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Books on the topic 'Chambers, Ross'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Cloulas, Ivan. Chambord: Rêve des rois. Paris, France: Nathan, 1989.

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2

Edward, Ross. The chamber music of Ross Edwards: Study kit. Sydney: Australian Music Centre, 1996.

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3

Eddy, Marmee Alexandra. The Rost manuscript of seventeenth-century chamber music: A thematic catalog. Warren, Mich: Harmonie Park Press, 1989.

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4

Green, Mary Kay. Women of courage: The rights of single mothers and their children, inspired by Crystal Chambers, a new Rosa Parks. [Phildelphia, Penn.]: Xlibris, 2007.

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5

Still Loitering: Australian Essays in Honour of Ross Chambers. Lang AG International Academic Publishers, Peter, 2019.

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6

Rolls, Alistair, and Valentina Gosetti. Still Loitering: Australian Essays in Honour of Ross Chambers. Lang AG International Academic Publishers, Peter, 2020.

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7

Rolls, Alistair, and Valentina Gosetti. Still Loitering: Australian Essays in Honour of Ross Chambers. Lang AG International Academic Publishers, Peter, 2020.

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8

Rolls, Alistair, and Valentina Gosetti. Still Loitering: Australian Essays in Honour of Ross Chambers. Lang AG International Academic Publishers, Peter, 2020.

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9

Papik Rossi: Mr. Rossi (36 Chambers). Drago, 2007.

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10

Cloulas, Ivan. Chambord: Reve des rois. Caisse nationale des monuments historiques et des sites, 1989.

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11

Hudson, Caleb, and Canadian Canadian Brass. White Rose Elegy: The Canadian Brass Ensemble Series. Leonard Corporation, Hal, 2016.

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12

Swann, Julian. Emptying the Chamber Pot. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198788690.003.0009.

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In popular fiction and many scholarly works, courtiers are represented as masters of the art of dissimulation, cynical and self-serving, ready to turn their backs on anyone who has lost royal favour. This chapter challenges those assumptions by looking at the reaction of family groups and wider networks of friendship or clientele to disgrace. During the seventeenth and eighteenth centuries, families rose and fell as a kinship group, and when confronted by the disgrace of one of their members the collective response was to rally in order to save social, financial, and political status. Friendship too proved far more durable than the stereotype of the courtier might lead us to predict, and by examining the conventions, theory, and actual practice of friendship in times of adversity this chapter offers new insight into noble sociability.
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13

Livermore, Roy. All at Sea. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198717867.003.0009.

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According to first-generation plate tectonics, sea-floor spreading was nice and simple. Plates were pulled apart at mid-ocean ridges, and weak mantle rocks rose to fill the gap and began to melt. The resulting basaltic magma ascended into the crust, where it ponded to form linear ‘infinite onion’ magma chambers beneath the mid-ocean tennis-ball seam. At frequent intervals, vertical sheets of magma rose from these chambers to the surface, where they erupted to form new ocean floor or solidified to form dykes, in the process acquiring a magnetization corresponding to the geomagnetic field at the time. Mid-ocean ridge axes were defined by rifted valleys and divided into segments by transform faults with offsets of tens to hundreds of kilometres, resulting in the staircase pattern seen on maps of the ocean floor. All mid-ocean ridges were thus essentially identical. Such a neat and elegant theory was bound to be undermined as new data were acquired in the oceans.
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14

Klaper, Michael, and Nastasia Heckendorff, eds. Cantatas on Texts by Francesco Buti (1606–82). A-R Editions, 2021. http://dx.doi.org/10.31022/b226.

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This is an edition of all the surviving cantatas with texts by Francesco Buti (1606‒82), and thus one of the first editions of seventeenth-century Italian cantatas organized around a single poet rather than a single composer. It contains ten pieces set to music by the first generation of Roman cantata composers, such as Carlo Caproli, Giacomo Carissimi, Marco Marazzoli, Luigi Rossi, Mario Savioni, and Loreto Vittori, as well as the traveling guitar virtuoso Francesco Corbetta. Most of the pieces belong to the genre of chamber cantata and are scored for solo voice and basso continuo, though also included are a duet and a lengthy, semi-dramatic cantata for four voices and obbligato instruments. The compositions in this volume thus make a significant sampling of the early Italian cantata repertoire available to scholars and performers.
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15

Easley, Alexis. New Media and the Rise of the Popular Woman Writer, 1832-1860. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475921.001.0001.

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The idea of ‘new media’ is nothing new. Long before Twitter and Facebook, the rise of new periodical genres and formats provided opportunities for Victorian women writers and readers to participate in popular print culture as never before. This study illuminates the relationship between the rise of the popular woman writer the expansion and diversification of newspaper and periodical print media during a period of revolutionary change. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Brontë, and George Eliot, as well as lesser-known figures such as Eliza Cook, Frances Brown, Eliza Meteyard, and Rose Ellen Hendriks. In addition, it explores the networks of women writers connected with cheap family magazines such as Chambers’s Edinburgh Journal during the 1830s and ’40s. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. The book closes with discussion of the ways Victorian women’s participation in popular print culture anticipates our own engagement with new media in the twenty-first century.
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16

The Honourable G.W. Ross will address the electors of West Durham in the Town Hall, Bowmanville, on provincial politics, at 3 o'clock p.m., Wednesday, January 26 : Reform convention! the annual meeting of West Durham Reform Association will be held in the Council Chamber .. [S.l: s.n., 1985.

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