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Books on the topic 'Chateau garden'

Author: Grafiati
Published: 28 June 2021
Last updated: 1 February 2022

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1

Ōhashi, Haruzō. The tea garden =: Chatei. Tokyo, Japan: Graphic-sha Pub. Co., 1989.

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2

Babelon, Jean-Pierre. Versailles: Guide to the chateau and the gardens. Paris: Connaissance des Arts, 1991.

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3

Ohashi, Haruzo. Tea garden: [photographed by Haruzo Ohashi] = Chatei. Tokyo, Japan: Graphic-sha Pub. Co., 1989.

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4

Miller, Daniel DeKalb. Chateau country: Du Pont estates in the Brandywine Valley. Atglen, Pa: Schiffer Publishing, 2013.

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5

Bajard, Sophie. Villas and gardens of Tuscany. Paris: Terrail, 1993.

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6

de, Givry Jacques, ed. Versailles: Le potager du Roi, ou, Manière de montrer le lac des Suisses, le potager et le balbi. 2nd ed. Les Loges-en-Josas, France: JDG Publications, 1994.

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7

Avery, Kevin J. John Vanderlyn's panoramic view of the palace and gardens of Versailles. New York: Metropolitan Museum of Art, 1988.

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8

Chatham Village: Pittsburgh's Garden City. University of Pittsburgh Press, 2011.

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9

Dingwall-Main, Alex. The Vine Garden: A Life-Changing Summer in the Gardens, Vineyards and Chateaux of the Heart of France. Random House, 2006.

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10

The Vine Garden: A Life-Changing Summer in the Gardens, Vineyards and Chateaux of the Heart of France. Random House, 2006.

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11

Streidt, Gert. Potsdam: Die Schlosser Und Garten Der Hohenzollern = Palaces and Gardens of the Hohenzollern = Chateaux Et Jardins Des Hohenzollern (Art & Architecture). Konemann, 1997.

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12

Garden City quadrangle, Georgia--Chatham Co., 1980: 7.5 minute series orthophotomap (topographic). For sale by the Survey, 1997.

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13

Bencini, Raffaello, and Sophie Bajard. Villas and Gardens of Tuscany. Vilo International, 1996.

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14

Lyons, John D., ed. The Oxford Handbook of the Baroque. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190678449.001.0001.

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Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term ‘Baroque,’ the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankind’s view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
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15

Avery, Kevin J., and Peter L. Fodera. John Vanderlyn's Panoramic View of the Palace and Gardens of Versailles. Yale University Press, 2012.

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