Dissertations / Theses on the topic 'Char'
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Ayers, Scott David. "A review of the species status of the Angayukaksurak charr (Salvelinus anaktuvukensis) of northern Alaska perspectives from molecular and morphological data /." PURL, 2010. http://www.arlis.org/docs/vol1/B/608729840.pdf.
Full textWu, Tao. "Automated char image analysis and the inclusion of char morphology in char burnout modelling." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420360.
Full textSpracklin, Christopher John. "Model char studies on nitrogen release during coal char combustion." Thesis, University of Newcastle Upon Tyne, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297655.
Full textHaley, Evelyn. "Coal char reactivity." Thesis, University of Newcastle Upon Tyne, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316261.
Full textAiken, Gregg W. "The use of a char pile reactor to study char bed processes." Diss., Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/5734.
Full textKomarova, Evgeniia. "Brown coal char CO2-gasification kinetics with respect to the char structure." Doctoral thesis, Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2017. http://nbn-resolving.de/urn:nbn:de:bsz:105-qucosa-227770.
Full textLe, Cornec Joëlle. "René Char : l'écriture fragmentaire." Rennes 2, 1990. http://www.theses.fr/1990REN20015.
Full textFragmentary writing may be considered as an aspect of Charier abstruseness, whereas its elucidation has led to speak of the readibility of Char. A study of the fragment and its established shows that Charier writing, rather than adopting these, in the invention of a form - a writing based on its ruptures and blanks. The second part deals with the way of constructing the meaning. The fragmental here is understood to be the principle of the breaking up. He discovers the creative energy of form, slipt up by the discontinuity, the blank-semantic and graphic - the ellipsis. The third, the imaginary of charier writing: a diairetic object of the image revealed by three mother-figures. A musing of the fragmentation delivers the three axes from imagination: the pulverized, the dislocated (the major and minor tones of the fragment) and the fragile. The architecture of the work however reveals two antinoma forms: the pulverized and the linking showing that the fragment finds a means of becoming connected, though in intratextuality. The metatextualite takes on also the function of cohesion
Hyder, A. H. M. Golam. "Sorption Characteristics of Hexavalent Chromium [Cr(VI)] onto Bone Char and Bio-char." Thesis, KTH, Mark- och vattenteknik (flyttat 20130630), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-171833.
Full textPietri, Renaud. "Le char dans la pensée égyptienne." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30068.
Full textThere are already many studies about technical and tactical questions linked to the chariot in Ancient Near East, even in Egyptology. This vehicle had been behind deep cultural and social changes in every civilisation which used it. In Egypt particularly it was an emblem of royal power in New Empire, and in a common « chariot’s culture » during the Late Bronze Age in Ancient Near East. Beyond the importance of the chariot in military or technical history, this thesis’ purpose is to study the place of this vehicle in Egyptian’s mind. The thesis is divided in five parts. The first part, divided in three chapters, explains both previous researches about the chariot and horses in Ancient Egypt, then presents briefly the available sources about this subject. The two following chapters respectively focus on the chariot in Near East and in Egypt. The second part focuses on the vehicle’s linguistic reception. The third part is interested in the chariot’s place in royal and elites’ ideology. The two first chapters are both dedicated to the king in his chariot and the king’s vehicle. A special attention is given to question of the chariot during Armanian Period. The forth chapter focuses about the chariot as the elite’s vehicle. It is followed by a study about satirical representations including the chariot. The forth part is related to the vehicle’s religious reception. A first chapter is about the place of the chariot in funerary practices, then the link between some gods, chariots and horses is studied. The third chapter details the particular case of Horus-Shed’s iconography on his chariot. The last chapter questions the notion of « solar chariot » in Ancient Egypt. The last and fifth part is a study about the chariot’s literary reception, studying especially a poem which places the vehicle in the center of its composition called Hymn to the King on his Chariot, translated and commentated on, as well as other literary texts
Delliaux, Anne-Marie. "René Char ou l'effet miroir." Toulouse 2, 1995. http://www.theses.fr/1995TOU2A096.
Full textPresented in the framework of the university Toulouse le Mirail, mirail meaning in old french mirror, and in the context of seduction inherent in the poetry, this study rests on the privileged connections uniting mirror and seduction. Three compilations afford plentifully examples of it : la parole en archipel, la nuit talismanique qui brillait dans son cercle and aromates chasseurs
Belin, Olivier. "René Char et le surréalisme." Paris 4, 2008. http://ezproxy.normandie-univ.fr/login?url=https://www.classiques-garnier.com/numerique-bases/garnier?filename=obiMS01.
Full textRené Char officially belonged to the surrealist movement from 1930 to 1934. For all that, did the movement have a profound impact on his poetry ? This thesis sets out to answer in the affirmative by reconsidering the place of surrealism in the whole corpus published by Char from 1928 to 1988, in the light of unpublished correspondences or manuscripts. In the first part, it is a chronological study of the pre-war books which shows how the surrealist stage enabled Char, by attraction or repulsion, to form his own aesthetic and intellectual positions. The second part examines all of the post-war texts from different angles so as to reveal the persistence of the surrealist heritage, since Char constantly goes back to surrealism to define the meaning of his works, poetics, political tendencies, ethical thoughts or stylistic choices. Thus Char’s evolution provides a remarkable example of the dissemination of surrealism in the twentieth century French poetry
Morin, Eugénie. "René Char : éthique et Utopie." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040056.
Full textBy virtue of his tragic vision of the world, René Char initially appears to be far from a utopian. He is less interested in “enchanting dawns” than in the imminent dangers that await humanity. In many poems he attacks the naïve who believe that good will triumph, and values instead the pessimists “who see in their very lifetime the realization of what they most feared.” For this reason, Char has been placed alongside those who view utopia as the foyer of gulags and concentration camps, and hold utopianism responsible for the degeneration of so-called “socialist” states into totalitarian ones. Char suggests several times that between ethos (which encourages the adherence of poetry and thought to reality) and utopos (which distances us from the reality of the world) only an essential incompatibility can arise. To leave the question of utopia at this, however, is to ignore how a whole dimension of Char’s poetry is equally inspired by the “principle of hope.” His poetry from the early 1930s flows from a desire for “a world in every respect renewed by the attractive.” His later works are equally filled with “wish-images” of desiring consciousness, evocations of dreamed places – be it an “imperforate city,” a “country at the margins,” an “ideal citadel” or, indeed, “perfection, both earthly and inspired by the common good.” While Char has on several occasions taken it upon himself to attack future-oriented utopias, it is necessary to ask whether, from within this very criticism, we may find instead an invitation to think utopia otherwise
Thonnerieux, Stéphanie Debreuille Jean-Yves. ""La connaissance productive du Réel" étude stylistique de la poésie de René Char /." Lyon : université Lyon 2, 2000. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2000/thonnerieux_s.
Full textChen, Xujun. "Pyrolysis and Combustion of Phosphorus containing Solid Fuels: Char Structure, Char Reactivity and Particulate Matter Emission." Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/76484.
Full textHadji, Khalid. "Sémiotique et imaginaire de René Char." Limoges, 1989. http://www.theses.fr/1989LIMOA001.
Full textRoche, Martine. "Le théâtre saisonnier de René Char." Montpellier 3, 1988. http://www.theses.fr/1988MON30037.
Full textQuillier, Patrick. "L'Usage de l'oreille selon René Char." Toulouse 2, 1997. http://www.theses.fr/1997TOU20013.
Full textTrying to make a kind of audiocritics about char, this work first describes his soundscape : sounds and noises presented by the poem. A precise attention is given to each of them even in its very strange mentions. The second part shows the different gestures which construct char's sense of listening, the cooperation between hearing and the other organs, and the various possibilities to apply hearing and listening to symbolic, abstract or theoretical fields, like fantasies, social facts or ethics. Then we study how char is using hearing and listening in philosophical and metaphysical fields, in order to product a kind of intending semiology which is linked to the crisis of what is to decide, of what depends on discrepancy and on dualism. Consequently, we establish the foundations of a charian audiognoseology, which belongs to acroamatics : with its statements we can approach the metaphysical sounds this poetry is fond of, like sounds producted by space, time, voice, gods and being. . . By hearing, listening, and intending, the poet changes his language into a resonant body. This body is created by a complex mechanism : while the poet is writing, this mechanism puts the ears to speak. Theese are the purposes of the fourth part : to establish, in this resonant body, the linkages between poetics and music, and generally between poetics and audible ; to analyse acroamatically the main concepts of poetics - for instance, primus inter pares, rhythm. Char's hermetism is linked to ear's darkness, he used in complex and subtle ways, for instance resorting to acousmates, which are hallucinated or inner sounds
Wang, Jisheng. "The role of active surface sites in CO₂ gasification of polymer char and coal chars." Thesis, University of Bath, 1989. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328540.
Full textDupouy, Christine. "Jour et nuit de l'écriture dans l'oeuvre de René Char." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375947181.
Full textMichel, Laure Debreuille Jean-Yves. "Le poème et la crise de l'histoire dans l'oeuvre de René Char." Lyon : Université Lumière Lyon 2, 2005. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2005/michel_l.
Full textRyan, Jennifer S. "Char combustion in a packed bed reactor." Thesis, University of Ottawa (Canada), 2000. http://hdl.handle.net/10393/8964.
Full textRyan, Jennifer. "Char combustion in a packed bed reactor." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0019/MQ58500.pdf.
Full textLeyva-Ramos, Roberto, Nahum A. Medellín-Castillo, Jovita Mendoza-Barron, Laura Fuentes-Rubio, Rosa M. Guerrero-Coronado, and Raul Ocampo-Perez. "Kinetics of fluoride adsorption onto bone char." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-191067.
Full textWu, Ruochen. "Experimental and Modeling of Biomass Char Gasification." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8765.
Full textLeyva-Ramos, Roberto, Nahum A. Medellín-Castillo, Jovita Mendoza-Barron, Laura Fuentes-Rubio, Rosa M. Guerrero-Coronado, and Raul Ocampo-Perez. "Kinetics of fluoride adsorption onto bone char." Diffusion fundamentals 11 (2009) 84, S. 1-2, 2009. https://ul.qucosa.de/id/qucosa%3A14056.
Full textHafner, Josef. "René Char : de la fureur au mystère." Paris 3, 1988. http://www.theses.fr/1989PA030020.
Full textVol. I, three parts : 1) study of the origines of char, his rootedness in his home countra, his literary beginnings, his surrealiste years till 1936. 2) from 1936 to 1948. These years which changed europe and the whole world are one of the most important years in chr's life : war and resitance. The bibliography indicates many publications of char not or little known. This volume contents many reproductions concerning char's poetry (pages of title, manusripts, musical partitions, illustrations) and colored photos. Vol. Ii, annexe : this volume contents many publications of char, not included in the pleiade : 1) poems and writings. 2) interviews. 3. 1. ) arriere-histroire du poeme pulverise. (extracts). 3. 2. ) lettre a benjamin peret. 3. 3. ) les cloches sur le coeur
Mokrane, Hakim. "René Char ou la métamorphose d'une poétique." Chambéry, 2002. http://www.theses.fr/2002CHAML014.
Full textSoulé, Yves. "René Char : l'imbattable ordonnance de la géologie." Montpellier 3, 2000. http://www.theses.fr/2000MON30011.
Full textRoussille, Frédéric. "René Char ou la nature de l’image." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3063.
Full textIn his poetic body ok work, René Char develops a way to make image where the evident and the obscure are equivalent. For what is, for him, set in plain sight is not conceived according to a use of language where the world ans words would be face to face. As it cannot be reduced by language, the world is then this gesture thanks to which, at the risk of inventing itself, it is seen or said, drawn or written. Following the unfoldind of the poet's career, we can observe how such an endeavour towards sovereign poetry took shape, the better to see why Char was fascinating by painters ; how he belongs to a romanticized philosophy of nature while breaking away from it ; how, fanilly, his denial of teleological history considered as a hindrance to sovereignty led him to take a stand in his century
Poli, Jean-Dominique Battistini Yves. "Pour René Char : la place de l'origine /." La Rochelle : Rumeur des âges, 1997. http://catalogue.bnf.fr/ark:/12148/cb36703546t.
Full textHafner, Josef. "René Char de la fureur au mystère /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37614181n.
Full textRenfert, Christof. "René Chars tragische Lyrik." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=974403466.
Full textVille, Isabelle. "René Char, une poétique de résistance : être et faire dans les "Feuillets d'Hypnos /." Paris : Presses de l'Université Paris-Sorbonne, 2006. http://catalogue.bnf.fr/ark:/12148/cb40246732n.
Full textBibliogr. p. 393-402. Index.
Sumnicht, Daniel W. "A computer model of a kraft char bed." Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/5476.
Full textHaghpanah, Kochesfahani Saied. "Particulate formation during black liquor char bed burning." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0004/NQ41196.pdf.
Full textHammerton, James Michael. "Char slurries as a fuel for developing countries." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/22165/.
Full textSinger, Simcha Lev. "Gasification and combustion modeling for porous char particles." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/74934.
Full textCataloged from PDF version of thesis.
Includes bibliographical references.
Gasification and combustion of porous char particles occurs in many industrial applications. Reactor-scale outputs of importance depend critically on processes that occur at the particle-scale. Because char particles often possess a wide range of pore sizes and react under varying operating conditions, predictive models which can account for the numerous physical and chemical processes and time-dependent boundary conditions to which a particle is subjected are necessary. A comprehensive, transient, spherically symmetric model of a reacting, porous char particle and its surrounding boundary layer has been developed and validated. The model accounts for heterogeneous and homogeneous reactions, pore structure evolution, gas transport in and around the porous particle, thermal annealing, fragmentation and ash behavior. To model the pore structure evolution, an extension of the random pore model has been developed which allows different pore sizes to grow at different rates, depending on the instantaneous pore-scale reactant penetration at a given location within the particle. This is accomplished by incorporating pore-scale effectiveness factors, consistent with the random pore geometry, into equations for the growth of individual pore sizes. This framework allows the evolution of the char with local conversion to adapt to changes in boundary conditions (reactants, temperature) and the development of intra-particle gradients, rather than being pre-determined by the initial pore structure. The effects of char gasification reactions during oxy-combustion of pulverized coal are not fully understood. The single particle char consumption model is used with output from CFD simulations of high-volatile oxy-coal combustion to analyze representative regions and trajectories along which char particle burning occurs. These realistic, time-dependent boundary conditions are used to assess the importance of the gasification reactions to the overall rate of char consumption. As conversion proceeds, gasification reactions, when significant, can alter the location within the particle where char consumption occurs, further affecting the rate of conversion by inducing structural changes that can accelerate peripheral fragmentation.
by Simcha Lev Singer.
Ph.D.
Rabu, Franck. "Poésie et peinture dans l'oeuvre de René Char." Nantes, 2000. http://www.theses.fr/2000NANT3036.
Full textWang, Shuai. "Evolution of Char Structure and Reactivity during Gasification." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48826.
Full textArdu-Doreau, Josiane. "Iconographie du char dionysiaque dans le monde romain." Tours, 2000. http://www.theses.fr/2000TOUR2023.
Full textJohansen, April Doris. "Marker assisted selection for Arctic char (Salvelinus alpinus) broodstock development /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ54899.pdf.
Full textKomarova, Evgeniia [Verfasser], Bernd [Akademischer Betreuer] Meyer, Bernd [Gutachter] Meyer, and Olena [Gutachter] Volkova. "Brown coal char CO2-gasification kinetics with respect to the char structure / Evgeniia Komarova ; Gutachter: Bernd Meyer, Olena Volkova ; Betreuer: Bernd Meyer." Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2017. http://d-nb.info/1221069004/34.
Full textSakaguchi, Masakazu. "Gasification of bio-oil and bio-oil/char slurry." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/23347.
Full textCousins, Ashleigh Jane. "Investigation of char reactivity on fluidised bed gasification processes." Thesis, Imperial College London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421881.
Full textMassoumou, Omer. "L'écriture poétique de René Char depuis "Le nu perdu"." Nancy 2, 1997. http://www.theses.fr/1997NAN21007.
Full textThe poetic writing of René Char since “Le nu perdu” is studied with a triple orientation. The first looks at various forms of poetic writing. Numerous theoretical bases, are used to explain the verse, prose, and aphorism of René Char. Secondly, the poeticism of the poetic writing is analyzed from denotative and connotative approaches of some notes. These approaches are followed by a reading of head-bands (bandeaux) regarded as meta-poetic and/or para-poetic texts. Finally poetic writing is studied from the stand point of modernity
Riou, Nathalie. "Se pencher sur l'obscur : la poésie de René Char." Nantes, 2008. http://www.theses.fr/2008NANT3002.
Full textThis doctoral thesis stems from the need to express the obscure dimension within and without us, between body and soul. It strives towards showing that poetry, as the most physical form of speech, draws intimately near what is beyond us, for it seems the ablest to utter that Other without losing its grasp. Char’s lyric words, seaming the physical and the metaphysical, question our obscure ties—between life and poetry, need and love, the poem of desire thus lets loose the real. As for Time, it appears contradictory between the flashing present and the meditation on the lost nude. Then, Char interprets in an original way the delicate bond between the subject and the world through an aesthetics that shifts the boundary between narrative and fragment. Finally, his attention to the obscure is also so shrewd and respectful of the world that his poems sometimes seem to give way to an epiphany, or rather a natural interrogation, through a flash of metaphor
Makhadmeh, Leema al. "Coal pyrolysis and char combustion under oxy-fuel conditions." Aachen Shaker, 2009. http://d-nb.info/996033009/04.
Full textSchulz, Michael. "René Char, du texte au discours : trois lectures sémiotiques /." Paris ; Budapest ; Torino : l'Harmattan, 2004. http://catalogue.bnf.fr/ark:/12148/cb392719244.
Full textHariharan, Dharmarajan. "Numerical modeling of chemical recovery from black liquor char." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2076.
Full textTitle from document title page. Document formatted into pages; contains xii, 78 p. : ill. Includes abstract. Includes bibliographical references (p. 76-78).
Pietrobelli, Federico <1988>. ""Erba francese". Caproni traduttore di poeti (Apollinaire, Frénaud, Char)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3126.
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