Academic literature on the topic 'Chalan bil'

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Books on the topic "Chalan bil"

1

Marcel, Bourdette-Donon, ed. Anthologie de la littérature et des arts tchadiens. L'Harmattan, 2003.

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2

Mardānahʹzādah, Fāṭimah. Chu shākh-i gulī bar kinār-i chaman: Nigāhī bih khānvādah dar Shāhnāmah. Farhang-i Īlyā, 2008.

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3

Arnold, J. Douglas, and Zach Meston. Awesome Sega Genesis Secrets 3. Sandwich Islands Publishing, 1993.

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4

Daroqui, Julia. Como Charlan! / How They Speak (Grandes Albumes Infantiles / Big Children Albums). Sigmar Belgrano, 1995.

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5

Beal, Amy C. Big Band Theory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036361.003.0008.

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This chapter focuses on the Carla Bley Band, a ten-person big band Bley had spent several years establishing. The Carla Bley Band effectively became the instrument for which she composed, the vehicle through which she could let her sonic imagination run free. The establishment of her own large ensemble following the creation of her recording studio, record label, and distribution service was part of a logical chain of events, one indicating a further step in Bley's ongoing quest for total artistic control in the creation, administration, and dissemination of her music. This freedom allowed Ble
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6

HP, Lee. 2 The Constitutional Crisis of 1983. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198755999.003.0003.

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This chapter examines the constitutional crisis of 1983, which focused on the King’s power to assent to legislation in relation to federal legislation and on the State Rulers’ equivalent power in relation to State legislation. The crisis should be viewed while considering that amendments to the Federal Constitution are common in Malaysia. However, intense national interest was generated by the refusal of the Yang di-Pertuan Agong, Sultan Ahmad Shah, to assent to the Constitution (Amendment) Bill 1983. What was the significance of the 1983 Amendment Bill? What were the motives of the government
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7

Dickinson, Kay, Alisa Perren, Michael Curtin, et al. Supply Chain Cinema. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839024658.

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Why are big budget films typically made across an array of seemingly dissociated sites? Supply Chain Cinema shows how the production journeys of such films exemplify the principles of the supply chain, whose core imperative is to nimbly and opportunistically manufacturing wherever is most amenable and efficient. Through extensive on-site investigations and in-depth interviews with film professionals, Kay Dickinson delivers nuanced insight into working practices in the UK and the UAE. Among the sites she examines is Warner Bros’ permanent base at Leavesden Studios near London. From tax breaks d
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8

Arjaliès, Diane-Laure, Philip Grant, Iain Hardie, Donald MacKenzie, and Ekaterina Svetlova. Entangled Trading. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802945.003.0005.

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Chapter 5 follows the investment chain from the ‘buy side’ of investment management into the ‘sell side’ of brokers and traders. It discusses the development of ‘dark pools’—private share-trading venues in which subscribers can bid to buy shares or offer to sell them without those bids or offers being visible to the market at large. Originally, access to dark pools was restricted to investment management firms, and the pools were intended to permit those firms to buy or sell large blocks of shares among themselves at low cost and without the ‘market impact’ of trading in the public markets. Th
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9

Drivetrain for Vehicles 2016. VDI Verlag, 2016. http://dx.doi.org/10.51202/9783181022764.

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The annual VDI-Congress Drivetrain for Vehicles is the most important meeting-point for the automotive industry regarding transmissions and driveline-technology. Vehicle manufacturers, transmissions suppliers and the whole supply-chain are presenting and discussing latest technology and trends. The future of drivetrain for vehicles will become very exciting. The number of electrified drivetrains will be growing in future. Things will get more complex with a hybrid drive and packages will be much more challenging. Therefore we are keen to find intelligent solutions. Furthermore we will face sig
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10

Doering, James M. The War Years and a Shift to a New Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037412.003.0009.

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This chapter demonstrates how Judson's management empire began to plateau in the 1940s. The Depression had rattled music's funding structures. Technology had spawned greater competition for live musical experiences. Jazz had supplanted classical music on the pages of many newspapers and trade magazines. But particularly relevant for Judson was an emerging concern about the connection between music and big business. The Federal Communications Commission (FCC) first raised this issue in 1938, when it launched an investigation into the chain-broadcasting practices of the NBC, CBS, and mutual radi
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