Relevant bibliographies by topics / Chartist

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  2. Dissertations / Theses
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Academic literature on the topic 'Chartist'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Chartist"

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Sykes, Robert. "Physical-Force Chartism: The Cotton District and the Chartist Crisis of 1839." International Review of Social History 30, no. 2 (August 1985): 207–36. http://dx.doi.org/10.1017/s0020859000111575.

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There is a real need to integrate local and national approaches to the study of Chartism. The inadequacies of the pioneering studies of the national movement certainly revealed the need to return to the local roots of the movement. However, the pattern of local studies largely established by the important volume of Chartist Studies edited by Asa Briggs has had some unfortunate consequences. The attempt to provide a comprehensive account of Chartism in a given locality, and cover the entire period from 1838 to 1848, has often precluded extended examination of key issues. Such matters as the relationship between Chartism and other forms of popular protest, Chartist ideology and tactics, the relationship between the Chartists and the middle class, and the whole cultural and organisational dimension of Chartism have only recently begun to receive detailed analysis. There has been a marked tendency for one of the most remarkable aspects of Chartism, the extent to which diverse localities were united in a national movement, to be obscured. Indeed it is evident that many historians returned to the local roots of Chartism without adequate assessments of Chartist ideology, tactics, national organisation and national leadership. Some important recent work has done much to enhance our understanding of such matters. A more meaningful assessment of how events in the localities interacted with the national movement is now possible.
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Clark, Anna. "The Rhetoric of Chartist Domesticity: Gender, Language, and Class in the 1830s and 1840s." Journal of British Studies 31, no. 1 (January 1992): 62–88. http://dx.doi.org/10.1086/385998.

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Who are compelling women and tender babes to procure the means of subsistence in the cotton factories—to be nipt in the bud, to be sacrificed at the shrine of Moloch? They are the rich, the capitalists. [Speech by Mr. Deegan, Chartist, at Stalybridge, 1839]A [Malthusian] pretended philosophy . . . crushes, through the bitter privations it inflicts upon us, the energies of our manhood, making our hearths desolate, our homes wretched, inflicting upon our heart's companions an eternal round of sorrow and despair. [Letter from George Harney to Yorkshire Chartists, 1838]Toryism just means ignorant children in rags, a drunken husband, and an unhappy wife. Chartism is to have a happy home, and smiling, intelligent, and happy families. [Speech by Mr. Macfarlane to Glasgow Chartists, 1839]Chartist political rhetoric was pervaded by images of domestic misery typified in these quotes. Historians have traditionally understood this stress on domesticity as a simple response to the Industrial Revolution's disruption of the home, either denigrating it as inchoate proletarian rage or celebrating it as a heroic defense of the working-class family. But domestic discontent was nothing new in the 1830s, for drink, wife beating, and sexual competition in the workplace had plagued plebeians for decades—if not centuries. Why then did it become such a potent political issue in the 1830s and 1840s? Following Gareth Stedman Jones, the question must be answered by analyzing Chartist domesticity not just as a reflection of social and economic changes, but as a trope that performed specific political functions in Chartist language.
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Sanders, Michael. "Plot and Character in Chartist Historiography." Bulletin of the John Rylands Library 94, no. 1 (March 2018): 55–66. http://dx.doi.org/10.7227/bjrl.94.1.5.

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Chartist historiography is inevitably inflected by the political desires of its authors. This desire, combined with the contingent nature of history, imparts a fictive dimension to Chartist historiography. In support of these claims, this article applies the literary concepts of plot and character to Mark Hovell’s The Chartist Movement (1918). It argues that Hovell’s political desire leads him to construct a tragic and entropic plot for Chartism, which is often contradicted by his own assessment of the movement’s vitality. Similarly, Hovell’s plotting is also driven by his reading of Chartism as a conflict between two characters, a flawed hero (Lovett) and a villain (O’Connor). The article closes with a close reading of Hovell’s characterisation of O’Connor, which demonstrates the skill with which he interweaves fact and interpretation.
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Turner, Michael J. "Ireland and Irishness in the political thought of Bronterre O'Brien." Irish Historical Studies 39, no. 153 (May 2014): 40–57. http://dx.doi.org/10.1017/s0021121400003618.

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Chartism, though weak in Ireland, was the most significant popular political mobilisation in nineteenth-century Britain. Among its main architects was the Irish-born radical journalist and orator, Bronterre O'Brien. This article will describe and explain a key element in O’Brien’s politics. Dubbed ‘the schoolmaster of Chartism’ because of his contribution to the movement's intellectual foundations, O'Brien was one of the few Chartist leaders who had celebrity status, though he broke with other leaders and with the mainstream movement in the early 1840s. His influence waned thereafter and his reputation among historians of Chartism is mixed, but his thoughts about Irish issues circulated widely for a time and they offer suggestive revelations about Ireland's importance to radicals of the Chartist era, about wider debates concerning Irish society and its problems, and about contemporary concepts of Irishness.
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Roberts, Stephen. "BAPTIST AND CHARTIST." Baptist Quarterly 42, no. 8 (October 2008): 516–18. http://dx.doi.org/10.1179/bqu.2008.42.8.002.

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SCRIVEN, TOM. "HUMOUR, SATIRE, AND SEXUALITY IN THE CULTURE OF EARLY CHARTISM." Historical Journal 57, no. 1 (January 29, 2014): 157–78. http://dx.doi.org/10.1017/s0018246x13000186.

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ABSTRACTHistories of Chartism have tended to emphasize the hegemony of respectability within the movement, and with histories of the popular press have seen the 1830s as a decisive break with older radical traditions of sexual libertarianism, bawdy political culture, and a satirical, sometimes obscene print culture. However, the basis of this position is a partial reading of the evidence. Work on London Chartists has emphasized their moralistic politics and publications at the expense of their rich populist and satirical press and the clear survival of piracy and romantic literature well into the Chartist period. The neglect of an important early leader, Henry Vincent, has meant the bawdy, sensual, and sometimes scatological letters he sent to his cousin in London have been overlooked as a source on the moral life of the Chartist generation. This article will address this by studying Vincent's letters in the context of London's populist press, particularly the work of his friends John Cleave and Henry Hetherington. Vincent's humour and attitude towards sexuality clearly reflect a broader tendency in London radicalism, while his own efforts as a newspaper editor in Bath indicate that acerbic humour was an important aspect not just of Chartism's political critique, but of its appeal to the provincial working class.
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Turner, Michael J. "Thomas Perronet Thompson, “Sensible Chartism” and the Chimera of Radical Unity." Albion 33, no. 1 (2001): 51–74. http://dx.doi.org/10.1017/s0095139000066370.

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Radical disunity and diffusion of effort were cardinal features of mid-nineteenth-century British politics, but only infrequently has Chartism been viewed in this context. Some historians of Chartism prefer to stress its economic roots, or treat it as a rational response to political events, or regard it as a collection of local mobilizations rather than an organized national movement. Others focus upon its democratic ideology and practice, its significance as a mass activity involving “outsiders” (the unskilled, women, the Irish), its symbols, dress, and other forms of display, or upon the deployment of military and police to combat Chartism at times of serious disorder (notably in 1839, 1842, and 1848). Some commentators regard Chartism as the basis for mid-Victorian working-class liberalism, commending the intelligent artisans of London who drew up the Charter, and condemning the violence of the Chartist North. For Dorothy Thompson Chartism was a political movement inspired by concern about threats to workers’ rights. Gareth Stedman Jones has argued that Chartist agitation marks a continuation of familiar pre-1832 radical aims and rhetoric, and that it must be explained with reference to the nature of the state, not class consciousness or the trade cycle.
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MESSNER, ANDREW. "LAND, LEADERSHIP, CULTURE, AND EMIGRATION: SOME PROBLEMS IN CHARTIST HISTORIOGRAPHY." Historical Journal 42, no. 4 (December 1999): 1093–109. http://dx.doi.org/10.1017/s0018246x99008663.

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In 1996 Miles Taylor published an historiographical review of Chartism in which he argued that our understanding of the movement has stagnated since the publication of important research by Gareth Stedman Jones and Dorothy Thompson in 1983–4. Taylor suggests that the new cultural history of politics (or the ‘linguistic turn’) is to blame for this ‘impasse’, and argues that scholars should consolidate the work of Stedman Jones and Thompson. I argue that Chartist historians should continue to engage with contemporary approaches. The new political history sheds light on some persistent problems of interpretation which Taylor passes over. It also raises the possibility of extending the study of Chartism into the colonial realm, an area historians have not yet seriously broached. In conclusion, a sketch is given of the significance of Chartist political culture in one episode of protest in the Australian colony of Victoria in 1853.
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Breton, Rob. "From Politics to Pope: An Account of the Group Aesthetic." Humanities 8, no. 1 (February 20, 2019): 32. http://dx.doi.org/10.3390/h8010032.

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This paper discusses the study of Chartist and working-class literatures, noting that the pronounced development of aesthetic criticism in these areas uncomfortably corresponds with the rejection of “aesthetics” in other fields. Chartist, working-class, and laboring-class scholars have broken free from monolithically sociological or political readings that only a generation ago too often dismissed artistic endeavors as, at best, merely a re-accenting of the mainstream. Current studies focus on the aesthetic innovations that emerged out of working-class entanglements with mainstream counterparts. The paper argues that the rejection of “aesthetics” generally fails to recognize marginalized and group aesthetics (including the critical work done on marginalized and group aesthetics) and specifically what it meant for a political cohort—the Chartists are my example—to think aesthetically.
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Gibson, Josh. "The Chartists and the Constitution: Revisiting British Popular Constitutionalism." Journal of British Studies 56, no. 1 (January 2017): 70–90. http://dx.doi.org/10.1017/jbr.2016.121.

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AbstractDespite having a powerful influence on the historiography of radicalism and nineteenth-century politics for the past several decades, the language of the constitution has not recently received scholarly attention. In Chartist and radical historiography, the constitution is usually treated as a narrative of national political development. This article extends the horizons of Chartist constitutionalism by exploring its similarities with American constitutionalism. By doing so, it also opens up questions regarding the ideas of the movement. Like the Americans sixty years before, the Chartists were confronted by a parliament that they believed had superseded its constitutional authority. This perception was informed by a belief that the constitution rested on the authority of the fixed principles of fundamental law, which they argued placed limits beyond which Parliament had no power to reach. As a result, the Chartists imagined that the British constitution functioned like a written constitution. To support this claim, they drew on a sophisticated interpretation of English law that argued that the common law was closely related to natural law.
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Dissertations / Theses on the topic "Chartist"

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Selander, Carina. "Chartist trading in exchange rate theory." Doctoral thesis, Umeå : Department of Economics, Umeå University, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-922.

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Gibson, Joshua. "The political thought of the Chartist Movement." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277026.

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The Chartist movement was the mass-movement for constitutional reform in mid-nineteenth-century Britain. Chartism is one of the most written about subjects in modern British history, yet the ideas of the movement remain strangely neglected. This thesis tackles this problem by examining Chartist ideas along a broad front. By examining the political thought of a movement, rather than a select number of highly educated intellectuals, this thesis also makes a statement about how to study popular political ideas. Chapter One locates the foundations of Chartist political thought in the movement’s social and cultural context. It asks what the Chartists read and were able to read, how they viewed knowledge and education, and the religious basis of Chartist intellectualism. Chapter Two turns to Chartist political theory, in particular, the Chartist interpretation of the British constitution. It is shown that Chartists drew on a sophisticated conception of the common law that rooted the British Constitution in natural law. Chapter Three considers Chartism’s economic ideas, which, it is argued, must be understood in relation to their understanding of classical political economy. Chapter Four examiners Chartist natural-right arguments alongside the ideas of non-Chartist radicals. Finally, Chapter Five traces the careers of a number of Chartists and the influence of Chartist ideas in America. It also attempts to take account of what Chartism meant to Americans. By considering these topics, this thesis provides a clearer impression of why ideas were important to the Chartists, what sort of ideas the Chartists held, and the legacies of Chartist ideas for democratic politics later in the century.
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Randall, Timothy Simon. "Towards a cultural democracy : Chartist literature 1837-1860." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386383.

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This thesis assesses the poetry and fiction written by participants of the Chartist political movement between 1837 and 1860. The poetry was often crude, unsophisticated and occasionally derivative, but it effectively employed irony, parody, and various metaphoric tropes, to state the justness of the Chartist cause, or to express revolutionary defiance. Often sung or recited, the earlier poetry especially, was closely integrated into Chartist agitation. The longer narrative verse demonstrated the cultural potential of the politically disfranchised working class. Prison poetry asserted the imprisoned Chartist's intellectual freedom from oppression. The militant rhetoric of later Chartist poetry masked a sense of increasing desperation as the movement declined. Short, often historical, fiction was written to analyse political movements and events, although it was not until the late 1840s that Chartist novels were written. A couple of these analysed the movement itself; its past mistakes and future possibilities. Most Chartist novels however withdrew from direct political advocacy; relying instead upon the novelist's power to determine fictional events, and the individual reader's wish to imagine a more just life, they resolved political and social problems solely within their artificial, fictional world. The evolutionary shift which Chartist literature underwent can be characterised as the transition from the Chartist song, celebrating a Chartist leader, sung at a demonstration by a hundred thousand people; to the Chartist novel, attacking the aristocracy, published in a magazine sold to a hundred thousand people. Similar imagery and motifs recurred across time and in different genres, although often serving different functions. This thesis concludes that Chartist literature was a vital component of Chartist culture; that it possessed literary merit and historical significance; and furthermore, that there were strong connections between the decline of this mass political movement from the early 1840s, and the emergence of a mass commercial fiction during the 1840s &
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Airey, Glenn. "Feargus O'Connor 1842-1855 : a study in Chartist leadership." Thesis, Staffordshire University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275462.

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Schwab, Ulrike. "The poetry of the Chartist movement : a literary and historical study /." Dordrecht : Kluwer academic publ, 1993. http://catalogue.bnf.fr/ark:/12148/cb35575211s.

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Dengate, Jacob. "Lighting the torch of liberty : the French Revolution and Chartist political culture, 1838-1852." Thesis, Aberystwyth University, 2017. http://hdl.handle.net/2160/eee3b4b8-ba1e-48bd-848e-26391b96af26.

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From 1838 until the end of the European Revolutions in 1852, the French Revolution provided Chartists with a repertoire of symbolism that Chartists would deploy in their activism, histories, and literature to foster a sense of collective consciousness, define a democratic world-view, and encourage internationalist sentiment. Challenging conservative notions of the revolution as a bloody and anarchic affair, Chartists constructed histories of 1789 that posed the era as a romantic struggle for freedom and nationhood analogous to their own, and one that was deeply entwined with British history and national identity. During the 1830s, Chartist opposition to the New Poor Law drew from the gothic repertoire of the Bastille to frame inequality in Britain. The workhouse 'bastile' was not viewed simply as an illegitimate imposition upon Britain, but came to symbolise the character of class rule. Meanwhile, Chartist newspapers also printed fictions based on the French Revolution, inserting Chartist concerns into the narratives, and their histories of 1789 stressed the similarity between France on the eve of revolution and Britain on the eve of the Charter. During the 1840s Chartist internationalism was contextualised by a framework of thinking about international politics constructed around the Revolutions of 1789 and 1830, while the convulsions of Continental Europe during 1848 were interpreted as both a confirmation of Chartist historical discourse and as the opening of a new era of international struggle. In the Democratic Review (1849-1850), the Red Republican (1850), and The Friend of the People (1850-1852), Chartists like George Julian Harney, Helen Macfarlane, William James Linton, and Gerald Massey, along with leading figures of the radical émigrés of 1848, characterised 'democracy' as a spirit of action and a system of belief. For them, the democratic heritage was populated by a diverse array of figures, including the Apostles of Jesus, Martin Luther, the romantic poets, and the Jacobins of 1793. The 'Red Republicanism' that flourished during 1848-1852 was sustained by the historical viewpoints arrived at during the Chartist period generally. Attempts to define a 'science' of socialism was as much about correcting the misadventures of past ages as it was a means to realise the promise announced by the 'Springtime of the Peoples'.
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Morgan, J. A. "The transmission and reception of P.B. Shelley in Owenite and Chartist newspapers and periodicals." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/32931/.

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This thesis examines the nature of the relationship between Shelley and the thought, politics, and discursive practices of Owenism and Chartism. Its objects of analysis are Owenite periodicals and Chartist newspapers, which I theorise as active in the process of transmission and reception. This thesis locates the reception and transmission of Shelley’s poetry and politics within the broader context of the movements’ political and social commitments. It makes an original contribution to knowledge by demonstrating that the movements used Shelley’s poetry critically and with discrimination. It also argues that Owenite and Chartist approaches to Shelley changed as the movements developed over time in response to historical pressures. I argue that a cultural materialist approach enables us to reconsider the nature of Shelley’s influence and popularity within these movements, something that has become a critical commonplace. It also allows us to distinguish between Owenite and Chartist ‘Shelleys’. I argue that the Owenite periodicals the Crisis and the New Moral World produced a qualitatively different Shelley from the one that emerged in Chartist newspapers such as the Northern Star. Although there was a degree of overlap between the two movements in terms of social commitments and personnel, the parameters set by the formal qualities and discursive strategies of the movements’ print cultures allowed different Shelleys to emerge within them. In terms of content, the Owenites quoted Shelley’s poetry to support their social theories and the most frequently quoted poems were Queen Mab and The Revolt of Islam. The Chartists also used Queen Mab, but were less interested in a feminist poem like Revolt and more interested in poems that allowed them to articulate class conflict. I account for such differences within my broader argument: that the two movements had qualitatively different conceptions of the possibilities of language and aesthetics, and different approaches to social conflict.
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Mccawley, Nichola Lee. "Re-sounding radicalism : echo in William Blake and the chartist poets Ernest Jones and Gerald Massey." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/resounding-radicalism-echo-in-william-blake-and-the-chartist-poets-ernest-jones-and-gerald-massey(c8cc6dbf-b0c2-4b1a-9e9e-a0b284e0ff73).html.

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This thesis argues that William Blake’s poetry creates meaning through internal poetic echoes, and that these Blakean echoes re-sound in Ernest Jones and Gerald Massey’s Poetry. There is no demonstrable link between Blake and Chartism; this raises the question of how to account for poetic echoes that occur in the absence of a direct link. The thesis uses two complementary methodological strategies. The significance of the Blakean echoes in Jones and Massey’s work will be demonstrated through extensive close textual analysis. This is accompanied by the historically focused argument that the Blakean echoes in Chartist poetry can be explained by a shared underlying cultural matrix of radical politics and radical Christianity. Chapter 1 opens by presenting the evidence against a demonstrable link between Blake and the Chartists. It outlines how the lack of a direct link impacts upon our understanding of the Blakean echoes in Chartist poetry. Existing theories of influence insufficiently describe these textual effects; this chapter draws upon aspects of Intertextuality and New Historicist theory to propose that Blake, Jones and Massey’s poetry is best considered in terms of echo, re-sounding and correspondence. Chapter 2 addresses the question of how Blakean echoes can occur in the absence of a direct link. Using recent Blake scholarship as a methodological model, this chapter outlines the ‘cultural matrix’ theory, suggesting that Blake and the Chartists engaged with many of the same radical historical ‘threads’. Chapter 3 explores key examples of Shelleyan influence in Jones and Massey’s poetry. This chapter highlights the direct intertextual link between Shelley and the Chartists and demonstrates how Chartist poetry might be discussed in terms of influence and allusion. Chapter 4 outlines the most notable Blakean echoes in the poetry of Jones. Jones’ poetry resonates with images of Priestcraft and Kingcraft, as well as chains and binding; similar images play a central role in Blake’s Songs of Innocence and Experience. The chapter contains significant engagement with Blake studies; it presents Blake’s imagery as echoingly interconnected both within and across poems and collections. Chapter 5 extends this close textual exploration to the work of Massey. Massey’s poetry contains many of the key Blakean images identified in the work of Jones. However, ‘The Three Voices’ contains an uncanny resonance of Blake; echo occurs as mis-hearing and trace. ‘Echo’ is not being used as a simple substitute for ‘allusion’, ‘influence’ or ‘intertext’, but here denotes an entirely different textual effect that must be judged in new terms. The conclusion summarises the thesis and asks whether the radical nature of Blake, Jones and Massey’s shared culture may have affected not only their vocabulary of imagery, but also the way in which these images were deployed.
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Vickers, Roy. "The gospel of social discontent : religious language and the narrative of Christian election in the Chartist poetry of Thomas Cooper, Ernest Jones and William James Linton." Thesis, Liverpool John Moores University, 2004. http://researchonline.ljmu.ac.uk/5774/.

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Merlyn, Teri, and n/a. "Writing Revolution: The British Radical Literary Tradition as the Seminal Force in the Development of Adult Education, its Australian Context, and the Life and Work of Eric Lambert." Griffith University. School of Vocational, Technology and Arts Education, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040616.131738.

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This thesis tells the story of an historical tradition of radical literacy and literature that is defined as the British radical literary tradition. It takes the meaning of literature at its broadest understanding and identifies the literary and educational relations of what E.P. Thompson terms 'the making of the English working class' through its struggle for literacy and freedom. The study traces the developing dialectic of literary radicalism and the emergent hegemony of capitalism through the dissemination of radical ideas in literature and a groundswell of public literacy. The proposed radical tradition is defined by the oppositional stance of its participants, from the radical intellectual's critical texts to the striving for literacy and access to literature by working class people. This oppositional discourse emerged in the fourteenth century concomitant with nascent capitalism and has its literary origins in utopian vision. This nascent utopian imagination conceived a democratic socialism that underpinned the character of much of the following oppositional discourse. The thesis establishes the nexus of the oppositional discourse as a radical literary tradition and the earliest instances of adult education in autodidacticism and informal adult education. The ascent of middle class power through the industrial revolution is shadowed by the corresponding descent of the working class into poverty. Concomitant with this social polarisation is the phenomena of working class literary agency as the means to political and economic agency. While Protestant dissenting groups such as the Diggers and Levellers were revolutionary activists, it was Methodism that formed a bulwark against revolution. Yet it was their emphasis on self-improvement that contributed to an increasingly literate populace. Radical texts produced and disseminated by individuals and organisations and read by autodidactics and informal reading groups are seminal in the formation of a working class identity. Spearheaded by the Chartist movement, education became a central ethic of working class politics and the civil struggle for economic and political justice throughout the nineteenth and well into the twentieth centuries. The avant garde movements of the early twentieth century are analysed as a strand of this tradition. The narrative of the thesis then moves to the penal colony of Australia and explores the radical literary tradition's development there. Early colonial culture is seen as having a strong impetus towards a developing a native literary expression of the new land. Where conservative colonial literature struggled to differentiate itself from formal British literary models, the radical heritage and its utopian vision of a working man's paradise gave definitive expression to the Australian experience. This expression was strongly influenced by Chartist ideals. The British radical literary tradition is thus seen to have had a dominant influence in the development of a native radical literary tradition that strove to identify the national character. Socialist thought developed in Australia in concert with that in the parent culture, and anarchist and libertarian trends found a ready home amongst independent minded colonials. Yet, in preventing the formation of a native aristocracy the small radical population made a compromise with liberalism that saw a decidedly conservative streak develop in the early labour movement. There were little in the way of sophisticated radical literary offerings at first, but from the mid-nineteenth century a vanguard of radicals produced a thriving native press and other fugitive text forms. At the turn of the century the native radical literary tradition was vibrantly diverse, with a definitive style that claimed literary ownership of the Australian character. However, exhausted by the battles over WWI conscription and isolated by censorship, the Communist Party of the Soviet Union was able to subsume the vanguard position from the socialists. The Party laid claim to the Australian radical literary tradition, at once both strengthening it with the discipline of a Marxist ideology and diminishing its independence and diversity. Party literary theory centred upon the issue of class, developing a doctrine of socialist realism that communist writers were expected to practice. How well a writer adhered to socialist realist principles became a measure of their class position and loyalty. Drawing more from primary sources, the thesis develops an analysis of the intellectual development of the Australian post-WWII writer Eric Lambert through his experience of class instability during Depression and war. The study examines Lambert's decision to join the Party and his literary response to his experiences of war, the Party, the turmoil of 1956 and life after the Party. Lambert's body of work is then analysed as the unintentional memoir of a writer working as an adult educator in the radical literary tradition. Lambert's struggles, for artistic independence within the narrow precepts of Party dogma and with class tensions, were common amongst intellectuals committed to the communist cause. Like many of his peers, Lambert resigned from the Party at the end of 1956 and suffered a period of ideological vacuum. However, he continued to write as a Marxian educator, seeking to reveal that which makes us human in the humanity of ordinary people. It is concluded that, while the Party did much to foster disciplined cohesion, the mutual distrust it generated amongst its intellectuals suppressed the independent thought that had kept the radical literary tradition alive. Although the Party developed an ideological strength within the radical literary tradition, its dominance over thirty years and subsequent fall from grace acted to fragment and discredit that centuries-old tradition which it subsumed. An argument is made for a reinvestment of the centrality of the radical literary tradition in the education of adults for the maintenance of social justice and the democratic project.
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Books on the topic "Chartist"

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Cole, G. D. H. Chartist portraits. London: Cassell, 1989.

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1958-, Haywood Ian, ed. Chartist fiction. Aldershot, Hants, England: Ashgate, 2001.

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Cole, G. D. H. Chartist portraits. London: Cassell, 1989.

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Hovell, Mark. The Chartist movement. Brookfield, Vt: Gregg Revivals, 1993.

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Beasley, Edward. The Chartist General. Abingdon, Oxon ; New York, NY : Routledge, 2016. | Series:: Routledge, 2016. http://dx.doi.org/10.4324/9781315517292.

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R, Ashton Owen, Fyson Robert, and Roberts Stephen 1950-, eds. The chartist legacy. Rendlesham, Nr. Woodbridge, Suffolk: Merlin Press, 1999.

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Howell, George. Ernest Jones, the Chartist. [Newcastle?: s.n.], 1987.

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Hadfield, Alice Mary. The Chartist Land Company. Aylesbury: Square Edge Books, 2000.

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Archer, Michael D., and James L. Bickford, eds. The Forex Chartist Companion. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2012. http://dx.doi.org/10.1002/9781119197935.

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Schwarzkopf, Jutta. Women in the Chartist movement. London: Macmillan, 1991.

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Book chapters on the topic "Chartist"

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Haywood, Ian. "The Chartist Carnival." In The Rise of Victorian Caricature, 191–231. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-34659-1_5.

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"Chartist Goals." In Chartism, 45–63. Routledge, 2002. http://dx.doi.org/10.4324/9780203005101-5.

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"Chartist Strategies." In Chartism, 64–74. Routledge, 2002. http://dx.doi.org/10.4324/9780203005101-6.

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Chase, Malcolm. "Chartist lives." In Chartism. Manchester University Press, 2013. http://dx.doi.org/10.7765/9781847791368.00015.

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"Front matter." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00001.

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"Dedication." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00002.

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"Contents." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00003.

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"List of figures." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00004.

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"List of tables." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00005.

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"Acknowledgements." In Chartist drama. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526142078.00006.

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Conference papers on the topic "Chartist"

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Sharma, Monika, Shikha Gupta, Arindam Chowdhury, and Lovekesh Vig. "ChartNet: Visual Reasoning over Statistical Charts using MAC-Networks." In 2019 International Joint Conference on Neural Networks (IJCNN). IEEE, 2019. http://dx.doi.org/10.1109/ijcnn.2019.8852427.

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Shen, Zhengshu, Jami J. Shah, and Joseph K. Davidson. "Virtual Part Arrangement in Assemblies for Automatic Tolerance Chart Based Stackup Analysis." In ASME 2006 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/detc2006-99184.

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Manual construction of design tolerance charts is a popular technique for analyzing tolerance accumulation in parts and assemblies, even though it is limited to one-dimensional worst-case analysis. Since charting rules are GD&T (geometric dimensioning & tolerancing) specification dependent, and the user has to remember all the different rules to construct a valid tolerance chart, manual charting technique is time-consuming and error-prone. The computer can be used for automated tolerance charting, which can relieve the user from the tedious and error-prone procedure while obtain the valid results faster. The automation of tolerance charting, based on the ASU GD&T mathematical model, involves (1) automation of stackup loop detection, (2) formulation of the charting rules for different geometric tolerances and determination of the closed form function for statistical analysis, (3) automatic part arrangement for an assembly level chart analysis, (4) development of the algorithms for chart analysis and automatic application of the charting rules. Since the authors’ previous DETC/CIE’03 paper already discussed tasks 1~2 and part of task 4, this paper will focus upon task 3, i.e. virtual part arrangement in assemblies for tolerance charts, and update the analysis algorithm (related to task 4). These two papers together will provide a complete coverage of automated tolerance charting technique popularly used in industry. The implementation will be briefly discussed as well, and case studies will be provided to demonstrate the approach to virtual part arrangement.
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Shen, Zhengshu, Jami J. Shah, and Joseph K. Davidson. "Automation of Linear Tolerance Charts and Extension to Statistical Tolerance Analysis." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/cie-48179.

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Manual construction of tolerance charts is a popular technique for analyzing tolerance accumulation in parts and assemblies. But this technique has some limitations: (1) it only deals with the worst-case analysis, and not statistical analysis (2) it is time-consuming and errorprone (3) it considers variations in only one direction at a time, i.e. radial or linear. This paper proposes a method to automate 1-D tolerance charting, based on the ASU GD&T global model and to add statistical tolerance analysis functionality to the charting analysis. The automation of tolerance charting involves automation of stackup loop detection, automatic application of the rules for chart construction and determination of the closed form function for statistical analysis. The automated analysis considers both dimensional and geometric tolerances defined as per the ASME Y14.5 – 1994 standard at part and assembly level. The implementation of a prototype charting analysis system is described and two case studies are presented to demonstrate the approach.
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Johnson, Lisa. "Charting the course." In the 30th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/588646.588658.

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Wilson, David C., Heather Richter Lipford, Erin Carroll, Pamela Karr, and Nadia Najjar. "Charting new ground." In the 16th ACM SIGSPATIAL international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1463434.1463506.

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Shen, Zhengshu, Gaurav Ameta, Jami J. Shah, and Joseph K. Davidson. "A Comparative Study of Tolerance Analysis Methods." In ASME 2004 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/detc2004-57699.

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This paper reviews four major methods for tolerance analysis and compares them. The methods discussed are (1) 1D tolerance charts, (2) variational analysis based on Monte Carlo simulation, (3) vector loop (or kinematic) based analysis, and (4) ASU T-Maps© based tolerance analysis. Tolerance charts deal with tolerance analysis in one direction at a time and ignore possible contributions from the other directions. Manual charting is tedious and error-prone, hence attempts have been made for automation. Monte Carlo simulation based tolerance analysis is based on parametric solid modeling; its inherent drawback is that simulation results highly depend on the user-defined modeling scheme, and its inability to obey all Y14.5 rules. The vector loop method uses kinematic joints to model assembly constraints. It is also not fully consistent with Y14.5 standard. ASU T-Maps based tolerance analysis method can model geometric tolerances and their interaction in truly 3-dimensional context. It is completely consistent with Y14.5 standard but its use by designers may be quite challenging. T-Maps based tolerance analysis is still under development. Despite the shortcomings of each of these tolerance analysis methods, each may be used to provide reasonable results under certain circumstances. No guidelines exist for such a purpose. Through a comprehensive comparison of these methods, this paper will develop some guidelines for selecting the best method to use for a given tolerance accumulation problem.
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Zhou, Kun, John Synder, Baining Guo, and Heung-Yeung Shum. "Iso-charts." In the 2004 Eurographics/ACM SIGGRAPH symposium. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1057432.1057439.

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"Organization charts." In 2005 IEEE International Conference on Granular Computing. IEEE, 2005. http://dx.doi.org/10.1109/grc.2005.1547316.

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Davis, Kevin. "Charting a knowledge base solution." In the 30th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/588646.588705.

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Kuebler, Olaf, Gabor Szekely, Christian Brechbuehler, Robert Ogniewicz, Thomas F. Budinger, and Peter T. Sander. "Charting the human cerebral cortex." In San Diego '92, edited by David C. Wilson and Joseph N. Wilson. SPIE, 1992. http://dx.doi.org/10.1117/12.130903.

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Reports on the topic "Chartist"

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Lee, Ronald, Sang-Hyop Lee, and Andrew Mason. Charting the Economic Life Cycle. Cambridge, MA: National Bureau of Economic Research, July 2006. http://dx.doi.org/10.3386/w12379.

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Kaiper, G. Freshwater Flow Charts - 1995. Office of Scientific and Technical Information (OSTI), November 2003. http://dx.doi.org/10.2172/15009751.

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Kaiper, G. Water Flow Charts - 2000. Office of Scientific and Technical Information (OSTI), June 2004. http://dx.doi.org/10.2172/15014209.

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Brunish, Wendee M. Deep Dive Quad Charts. Office of Scientific and Technical Information (OSTI), September 2012. http://dx.doi.org/10.2172/1050478.

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McDonald, Rebecca E. Bioscience Capability Quad Charts. Office of Scientific and Technical Information (OSTI), March 2013. http://dx.doi.org/10.2172/1072252.

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Dagli, Suzette, Paul Mariano, and Arjan Paulo Salvanera. Quantile Debt Fan Charts. Asian Development Bank, June 2022. http://dx.doi.org/10.22617/wps220242-2.

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This paper presents debt fan charts constructed using the quantile regression approach for nine developing member countries of ADB. Macroeconomic and fiscal determinants of debt are forecasted using quantile regression and the resulting projections are shown in the fan charts for India, Indonesia, Kazakhstan, Malaysia, the People’s Republic of China, the Philippines, the Republic of Korea, Sri Lanka, and Thailand. Furthermore, the fan charts present the uncertainty in the path of debt, especially in the aftermath of the COVID-19 pandemic.
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Mansfield, G., T. Johannsen, and M. Knopper. Charting Networks in the X.500 Directory. RFC Editor, March 1994. http://dx.doi.org/10.17487/rfc1609.

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Frankel, Jeffrey, and Kenneth Froot. The Dollar as Speculative Bubble: A Tale of Fundamentalists and Chartists. Cambridge, MA: National Bureau of Economic Research, March 1986. http://dx.doi.org/10.3386/w1854.

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Hutchinson, Kira. Red Teaming Agility (Briefing Charts). Fort Belvoir, VA: Defense Technical Information Center, June 2014. http://dx.doi.org/10.21236/ada607283.

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O'Meara, J. E. Design charts for vacuum plates. Office of Scientific and Technical Information (OSTI), January 1986. http://dx.doi.org/10.2172/6123482.

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