Relevant bibliographies by topics / Chamber music / Journal articles
To see the other types of publications on this topic, follow the link: Chamber music.

Journal articles on the topic 'Chamber music'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Chamber music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Kearns, William, Arthur Foote, and Charles Wakefield Cadman. "Chamber Music." American Music 4, no. 2 (1986): 231. http://dx.doi.org/10.2307/3051995.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Huxford, John C., and John Knowles Paine. "Chamber Music." American Music 7, no. 1 (1989): 114. http://dx.doi.org/10.2307/3052066.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pollack, Howard, Samuel Adler, Warren Benson, and John Downey. "Chamber Music." American Music 7, no. 2 (1989): 240. http://dx.doi.org/10.2307/3052222.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Roseberry, Eric, Edvard Grieg, Finn Benestad, and Dag Schjelderup-Ebbe. "Chamber Music." Musical Times 134, no. 1806 (August 1993): 454. http://dx.doi.org/10.2307/1003021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Katz, Paul, and Carol Yaple. "Chamber Music America and the Chamber Music Boom." American String Teacher 37, no. 1 (February 1987): 76–78. http://dx.doi.org/10.1177/000313138703700123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Vikarius, Laszlo, and Janos Karpati. "Bartok's Chamber Music." Studia Musicologica Academiae Scientiarum Hungaricae 39, no. 1 (1998): 145. http://dx.doi.org/10.2307/902513.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nelson, Claire. "Scottish chamber music." Early Music XXIX, no. 3 (August 2001): 461–63. http://dx.doi.org/10.1093/earlyj/xxix.3.461.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Smith, Catherine Parsons. "Chamber Music (review)." Notes 61, no. 1 (2004): 241–42. http://dx.doi.org/10.1353/not.2004.0117.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lewis, Roy. "Chamber Music Intonation." American String Teacher 48, no. 2 (May 1998): 39–44. http://dx.doi.org/10.1177/000313139804800208.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Sutcliffe, W. D. "Haydn chamber music." Early Music 40, no. 4 (November 1, 2012): 718–21. http://dx.doi.org/10.1093/em/cas124.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Sadler, G. "French chamber music." Early Music 43, no. 2 (April 11, 2015): 350–52. http://dx.doi.org/10.1093/em/cav030.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Bangert, Daniel. "Bach chamber music." Early Music 47, no. 2 (April 16, 2019): 280–82. http://dx.doi.org/10.1093/em/caz029.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Ло, Ч. "Chamber vocal music." Modern Humanities Success, no. 2 (February 25, 2024): 277–83. http://dx.doi.org/10.58224/2618-7175-2024-2-277-283.

Full text
Abstract:
камерная вокальная музыка является уникальным искусством, которое объединяет выразительность певческого голоса, художественные особенности поэтического слова и звуковую красоту инструментального сопровождения. Этот вопрос связан с взаимодействием слова и музыки, жанровой организацией текста и музыкальных источников, а также особенностями исполнения вокальных произведений. Особый интерес также вызывает популярная советская песня времен Отечественной войны под названием "Дороженька", которая приобрела широкую известность в Китае и была многократно обработана современными китайскими композиторами. В этих обработках прямая связь с оригинальным советским источником со временем постепенно исчезала, но вместе с тем возникали новые музыкальные аналогии, указывающие на влияние инструментальных концертных форм музицирования, таких как фантазии, вариации и другие. Цель данного исследования заключается в изучении камерно-вокальных сочинений, созданных китайскими композиторами, и их включении в репертуар современных певцов. Это исследование стремится рассмотреть уникальные характеристики и особенности этих композиций, а также их влияние на развитие и расширение репертуара современных исполнителей. В этой статье мы обратимся к одному из наиболее актуальных вопросов, связанных с камерной вокальной музыкой, который был пристально изучен во множестве исследований, среди которых работы Б.В. Асафьева, В.А. Васиной-Гроссман, Л.А. Мазеля и других. chamber vocal music is a unique art that combines the expressiveness of the singing voice, the artistic features of the poetic word and the sonic beauty of instrumental accompaniment. This issue is related to the interaction of words and music, the genre organization of text and musical sources, as well as the characteristics of the performance of vocal works. Also a popular Soviet song from the time of the Patriotic War called “Dorozhenka” is of particular interest, which became widely known in China and has been reworked many times by modern Chinese composers. In these adaptations, the direct connection with the original Soviet source gradually disappeared over time, but at the same time new musical analogies arose, indicating the influence of instrumental concert forms of music-making, such as fantasies, variations and others. The purpose of this study is to study chamber vocal works created by Chinese composers and their inclusion in the repertoire of modern singers. This study seeks to examine the unique characteristics and features of these compositions and their impact on the development and expansion of the repertoire of contemporary performers. In this article we will address one of the most pressing issues related to chamber vocal music, which has been closely studied in many studies, including the works of B.V. Asafiev, V.A. Vasina-Grossman, L.A. Mazel and others.
APA, Harvard, Vancouver, ISO, and other styles
14

Feng, Chiao-Ting. "Exploring Chinese college chamber music education: a case study of students’ conceptions." British Journal of Music Education 37, no. 3 (September 1, 2020): 247–59. http://dx.doi.org/10.1017/s0265051720000194.

Full text
Abstract:
AbstractThe purpose of this study was to examine the learning situation of Chinese students’ studying chamber music in universities. Therefore, students’ perspectives on learning chamber music were the main focus of this study. The study begins with a comprehensive description by educators of current Chinese college chamber music education and then details students’ cognition of and behaviour towards chamber music education. The survey participants (N = 23) were all music performance majors who had taken chamber music courses in one average-ranked Chinese university. Demographic data regarding students’ chamber music background, actual practical problems in classes, students’ expectations of their chamber music education and the relationship between practice and learning chamber music were collected. The results indicated that students all possessed positive and assertive attitudes towards learning chamber music and believed in the necessity and value of establishing chamber music education in Chinese universities.
APA, Harvard, Vancouver, ISO, and other styles
15

Bashford, Christina. "Historiography and Invisible Musics: Domestic Chamber Music in Nineteenth-Century Britain." Journal of the American Musicological Society 63, no. 2 (2010): 291–360. http://dx.doi.org/10.1525/jams.2010.63.2.291.

Full text
Abstract:
Abstract A persistent idea in chamber music historiography is that nineteenth-century Britain lacked a significant, serious domestic chamber-music culture of the type so prevalent in Austro-Germany. Such activity is assumed to have dried up ca. 1800, along with indigenous chamber-music composition, to be replaced by music making at the parlor piano and attendance at public concerts. This essay challenges that view and suggests a continuing, coherent subculture of private chamber music spread across Britain, often in unexpected settings and in communities of upper- and middle-class males. Underpinning the analysis is new, suggestive documentation from a range of sources including private diaries, letters, magazines, and auction catalogs. At the same time, many publicly oriented sources are silent about British chamber-music life, or contrast it poorly with Germany. Historical contextualization of this evidence suggests that received thinking in the twentieth century owed much to cultural ideologies embedded in the nineteenth. A knot of British anxieties in the nineteenth century around masculinity, class, intellectualism, and national identity led to the serious, private pursuit of chamber music among men of wealth being downplayed in public, caricatured, or even ignored. While the tenacious positioning of chamber music as inherently German stemmed in part from Germany's construction of its own national identity, it also owed much to the Victorians' tendency to perpetuate a limited view of their own musical culture.
APA, Harvard, Vancouver, ISO, and other styles
16

Trayle, Mark. "Nature, Networks, Chamber Music." Leonardo Music Journal 1, no. 1 (1991): 51. http://dx.doi.org/10.2307/1513122.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Richmond, Sam W., and Leonard Rosenman. "Chamber Music V (1980)." Notes 42, no. 4 (June 1986): 862. http://dx.doi.org/10.2307/897818.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Cipolla, Wilma Reid, Aaron Copland, and Arthur Foote. "Chamber Music with Flute." American Music 7, no. 1 (1989): 120. http://dx.doi.org/10.2307/3052070.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Thomson, Andrew, and Ensemble Musique Oblique. "Andre Caplet: Chamber Music." Musical Times 134, no. 1802 (April 1993): 223. http://dx.doi.org/10.2307/1002499.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Smith, Richard Langham, Guillaume Lekeu, Rachel Yakar, and Ensemble Musique Oblique. "Chamber Music and Songs." Musical Times 136, no. 1826 (April 1995): 203. http://dx.doi.org/10.2307/1004183.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Moore, Thomas. "Chamber Music Made Contagious." American String Teacher 42, no. 3 (August 1992): 50–51. http://dx.doi.org/10.1177/000313139204200320.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Wolff, Christoph. "Bach's Leipzing Chamber Music." Early Music 13, no. 2 (May 1985): 165–75. http://dx.doi.org/10.1093/earlyj/13.2.165.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Dickinson, Peter. "Review: Vocal Chamber Music." Music and Letters 83, no. 2 (May 1, 2002): 333–35. http://dx.doi.org/10.1093/ml/83.2.333-a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Thompson, S. "French Baroque chamber music." Early Music 36, no. 1 (February 1, 2008): 142–44. http://dx.doi.org/10.1093/em/cam146.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Anderson, Robert. "Chamber." Musical Times 126, no. 1710 (August 1985): 469. http://dx.doi.org/10.2307/964325.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Anderson, Robert. "Chamber." Musical Times 127, no. 1723 (October 1986): 566. http://dx.doi.org/10.2307/964400.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Anderson, Robert. "Chamber." Musical Times 126, no. 1714 (December 1985): 734. http://dx.doi.org/10.2307/965205.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Bray, Trevor. "Chamber." Musical Times 126, no. 1706 (April 1985): 229. http://dx.doi.org/10.2307/962192.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Zhao, Qian. "Comparison of the aesthetics of chamber music of China and the West." PHILHARMONICA. International Music Journal, no. 6 (June 2021): 1–8. http://dx.doi.org/10.7256/2453-613x.2021.6.37395.

Full text
Abstract:
Chamber music attracts the audience with its wide range, diverse sounds, and rich expressiveness. Even if it is still the same chamber music, the influence of geography, ethnicity, and culture, styles and varieties of Chinese and Western chamber music are widely different. By comparing pieces of Chinese chamber music with the Western chamber music, one can find out that Chinese chamber music focuses on the expression of the artistic concept through the melody, while the Western chamber music gives more attention to logic and festive genres. Within the Chinese musical aesthetics, influenced by Laozi’s Tao Te Ching, there’s an idea that «music has in it neither grief nor joy», saying that music itself is not emotional, and is objective, it is just an incentive and an instrument of emotions. In Western countries, the art of music gives attention to the technique, and considers music as a real and important substance, and tends to a more «autonomous» point of view. The authors of this research give special attention to the analysis of aesthetic differences between Chinese and Western music, as well as creative differences caused by the influence of aesthetic differences. In view of these facts the authors formulate the conclusion that the music of China and the West should be compared based on the ideas about aesthetics and their detailed analysis. The authors consider the typical features and characteristics of the music aesthetics of the West and China, their diversity and influence on the creative work in chamber music, hold a comparative research, and offer new models and directions of development. The main theme of traditional Chinese chamber music is poetry, and the arrangement is more free, and focuses on conveying the artistic idea. The Western chamber music has a strict creative routine, and gives more attention to the characteristics of music itself.
APA, Harvard, Vancouver, ISO, and other styles
30

Griffing, Joan. "Incorporating Chamber Music into a School Music Program." American String Teacher 54, no. 3 (August 2004): 60–63. http://dx.doi.org/10.1177/000313130405400316.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Griffiths, Paul. "Modern Chamber." Musical Times 129, no. 1739 (January 1988): 29. http://dx.doi.org/10.2307/964986.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Barford, Imogen. "Harp Chamber." Musical Times 129, no. 1741 (March 1988): 138. http://dx.doi.org/10.2307/965287.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

O'Loughlin, Niall. "Wind Chamber." Musical Times 129, no. 1742 (April 1988): 193. http://dx.doi.org/10.2307/965323.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Anderson, Robert. "Romantic Chamber." Musical Times 127, no. 1718 (May 1986): 281. http://dx.doi.org/10.2307/965469.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Starr, Larry, and Ellen Taaffe Zwilich. "Chamber Symphony." American Music 6, no. 4 (1988): 481. http://dx.doi.org/10.2307/3051714.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Anderson, Robert. "Romantic Chamber." Musical Times 126, no. 1703 (January 1985): 31. http://dx.doi.org/10.2307/962447.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

O'Loughlin, Niall. "Recent Chamber." Musical Times 126, no. 1703 (January 1985): 33. http://dx.doi.org/10.2307/962450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Bray, Trevor. "English Chamber." Musical Times 126, no. 1708 (June 1985): 353. http://dx.doi.org/10.2307/964043.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Schuster-Craig, John, and Robin Elliott. "Chamber Music I: Piano Trios." Notes 46, no. 3 (March 1990): 812. http://dx.doi.org/10.2307/941452.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Orgel, Paul, and Arthur Cohn. "The Literature of Chamber Music." Notes 55, no. 4 (June 1999): 897. http://dx.doi.org/10.2307/899592.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Johnson, John Andrew. "New Chamber and Solo Music." American Music 13, no. 3 (1995): 384. http://dx.doi.org/10.2307/3052628.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Latten, James E. "Chamber Music for Every Instrumentalist." Music Educators Journal 87, no. 5 (March 2001): 45. http://dx.doi.org/10.2307/3399708.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Howard, Patricia, Fanny Mendelssohn Quartet, Melinda Paulsen, Angela Gassenhuber, Friedmann Kupsa, Deborah Marshall, Renate Eggebrecht, and Fanny Mendelssohn Quartet. "Fanny Mendelssohn-Hensel: Chamber Music." Musical Times 134, no. 1809 (November 1993): 660. http://dx.doi.org/10.2307/1002815.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Imre, János Zsolt. "Chamber Music Explorations for Meditation." Studia Universitatis Babeş-Bolyai Musica 63, no. 2 (December 17, 2018): 67–84. http://dx.doi.org/10.24193/subbmusica.2018.2.07.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Lundy, Anne, and Ross Harbaugh. "Chamber Music by Black Americans." American String Teacher 41, no. 1 (February 1991): 70–72. http://dx.doi.org/10.1177/000313139104100120.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Iglitzin, Karen, and Ross Harbaugh. "Student Chamber Music Repertoire List." American String Teacher 42, no. 1 (February 1992): 58–59. http://dx.doi.org/10.1177/000313139204200123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

MCVEIGH, S. "'CHAMBER MUSIC FROM GEORGIAN ENGLAND'." Music and Letters 69, no. 3 (July 1, 1988): 448–49. http://dx.doi.org/10.1093/ml/69.3.448.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Megginson, David. "Chamber music and coaching managers." Industrial and Commercial Training 32, no. 6 (November 2000): 219–24. http://dx.doi.org/10.1108/00197850010354241.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Schranze, Lenny, and Heidi Castleman. "Chamber Music in High School." American String Teacher 43, no. 2 (May 1993): 74–76. http://dx.doi.org/10.1177/000313139304300222.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Price, Deborah Barrett, and Constance E. Barrett. "Chamber Music, off the Page." American String Teacher 61, no. 2 (May 2011): 36–39. http://dx.doi.org/10.1177/000313131106100219.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Chamber music' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography