Journal articles on the topic 'Censorship – drama'
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OTA, Kazuaki. "Jacobean Drama and Censorship." Journal of UOEH 12, no. 2 (1990): 239–49. http://dx.doi.org/10.7888/juoeh.12.239.
Full textDavidson, Clifford. "Drama, Censorship, and “Vernacular Theology”." Studies in Philology 116, no. 1 (2019): 35–53. http://dx.doi.org/10.1353/sip.2019.0001.
Full textBratton, J. S., and John Russell Stephens. "The Censorship of English Drama 1824-1901." Yearbook of English Studies 15 (1985): 314. http://dx.doi.org/10.2307/3508604.
Full textMcKibbin, Ross. "The Censorship of British Drama, 1900–1968." English Historical Review CXXI, no. 490 (February 1, 2006): 340–42. http://dx.doi.org/10.1093/ehr/cej102.
Full textSchupak, Esther B. "Redefining Censorship." European Judaism 51, no. 2 (September 1, 2018): 134–42. http://dx.doi.org/10.3167/ej.2018.510219.
Full textSchupak, Esther B. "Redefining Censorship." European Judaism 51, no. 2 (September 1, 2018): 134–42. http://dx.doi.org/10.3167/ej.2017.510219.
Full textEdelstein, Gabriella. "‘Changed to another form’." Critical Survey 36, no. 1 (March 1, 2024): 44–57. http://dx.doi.org/10.3167/cs.2024.360104.
Full textRichmond, Steven. ""And Who Are the Judges?": Mikhail Bulgakov Versus Soviet Censorship, 1926-1936." Russian History 33, no. 1 (2006): 83–107. http://dx.doi.org/10.1163/187633106x00050.
Full textGoldstein, Robert Justin. "Political Censorship of the Theatre in Nineteenth-Century Europe." Theatre Research International 12, no. 3 (1987): 220–41. http://dx.doi.org/10.1017/s0307883300013699.
Full textHowe, Tonya-Marie. "Eighteenth-Century Drama: Censorship, Society, and the Stage." Restoration and Eighteenth-Century Theatre Research 31, no. 1 (2016): 133–36. http://dx.doi.org/10.5325/rectr.31.1.0133.
Full textHoldsworth, Nadine. "The Censorship of British Drama 1900-1968 (review)." Modern Drama 48, no. 1 (2005): 204–6. http://dx.doi.org/10.1353/mdr.2005.0011.
Full textBell, David. "Eighteenth Century Drama: Censorship, Society and the Stage." Reference Reviews 31, no. 8 (October 16, 2017): 28–30. http://dx.doi.org/10.1108/rr-05-2017-0121.
Full textMalaiko, Serhii. "MANIPULATION OF TRANSLATOR: UNCONSCIOUS TRANSLATION CENSORSHIP OF IDEOLOGICAL PHENOMENA (ON THE BASIS OF ENGLISH TRANSLATIONS OF VALERIAN PIDMOHYLNYI’S NOVELS)." Inozenma Philologia, no. 135 (December 15, 2022): 89–99. http://dx.doi.org/10.30970/fpl.2022.135.3809.
Full textDi Pastena, Enrico. "Il bavaglio e la parola. Note su una pièce allegorica di Alfonso Sastre." Caietele Echinox 39 (December 1, 2020): 189–209. http://dx.doi.org/10.24193/cechinox.2020.39.14.
Full textEtienne, Anne. "The censorship of British drama, volume 4 – the sixties." Studies in Theatre and Performance 36, no. 1 (December 14, 2015): 96–97. http://dx.doi.org/10.1080/14682761.2015.1121025.
Full textLease, Bryce. "Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre." TDR/The Drama Review 59, no. 1 (March 2015): 119–35. http://dx.doi.org/10.1162/dram_a_00432.
Full textWhite, Lee. "The Censorship of British Drama, Vol. 2: 1933-1952 (review)." Modern Drama 50, no. 1 (2007): 117–20. http://dx.doi.org/10.1353/mdr.2007.0030.
Full textSullivan, Esther Beth. "Vectia, Man-Made Censorship, and the Drama of Marie Stopes." Theatre Survey 46, no. 1 (May 2005): 79–102. http://dx.doi.org/10.1017/s0040557405000062.
Full textXiaoqing, Ye. "Imperial Institutions and Drama in the Qing Court." European Journal of East Asian Studies 2, no. 2 (March 24, 2003): 329–64. http://dx.doi.org/10.1163/15700615-00202008.
Full textCarlson, Marvin. "Contemporary Censorship Debates in Germany." New Theatre Quarterly 40, no. 2 (April 29, 2024): 160–66. http://dx.doi.org/10.1017/s0266464x24000058.
Full textBevington, David, and Richard Dutton. "Mastering the Revels: The Regulation and Censorship of English Renaissance Drama." American Historical Review 99, no. 1 (February 1994): 225. http://dx.doi.org/10.2307/2166223.
Full textClare, Janet, and Richard Dutton. "Mastering the Revels: The Regulation and Censorship of English Renaissance Drama." Modern Language Review 89, no. 1 (January 1994): 191. http://dx.doi.org/10.2307/3733177.
Full textStreitberger, W. R., and Richard Dutton. "Mastering the Revels: The Regulation and Censorship of English Renaissance Drama." Shakespeare Quarterly 46, no. 1 (1995): 93. http://dx.doi.org/10.2307/2871160.
Full textSwindells, Julia. "Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832 (review)." Romanticism 13, no. 1 (2007): 92–94. http://dx.doi.org/10.1353/rom.2007.0020.
Full textMinden, Gabriela. "“verse-play” or “spoken ballet”? W. H. Auden, Rupert Doone, and a New Poetic Drama." Modernism/modernity 30, no. 4 (November 2023): 743–65. http://dx.doi.org/10.1353/mod.2023.a925906.
Full textKastleman, Rebecca. "Synecdoche's Obloquy: Beckett and the Performance of Indecency." Journal of Beckett Studies 29, no. 2 (September 2020): 179–95. http://dx.doi.org/10.3366/jobs.2020.0310.
Full textVon Hoff, Dagmar. "Kontingenz-Erfahrung in der Romantik. Ausdrucksbegehren und Zensur bei Karoline von Günderrode." Pandaemonium Germanicum, no. 4 (November 5, 2000): 179. http://dx.doi.org/10.11606/1982-8837.pg.2000.64193.
Full textSeungHee Lee. "The Formation of Realism Drama – The Dynamics of Socialistic Translation and Censorship." Journal of Korean drama and theatre ll, no. 29 (April 2009): 47–84. http://dx.doi.org/10.17938/tjkdat.2009..29.47.
Full textArrington, L. "DAVID WORRALL, Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832." Notes and Queries 56, no. 4 (December 1, 2009): 662–63. http://dx.doi.org/10.1093/notesj/gjp220.
Full textSwindells, Julia. "David Worrall's Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832." Romanticism 13, no. 1 (April 2007): 92–94. http://dx.doi.org/10.3366/rom.2007.13.1.92.
Full textGibson, Melissa Dana. "The Censorship of British Drama 1900–1968, Volume Two: 1933–1952 by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Three: the Fifties by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Four: the Sixties by Steve Nicholson." Theatre Journal 68, no. 3 (2016): 494–96. http://dx.doi.org/10.1353/tj.2016.0099.
Full textAlix-Nicolaï, Florian. "Exile Drama: The Translation of Ernst Toller's Pastor Hall (1939)." Translation and Literature 24, no. 2 (July 2015): 190–202. http://dx.doi.org/10.3366/tal.2015.0201.
Full textDana Van Kooy. "Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832 (review)." Theatre Journal 60, no. 3 (2008): 504–5. http://dx.doi.org/10.1353/tj.0.0050.
Full textLacey, Stephen. "The Censorship of British Drama 1900–1968: Volume Four: The Sixtiesby Steve Nicholson." Contemporary Theatre Review 26, no. 3 (July 2, 2016): 382–83. http://dx.doi.org/10.1080/10486801.2016.1187518.
Full textButler, Martin. "Ecclesiastical Censorship of Early Stuart Drama: The Case of Jonson's "The Magnetic Lady"." Modern Philology 89, no. 4 (May 1992): 469–81. http://dx.doi.org/10.1086/391999.
Full textBhatia, Nandi. "Censorship, “Obscenity” and Courtroom Drama: Reading Ismat Chughtai’s “Lihaaf” and “The ‘Lihaaf’ Trial”." Law & Literature 32, no. 3 (February 14, 2020): 457–75. http://dx.doi.org/10.1080/1535685x.2020.1721197.
Full textDiamond, Catherine. "A Delicate Balance: Negotiating Isolation and Globalization in the Burmese Performing Arts." TDR/The Drama Review 53, no. 1 (March 2009): 93–128. http://dx.doi.org/10.1162/dram.2009.53.1.93.
Full textBystrov, V. N. "Commentator’s Notes to A. A. Blok’s Datebook of 1915." Russkaya literatura 4 (2020): 91–100. http://dx.doi.org/10.31860/0131-6095-2020-4-91-100.
Full textGibson, Melissa Dana. "The Censorship of British Drama 1900-1968, Vol. I, 1900-1932, and: Censorship of the American Theatre in the Twentieth Century (review)." Theatre Journal 57, no. 4 (2005): 775–77. http://dx.doi.org/10.1353/tj.2006.0018.
Full textZahrawi, Samar. "Syrian Drama Escaping Censorship: Sa’dallah Wannous’s The King’s Elephant and The King is King." Arab World English Journal 6, no. 2 (June 15, 2015): 329–36. http://dx.doi.org/10.24093/awej/vol6no2.25.
Full textLeff, Leonard J. "And Transfer to Cemetery: The Streetcars Named Desire." Film Quarterly 55, no. 3 (2002): 29–37. http://dx.doi.org/10.1525/fq.2002.55.3.29.
Full textBoles, William C. "The Censorship of British Drama, 1900-1968. Vol. 1, 1900-1932, and: The Censorship of British Drama, 1900-1968. Vol. 2, 1933-1952 (review)." Comparative Drama 40, no. 2 (2006): 244–47. http://dx.doi.org/10.1353/cdr.2006.0025.
Full textMishurovskaya, M., and E. Mikhaylova. "THE WHITE GUARD [BELAYA GVARDIYA] IS BANNED IN KIEV... THE FATE OF M. BULGAKOV’S PLAYS IN KIEV THEATRES IN 1926." Voprosy literatury, no. 2 (September 30, 2018): 294–332. http://dx.doi.org/10.31425/0042-8795-2018-2-294-332.
Full textZhuang, Y. "Leningrad’s Theatre Censorship in the First Half of the 1950s (on Example of Drama Theaters)." Modern History of Russia, no. 2 (2016): 268–76. http://dx.doi.org/10.21638/11701/spbu24.2016.214.
Full textMatvieieva, Kateryna. "REPERTOIRE TRADITION OF THE UKRAINIAN DRAMA THEATRE: HISTORICAL AND CULTURAL ASPECT." CULTURE AND ARTS IN THE MODERN WORLD, no. 22 (June 30, 2021): 71–84. http://dx.doi.org/10.31866/2410-1915.22.2021.235896.
Full textPečiulis, Žygintas. "Sovietinės televizijos diskurso daugialypumas: oficialumo ir nuoširdumo drama." Informacijos mokslai 63 (January 1, 2013): 113–28. http://dx.doi.org/10.15388/im.2013.0.1588.
Full textArya, Sakshi G., and O. P. Dewal. "On Controversy’s Path: Analysing the Period Drama Padmaavat." MediaSpace: DME Media Journal of Communication 4, no. 01 (August 19, 2023): 24–31. http://dx.doi.org/10.53361/dmejc.v4i01.04.
Full textZahrawi, Samar. "The Hierarchy of Oppression, from Authoritarianism to Misogyny: A Study in the Monodrama of Mamdouh ʿUdwan." Arab World English Journal For Translation and Literary Studies 6, no. 1 (February 24, 2022): 20–29. http://dx.doi.org/10.24093/awejtls/vol6no1.2.
Full text이정배. "A study of Censorship Internalization in 1960's- Focused on historical drama by Sin Sang-Ok." Drama Research ll, no. 32 (June 2010): 115–43. http://dx.doi.org/10.15716/dr.2010..32.115.
Full textLal, Ananda. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India. By Nandi Bhatia. Ann Arbor, MI: University of Michigan Press, 2004; pp. vi + 206 pp. $49.50 cloth." Theatre Survey 46, no. 2 (October 25, 2005): 311–13. http://dx.doi.org/10.1017/s0040557405210207.
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