Academic literature on the topic 'Character misrepresentation'

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Journal articles on the topic "Character misrepresentation"

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Sharpe Wessling, Kathryn, Joel Huber, and Oded Netzer. "MTurk Character Misrepresentation: Assessment and Solutions." Journal of Consumer Research 44, no. 1 (April 17, 2017): 211–30. http://dx.doi.org/10.1093/jcr/ucx053.

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Catty, Hazel. "Character merchandising and the limits of passing off." Legal Studies 13, no. 3 (November 1993): 289–307. http://dx.doi.org/10.1111/j.1748-121x.1993.tb00487.x.

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The tort of passing off developed as an offspring of deceit, with the twist that it allows trade rivals, rather than deceived customers, to sue. The classic case is a trader ‘passing off his goods as the goods of somebody else: the defendant is liable for misrepresenting, innocently or otherwise, that his goods are the goods of somebody else. The plaintiff is the trader whose trade is thereby diverted or whose reputation is thereby harmed.The classic case thus involves a misrepresentation as to the source of the goods. However, case law has shown that this is not the only relevant misrepresentation on which the tort can be founded
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Samper, Adriana, Linyun W. Yang, and Michelle E. Daniels. "Beauty, Effort, and Misrepresentation: How Beauty Work Affects Judgments of Moral Character and Consumer Preferences." Journal of Consumer Research 45, no. 1 (November 27, 2017): 126–47. http://dx.doi.org/10.1093/jcr/ucx116.

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AbstractWomen engage in a variety of beauty practices, or “beauty work,” to enhance their physical appearance, such as applying cosmetics, tanning, or exercising. Although the rewards of physical attractiveness are well documented, perceptions of both the women who engage in efforts to enhance their appearance and the high-effort beauty products marketed to them are not well understood. Across seven studies, we demonstrate that consumers judge women who engage in certain types of extensive beauty work as possessing poorer moral character. These judgments occur only for effortful beauty work perceived as transformative (significantly altering appearance) and transient (lasting a relatively short time), such that they emerge within cosmetics and tanning, yet not skincare or exercise. This effect is mediated by the perception that putting high effort into one’s appearance signals a willingness to misrepresent one’s true self, and translates into lower purchase intentions for higher-effort cosmetics. We identify several boundary conditions, including the attractiveness of the woman performing the beauty work and whether the effort is attributed to external norms or causes. In examining how beauty work elicits moral judgments, we also shed light on why effortful cosmetic use is viewed negatively, yet effortful products continue to be commercially successful.
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Griffiths, Clare. "G.D.H. Cole and William Cobbett." Rural History 10, no. 1 (April 1999): 91–104. http://dx.doi.org/10.1017/s0956793300001709.

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William Cobbett was, during his own lifetime, a highly controversial figure who often found it necessary to defend himself against supposed misrepresentation. His historical persona remains no less controversial. The complexities of Cobbett's career and character have supported a variety of interpretations, and many writers this century have felt the need to define ‘the real Cobbett’. Modern misrepresentations have arisen less from false stories invented to damn him than from the misleading emphases employed to praise him, with both Left and Right seeking in their different ways to appropriate what they see as his legacy. For conservatives, he has been an essentially timeless figure, standing for Old England and all that may have made such a place great. Writers on the Left have treated him rather as a figure of the past, rationalised to fit into the rise of working-class consciousness and organisation, and divested of some aspects unseemly in an early representative of ‘the cause’. Cobbett has been adopted as an important figure for the Left, but readings based on the assumptions about working-class radicalism held by the modern British Labour movement have often found it necessary to exclude aspects of his writings as inconsistent, or at least idiosyncratic.
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Md Idris, Izra Inna, Mohamad Saleeh Rahamad, and Md Azalanshah Md Syed. "Saladin: The Animated Series sebagai wacana Orientalisme." Jurnal Pengajian Media Malaysia 19, no. 1 (June 1, 2017): 1–22. http://dx.doi.org/10.22452/jpmm.vol19no1.1.

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This article analyzes the discourse of Orientalism in Saladin: The Animated Series for the first episode entitled Rising Star. Edward Said (1978) in his book Orientalism: Western Conceptions of the Orient (1978) opposed Western perspectives on the East and analyzed postcolonial literary works in historical and social contexts, and describes orientalist discrimination in speculating and specifying data sources for particular interests. This study draws on a series of animations directed by Steve Bristow that showcased the leading Islamic figure of the crusade, Sultan Salahuddin al-Ayubi (1137-1193) or known as Saladin by the Western world. Taking the personality of an Islamic character to be the main character in the animated series is something to be proud of, but the fact about Sultan Salahuddin al-Ayubi’s personality has been distorted in Saladin’s character. This study looked at the orientalist attacks on the personality of Sultan Salahuddin al-Ayubi and found that the Saladin’s character was portrayed as physically weak, shallow-minded, and disobedient to his father. The whole of this first episode shows the misrepresentation of facts and the distortion of the image of Salahuddin al-Ayubi.
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Bickford, John H. "The representations of LGBTQ themes and individuals in non-fiction young adult literature." Social Studies Research and Practice 12, no. 2 (September 11, 2017): 182–98. http://dx.doi.org/10.1108/ssrp-05-2017-0021.

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Purpose Social justice themes permeate the social studies, history, civics, and current events curricula. The purpose of this paper is to examine how non-fiction trade books represented lesbian, gay, bisexual, transsexual, transgender, and queer (LGBTQ) individuals and issues. Design/methodology/approach Trade books published after 2000 and intended for middle grades (5-8) and high school (9-12) students were analyzed. Findings Findings included main characters’ demography, sexuality, and various ancillary elements, such as connection to LGBTQ community, interactions with non-LGBTQ individuals, the challenges and contested terrain that LGBTQ individuals must traverse, and a range of responses to these challenges. Publication date, intended audience, and subgenre of non-fiction – specifically, memoir, expository, and historical text – added nuance to findings. Viewed broadly, the books generally engaged in exceptionalism, a historical misrepresentation, of one singular character who was a gay or lesbian white American. Diverse sexualities, races, ethnicities, and contexts were largely absent. Complex resistance structures were frequent and detailed. Originality/value This research contributes to previous scholarship exploring LGBTQ-themed fiction for secondary students and close readings of secondary level non-fiction trade books.
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Maconie, Robin. "SAVING FAITH: STOCKHAUSEN AND SPIRITUALITY." Tempo 72, no. 283 (December 19, 2017): 7–20. http://dx.doi.org/10.1017/s0040298217000900.

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ABSTRACTInvited in 2011 by Robert Sholl and Sander van Maas to contribute to a proposed symposium on the spiritual in late twentieth-century music, I accepted, not because I agreed with the project and its aims, but to defend Stockhausen's character and reputation from convenient misrepresentation. Sin and virtue, spirituality and the spiritual life ask to be addressed in terms of actual works and personal witness – in my own case, not least given the composer's complaint late in life: ‘You have to watch out for Maconie's nihilism’. The test of spirituality inevitably entails scrutinizing the motives of former Stockhausen disciples who changed their minds, among them two English composers of my own generation, Jonathan Harvey and John Tavener, who have since passed away. In 2014 the opening sentence of the present paper provided theologian and Stockhausen-forum editor Thomas Ulrich with an amusing starting-point (‘Suffering? How very Protestant!’) for just the second of a trickle of online discussions of largely pathetic inconsequence.
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Rebel, G. M. "TURGENEV AND DOSTOEVSKY: THE MILESTONE CHANGE IN CRITICISM AND LITERARY STUDIES OF THE SILVER AGE." Bulletin of Udmurt University. Series History and Philology 30, no. 3 (July 15, 2020): 503–10. http://dx.doi.org/10.35634/2412-9534-2020-30-3-503-510.

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The article analyzes the reasons and character of historical and literary milestone change, which was fulfilled within the framework of Russian religious philosophy and literary studies of the 1920s. Literary and philosophical criticism of the Silver age made the creative works of Fyodor Dostoevsky the main subject of its interest and it predetermined the content of the literary criticism concepts of B.Engelhardt and M.Bakhtin, who influenced the following literary criticism to great extent. It brought some misrepresentation to the literary process interpretation of the second part of the 19 century, which still influences the university and school literature courses of the period. In particular the religious and philosophical studies and works of the 1910-1920s based on them broke the ideological and aesthetic connection between the creative works of Dostoevsky and Turgenev, the polemical character of Dostoevsky’s works concerning Turgenev was ignored. The article rebuilds the second half of the 19th century’s literary process logic, the consequence of Turgenev’s ideological novel and only after it, in connection with it and mainly in polemic with it - the ideological novel by Dostoevsky. The presumed comparison of the two genre modifications of the ideological novel allows to depict their common features on the one hand and on the other - the principal differences, aesthetic specificity, predetermined by the particular features of the artistic vision and strategies of Turgenev and Dostoevsky.
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McNeill, Fergus. "Mass supervision, misrecognition and the ‘Malopticon’." Punishment & Society 21, no. 2 (January 29, 2018): 207–30. http://dx.doi.org/10.1177/1462474518755137.

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This paper aims to contribute to debates about ‘mass supervision’ by exploring its penal character as a lived experience. It begins with a review of recent studies that have used ethnographic methods to explore how supervision is experienced before describing the two projects (‘Supervisible’ and ‘Mass Supervision: Seen and Heard’) on which the paper draws, explaining these as an attempt to generate a ‘counter-visual criminology’ of mass supervision. I then describe two encounters with ‘Teejay’; encounters in which we explored his experiences of supervision firstly through photography and then through song-writing. Both media are presented alongside Teejay’s commentary on what he sought to convey, inviting the reader to engage with and interpret the pictures and song. In the concluding discussion, I offer my own analysis, arguing that Teejay’s representations suggest a need to recognize mass supervision as ‘Maloptical’ as much as ‘Panoptical’. Through the ‘Malopticon’, the penal subject is seen badly, is seen as bad and is projected and represented as bad. Experiences of misrecognition and misrepresentation constitute significant yet poorly understood pains of supervisory punishment. The paper concludes by suggesting several ways in which a counter-visual criminology might follow Teejay’s lead in exposing and challenging of mass supervision.
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R.J. Soudijn, Melvin. "A critical approach to trade-based money laundering." Journal of Money Laundering Control 17, no. 2 (May 6, 2014): 230–42. http://dx.doi.org/10.1108/jmlc-01-2013-0001.

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Purpose – The purpose of this paper is to broaden the discussion on trade-based money laundering (TBML). The literature is too narrowly focused on the misrepresentation of the value, quantity or quality of the traded goods. This focus leads to the analysis of price anomalies as a signal of over- or under-invoicing. However, TBML can also occur without manipulation of these factors. Design/methodology/approach – A review of the literature and case study of police investigations. Findings – Financial action task force (FATF) definitions are seriously flawed. The question of whether detecting TBML on the basis of statistical trade data is effective should be much more open to debate. Police investigations show that goods are shipped at their true value within the context of TBML. Research limitations/implications – Using outliers to identify and act on cases of TBML has often been propagated, but scarcely been used to actually show TBML. Real findings are needed. Practical implications – Goods intended for TBML can also be paid for in cash. These cash payments are often out of character with the normal clientele. This should alert companies and compliance sections of banks alike. Originality/value – The critique on the FATF definition opens the field for a more fitting definition. The description of actual TBML cases makes it possible to better understand this method of money laundering.
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Dissertations / Theses on the topic "Character misrepresentation"

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Ham, Rosalie, and rosalieh@optusnet com au. "Representations of men and women of the bush in Australian fiction." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080110.100527.

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At the heart of this exegesis is the city-bush gap and the rivalry and stereotypes that gap has generated. I acknowledge how and why our national identity evolved from the writing of the 1890s but I argue that most current artists, particularly novelists, have failed to incorporate the ongoing cultural, societal and industrial changes that have occurred since, particularly in the last thirty years. I assert that the majority of artists still refer to and draw inspiration from established, inaccurate myths and stereotypes rather than the bush and Australian characters of today. Through examining three texts, Kate Grenville's The Idea of Perfection (Picador, Sydney, 1999), Christos Tsiolkas's Loaded (Random House, Sydney, 1995) and Silences Long Gone (Picador, Sydney, 1998) by Anson Cameron, I also point out how most artists in general have failed to keep pace with changes in the bush city cross-culture. My exegesis attempts to give an account of some deficiencies in contemporary Australian literature. In the creative component of this project, Summer at Mount Hope (Duffy and Snellgrove, Sydney, 2005), I write, as did Anson Cameron in his book, Silences Long Gone, (Pan Macmillan, 1998) of a bush (in 1894) where city and bush rely on each other and technology pushes into the bush uniting city and bush, thus enhancing the economy, the cross cultural interdependence and advancing the commonality between the two. I replace stereotypical characters with less predictable characters whose traits sit easily in either bush or city culture and skew the Traditionalist role of bush and city.
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Liu, Yi-Te, and 劉懿德. "Professionals’ Characters and Civil Liabilities in Securities and Exchange Act - Liabilities of Misrepresentation of Accountants, Attorneys, and Appraisers." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/20675324943663662697.

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碩士
國立臺灣大學
法律學研究所
97
Public companies have the duties to disclose some information, not only in the issue market but also in the trading market. However, there might be misrepresentation or fraud of the information. Because of the importance of professionals in the securities market, we have some regulations about misrepresentation or fraud aimed at professionals in the Securities and Exchange Act. What are the rules that applied to professionals and what kind of civil liabilities they have to burden? These are quite important issues. There are a lot of professionals who attend the activities in the securities market, here, three different professionals were chosen, accountants, lawyers and appraisers. Accountants have special characteristics in the securities market for their jobs, and we have some regulations aimed at accountants in the Securities and Exchange Act. Especially, accountants got involved in several serious securities fraud cases these years. Attorneys also attend some activities in the securities market. The profession of Appraisers started to develop in recent years. It is a new issue. The first chapter of this thesis is introduction, including the motives, issues, researching methods and structures of the thesis. Chapter two is the introduction of professionals’ liabilities, including their qualifications, characters, relationship with clients or the third parties, duties and liabilities, and the standards of liabilities. Also, gatekeeper theory would be discussed here. Chapter three talked about accountants’ professional works, laws that must be obeyed and characters in the securities market. For the rules about misrepresentation in Securities and Exchange Act were adopted from Securities Act 1933 and Securities and Exchange Act 1934 of America, the history of development of accountants’ liabilities to the third party of America would be discussed here, then brought it back to the discussion of the rules of law. Following is the discussion of our Securities and Exchange Act, and it focuses on article 20, 20-1 and 32. Related cases were also included in the discussion. Chapter four talked about attorneys. In the beginning, the main topic is about attorneys’ traditional duties. Next is about what kind of activities that attorneys would attend in the securities market, what’s the relationship between their services and the information that they provided and what are their liabilities for misrepresentation in Securities and Exchange Act. Also, related cases were included in the discussion. Chapter five is about appraisers. Just followed the same structure of previous two chapters, this chapter discussed the professional works of appraisers, what kind of activities that appraises would attend in the securities market and how they be regulated. Chapter six is about the main issues of professionals’ civil liabilities. First part is about issues related to accounts. In the second part, it discussed the problems of the overlapping duties, jobs and cooperation of professionals. Last is about suggestions of current laws. Chapter seven is the conclusion.
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Books on the topic "Character misrepresentation"

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Patten, Thomas. King David Vindicated from a Late Misrepresentation of His Character. in a Letter to His Grace the Archbishop of Canterbury. by Thomas Patten. HardPress, 2020.

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Maloney, J. Christopher. Higher Order Theory. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190854751.003.0005.

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Rosenthal's rendition of representationalism denies intentionalism. His higher order theory instead asserts that a perceptual state's phenomenal character is set by that state's being related to, because represented by, another, but higher order, cognitive state. The theory arises from the doubtful supposition of unconscious perception and mistakenly construes intrinsic phenomenal character extrinsically, as one state's serving as the content of another. Yet it remains mysterious how and why a higher order state might be so potent as to determine phenomenal character at all. Better to resist higher order theory’s embrace of dubious unconscious perceptual states and account for states so-called simply in terms of humdrum mnemonic malfeasance. Moreover, since the suspect theory allows higher order misrepresentation, it implies sufferance of impossible phenomenal character. Equally problematic, representationalism pitched at the higher order entails the existence of bogus phenomenal character when upstairs states represent downstairs nonperceptual states.
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Ashburnham, John. Narrative by John Ashburnham of His Attendance on King Charles the First from Oxford to the Scotch Army, and from Hampton-Court to the Isle of Wight ...: To Which Is Prefixed a Vindication of His Character ... and Conduct, from the Misrepresentations Of. HardPress, 2020.

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A reply to the observations of Lieut. Gen. Sir William Howe on a pamphlet entitled "Letters to a nobleman": In which his misrepresentations are detected and those letters are supported by a variety of new matter and argument; to which is added an appendix containing : I.--a letter to Sir William Howe upon his strictures on Mr. Galloway's private character; II.--a letter from Mr. Kirk to Sir William Howe and his answer; III.--a letter from a committee to the President of the Congress, on the state of the rebel army at Valley Forge, found among the papers of Henry Laurens, Esq. London: Printed for G. Wilkie ..., 1986.

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Howe, William Howe, Viscount, 1729-1814., ed. A reply to the observations of Lieut. Gen. Sir William Howe on a pamphlet entitled "Letters to a nobleman": In which his misrepresentations are detected and those letters are supported by a variety of new matter and argument; to which is added an appendix containing : I.--a letter to Sir William Howe upon his strictures on Mr. Galloway's private character; II.--a letter from Mr. Kirk to Sir William Howe and his answer; III.--a letter from a committee to the President of the Congress, on the state of the rebel army at Valley Forge, found among the papers of Henry Laurens, Esq. London: Printed for G. Wilkie ..., 1986.

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Book chapters on the topic "Character misrepresentation"

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Peterson, Kristin M. "More than a Mask, Burkini, and Tights." In Ms. Marvel's America, 170–88. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827029.003.0011.

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This chapter explores how the intersections of Kamala Khan’s identity are presented in her appearance, and how Ms. Marvel’s costume visually contests misrepresentations of Muslim women. Through an examination of scholarship on fashion and aesthetic practices as political action, this chapter argues that the character of Ms. Marvel does important political work to shift public perceptions of Muslims and to display pride in Khan’s background as a Muslim, daughter of Pakistani immigrants, superhero, and nerdy teenager. The creators visually portray her as a character who seamlessly moves between various categories, allowing fans to connect to this multifaceted identity. This chapter focuses on the transformation of Ms. Marvel’s costume as these changes connect to Khan’s larger identity issues. Furthermore, the chapter addresses how fans have engaged with the image of Ms. Marvel through online artwork, creating and wearing Ms. Marvel cosplay outfits, and using Ms. Marvel’s image to counter hate.
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LoBrutto, Vincent. "Not Otto Preminger’s Exodus." In Ridley Scott, 188–93. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0024.

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When Ridley Scott took on this biblical epic, he initially titled his film Exodus but later added the subtitle Gods and Kings so audiences wouldn’t think it was a remake of Preminger’s 1960 film. The character of Moses fascinated Scott, who wanted to add dimension to this towering figure and to understand his actions and beliefs. Scott, an agnostic, defined his approach to the story of Moses and his times by advancing scientific explanations for holy events. The parting of the Red Sea, for example, which is accomplished with dramatic realism in the film, Scott explained as a tsunami. Scott took a radical artistic and religious leap by casting God as a boy who appears and speaks to Moses. Religious communities found fault with the movie, citing a long list of misrepresentations of the Bible.
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Gottfried, Paul. "Afterword." In The Vanishing Tradition, 152–62. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749858.003.0012.

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This afterword explores conservative purges, which have not received adequate attention because the conservative movement and its apparent opponents have agreed on certain seemingly innocent misrepresentations, which need to be corrected. Purges have not been limited to removing undesirables from the masthead of conservative magazines nor to breaking social and professional relations. More typically, this shunning has been accompanied by campaigns of character assassination that have sometimes lasted years. What happened to M. E. Bradford was all too typical of this process of defamation. Conservative movement leaders have behaved in a way that one might have expected in an earlier age from the Communist Party USA. In all likelihood, however, American Communists would have been generally better read and more cerebral than those who draw their picture of reality from conservative media stars.
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