Journal articles: 'Chaumet'

1

Spencer, Samia I. "Au bonheur des voiles by Stéphane Chaumet." French Review 87, no. 4 (2014): 248–49. http://dx.doi.org/10.1353/tfr.2014.0277.

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Lee, Eun Hee, and Sung Won Lee. "A Study on the Naturalistic Design Formative Characteristics of the Brand Chaumet Jewelry -Centered around the 2016 Naturalism Collection(La Nature de Chaumet)." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 24, no. 2 (June 30, 2018): 573–83. http://dx.doi.org/10.18208/ksdc.2018.24.2.573.

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Calenda, Angela. "La métamorphose des Minéides en chauves-souris dans l’Ovide moralisé." Reinardus / Yearbook of the International Reynard Society 28 (December 31, 2016): 23–30. http://dx.doi.org/10.1075/rein.28.02cal.

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La présente étude s’occupe de l’épisode de la transformation des filles de Minyas en chauves-souris, tel qu’il est décrit dans le quatrième livre de l’Ovide moralisé. Cette œuvre est la première traduction intégrale en langue romane des Métamorphoses et comprend quelques 72000 octosyllabes dans les manuscrits complets. L’ouvrage, probablement rédigé par un franciscain, a une valeur hautement didactique, qui ressort surtout dans les moralisations, que le clerc a ajoutées à la traduction des Métamorphoses. Dans un premier temps, nous analyserons la description de l’animal, qui mérite attention du fait que la chauve-souris est considérée, dans la tradition naturaliste antique, comme une bête hybride, entre oiseau et souris, ce qui donne lieu à un traitement original de la part de l’auteur de l’Ovide moralisé. De là, nous essayerons d’expliquer les multiples facettes de la chauve-souris à l’intérieur du mythe des Minéides, en étudiant les multiples sens qui en découlent dans le texte français, et leur utilisation pour illustrer le comportement du chrétien exemplaire.

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Blant, M., M. Moretti, and W. Tinner. "Fréquence de quelques chiroptères durant l'Holocène." Geographica Helvetica 63, no. 3 (September 30, 2008): 188–92. http://dx.doi.org/10.5194/gh-63-188-2008.

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Abstract. Des datations au 14C de crânes de chauves- souris ont été effectuées sur des collectes provenant de grottes du sud et du nord des Alpes suisses. Le but de ce projet était de cerner les époques dapparition de quelques espèces forestières considérées comme traceurs de périodes chaudes ou froides, puis de mettre en relation leur insertion chronologique avec les successions végétales de l'Holocène. Les données montrent une présence de longue durée pour Myotis bechsteinii et Myotis brandtii, un traceur mésothermophile et un traceur psychrophile. Une espèce thermophile méditerranéenne, Myotis blythii, apparaît dans un intervalle de temps plus restreint. La fréquence des espèces peut être expliquée au moins en partie par les successions végétales et les déboisements. En outre, les résultats suggèrent une corrélation entre la présence despèces rares thermophiles comme Myotis bechsteinii et des phases à climat chaud pendant lHolocène.

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Katunga Musale, M., R. Balonga, and J. Fernandez. "Note préliminaire sur les ennemis de Setaria sphacelata (Schum) Stapf et Hubbard, à Nioka, Zaïre." Revue d’élevage et de médecine vétérinaire des pays tropicaux 44, no. 3 (March 1, 1991): 381–83. http://dx.doi.org/10.19182/remvt.9181.

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L'étude préliminaire faite sur les ennemis de Setaria sphacelata dans les deux fermes du Centre de recherches de Nioka (Zaïre) a permis d'identifier quelques insectes dont les chenilles parasitent les chaumes. L'incidence de l'attaque des chaumes par les chenilles paraît non négligeable. Quelques oiseaux prédateurs des graines ont également été identifiés.

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6

Stafford, N. "Pierre Chaulet." BMJ 346, jan30 1 (January 30, 2013): f571. http://dx.doi.org/10.1136/bmj.f571.

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Witherington, T. Derrick. "Praying in the Breach: Worshiping through the End of Metaphysics." Horizons 45, no. 2 (November 29, 2018): 317–46. http://dx.doi.org/10.1017/hor.2018.73.

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In recent years, discussion has raged within theologies inspired by Continental philosophy of religion regarding the supposed “overcoming” of ontotheology. In this article, I will consider the theological methodology of Louis-Marie Chauvet, a sacramental theologian whose work has been highly influenced by these discussions. For Chauvet, it is the liturgy that provides human beings with the necessary means, not for overcoming ontotheology, but for learning to livewithit in a healthy way. Through the liturgy, we learn towork throughontotheology, and thus to hear the call of Being to appropriation and thankful response. This is, however, quite a bit to ask of our liturgies, and I suggest that the only way that Chauvet's method can function is if it is placed in a framework of dialogue. I adopt this framework from Chauvet and expand upon it, which results in an innovativerelectureof Chauvet's theology.

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Nantoumé, H., A. Kouriba, and B. Ouologuem. "Effets de la durée de conservation et du séchage sur la teneur en azote des fourrages pauvres traités à l’urée." Revue d’élevage et de médecine vétérinaire des pays tropicaux 54, no. 1 (January 1, 2001): 43. http://dx.doi.org/10.19182/remvt.9804.

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Dans le cadre d’une expérimentation de 90 jours conçue pour étudier les effets de la durée de conservation et du séchage sur la teneur en azote de fourrages pauvres (paille de brousse, chaumes de sorgho, chaumes de maïs et chaumes de mil) traités à 4,5 p. 100 d’urée, des bocaux ont été utilisés comme silos de laboratoire. La teneur en azote des fourrages traités est restée significativement plus élevée (P < 0,05) que celle des fourrages non traités, quelle qu’ait été la durée de conservation. Le séchage a diminué la teneur en azote (P < 0,05) des fourrages traités. Une fois le traitement effectif (15 jours), la teneur en azote des fourrages traités n’a pas varié (p > 0,05) au cours de l’essai. L’étude a montré qu’il était plus avantageux d’offrir les fourrages traités non séchés pour minimiser les pertes d’azote au cours du séchage.

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9

James, N. "Replication for Chauvet Cave." Antiquity 90, no. 350 (April 2016): 519–24. http://dx.doi.org/10.15184/aqy.2016.63.

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As radiocarbon dates were announced, the wall paintings and engravings in Chauvet Cave, France, were hailed as fine art far earlier than any recognised before: here was the ‘Dawn of art’ (Figure 1; Chauvet et al. 1996). Soon after discovery, in 1994, the cave was closed to protect the images from chemical and microbial damage. In 2014, it was added to the World Heritage List. Then, in April 2015, replicas of the most striking imagery were opened at a purpose-built site, the Caverne du Pont d'Arc.

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Pettitt, Paul, and Paul Bahn. "An alternative chronology for the art of Chauvet cave." Antiquity 89, no. 345 (June 2015): 542–53. http://dx.doi.org/10.15184/aqy.2015.21.

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It is now 20 years since the discovery of the Grotte Chauvet with its impressive cave art, but controversy continues over the antiquity of the images. Radiocarbon assays have been used to argue that the ‘black series’ charcoal drawings date to the Aurignacian period, more than 20 000 years earlier than traditional stylistic models would suggest. This paper questions the validity of the radiometric dating and cautions against reliance solely on the date of the charcoal. Instead, the authors propose an alternative chronology for the art of Chauvet based on stylistic comparanda, palaeontological remains and stratigraphic evidence.

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11

Urteaga, Eguzki. "Reseña del libro CHAUBET, F. (2014): Michel Crozier. Réformer la société française. París: Les Belles Lettres, p.336." Revista Internacional de Organizaciones, no. 24 (September 18, 2019): 395–401. http://dx.doi.org/10.17345/rio24.395-401.

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12

Blanchet, Guy. "2020 : année la plus chaude en France, l'une des trois les plus chaudes dans le monde." La Météorologie, no. 113 (2021): 002. http://dx.doi.org/10.37053/lameteorologie-2021-0034.

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13

Willard, Thomas. "Chaucer and the Subversion of Form, ed. Thomas A. Prendergast and Jessica Rosenfeld. Cambridge Studies in Medieval Literature, 104. Cambridge and New York: Cambridge University Press, 2018, pp. ix, 224." Mediaevistik 31, no. 1 (January 1, 2018): 430. http://dx.doi.org/10.3726/med012018_430.

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Readers of Chaucer become accustomed to his self-deprecating humor. In one famous example, the character of Chaucer the Canterbury pilgrim begins telling the tale of a knight named Sir Thopas who tries to rescue the elf queen. He uses such complicated verse forms that the host tells him to stop the “rym doggerel” and to “telle in prose somewhat.” Chaucer the poet thus shows his virtuosity and his humanity. The host is not an uncultured boor, as some early critics said; however, the pilgrim does not speak as Chaucer himself would have done on such an occasion.

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14

Baffier, Dominique. "Chauvet : la réalité augmentée." Médium 32 - 33, no. 3 (2012): 334. http://dx.doi.org/10.3917/mediu.032.0334.

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Cathelineau, Pierre-Christophe, and Claude Landman. "Entretien avec Monseigneur Chauvet." La revue lacanienne 19, no. 1 (2018): 51. http://dx.doi.org/10.3917/lrl.181.0051.

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Valladas, Hélène, and Jean Clottes. "Style, Chauvet and radiocarbon." Antiquity 77, no. 295 (March 2003): 142–45. http://dx.doi.org/10.1017/s0003598x00061433.

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The article by Bahn and Pettitt (above) carries the suggestion that the diverse dates obtained for Candamo in some way throw doubt on those for Chauvet and by implication on the performance of the Laboratoire des Sciences du Climat et de l'Environnement (LSCE) at Yvette-sur-Gif (Gif). The authors respond. Readers might also like to note the article by Marian Scott and colleagues which follows.

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17

Niebauer, Michael. "Chauvet and Anglican Sacramentology." Journal of Anglican Studies 16, no. 1 (February 13, 2018): 50–65. http://dx.doi.org/10.1017/s1740355317000249.

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AbstractThis essay demonstrates how Louis-Marie Chauvet’s sacramental theology both coheres with the sacramentology of the Anglican divines and challenges the multitude of sacramental expressions within Anglicanism today. After giving a brief background to the sacramental controversies inherited by both Chauvet and Richard Hooker, the first section of this essay argues that key similarities exist between unitive Anglican sacramental concepts and core components of Louis-Marie Chauvet’s fundamental theology as outlined in his monograph Symbol and Sacrament. After demonstrating that, through these similarities, Chauvet’s theology should be seen as a fruitful conversation partner with Anglican sacramentology, the second section of the essay will focus on two concepts within Symbol and Sacrament (the Eucharist as stumbling block and ritual as symbolic rupture) that hold the potential to enrich sacramentology within Anglicanism today.

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18

Behrmann, Rodrigo de Balbín. "Chauvet, chronologie et archéologie." L'Anthropologie 118, no. 2 (April 2014): 159–62. http://dx.doi.org/10.1016/j.anthro.2014.03.001.

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Cârciumaru, Marin, Elena-Cristina Nițu, and Paul Bahn. "Coliboaia is not Chauvet." L'Anthropologie 123, no. 1 (January 2019): 19–38. http://dx.doi.org/10.1016/j.anthro.2019.02.005.

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20

T. S. Miller. "Chaucer Abroad, Chaucer at Home:." Chaucer Review 47, no. 1 (2012): 25. http://dx.doi.org/10.5325/chaucerrev.47.1.0025.

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Spearing, A. C. "Renaissance Chaucer and Father Chaucer." English 34, no. 148 (March 1, 1985): 1–38. http://dx.doi.org/10.1093/english/34.148.1.

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22

Beal, Jane. "Susanna Fein and David Rabin, ed., Chaucer: Visual Approaches. University Park, Penn.: The Pennsylvania State University Press, 2016, pp. 302." Mediaevistik 32, no. 1 (January 1, 2020): 486–88. http://dx.doi.org/10.3726/med.2019.01.131.

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When Susanna Fein and David Rabin, the editors of The Chaucer Review, set out to celebrate the 50th anniversary of their journal, they chose an excellent theme for a book: visual approaches to Chaucer. The result of their choice and their collaboration with other Chaucerian scholars is a valuable book: Chaucer: Visual Approaches. In an age when it is possible to view myriad images of Chauceriana online just through a Google keyword search, it is necessary to articulate logical ways of analyzing the available visual materials and relating them to Chaucer’s literary works. As Fein and Rabin state in their preface: “In offering to Chaucerians and other medievalists an amply illustrated volume of essays, we hope to display an array of models for how Chaucer may be read alongside visual evidence” (xv). Their book does indeed achieve this aim, and it does so in part through its organization. The volume is divided into three parts: “Ways of Seeing,” “Chaucerian Imagescapes,” and “Chaucer Illustrated.”

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Delannoy, Jean-Jacques, Bruno David, Jean-Michel Geneste, Margaret Katherine, Bryce Barker, Ray L. Whear, and Robert G. Gunn. "The social construction of caves and rockshelters: Chauvet Cave (France) and Nawarla Gabarnmang (Australia)." Antiquity 87, no. 335 (March 1, 2013): 12–29. http://dx.doi.org/10.1017/s0003598x00048596.

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Caves and rockshelters are a key component of the archaeological record but are often regarded as natural places conveniently exploited by human communities. Archaeomorphological study shows however that they are not inert spaces but have frequently been modified by human action, sometimes in ways that imply a strong symbolic significance. In this paper the concept of ‘aménagement’, the re-shaping of a material space or of elements within it, is applied to Chauvet Cave in France and Nawarla Gabarnmang rockshelter in Australia. Deep within Chauvet Cave, fallen blocks were moved into position to augment the natural structure known as The Cactus, while at Nawarla Gabarnmang, blocks were removed from the ceiling and supporting pillars removed and discarded down the talus slope. These are hence not ‘natural’ places, but modified and socially constructed.

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Pearsall, Derek, David Aers, Michael Alexander, and Tim William Machan. "Chaucer." Modern Language Review 84, no. 1 (January 1989): 112. http://dx.doi.org/10.2307/3731955.

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25

Hussey, S. S., George Kane, and Alexander Weiss. "Chaucer." Yearbook of English Studies 18 (1988): 254. http://dx.doi.org/10.2307/3508207.

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26

Boffey, Julia. "Proverbial Chaucer and the Chaucer Canon." Huntington Library Quarterly 58, no. 1 (January 1995): 37–47. http://dx.doi.org/10.2307/3817896.

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Taylor, Paul Beekman, and Sophie Bordier. "Chaucer and the Latin Muses." Traditio 47 (1992): 215–32. http://dx.doi.org/10.1017/s0362152900007236.

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Muse of the uniqueHistorical fact, defending with silenceSome world of yours beholding, a silenceNo explosion can conquer, but a lover's yesHas been known to fill.W. H. Auden, ‘Homage to Clio’The Clio and Calliope evoked in the prohemia of Books II and III of Troilus and Criseyde are handily glossed in Chaucer editions as Muses of history and epic poetry respectively, but without citations of sources for these attributions. Stephen A. Barney's notes in The Riverside Chaucer suggest that in both evocations Chaucer is following Statius rather than Dante, and both he and B. A. Windeatt mention the marginal gloss ‘Cleo domina eloquentie’ in MS Harley 2392 of Troilus. Vincent J. DiMarco's note to the name Polymya in Anelida and Arcite identifies her as Muse of ‘sacred song,’ after her name-sense ‘she who is rich in hymns,’ but DiMarco does not elaborate on her pertinence to the context of the poem. There is little in current Chaucer criticism on schemes of attributes for the Muses; and yet without an idea of what values for the Muses Chaucer is drawing upon, it is difficult to appreciate their thematic force in Troilus.

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Pettitt, Paul, and Paul Bahn. "Current problems in dating Palaeolithic cave art: Candamo and Chauvet." Antiquity 77, no. 295 (March 2003): 134–41. http://dx.doi.org/10.1017/s0003598x00061421.

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New discoveries of cave art at Chauvet and elsewhere have produced radiocarbon dates which may seem startlingly early and demand dramatic revision to the traditional stylistic sequence. The authors warn that the radiocarbon dates may themselves need better validation.

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Mauk, Steven, Michel Blavet, George Wolfe, Bruce Ronkin, and Robert Frascotti. "Sonata No. 5: "La Chauvet"." Notes 42, no. 2 (December 1985): 405. http://dx.doi.org/10.2307/897458.

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Aït-Khaled, Nadia. "Pierre Chaulet, 1930–2012 [Obituary]." International Journal of Tuberculosis and Lung Disease 16, no. 12 (December 1, 2012): 1713–14. http://dx.doi.org/10.5588/ijtld.12.0798.

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31

Jowsey-Gregoire, Sheila G., Martin Kumnig, Emmanuel Morelon, Elisa Moreno, Palmina Petruzzo, and Christian Seulin. "The Chauvet 2014 Meeting Report." Transplantation 100, no. 7 (July 2016): 1453–59. http://dx.doi.org/10.1097/tp.0000000000001013.

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Jouve, Guy, Paul Pettitt, and Paul Bahn. "Chauvet Cave's art remains undated." L'Anthropologie 124, no. 3 (October 2020): 102765. http://dx.doi.org/10.1016/j.anthro.2020.102765.

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33

Klinger, Barbara. "Cave of Forgotten Dreams: Meditations on 3D." Film Quarterly 65, no. 3 (2012): 38–43. http://dx.doi.org/10.1525/fq.2012.65.3.38.

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Werner Herzog's Cave of Forgotten Dreams features the oldest known art in the world—Paleolithic-era paintings in France's Chauvet Cave. His documentary not only reveals the cave's wonders, but offers a subtle commentary on 3D and its relationship to cinematic space, spectacle, science, art, and older media techniques and forms.

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34

Koverienė, Indrė, Indrė Višinskaitė, and Edita Baltrūnaitė. "Interview with Prof. Frederic Chaume." Respectus Philologicus, no. 37(42) (April 20, 2020): 218–24. http://dx.doi.org/10.15388/respectus.2020.37.42.52.

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On the 19th of September 2019 Vilnius University, Kaunas Faculty welcomed a world-class researcher, Professor of audiovisual translation at Universitat Jaume I (Spain) and Honorary Professor at University College London (UK) Frederic Chaume. During a five-day visit, he presented a series of lectures and workshops titled Multimodal Research in Audiovisual Translation: Translation Paradigm of AVT Products in 2019.

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35

Clottes, Jean. "Thematic changes in Upper Palaeolithic art: a view from the Grotte Chauvet." Antiquity 70, no. 268 (June 1996): 276–88. http://dx.doi.org/10.1017/s0003598x00083277.

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Trustworthy dates on charcoal from the classic European painted caves have given a sharper view of images and their making in the later Palaeolithic. The new Grotte Chauvet has its own original themes, revealing a striking and an unexpected Aurignacian art with — again — dates from charcoal in which one can have confidence.

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O'Brien, Timothy D., and Paul Strohm. "Social Chaucer." Journal of the Midwest Modern Language Association 23, no. 2 (1990): 46. http://dx.doi.org/10.2307/1315223.

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Olson, Paul A., and Paul Strohm. "Social Chaucer." Comparative Literature 45, no. 1 (1993): 68. http://dx.doi.org/10.2307/1771309.

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Crafton, John Micheal, and Velma Bourgeois Richmond. "Geoffrey Chaucer." South Atlantic Review 58, no. 4 (November 1993): 138. http://dx.doi.org/10.2307/3201017.

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Twu, Krista Sue-Lo, Lindsey Simon-Jones, and Derrick Pitard. "IV Chaucer." Year's Work in English Studies 98, no. 1 (2019): 267–90. http://dx.doi.org/10.1093/ywes/maz014.

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AbstractThis chapter has six sections: 1. General; 2. The Canterbury Tales; 3. Troilus and Criseyde; 4. The Legend of Good Women; 5. Other Works; 6. Reception. Sections 1(a) and 1(b) are by Lindsey Simon-Jones; section 1(c) is by Krista Sue-Lo Twu; section 2 is by Krista Sue-Lo Twu; sections 3 and 5 are by Derrick Pitard; sections 4 and 6 are by Lindsey Simon-Jones.

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Frank, Robert Worth. "Inept Chaucer." Studies in the Age of Chaucer 11, no. 1 (1989): 5–14. http://dx.doi.org/10.1353/sac.1989.0000.

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Cooper, Helen. "After Chaucer." Studies in the Age of Chaucer 25, no. 1 (2003): 3–24. http://dx.doi.org/10.1353/sac.2003.0037.

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Green, Richard Firth. "Changing Chaucer." Studies in the Age of Chaucer 25, no. 1 (2003): 27–52. http://dx.doi.org/10.1353/sac.2003.0047.

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Aranye Fradenburg, L. O. "Living Chaucer." Studies in the Age of Chaucer 33, no. 1 (2011): 41–64. http://dx.doi.org/10.1353/sac.2011.0035.

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Daniel J. Ransom. "Imprecise Chaucer." Chaucer Review 43, no. 4 (2009): 376–99. http://dx.doi.org/10.1353/cr.0.0019.

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Lynch, Kathryn L. "Dating Chaucer." Chaucer Review 42, no. 1 (2007): 1–22. http://dx.doi.org/10.1353/cr.2007.0022.

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Kao, Wan-Chuan. "Cute Chaucer." Exemplaria 30, no. 2 (April 3, 2018): 147–71. http://dx.doi.org/10.1080/10412573.2018.1453653.

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Hagen, Susan K. "Interdisciplinary Chaucer." Exemplaria 8, no. 2 (January 1996): 449–53. http://dx.doi.org/10.1179/exm.1996.8.2.449.

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Burger, Glenn. "Queer Chaucer." ESC: English Studies in Canada 20, no. 2 (1994): 153–70. http://dx.doi.org/10.1353/esc.1994.0032.

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49

GREEN, EUGENE. "CHAUCER TAPED." Essays in Criticism XXXIX, no. 2 (1989): 156–61. http://dx.doi.org/10.1093/eic/xxxix.2.156.

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50

MINNIS, A. J. "ORDERING CHAUCER." Essays in Criticism XXXV, no. 3 (1985): 265–69. http://dx.doi.org/10.1093/eic/xxxv.3.265.

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Journal articles on the topic 'Chaumet'

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