Dissertations / Theses on the topic 'Census, 1710'
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Thompson, Stephen John. "Census-taking, political economy and state formation in Britain, c. 1790-1840." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/265510.
Full textAlgranti, Leila Mezan 1953. "Livros de devoção, atos de censura : cultura religiosa na America Portuguesa (1750-1821)." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281333.
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Tese (livre-docencia) - Univer
Livre-Docente em Historia
Villalta, Luiz Carlos. "Reformismo Ilustrado, censura e práticas de leitura: usos do livro na América Portuguesa." Universidade de São Paulo, 1999. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-14122009-115825/.
Full textThis thesis proposes a research about the uses of books in Portuguese-America with reference to Portugal also. Although it concentrates in the years between 1750 and 1822, it goes back to the sixteenth Century to understand particular characteristics of the later period. Firstly, it presents a series of cultural references and some practices of the Portuguese censorship with readers during the period of the Enlightened Reformism. On one hand, there were the corporate theories of power from the Second Scholastic, the millennium beliefs and the anti-scientificism, and, on the other hand, the Enlightenment and the main characteristics of the Portuguese Enlightened Reformism, since the rule of marquis of Pombal until that of the Regent Prince D. João VI. Secondly, it focuses on the practices censorship and the Crown in relation to books - that is, the prescribed and prohibited use which evaluated the parameters that established censorship and their modifications under the Enlightened Reformism. Also it accompanies the controlling practices and the diffusion practices that affected the circulation and the possession of books and examines the concession of licenses for the reading of prohibited books. Finally, it incorporates the uses of books in the Portuguese-Brazilian world through, the analysis, lastly, of the distribution of the possession of books and the composition of libraries and the conceptions identified and formulated by the readers themselves. Concluding, the practices that accompanied the formulation of heretic proposals and the Inconfidência Mineira are examined and specifically the different influences of the Enlightenment and other cultural influences.
Jou, Myongcheol. "Les gens du livre embastillés : (1750-1789)." Paris 1, 1986. http://www.theses.fr/1986PA010649.
Full textKuwase, Shojiro. "Les Confessions de Jean-Jacques Rousseau en France (1770-1794) les aménagements et les censures, les usages, les appropriations de l'ouvrage /." Paris : H. Champion, 2003. http://catalogue.bnf.fr/ark:/12148/cb390250634.
Full textKuwase, Shojiro. "Les confessions de jean-jacques rousseau en france (1770-1794) - les amenagement et les censures, les usages, les appropriations de l'ouvrage -." Paris 7, 2000. http://www.theses.fr/2000PA070084.
Full textLaurence, Marinette. "Charles-Simon Favart : théâtre et vaudevilles : édition critique de manuscrits inédits (1725-1740)." Nantes, 2015. http://www.theses.fr/2016NANT3007.
Full textCharles-Simon Favart (1710-1792) was a prominent figure in the theatre, in the 18th century in France and in Europe. He wrote and composed a lot of works and contributed to the evolution of vaudevilles towards a new genre of opera-comique. Many comments have been written about him yet many gray areas remain. The unfortunate experiences, of which his wife, famous Madame Favart and himself were the victims, have contributed to altering the numerous accounts of their lives. By criss-crossing various documents and exploring some new manuscripts, we were able to give a fairer account of their lives. Concentrating on the beginning of Favart's career, we publish his first work, Ninus and Semiramis, which is a real fairytale written at the age of 15. Through the study of five other manuscripts written at the beginning of his career, that is two prologues, Le Génie de l'Opéra-comique, Les recrues de l'Opéra-Comique, two parodies which were censored, les Amours de Gogo, Sansonnet et Tonton and another parody, Harmonide, we analyse his drama work, except the work he wrote in collaboration. He was a skilled writer of vaudevilles. We publish his Clef de vaudevilles as the likely initiator of the Caveau moderne. We hereby publish the complete libretto of Harmonide
Stambul, Léo. "Le Régent du Parnasse : le pouvoir littéraire de Boileau." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA114.
Full textIf Boileau is remembered as the legislator of classicism, alive, the poet would rather have introduced himself as the “Regent of Parnassus”, or the literary representative of an absent executive power. Boileau's influence on literature, both tied to and freed from royal authority, but also seen as outrageaously scandalous at that time, seems today to have become a fable tormenting generations of pupils. Real or fantasized, that power, against which loads of Boileau's contemporaries stood up, questions the limits between the secluded literary world and the authors' social integration. We assume that this paradoxical configuration expresses itself through various aspects of Boileau's writing: an outstanding institutional career as the King's historiographer, thanks to which the satirist had never been closer to the body of monarchy; an exceptionally lenient use of violent and nominal satire which triggered numerous quarrels; a theory of the sublime and remarkable speech which can both move and change our understanding of the frontiers between what can be done, what can be allowed, and what can be imagined. This study on “literary power” attempts to combine a historical approach to Boileau's writing through which he asserted the social violence oozing out of the literary world; to a generic and linguistic work on the means of expressions of power inside genres and common langage; and to another hermeneutic approach to his theory on interpretation which makes the sublime the strength with which man can exceed from inside his own limits
Bohn, Marie-Anne. "Le travail du négatif chez Denis Diderot. Une étude de fictions choisies." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL066.
Full textThe work of the negative, a concept that initiated in philosophy, allowed the researcher to tackle the core of this study, as this action appears to shake profoundly the corpus of fictional texts chosen. If the work of the negative is a movement, which is shaped within a context of polarisation where the other is always implied, if there is an ambiguous turmoil and inconstancy, how does it actualize in Diderot’s work? To this extent, the study of the context of writing is essential as censorship and networks impact the arts. Additionally, the density of the texts requires unpacking the rhetorical effect of the convoluted prose. From genres to the connection to reality, from fictionalization of thoughts to narrative mode, tracks are covered repeatedly, thicken the plot, and eventually grant the central places to speech. In light of this information, the reader’s task is intricate. Is this “negative” stir connected to Diderot’s unfolding his thoughts through multiplicity? Lastly, we will probe further the feeling of movement which emanates from the texts at hand. It is as if it converged towards preserving the strength and power of thinking, as if in the meantime at a cross section between philosophy and literature, the style of Diderot was shaping up. A dialogic form structures the writing. Irony and its features mold sentences and situations in order to place the reader in an active discomfort, it reverberates the questioning inherent to the writing, and overflows. The work of the negative, which can be found more or less profusely in Diderot’s work, puts the notion of literarity into perspective
Lavandier, Jean-Pierre. "Les Lois de censure du livre émises par Vienne pour les pays austro-bohémiens et les catalogues de livres prohibés de 1740 à 1792 contribution à l'histoire de la pensée viennoise." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37594279v.
Full textPark, Jin-Seok. "Les thèmes et l'écriture épistolaire de la correspondance entre Jean-Jacques Rousseau et Malesherbes." Nice, 1996. http://www.theses.fr/1996NICE2017.
Full textThis thesis deals with the study of the correspondence between Jean Jacques Rousseau and Malesherbes who was director of the Library from 1755 to 1773. This correspondence includes 86 letters, that is to say 52 letters from Rousseau to Malesherbes and 34 from Malesherbes to Rousseau. The study is divided into three parts. The first part analyses the main themes of this correspondence such as the library, friendship, sensitiveness, politics, freedom, equality, religion, nature, botany, estrangemen and loveliness. The second part is about Rousseau'art of compromise, a useful skill for the epistolar relation which r. Had to establish with the director of the censorship in france. His letters reveal thow r. Baring in mind the rules of the art of writing, managed to establish progressively a friendly relation with his correspondent. The autobiographical letters demonstrate it. The third part - deals with the style and various tones of the letters. A study of the different uses of the most important words in Roussau letters has been carried out thankes to the hypertext software
Issa, Gonçalves Daniel. "Le méta-opéra baroque (1715-1745) : satire et parodie comme sources d’informations sur la pratique musicale au XVIIIe siècle." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL189.
Full textOpera, or melodramma, is one of the most important cultural phenomena of eighteenth-century Italy. According to Des Brosses (1709-1777) this genre seemed to be even more prized than spoken theater. The importance and popularity of the melodramma in Italian social and cultural life was such that many musical parodies and satires were produced. In the eighteenth-century, these "operas about opera" became so popular, they constituted a separated "micro-genre", which musicologists claim existed between 1715 and 1827. These operas are called, in the musicological literature, metaopera or metamelodramma. The aim of this thesis is to analyse the parodies and satires which deal with the profession of the musicians and singers active in opera, from the point of view of the musicians themselves. This allows us to identify references relating to the practice, habits, and clichés of the profession (musical practices, social situation of musicians, etc.), which do not necessarily appear in usual historical and critical sources. The analysis of these works provide an unique opportunity to explore the world of the musical production of the eighteenth century, which is parodied and criticized by satire in its own language and by its own actors and protagonists. Despite their caricatural nature, these works are a reflection of musicians, librettists, composers, and other actors of the musical scene on their own profession, and illustrates in a comical and lively way, the situation of the musical business in the eighteenth century
Guibovich, Pérez Pedro M. "GÓMEZ ÁLVAREZ, Cristina y Guillermo TOVAR DE TERESA. Censura y revolución. Libros prohibidos por la Inquisición de México (1790-1819). Madrid: Trama Editorial, Consejo de la Crónica de la Ciudad de México, 2009, 330 pp., ilustr." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/121737.
Full textCremieux, François. "Rousseau et l'histoire." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0136.
Full textIt is customary to mention the report of J.-J. Rousseau to History to enunciate his anthropological optimism to which, like a chiaroscuro, opposes a historical pessimism. Rousseau is above all a humanist, his work is mainly oriented on man and he finds a modern man under the irons, bending under drowsy regimes, with a few exceptions. In the (disastrous) dynamic of history, the citizen perceives only a linear, increasing and secularized degradation, far from any theodicy, the man is the main artisan of his misfortune. However, one cannot conclude to a pessimism without appeal, the citizen hopes in a providential man who can circumscribe this tendency. The historical productions of Jean-Jacques are few and focused mainly on public law. But in the sketch of the history of his republic, Jean-Jacques proved a formidable historian. But History does not interest him much and assigns many faults to him, even if he remains acquainted with ancient history. Rousseau is convinced that history reveals only a denatured man to whom "crutches" are necessary and the author of the Contrat social thinks of the primacy of politics or recourse to mediation. In the relations maintained by the citizen, in three stages, he is first of all the historian of a happy socialization, then evokes his anthropological optimism to which echoes a true process instructed in history; in the end, the last step, the citizen ideologizes History, especially ancient, with a view to a possible and beneficent socialization of man
Artigas-Menant, Geneviève. "Les papiers de Thomas Pichon : recherches sur les manuscrits philosophiques clandestins au XVIIIe siècle." Paris 4, 1999. http://www.theses.fr/1999PA040107.
Full textDias, Andreia Suzana Ribeiro e. Costa de Pinho. "Métodos de censo de perdiz-vermelha (Alectoris rufa L.) em zonas de alta e baixa densidades." Master's thesis, 2006. http://hdl.handle.net/10400.1/1790.
Full textO valor sócio-económico da perdiz-vermelha, associado a um acentuado decréscimo das populações, confere bastante importância ao seu estudo, e levou ao ensaio de diferentes métodos de censo para contabilização e posterior gestão das populações. As diferenças de habitats, de densidade e da fenologia da espécie entre o Norte e o Sul do país suscitaram a realização deste estudo comparativo em três zonas. Na região Norte efectuaram-se censos no Parque Nacional da Peneda-Gerês (PNPG) (Pedra Bela (Minho) e Pitões das Júnias (Trás-Os-Montes)) e a Sul, na Herdade do Vale da Casca no Alentejo. Utilizaram-se dois métodos relativos (transectos lineares e pontos-de-escuta com chamariz) e um método absoluto: batida em seco. As densidades mais baixas foram registadas na Pedra Bela enquanto que as mais elevadas no Alentejo. A escassez de dados poderá dever-se ao facto de o ano em estudo ter sido anómalo no que respeita a disponibilidade de água, alterando as condições de habitat e consequentemente o comportamento da espécie. Foram realizados dois repovoamentos no PNPG (Pedra Bela e Carvalha das Éguas) e efectuados censos (transectos lineares e batidas) destinados a estudar os resultados destas acções. Notou-se um grande decréscimo de efectivos após o repovoamento provavelmente devido a predação, eventuais mortes por caça ilegal e outros factores como a dispersão. Foram largadas 25 perdizes na Pedra Bela e 24 na Carvalha das Éguas. No primeiro mês de recenseamento a relação observadas/largadas foi de 2,48 na Pedra Bela e de 1,42 na Carvalha das Éguas.