Books on the topic 'Central Americans in motion pictures'

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1

Carballo, Willian. Centroamérica, una película de Hollywood: Representación de los países del Área y sus migrantes en series y filmes estadounidenses de 1990 a 2015. La Libertad, El Salvador: Escuela de Comunicación Mónica Herrera, 2016.

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2

Hames, Peter, and Catherine Portuges. Cinemas in transition in Central and Eastern Europe after 1989. Philadelphia: Temple University Press, 2013.

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3

Tötösy de Zepetnek, Steven, 1950-, ed. Comparative Central European culture. West Lafayette, Ind: Purdue University Press, 2002.

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4

Iordanova, Dina. Cinema of the other Europe: The industry and artistry of East Central European film. London: Wallflower, 2003.

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5

Amir, Labaki, ed. O cinema brasileiro: De O pagador de promessas a Central do Brasil = The films from Brazil : from The given word to Central Station. 2nd ed. São Paulo, SP: Publifolha, 1998.

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6

Keim, Norman O. Our movie houses: A history of film and cinematic innovation in Central New York. Syracuse: Syracuse University Press, 2008.

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7

Abikeyeva, Gulnara. The heart of the world: Films from Central Asia. Almaty: Complex, 2003.

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8

Camaiti, Hostert Anna, and Tamburri Anthony Julian, eds. Screening ethnicity: Cinematographic representations of Italian Americans in the United States. Boca Raton, FL: Bordighera Press, 2002.

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9

University of Illinois (Urbana-Champaign campus). Press., ed. African Americans in cinema: The first half century. Urbana: University of Illinois Press, 2003.

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10

Richard, Alfred Charles. Contemporary Hollywood's negative Hispanic image: An interpretive filmography, 1956-1993. Westport, Conn: Greenwood Press, 1994.

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11

Keller, Gary D. Hispanics and United States film: An overview and handbook. Tempe, Ariz: Bilingual Review/Press, 1994.

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12

Weisenfeld, Judith. Hollywood be thy name: African American religion in American film, 1929-1949. Berkeley, CA: University of California Press, 2006.

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13

Tamburri, Anthony Julian. Re-viewing Italian Americana: Generalities and specificities on cinema. New York, NY: Bordighera Press, 2011.

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14

D, Keller Gary, ed. Chicano cinema: Research, reviews, and resources. Binghamton, N.Y: Bilingual Review/Press, 1985.

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15

Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Bristol, UK: Intellect, 2006.

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16

Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Bristol: Intellect, 2006.

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17

Richard, Alfred Charles. Censorship and Hollywood's Hispanic image: An interpretive filmography, 1936-1955. Westport, Conn: Greenwood Press, 1993.

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18

Fisher, Celeste A. Black on black: Urban youth films and the multicultural audience. Lanham, Md: Scarecrow Press, 2006.

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19

Fregoso, Rosa Linda. The bronze screen: Chicana and Chicano film culture. Minneapolis: University of Minnesota Press, 1993.

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20

Gribben, Arthur. Images of the Irish & Irish-Americans in commercial and ethnographic film. Boston, MA: Northeastern University, 1987.

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21

Berry, Torriano. The fifty most influential Black films: Movies that changed the way we see America. Secaucus, NJ: Citadel Press/Carol Pub. Group, 1999.

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22

Grayson, Sandra M. Symbolizing the past: Reading Sankofa, Daughters of the Dust, & Eve's Bayou as histories. Lanham, MD: University Press of America, 2000.

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23

Guerrero, Ed. Framing Blackness: The African American image in film. Philadelphia: Temple University Press, 1993.

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24

Cooper, Rose. 3 Black chicks review flicks: A film & video guide with flava! New York: Amistad, 2002.

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25

Dever, Susan. Celluloid nationalism and other melodramas: From post-revolutionary Mexico to fin de siglo Mexamérica. Albany: State University of New York Press, 2003.

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26

Rockett, Kevin. The Irish filmography: Fiction films, 1896-1996. Dublin: Red Mountain Media, 1996.

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27

Charles, Tesson, Paquot Claudine, Garcia Roger, Assayas Olivier, and Festival internazionale del film di Locarno., eds. L' Asie à Hollywood. Paris: Cahiers du cinéma, 2001.

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28

1961-, Noriega Chon A., ed. Chicanos and film: Representation and resistance. Minneapolis: University of Minnesota Press, 1992.

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29

Wilderson, Frank B. Red, white & black: Cinema and the structure of U.S. antagonisms. Durham, NC: Duke University Press, 2010.

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30

Hilger, Michael. From savage to nobleman: Images of Native Americans in film. Lanham, Md: Scarecrow Press, 1995.

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31

From savage to nobleman: Images of Native Americans in film. Lanham, Md: Scarecrow Press, 2002.

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32

Chapman, Vanz. Reel blak: A pop culture guide to urban movies (post & pre hip hop). [Toronto, Ont: Gutter Press, 2003.

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33

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Dublin: Irish Academic Press, 2009.

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34

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Dublin: Irish Academic Press, 2009.

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35

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Dublin: Irish Academic Press, 2009.

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36

Harvey-Kattou, Liz. Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film. Liverpool University Press, 2022.

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37

Cinema in Central Asia. I.B.Tauris & Co Ltd, 2013.

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38

The cinema of Central Europe. London: Wallflower Press, 2004.

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39

Chambers, Bill. Film Freak Central 2009 Superannual. Lulu Press, Inc., 2009.

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40

Hames, Peter, and Catherine Portuges. Cinemas in Transition in Central and Eastern Europe After 1989. Temple University Press, 2013.

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41

Cinema In Central Asia Rewriting Cultural Histories. I.B.Tauris & Co Ltd, 2013.

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42

Chambers, Bill. The Film Freak Central 2006 Annual. Lulu.com, 2006.

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43

Sarkisova, Oksana. Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. Bloomsbury Publishing Plc, 2016.

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44

Sarkisova, Oksana. Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. Bloomsbury Publishing Plc, 2021.

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45

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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46

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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47

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. Bloomsbury Publishing Plc, 2021.

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48

Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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49

Miller, Jade L. Nollywood Central: The Nigerian Videofilm Industry. BFI Publishing, 2016.

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50

Miller, Jade L. Nollywood Central: The Nigerian Videofilm Industry. British Film Institute, 2016.

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