Academic literature on the topic 'Château de Clagny, Versailles'
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Journal articles on the topic "Château de Clagny, Versailles"
Dufour, Jean-Yves. "Versailles (Yvelines). Château de Versailles, cour Royale." Archéologie médiévale, no. 37 (December 1, 2007): 206. http://dx.doi.org/10.4000/archeomed.45915.
Full textDufour, Jean-Yves. "Versailles (Yvelines). Château de Versailles, cour de l’Opéra." Archéologie médiévale, no. 37 (December 1, 2007): 207. http://dx.doi.org/10.4000/archeomed.45920.
Full textKrause, Peter. "ZAUBER DER VERWANDLUNG." Opernwelt 65, no. 5 (2024): 46–47. http://dx.doi.org/10.5771/0030-3690-2024-5-046.
Full textLoilier, Dominique. "Restauratrice au château de Versailles." Diplômées 195, no. 1 (2000): 241–43. http://dx.doi.org/10.3406/femdi.2000.7921.
Full textDufour, Jean-Yves. "Versailles (Yvelines). Château de Versailles, cour du Grand Commun." Archéologie médiévale, no. 37 (December 1, 2007): 207. http://dx.doi.org/10.4000/archeomed.45925.
Full textDauphin, Noëlle. "Versailles, le château et la ville." Histoire urbaine 9, no. 1 (2004): 79. http://dx.doi.org/10.3917/rhu.009.0079.
Full textLe Tourneau, Dominique. "Claire CONSTANS - Philippe LAMARQUE (éds.), Les Salles des Croisades. Château de Versailles, Château de Versailles-Éditions du Gui, Versailles-Doussard 2002, 500 pp." Anuario de Historia de la Iglesia 12 (May 2, 2018): 495–97. http://dx.doi.org/10.15581/007.12.23828.
Full textLe Guillou, Jean-Claude, and Jean-Yves Dufour. "L’enceinte du château de Louis XIII à Versailles." Bulletin Monumental 166, no. 4 (2008): 305–13. http://dx.doi.org/10.3406/bulmo.2008.2007.
Full textLavoie, Vincent. "Les Animaux du Roi au Château de Versailles." Revue de l'art N° 218, no. 4 (February 23, 2023): 80–83. http://dx.doi.org/10.3917/rda.218.0080.
Full textBlaizeau, Robert. "Le château de Versailles pendant la Seconde Guerre mondiale." Versalia. Revue de la Société des Amis de Versailles 19, no. 1 (2016): 93–108. http://dx.doi.org/10.3406/versa.2016.960.
Full textDissertations / Theses on the topic "Château de Clagny, Versailles"
Leferme-Falguières, Frédérique. "Le monde des courtisans : la haute noblesse et le cérémonial royal aux XVIIe et XVIIIe siècles." Paris 1, 2004. http://www.theses.fr/2004PA010670.
Full textSzanto, Catherine. "Le promeneur dans le jardin : de la promenade considérée comme acte esthétique. Regard sur les jardins de Versailles." Phd thesis, Université Paris VIII Vincennes-Saint Denis, 2009. http://tel.archives-ouvertes.fr/tel-00537912.
Full textSzántó, Catherine. "Le Promeneur dans le jardin : de la promenade considérée comme acte esthétique : Regard sur les jardins de Versailles." Paris 8, 2009. http://octaviana.fr/document/152080066#?c=0&m=0&s=0&cv=0.
Full textRecently there has been a new awareness among garden historians of the importance of movement in shaping the experience of a garden. Indeed, the garden exists for its visitors only inasmuch as its spaces have been discovered, sensed, “lived”. The garden is the garden explored. Promenade – a leisurely walk with no other end than itself – is thus a privileged activity to study spatial experience. Despite historians' awareness of an itinerary through the gardens devised by Louis XIV himself, Versailles has hardly been studied as a place for promenade. In my thesis I look at the experiential potential of the gardens of Versailles by combining 17th century descriptions of promenades in the garden and a phenomenological description of spatial experience corroborated by recent physiological research on perception. Thus, our ability to move defines the structures of the spatio-temporal modes of „here” and „there”. Through the changes or continuity in specific sensory experiences that occur as we move, the garden offers the possibility for heightened experiences of ‘here’ – views, objects, spaces seen on axis - and ‘there’ – distant views and objects that appear reachable. But more subtly, the garden can accompany the transition from the fulfillment of being ‘here’ to the desire of going ‘there’ and thus enrich our motion itself. Space is here conceived not as a backdrop that we see as we move, but as an invitation to motion, as a spatial dialogue taking the shape of a promenade. The richness of this dialogue in Versailles comes from the complexity of the choices offered to the promeneur, allowing one to build through time a meaningful aesthetic experience of the garden
Santini, Chiara. "Il giardino di Versailles come modello di progettazione del paesaggio : maîtres jardiniers e tecniche d'aménagement del territorio nell'età del re Sole." Paris, EHESS, 2004. http://www.theses.fr/2004EHES0152.
Full textThis thesis aims at outlining the creation of a model of landscape organization, the one of the garden of Versailles, focusing the attention on the formation and pratice of the technicians who made it. The target of this work is analysing the theoretical process and the practical realization of a landscape-organization project put into effect in France, at the King Sun age for the creation of the Grand Parc of Versailles. The reearch articulates through three main themes : 1) the publication, during the first half of the XVII century, of art and garden composition treatrises which theorise a new model of garden-space. 2) The analysis of administrative practices, of the techniques and knowledge used by several trade corporations which work for 50 years in the yard of versailles. 3) The birth and the formation of a new gardener role, nearer to the one of the landscape-painter architect more than the simple horticulture man
Landgraf, Eric. "Louis-Philippe, roi bâtisseur : le rêve d'une nation unifiée. Le chantier du château de Versailles de 1830 à 1848." Thesis, université Paris-Saclay, 2021. http://www.theses.fr/2021UPASK008.
Full textBy deciding, in 1832, to transform the Palace of Versailles into a historical and military museum evoking all of France's glorious eras and, first and foremost, its regime, King Louis-Philippe left a lasting impression on the masterpiece of his forefather Louis XIV and, through its grandiose scenography, sent a strong political message to the country. The importance of the construction site bears witness to the monarch's personal investment in the protection of heritage monuments. Led by the sovereign's armed wing, the Civil List, the construction site then undertaken led the castle to be transformed into a place of remembrance. Louis-Philippe thus sought to federate the various political currents and unify them in a single site dedicated to the post-revolutionary nation. This royal act paved the way for the configuration of the Palace as we know it today. The remarkable attendance that resulted marks the beginning of the gradual democratization of the monument. Major works will forever modify the large apartments of the South, North and Central wings. In the course of our study, we wanted to revive the directors of this new decor, namely the elite of civil servants of the Civil List, the operators or companies that were bidding for the contract and the immediate actors, the workers - all of them at work on the largest cultural site of the July Monarchy. A census of the workforce and consultation of the work reports allows us to understand the proliferation of tasks, to determine the three major sets of work - "maintenance", "major repairs" and "new and extraordinary works" - and to study the realization of the project. The demolitions transformed the place, the added decorations modified the original style and the museum exhibits mostly works of art painted and sculpted by the famous artists of the period in a setting chosen and modernized by the monarch. Our study finally establishes, thanks to a strict examination of the accounting archives, the financial balance sheet of the construction site, a controversial project at the time, whose expenses supervised by a meticulous administration were pushed by a king who was sometimes too thrifty, sometimes exaggerating his demands to the detriment of the allocated budget. The social balance sheet, for its part, appears more contrasted. It reinforces the idea that the July Monarchy is indeed a liberal and inegalitarian society, enriching the wealthy and granting the poor only low incomes in exchange for hard work. The construction site of the Palace of Versailles, a reflection of the entrepreneurial and working-class world of the mid-19th century, is a summary of the administrative, political and economic organization of Louis-Philippe's France
Sorkine, Florence. "Propagande et mécénat royal : les fêtes louis-quatorziennes à Versailles et leurs représentations, 1661-1682." Paris 3, 1993. http://www.theses.fr/1994PA030022.
Full textAlthough a real historic and social phenomenon, the "fete de cour" during the reign of louis xiv can now only be traced through the literature it gave rise to. Moreover this literature reveals the aesthetic choices of a regime which intended the celebrations, particularly those given at versailles, as a royal showcase. The study of the celebrations through this functional literature gives a glimpse of the beginnings of important changes in the regime, changes which are too often presented as a feature of the second period of the reign
Maral, Alexandre. "La chapelle royale de Versailles sous Louis XIV : architecture, institutions, liturgie." Paris 4, 1997. http://www.theses.fr/1997PA040041.
Full textFive chapels succeeded each other between 1661 and 1715. The chapel built in 1672, whose decoration was mainly due to Le Brun, was the most remarkable of the first three, whose existence was nevertheless very short. The chapel built in 1682, designed to be temporary, lasted in fact until 1710. Its internal decoration can be easily reconstituted. The last chapel, consecrated in 1710, was planned and built over a period of twenty years, and to the boldness of its architectural style it adds an amazing richness in its deeply symbolical iconography. The services of the chapel royal of Versailles were ensured by two groups of ecclesiastics: the king's household officers and, after the installation of the court at Versailles in 1682, the priests of the mission, also known as lazarists. Each of these institutions carried out precise functions, which have been rediscovered thanks to the sources coming from the officers of the king's household and the regulations of the chapel. It is through this latter document as well as the contemporary chronicles that the everyday life of the chapel can be reconstituted. The liturgical ceremonies, during which music was given a very important place, were numerous and varied. The fathers of the mission performed them with an immutable regularity, while the ecclesiastical officers of the king's household followed the movements of the court. Besides the ordinary masses and offices, which were identical to those performed in parish churches throughout the kingdom, some ceremonies in the presence of the king and his family took place in the chapel at Versailles. These particularly included princely baptisms and weddings, feasts of the order of the saint-esprit, bishops’ oaths and cardinals' receptions. In other respects, the almost sacerdotal function of the most Christian king was expressed by some rites which attributed an episcopal role to the king, like those of the aspersion of holy water, the kissing of the gospels and of the corporal, the incensing, the celebrant's bows. All these elements enable us to establish a coherent understanding of the king's religion in the context of the daily life of the French court at Versailles
Antichan, Sylvain. "Mettre la France en tableaux : la formation politique et sociale d’une iconographie nationale au musée historique du château de Versailles (1830-1950)." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010331.
Full textIn 1837, the Palace of Versailles was « converted » into a vast museum aiming to « gather allthe national historical memories that it belongs to the arts to perpetuate ». For about a century,the Second Empire, followed by the Third Republic, maintained, reshuffled and expanded themuseum, to include representations of contemporaneous events. This thesis aims tounderstand, based on a dense network of archival materials, the museum’s contribution to theelaboration and diffusion of a national and civic imagination.The iconographic analysis of nearly 1,300 paintings within the context of their palatialframework allows us to explore the pictorial and material representations of the political, theirsimilarities and differences. The issue, therefore, is to apprehend the manner in which thesehistoricized visions of the nation-Statecould hold and become internalized. Their success isnot only the result of political and administrative action, but also finds its source in the mutualreinforcement of different social spheres and loyalties. This national history takes shape byreproducing the actors’ most familiar environments, by borrowing from the domestic memoryof the “great notables” and from the norms and issues of professional groups (painters,historians, the military), or by solemnizing the popular habits. The history of France becomesobjective through this interpenetration of identities, through this mutual reinforcement ofsocial sectors, in these processes of politicization of the social and socialization of thepolitical. To understand the formation, content and diffusion of this national imaginationamounts to scrutinizing the systems of relationships between social groups, the evolvinginterrelations between everyday life and the national, between art and history, and betweenthe social and the political
Lacaze, Julien. "Validité et opposabilité des classements au titre des monuments historiques : la protection juridique du domaine de Versailles de l'origine à nos jours." Paris 10, 2004. http://www.theses.fr/2004PA100059.
Full textChâtelet, Valentine. "Nouvelles technologies et valorisations d'un patrimoine : les marbres, des Pyrénées à Versailles." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20081/document.
Full textThis thesis focuses on the enhanced promotion of the the French Pyrenees’ marble heritage through the use of mobile technologies. It aims to question the role of the art historian in the development of these activities on such territories. The quarrying of these Pyrenean marbles, a valued geological resource, dramatically transformed the makeup of mountainous landscapes and shaped the architecture of royal palaces; these marbles are an integral part of our heritage, in both tangible and intangible forms. Their promotion is multifaceted, invoking our perception of the landscape, of sustainable development, and of the concept of terroir itself. From a heritage point of view, mobile technologies offer new channels for cultural mediation. They therefore open up new avenues which can be seized upon by those involved in the promotion of this patrimony. Thanks to the support of Camineo, a company specialising in the interpretation of the marble heritage through mobile technologies, two projects were led in conjunction: one in the Pyrenees and the other on the Domaine du Trianon in Versailles. This has enabled us to question the contribution of history of art in the production of outreach material about this heritage, and more generally, on our perception of the environment
Books on the topic "Château de Clagny, Versailles"
Zega, Andrew. Versailles: Trianon, Marly : Clagny et Sceaux. [France]: Connaissance et mémoires, 2007.
Find full textHoste, Jean Georges d'. Tout Versailles. Florence: Bonechi, 2008.
Find full textThomas, Garnier, Christian Milet, Didier Saulnier, and Christophe Fouin. Le château de Versailles. Paris: Albin Michel, 2016.
Find full textLemoine, Pierre. Versailles: Château, domaine, collections. Paris: Art Lys, 2016.
Find full textLemoine, Pierre. Versailles: Château, estate, collections. Paris: Éditions Artlys, 2016.
Find full textCangioli, Paolo. Versailles. Alphen aan den Rijn: Atrium, 1989.
Find full textCangioli, Paolo. Versailles. [s.l.]: Manfred Pawlak, 1989.
Find full textGuillou, Jean-Claude Le. Versailles: Le château en construction. Versailles: Art Lys, 2006.
Find full textBabelon, Jean-Pierre. L'ABCdaire du Château de Versailles. Paris: Flammarion, 1996.
Find full textCornette, Joël. Versailles. Paris: Pluriel, 2012.
Find full textBook chapters on the topic "Château de Clagny, Versailles"
Perschler, Martin. "From Oblivion to Eternity: The Château de Versailles and the Politics of Commemoration in the 1920s." In Memory & Oblivion, 363–68. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_41.
Full text"Claude III Audran and Jean de La Fontaine’s Fables: Maintaining the Social Hierarchy." In Claude III Audran, Arbiter of the French Arabesque. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463729284_ch03.
Full textGiraud, Laurent. "Versailles dans les Mémoires d’un médecin d’Alexandre Dumas : du palais d’Ancien Régime au château romantique." In Châteaux romantiques, 133–43. Presses Universitaires de Bordeaux, 2005. http://dx.doi.org/10.4000/books.pub.28201.
Full textOppermann, Fabien. "Le milliardaire et le diplomate : le rôle de Jules Jusserand dans la donation Rockefeller pour le château de Versailles." In Deux grandes figures de l'amitié franco-américaine : Gabriel Hanotaux et Jules Jusserand, 99–111. Direction des Archives, 2023. http://dx.doi.org/10.4000/books.dameae.1856.
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