago, Ill.), eds. Life, death, love, hate, pleasure, pain: Selected works from the Museum of Contemporary Art, Chicago, collection. Chicago: Museum of Contemporary Art, 2002.
Find full text1947-, Francis Richard, Bhabha Homi K. 1949-, Bois Yve Alain, and Museum of Contemporary Art (Chicago, Ill.), eds. Negotiating rapture: The power of art to transform lives. Chicago: Museum of Contemporary Art, 1996.
Find full textBook chapters on the topic "Chicago Museum of Contempory Art"
Clary, Renee M. "The present is the key to the paleo-past: Charles R. Knight’s reconstruction of extinct beasts for the Field Museum, Chicago." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(18).
Full textVillalobos, J. Gibran. "Creating Latinx Arts Networks in Chicago." In Building Sustainable Worlds, 154–58. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044540.003.0009.
Full text"Zur Museumskompatibilität der Body Art – Die Ausstellung Bodyworks im Museum of Contemporary Art Chicago, 1975." In Performance on Display, 135–208. De Gruyter, 2021. http://dx.doi.org/10.1515/9783422986985-005.
Full text"4. The Idea of Art and the Ethics of the Museum." In Aesthetics at Large: Volume 1. University of Chicago Press, 2019. http://dx.doi.org/10.7208/chicago/9780226546872.003.0004.
Full textKirshner, Judith Russi, and Lisa Wainwright. "The art museum and the art school: negotiating collaboration in Chicago." In Academics, Artists, and Museums, 3–14. Routledge, 2018. http://dx.doi.org/10.4324/9780203733134-1.
Full textMcGoey, Elizabeth, Diane Rousseau, Rachel Sabino, Ken Sutherland, and Andrew Talley. "A New Setting for Tiffany Glass: The Hartwell Memorial Window at the Art Institute of Chicago." In Perspectives on Place. The Art Institute of Chicago, 2023. http://dx.doi.org/10.53269/9780865593169/04.
Full textFreedman, Jonathan. "The Jew in the Museum." In The Temple Of Culture, 15–54. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195131574.003.0002.
Full textWiedemeyer, Nina. "Fernando Domínguez Rubio: Still Life. Ecologies of the Modern Imagination at the Art Museum, Chicago/London 2020." In MUSEALE RESTE, 104–6. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110733372-013.
Full textBrier, Bob. "Who Owns Tutankhamun?" In Tutankhamun and the Tomb that Changed the World, 257—C19.P23. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197635056.003.0020.
Full textPoston, Larry. "Da‘wah in the East: The Expansion of Islam from the First to the Twelfth Century,." In Islamic Da‘wah in the West, 26–47. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195072273.003.0003.
Full textConference papers on the topic "Chicago Museum of Contempory Art"
Cmeciu, Doina, and Camelia Cmeciu. "VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.
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