Academic literature on the topic 'Château de Trémazan (France)'
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Journal articles on the topic "Château de Trémazan (France)"
Schmitt, Dorit. "R&S setzt auf Tierwohl." Lebensmittel Zeitung 74, no. 40 (2022): 52. http://dx.doi.org/10.51202/0947-7527-2022-40-052.
Full textMelonio, Françoise. "Les tribulations du libéralisme en France." Tocqueville Review 17, no. 2 (January 1996): 3–18. http://dx.doi.org/10.3138/ttr.17.2.3.
Full textLafarge, Ivan. "Tremblay-en-France (Seine-Saint-Denis). Ferme du château." Archéologie médiévale, no. 51 (December 20, 2021): 207. http://dx.doi.org/10.4000/archeomed.41725.
Full textWitman, Richard, and Richard Wittman. "Félix Duban's Didactic Restoration of the Château de Blois: A History of France in Stone." Journal of the Society of Architectural Historians 55, no. 4 (December 1, 1996): 412–34. http://dx.doi.org/10.2307/991182.
Full textGuillaume, Jean. "Château, jardin, paysage en France du XVe au XVIIe siècle." Revue de l'Art 124, no. 1 (1999): 13–32. http://dx.doi.org/10.3406/rvart.1999.348442.
Full textMoulin, Jacques. "Le château d'Aunoy et l'apparition en France du jardin à l'anglaise." Bulletin Monumental 149, no. 2 (1991): 201–24. http://dx.doi.org/10.3406/bulmo.1991.3244.
Full textBlock, Elaine C. "Italian Influence on French Gothic Choir Stalls." Reinardus / Yearbook of the International Reynard Society 12 (September 15, 1999): 19–34. http://dx.doi.org/10.1075/rein.12.03blo.
Full textLafarge, Ivan. "Tremblay-en-France (Seine-Saint-Denis). Ferme Dubois – ancienne Ferme du Château." Archéologie médiévale, no. 49 (December 20, 2019): 245–46. http://dx.doi.org/10.4000/archeomed.25037.
Full textGuillaume, Jean. "Château, jardin, paysage en France du XV e au XVII e siècle." Revue de l'art N° 124, no. 2 (February 1, 1999): 13–32. http://dx.doi.org/10.3917/rda.124.0013.
Full textFrau, Camille. "Upper Aptian ammonites from Roussillon, southern France." Fossil Imprint 79, no. 1 (2023): 89–101. http://dx.doi.org/10.37520/fi.2023.005.
Full textDissertations / Theses on the topic "Château de Trémazan (France)"
Prunet-Tricaud, Marie-Rose. "Le château d'Assier en Quercy." Paris 4, 2003. http://www.theses.fr/2003PA040101.
Full textFrom the présent stat of the château of Assier, which represents about one-tenth of the edifice built by Galiot de Genouillac between 1515 and 1540, it is difficult to have an idea of the former greatness and quality of the edifice. As captain-general of the French artillery in 1512 and François Ist great equerry in 1525, Galiot was an eminent figure at the court, whose architectural and humanistic tastes he expresses before others in Southern France. With some exceptional documents it is possible, not only to form an idea, but also to restitute very precisely the lost wings. This study is based on the analysis of the various historical documents -figurative, manuscript or printed sources- which are confronted with the remains either on-site or dispersed. It leads to the restitution of the architecture and decoration, and to the account of the influences undergone and then exerted by what was, according to Brantôme, "the most superb house one could see"
Leicher, Anna. "Le château en Anjou entre 1840 et 1880." Lyon 2, 1999. http://www.theses.fr/1999LYO20044.
Full textLeroux, Laure. "Le château de Biron (Dordogne) : étude archéologique, historique et architecturale." Caen, 2016. http://www.theses.fr/2016CAEN1023.
Full textSituated on the borders of Périgord and Agenais, the château de Biron is one of the main castles of Aquitaine. Its complexity inspired a thesis dedicated to the historical and architectural evolutions of the castle, based on an archaeological approach, combining study of the elevated structures and some excavations in the court of the castle. These four years researches revealed the genesis of the castle around the tenth century, while the count of Toulouse was trying to extend his territorial reach in southern Périgord. Two centuries later, the strategic situation and the development of the fortress attracted the interest of dukes Plantagenêt, to control the counties of Agenais and Quercy. They helped the lineage of Gontaud to take the castle and married their heiress with a mercenary, Martin Algais, seneschal of Périgord for the king John, killed by Simon de Montfort, during the Albigensian Crusade. At the thirteenth and fourteenth century, the creation of bastides near the castle weakened durably the lineage, which played an opportunist politic to survive during the Hundred Years War. At the end of the fifteenth century, the lords of Biron undertook ambitious works to transform the ancient fortress in a gorgeous residence in late flamboyant gothic style, with some ornaments inspired by Italian Renaissance. In the second half of the sixteenth century, their heirs ensured their social ascension by offering their diplomatic and military abilities to the latest Valois and transforming the castle in a spot to keep watch the protestant Agenais. The treason and execution of Charles de Gontaud, Maréchal of Biron in 1602 caused the long desertion of the castle
Blary, François. "Château-Thierry : des comtes de Vermandois aux ducs de Bouillon : contribution à l'étude des phénomènes urbains." Paris 1, 2001. http://www.theses.fr/2001PA010536.
Full textPalumbo, Maria Anita. "Barbès, Château-Rouge, Goutte d’Or. Ailleurs commence ici : anthropologie d’un espace d’altérité dans Paris." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0623.
Full textThe Parisian area of Barbès-La Goutte d'Or-Château Rouge is historically a working class and immigrant area, where present day life combines density and diversity of population and uses, which makes it one of the most cosmopolitan areas of Paris. Public space here is characterized by an atmosphere that makes the inhabitants as well as the visitors feel elsewhere. This area works as a centre of african commercial activities in Europe. Contrary to the media's stigmatic portrayal of this area as an exception in Paris, projrcting it as a dangerous and lawless neighborhood in the capital, the Public Urban Policies have actually been investing in this area since the 80s. My research investigates this area from different points of view to analyse how in the past and present it is produced and operates as a "space of otherness" into/of Paris. Following the requirements of a contemporary urban monographic ethnography which preserves the unity of place as a unit of object and not as the limits of the area of investigation, my ethnography goes far beyond the spatial and administrative boundaries of the district. I propose an analysis of different "social scenes" including the inhabitants points of view to the political discourse, the concrete space to its mediatic mirror, the observation of the on-going transformation to the analysis of urban planning and their future projections. These set of analyses are located at various scales that contribute into the production of this part of the city and produce it as an area between Paris and its opposite, between here and there, between the known and the unknown. By putting in practice the strabismus necessary in doing urban anthropology today, I scrutinise the subject in a double perspective: on one hand describing daily life in this district; in the multilayered marginal space of the city-centre, what kind of urbanity develops? What is the specificity of "city-making of Barbès? I also question the role of this area in the Paris global economy. How Barbès inhabits Paris? How Paris inhabits Barbès? This thesis contributes to the analysis of the relationship between city (spatiality) and otherness. It also questions the present day role and status of such spaces of elsewhere in contemporary cities, in which a different urbanity is developed and which often thwarts the dominant reules of urban society or at least exhibit their conventionality?
Schloder, John E. "La peinture au château de Richelieu." Paris 4, 1988. http://www.theses.fr/1988PA040056.
Full textThe great castle built by cardinal Richelieu (1585-1642) in Poitou no longer exists; the treasures once housed there have been dispersed. This thesis, based on unpublished documents, traces the history of the painting collection in Richelieu’s castle: its formation at the beginning of the seventeenth century, the decoration of the great rooms in Richelieu’s time, the changes made by the duke in the eighteenth century, the dispersion of the collection during the revolution and the arrival of certain masterpieces in the French national collections (the Louvre, Versailles, the Tours and Orleans museums) and in private collections, both inside and outside France. This dissertation also presents numerous unpublished documents such as the only known plan of the castle's main floor (where the bulk of the collection was housed), a rare visitor's description discovered at the Bodleian library (Oxford), which is dated 1637 and thus describes the collection during the cardinal's lifetime. In all, it is possible to catalog 70 paintings (20 here published for the first time), which in all likelihood adorned the castle in the seventeenth century. Several are by the same artist; in my opinion, Nicolas Prevost, a little-known painter today, but who played an eminent role in the decoration of the castle for nearly ten years. The thesis also lists lost paintings by Raphael, Titian, van Dyck, Rubens, Dürer, among others, and those erroneously attributed to Richelieu’s
Morin, Christophe. "Bâtiments d'utilité : accès et abords du château au XVIIIe siècle : le cas de l'Ile-de-France." Paris 1, 2002. http://www.theses.fr/2002PA010548.
Full textReigniez, Pascal. "Histoire du château de Cubzac et de la seigneurie du cubzaguais : Vème - XVIème siècles." Paris 8, 1994. http://www.theses.fr/1994PA080984.
Full textAThe aim of this thesis is the history of the castle and seigniory of Cubzac, on the actual departement of Gironde (s. W. Of France), on the north of Bordeaux, near the Dordogne river. This castle was built between 1250-1252 by Simon V of Montfort, on the order from the king of england. The seigniory of Cubzac was created in 1341 by Edouard III, whitch gived it to Berard first of Albret. The place of Cubzac was built like a bastide : it was among the first on this country of Bordeaux, but it was a defeat too. Our research relates the history of Cubzac since the english presence in Aquitaine until the castillon battle, in 1453. The castle of Cubzac, sometimes called "quatre fils Aymon castle", or "Montauban", was often root of historics errors, rectified by our present research
Trézin, Christian. "Grignan, du castellum au palais d'Apolidon : les mutations d'un château provençal (XIe-XVIIIe s.)." Tours, 2006. http://www.theses.fr/2006TOUR2009.
Full textThis monographic study is an example of the architectural evolution and of the social function of a castle over a very long time lapse. It is based on various sources such as archaeology, texts, drawings, photographs, architectural analysis. It shows that the castellum of Grignan appears around 1000 in a formerly organized soil -partly fossilised up to the XVIIIth century in the domain of Cordy- and that the castrum, formed before 1119, was equipped with enclosures, joined to the defences of the castle, which mark out its extension up to the XVIth century. Limited by the original platform, the castle went through several transformations, each of them respecting the main symbolic aspects of the former building. In the XIIIth and XIVth centuries the form of its defences is organised around an aula-camera-capella residential unit. Preceded in 1495-1516 by a gallery and a straight stairway ribbed vault, that presents the first italianizing ornaments, the main transformation is due to Louis Adhemar that orders to Antoine Soysson, from Picardy, the works of collegial St-Sauveur (1539-1542) then partly those of the castle (1540-1558). The same unusual implementation of orders is also used in the castles of Suze-la-Rousse (1544-1556) and La Garde-Adhémar (1545-1547). The question of the models, between northern France and Roman monument of the Midi, is the heart or this movement. It is also possible to suggest the identification of Grignan with the Rosmarino project of Serlio. At last from 1684 to 1689 a classical frontage unify the Eastern wing. Dismantled in 1793 the castle is restored from 1913
Maury, Gilles. "Le château Vaissier, 1892-1929 : archéologies de la demeure orientaliste d'un savonnier de Roubaix." Versailles-St Quentin en Yvelines, 2009. http://www.theses.fr/2009VERS002S.
Full textThe castle of the soap-manufacturer Victor Vaissier (1851-1923) was built in the center of the Lille metropolis during it economic expansion. Known as the "palace of Congo", this mansion was in fact closer to the Taj-Mahal and gave hundreds of Indian artistical references. The architect, Edouard Rozan (1842-1901) from Roubaix, had materialized the strange desires of this client, famous for his advanced commercial ideas. Destroyed in 1929, the castle remains associated to the strong memories left by Victor Vaissier. It still fascinates, but the complete lack of primary sources had for a long time hindered any kind of research. How to tell the story of a building, without the architect's archives, or those of the owner, and without the building itself ? The reconstitution of this history has been made by the architectural reception instruments. The comparison between historical sources with the material traces left by the demolition - preserved or reused elements - has authorized a kind of archaeology of the studied object. By questioning the diffusion of indian architecture in France, by examining what the trademark and the commercial imagination were like the archaelogy of the architectural project reveals the conditions of the creation and the inspirations of this oriental palace. Despite its fancy look, Castle Vaissier was in fact a very well built construction, for which the architect had to coordinate skilled building firms and renowned artists. Mostly considered as a local curiosity until now, Castle Vaissier has recovered a national and international status thanks to this reconstructed history
Books on the topic "Château de Trémazan (France)"
Association "SOS château de Trémazan." Le Trémazan des Du Chastel: Du château fort à la ruine : actes du colloque de Brest, 10, 11 et 12 juin 2004. Brest: Centre de recherche bretonne et celtique, 2006.
Find full textChalmin-Sirot, Elisabeth. Le château d'Annecy. Lyon: Presses universitaires de Lyon, 1990.
Find full textJulien, Gracq. Château d'Argol. London: Pushkin Press, 1991.
Find full textJulien, Gracq. Château d'argol. London: Pushkin, 1999.
Find full textLabeille, Christine. Le Château d'Aulteribe. Paris: Éditions du patrimoine, Centre des monuments nationaux, 2009.
Find full textLabeille, Christine. Le Château d'Aulteribe. Paris: Éditions du patrimoine, Centre des monuments nationaux, 2009.
Find full textJean-Marc, Piel, ed. Château de Dampierre. Cabourg: Cahiers du temps, 2002.
Find full textBabelon, Jean Pierre. Le Château d'Amboise. Arles: Actes sud, 2004.
Find full textArlaux, Claire. Le château de Kerjean: Un château Renaissance en Bretagne. Spézet]: Coop Breizh, 2011.
Find full textCueille, Sophie. Le Château de Montal. Paris: Éditions du patrimoine, Centre des monuments nationaux, 2009.
Find full textBook chapters on the topic "Château de Trémazan (France)"
Palmer, Michael B. "The History of Le Château de Chenonceau 1." In The Daniel Wilsons in France, 1819–1919, 37–48. First edition. | New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026778-4.
Full textWijsman, Hanno. "Livres et bibliothèques au château en France et dans les anciens Pays-Bas aux XVe et XVIe siècles." In Lire, danser et chanter au château. La culture châtelaine, XIII-XVIIe siècles, 199–219. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.stmh-eb.5.110795.
Full textMotte, Virginie, and Nicolas Melard. "Traces de la vie quotidienne dans une prison médiévale : les graffitis du château de Selles à Cambrai, Nord (France)." In Lire, danser et chanter au château. La culture châtelaine, XIII-XVIIe siècles, 221–35. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.stmh-eb.5.110796.
Full textContamine, Philippe. "Château, consommation et commercialisation dans la France de la fin du moyen âge: que faisait-on des redevances et des prélèvements seigneuriaux en nature? Étude de cas." In Lieu de pouvoir, lieu de gestion, 243–58. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stmh-eb.1.100048.
Full textJunot, Yves, and Violet Soen. "Au-delà de Château-Porcien et Montcornet. Les laboratoires de définition de la noblesse et de la religion aux frontières de France, de Lorraine et des Pays-Bas (xvie–xviie siècle)." In Burgundica, 23–51. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.burg-eb.5.120960.
Full text"Château Thuerry in Villecroze, France." In Wine and Architecture, 40–43. DETAIL, 2012. http://dx.doi.org/10.11129/detail.9783955530556.40.
Full textMouny, Sandrine. "Le château d’Eaucourt-sur-Somme." In Places fortes des Hauts-de-France –1–. Publications de l’Institut de recherches historiques du Septentrion, 2018. http://dx.doi.org/10.4000/books.irhis.1362.
Full textByhet, Thomas. "Le château d’Étaples au xvie siècle." In Places fortes des Hauts-de-France –1–. Publications de l’Institut de recherches historiques du Septentrion, 2018. http://dx.doi.org/10.4000/books.irhis.3072.
Full textLeman, Victorien, and Lucie Jeanneret. "Le château des Créquy à Fressin." In Places fortes des Hauts-de-France –1–. Publications de l’Institut de recherches historiques du Septentrion, 2018. http://dx.doi.org/10.4000/books.irhis.873.
Full textDoyle, Arthur Conan. "The Lord of ChÂteau Noir." In Gothic Tales. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198734307.003.0015.
Full textConference papers on the topic "Château de Trémazan (France)"
Rousset, D., H. Perroud, J. P. Goutouly, and J. P. Gaudillère. "DC Resistivity Monitoring of a Vineyard Château Couhins – Bordeaux – France." In Near Surface 2005 - 11th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2005. http://dx.doi.org/10.3997/2214-4609-pdb.13.p056.
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