Academic literature on the topic 'Cemetery chapels'
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Journal articles on the topic "Cemetery chapels"
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Mancuso, Angela. "The Bogliaco Bartolani Chapel in the Cemetery of Porte Sante, Florence. Survey and analysis for the restoration." Studies in Digital Heritage 1, no. 2 (December 14, 2017): 700–718. http://dx.doi.org/10.14434/sdh.v1i2.23188.
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The Cemetery of the Porte Sante in Florence is located on San Miniato al Monte, one of the highest hills of the city. The cemetery was built in 1854 and it has always been characterized by a monumental nature. Since the end of 1800 the excavated burials were enriched with decorations, and other areas were dedicated to the creation of chapels and mausoleum made by the most famous architects of the time. Today the cemetery is not well preserved: many tombs are abandoned and there is a general need of restoration. During the Diagnostics Laboratory of the Specialization School of the University of Florence, many studies on the major chapels of the cemetery have been carried out. In this paper is presented the survey and the analysis on the state of decay of the Bogliaco Bartolani Chapel, projected in 1913 by Architect Enrico Dante Fantappiè, an Italian master of Eclecticism. This chapel is a very interesting example of the style, in which stands out the juxtaposition and contrast of different materials and crafts. The studies on the chapel follows a line that go from an initial photographic and metric survey, to a bibliographic and archive research work and finally to an examination of the decay phenomena on the exterior façades. The final phase will be a comparison between this tomb and another example of chapel by Fantappiè, located in the same cemetery: similar construction design leads to similar state of decay. Moreover the workflow presented could be an interesting example of how studies can be carried out with reduced expenses in case of a very low budget. In the cemetery public and private properties (often dispersed) are converging: pushing the boundaries of proprieties is crucial to carry out a policy of recovery of one of the monumental hills of Florence.
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Pius, Reet. "Familienkapellen auf dem Kirchhof und dem Gutshoffriedhof." Baltic Journal of Art History 13 (October 9, 2017): 131. http://dx.doi.org/10.12697/bjah.2017.13.07.
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The 1772 cemetery reform of Catherine the Great, Empress of Russia, resulted in great changes in the cemetery culture of Russia’s Baltic provinces. The ban on burials in churches and the vicinity of churches resulted in the rapid development of cemetery parks outside of settlements. The strong political relations of Estonia’s manor owners with the Russian central government resulted in the nobles being given the privilege to establish burial plots in the churchyards, but in Livonia, this was strictly prohibited. Simultaneously with the parish cemeteries, the owners of private manors established family cemeteries on their manors. The new cemeteries were not only places to bury the dead, but, inspired by contemporary poets, they were seen as family altars, which were visited regularly and which was accessed by path that was attuned to contemplation.The cemetery is complex, which includes a garden, chapel and allée, and if possible, a body of water. Noble trees were planted along the path leading to the cemetery. Oaks were preferred, which due their mighty shape were considered to be the symbol of family and nobility. Influenced by the poetry of the Enlightenment, evergreens – silver firs, thuja trees, and spruces – were called “sad trees”. The French poet Jacques Delille, whose works were popular among the Baltic Germans, sees women as mourners. And many family cemeteries were established at the initiative of women. Examples of Ancient Greek architecture, in the form of temples with porticos or antas, or the small-scale copies of the Pantheon from Ancient Rome, dominated in cemetery architecture. The chapel was comprised of underground burial chambers and above-ground memorials. A so-called memorial altar was located in the end wall of the chapel, which have survived until the present day in a few places. The Barclay de Tolly monument is the most majestic in Estonia.Already in the 1830s, the family chapels became memorials and burials no longer took place there. However, chapels continued to be built until in Estonia until the early 20th century.
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Neckel, Alcindo, Carlos Costa, Débora Nunes Mario, Clarice Elvira Saggin Sabadin, and Eliane Thaines Bodah. "Environmental damage and public health threat caused by cemeteries: a proposal of ideal cemeteries for the growing urban sprawl." urbe. Revista Brasileira de Gestão Urbana 9, no. 2 (February 13, 2017): 216–30. http://dx.doi.org/10.1590/2175-3369.009.002.ao05.
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Abstract Growing urban land development has led to a reduction in the space available for cemeteries and the juxtaposition of residential and cemeterial areas, further raising the polluting potential of the latter. The present case study sought to assess levels of physicochemical and microbiological contamination in the Central Cemetery of Marau (RS/Brazil), and propose vertical cemetery deployment as a way to reduce necroleachate-linked pollution impacts. The following information was collected from 43 additional rural cemeteries: number of tombs, graves, chapels, and small vertical constructions with drawers, state of conservation and cleanliness and total area and perimeter of the cemetery. Eighty professionals of environmentally sustainable urban planning from four countries (20 Brazilians, 20 American, 20 Portuguese and 20 Japanese) were interviewed regarding the ‘ideal cemetery’. Various risks of cemetery soil contamination were identified, particularly high amounts of heterotrophic microorganisms, especially fecal coliforms associated with burial sites. In order to avoid contamination risks to environment and population, the mplemention of a vertical model of cemetery is proposed.
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Eremeev, S. N. "ORTHODOX CHURCHES IN TOMSK: CARTOGRAPHIC RECONSTRUCTI." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 60–73. http://dx.doi.org/10.31675/1607-1859-2019-21-1-60-73.
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The paper describes the Orthodox church historical heritage in Tomsk which in the 20th century was mostly lost because of ideological reasons. For the first time, a list of all historical Orthodox churches of Tomsk is studied. A comparative analysis is given to all types of Orthodox churches, which are parish, home, monastery, cemetery churches and chapels. A preservation of these objects in nowadays is evaluated. As a result, a combined table is developed for 84 objects and the cartographic reconstruction is proposed for all historical church objects of Tomsk from the 1750s to the 1950s.
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Rėbždaitė, Brigita. "CEMETERIES OF THE MANOR RESIDENCIES OF LITHUANIA – ORIGINAL ACCENTS OF THE LANDSCAPE / LIETUVOS DVARŲ SODYBŲ KAPINĖS – SAVITAS KRAŠTOVAIZDŽIO AKCENTAS." Mokslas – Lietuvos ateitis 9, no. 1 (May 9, 2017): 83–91. http://dx.doi.org/10.3846/mla.2017.1002.
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The sacral and memorial architecture of Lithuanian manors is unique part of the heritage of Lithuanian manors. The manor residencies of Lithuania abound in a variety of sacred and memorial objects: churches, chapels, mausoleums, the graveyard of tombstones and other memorials or monuments. The structure of the cemetery consists of the layout of the territory, the markers outlining the boundaries of the cemetery, greenery and the nature of the surface of the land, buildings and other objects. The aim of this research is to describe relationship of the sacral and memorial spaces with their surrounding environment, representative part of manor residencies and to present the spatial structure of the cemetery, outlining markers, greenery and other elements of architectural composition of cemeteries. Lietuvos dvarų sakralinė ir memorialinė architektūra – unikali Lietuvos dvarų paveldo dalis. Lietuvos dvarų sodybose gausu įvairių sakralinių ir memorialinių objektų: bažnyčių, koplyčių, mauzoliejų, kapinaičių bei jose esančių antkapinių paminklų ar kitų memorialinių ženklų. Bendrą kapinių vaizdą formuoja kapinių suplanavimas, ženklai, kuriais apibrėžiamos kapinių teritorijos, apželdinimas ir žemės paviršiaus ypatumai, pastatai ir kiti kapinėse esantys objektai. Straipsnio tikslas – aptarti dvarų sodybose esančių sakralinių memorialinių erdvių (kapinių) santykį su jas supančia aplinka, dvarų sodybų reprezentacine dalimi bei pristatyti kapinių erdvinę ir planinę struktūrą, aptvėrimus, želdynus bei kitus kapinaičių architektūrinę kompoziciją formuojančius akcentus.
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Hamza, Hani. "The Curious Case of the Unrecognized turba of amīr Jirbāsh Qāshiq: New Dating and Attribution." Journal of Material Cultures in the Muslim World 1, no. 1-2 (February 9, 2021): 96–119. http://dx.doi.org/10.1163/26666286-12340004.
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Abstract The borderlines between the sacred and profane, and the living and the dead, are blurred in the Mamluk Northern Cemetery of Cairo like in no other place in Egypt. Sacred burial domes, prayer chapels, mosques, ṣūfī khanqās, and zawīyyas stood side by side with profane residential quarters, kitchens, latrines, stables, kutābs, and sabīls scattered around a ḥaūsh enclosed by a wall. The Northern Cemetery was dotted with over a hundred of such Mamluk turba complexes. Many perished, but thirty-six survived. The majority of surviving turbas are identified with certainty, but a few have controversial attributions or doubtful dating. One surviving turba stands out as not being recognized at all, let alone given an attribution or date. This is the peculiar case of the turba of Jirbāsh Qāshiq (d. 861/1456), standing between the complexes of Īnāl and of Qurqumās at the edge of the Northern Cemetery. The plan of Ῑnāl’s complex (855–60/1451–56) has a peculiar square area protruding uncomfortably to the west, now in semi ruins. It was identified empirically by the Comité in 1919 as courtyard C of the complex of Ῑnāl. None of the later studies challenged this attribution. This paper will discuss the vague attributions of three turbas in the area in general, and as a case study challenges the Comité’s attribution of the ḥaush C as part of Īnāl’s complex; it proposes that it is a separate turba for Jirbāsh Qāshiq. This conclusion is reached through reading of several waqf manuscripts, comparisons with other monuments of the same genre and era, biographical dictionaries, and chronicles. A plan and a three-dimensional re-construction of the turba are drawn as well.
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Bojanin, Stanoje. "Sacred and profane topography in a medieval Serbian parish - an outline." Zbornik radova Vizantoloskog instituta, no. 50-2 (2013): 1013–24. http://dx.doi.org/10.2298/zrvi1350013b.
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This article presents a basic research scope of the social importance of microtoponyms and topographical features of villages and their precincts, which in the Middle Ages were organized as parish communities. The social space of the rural environment is segmented by different entities important for the social and religious life of the local community, such as a parish church with its yard, a cemetery, other churches and chapels in the fields and groves, freestanding crosses, certain bodies of water or some marked trees, typically the oak. The issue of the methods of analysing medieval sources of different provenience and fragmented data is of major importance. In order to understand the sources properly, we have to be aware of the social segmentation of a medieval society, from which diverse interpretation and functions of the cultural artefacts and performances (rituals, festivities) originated.
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Yarnykh, Vera Serafimovna. "The possessions of Gerald of Aurillac: on the question of a network of elite spaces in the Carolingian Auvergne (IX – X centuries)." Исторический журнал: научные исследования, no. 4 (April 2024): 21–35. http://dx.doi.org/10.7256/2454-0609.2024.4.70724.
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The subject of the is the lands owned by a Carolingian lay saint, Gerald of Aurillac (d. 909), through the perspective of social anthropological research on the history of Early Medieval elites and elite sites. It confronts textual sources with the results of archaeological and linguistic studies of the recent decades. The dense evidence of the saint’s early life compiled by Odo of Cluny some 20 years after his death (the so-called Vita Prolixior Prima) allows to revisit the question of the aristocratic residence in the late Carolingian Auvergne (mid-9th – mid-10th Centuries). The elite locus of Gerald’s holdings is seen within the framework of dependent sites and chapels, whereas the spatial perspective of the vita is reconstructed with taking into account not only the hagiogrpher’s intentions and vision of centre and periphery, but also symbolic factors of prestige and local piety. Count Gerald’s castle in Aurillac, the adjacent monastery founded by him, newly discovered cemetery, and a number of his holdings that it has been possible to localize, serve as a case of an aristocratic residence and its connections to a network of dependent settlements, religious edifices and farmed lands. This analysis is made possible by new archaeological excavations in Aurillac in 2013–2014. Moreover, we can trace the sphere of an aristocrat’s authority over the lands dominated by his central residence. In the case of Count Gerald this holds true not only for the territory of Auvergne but also for the adjacent pagi of Quercy, Rouergue and Limousin. A special emphasis is put on the questions of sacral topography of the count Gerald’s domain in the vita as a mirror of Odo’s concept of sainthood and his reinterpretation of the local tradition on the aristocratic saint.
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Stamp, Gavin. "Ramsgate Cemetery Chapel." Architectural History 41 (1998): 273. http://dx.doi.org/10.2307/1568660.
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Божић, Јелена. "САРАЈЕВСКА ИСТОРИЈСКА ПРАВОСЛАВНА ГРОБЉА НА ЦАРИНИ И СВ. АРХАНГЕЛА У КОШЕВУ HISTORICAL ORTHODOX CEMETERIES IN SARAJEVO IN CARINA AND THE HOLY ARCHANGELS MICHAEL AND GABRIEL IN KOŠEVO." Историјски часопис, no. 70/2021 (December 30, 2021): 515–47. http://dx.doi.org/10.34298/ic2170515b.
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The historical Serbian Orthodox cemeteries have a multi-faceted value in the construction and cultural-historical heritage of Sarajevo. The Old Cemetery in Carina and the Holy Archangels Michael and Gabriel Cemetery in Koševo with the Vidovdan Heroes Chapel are the spatial testimonies to social and urban development. The Chapel and gravestones are the spiritual and material heritage of Sarajevo’s Serbs in the historical context of duration and belonging. These guardians of individual and collective memories of the people and events of the past times are an invaluable and reliable cornerstone of the reception of national history and cultural identity of the city.
Dissertations / Theses on the topic "Cemetery chapels"
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Jones, Jason F. "Places : a columbarium and chapel in Lynchburg's Old City Cemetery /." Thesis, This resource online, 1997. http://scholar.lib.vt.edu/theses/available/etd-09092008-064336/.
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Dunlevy, Shane Conlan. "On Ornament: A Catholic Cemetery for Philadelphia." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/33405.
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The practice of architecture exists because man has sought shelter from the forces of the world he finds himself. It is wonder of this same world that has caused him to shape his rooms from age to age. In every instance, he recreates the world within the world with the materials of that world. It is the marks, the cuts, the juxtaposition, and the joining of these materials in which ornament dwells. It is present wherever man has shaped material for construction. It is a whisper when homogenized, and it is a trumpet blast when varied. This thesis will delve into the making of ornament, and my love for it.
My first cognizant encounter with architecture, was my fascination with the sculpted stones of the gothic cathedrals. It was the ornament that caused me to be fascinated and to remember. So for this thesis, I sought to imagine walls worth remembering. I wanted to touch every material with my mindâ s eye so that it might be a gift for others. I wanted to ornate.
It seemed best for the design to be sacred and to be in an urban setting. I also thought that the presence of time and aging might help the thesis. I came to choose the program of a catholic cemetery in Philadelphia. I hoped to explore what meaningful marks and arrangements of materials I could impart to this ephemeral world.Master of Architecture
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HORN, HEATH M. "PROVOKING REMEMBRANCE AND CONTEMPLATION: A NON-SECTARIAN CEMETERY DESIGN." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179504358.
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Shayanfar, Azar. "The Presence of The Absent." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/51260.
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Life is a series of illusions; everyone creates their own life with their personal mindset. We all have our own story. My thesis is part of my story. It was influenced by my life, my
illusions, my fears, and my beliefs. This project is dedicated to my brother, whom I lost five years ago. This hardship made me reflect on my passion and my fear: architecture and death.
The perspective I gained from studying different cultures and their beliefs about the after life was critical for my project and enlightening on a personal level. For some, death was the end of everything, for others it was just the beginning. Some would grieve and some would take the time to cherish and celebrate death. The synthesis between the knowledge I gained studying these beliefs and that of those I held personally gave rise to this project.
Throughout the process the body of the building changed often, but its main structure and soul remained consistent. The essential details of this project were driven from translating the rituals and beliefs of varying cultures regarding mourning and burial into an architectural language. The building consists of a cemetery, columbarium, crematorium, chapel, as well as different spaces for praying and remembering loved ones.The site is located in Old Town, Alexandria. What makes this building different from the others is its emphasis on dead bodies.
The more dead bodies enter the building, the more alive the building will become.Master of Architecture
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Planchette, Yoanna. "La chapelle cimétériale de Bačkovo (Bulgarie) et la question des églises sépulcrales dans le monde byzantin médiéval." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100174.
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Cette thèse porte sur la chapelle cimétériale du monastère de Bačkovo (Bulgarie), étudiée dans le contexte des églises sépulcrales du monde byzantin médiéval. Parmi les rares monuments de ce type architectural, cette chapelle se singularise notamment par son décor peint datant de l’époque médiobyzantine. Conservant certains thèmes iconographiques à caractère exceptionnel, son importance résulte également de la cohérence parfaite entre le décor, la fonction de l’édifice et le rite célébré. À la lumière des données d’une sélection de typika byzantins, complétées par des sources liturgiques, nous nous attachons, d’une part, à clarifier le contexte de fondation de la chapelle cimétériale, et, d’autre part, à réévaluer sa place unique dans la vie monastique d’antan. Notre investigation vise aussi à réexaminer la classification architecturale à laquelle le monument fut longtemps rattaché, celle des « églises sépulcrales bulgares », avancée par André Grabar. De plus, nous proposons une analyse iconographique détaillée de l’intégralité de son décor peint. Une attention particulière est portée aux représentations à forte connotation eschatologique, envisagées par le biais des spécificités fonctionnelles de l’édifice, liées à la célébration d’offices funèbres et commémoratifs. En outre, nous développons une analyse comparative avec les programmes iconographiques des principaux monuments sépulcraux médio- et tardodyzantins. L’apport de cette thèse consiste ainsi en la recontextualisation de la chapelle cimétériale bačkovienne, sur les plans à la fois architectural, iconographique et liturgiqueThe subject of this thesis is the cemetery chapel of the Bačkovo monastery considered in the context of the sepulchral buildings of the Byzantine medieval world. Among the rare monuments of this architectural type, it stands out by its decoration dating from the middle byzantine period. Conserving some exceptional iconographic topics, its importance ensues also from the perfect coherence between decoration, function and ritual. With reference to a selection of byzantine typika, completed by liturgical sources, I try to clarify the context of foundation of the Bačkovo cemetery chapel and to reassess its place in the monastic life of yesteryear. The purpose of this investigation is also to reconsider the architectural classification of this building which has been refered to as the “églises sépulcrales bulgares” for a long time as mentioned by André Grabar. Furthermore I offer a detailed iconographic study of its entire fresco programme focusing especially on the representations with strong eschatological connotation, examined in the light of the functional particularities of the edifice, related to the celebration of funeral and commemoration services. In addition I give a comparative analysis of the monument following the iconographic programmes of the most significant sepulchral monuments from the middle and late byzantine period. The contribution of this thesis thus consists in the recontextualization of the Bačkovo cemetery chapel in terms of architecture, iconography and liturgy
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Becker, Sharon Edwina. "Preserving rural African American heritage in Hawkins County, Tennessee: a history and restoration proposal for Saunders School, Chapel, and Cemetery." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/2256.
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As generations segment and separate by distance and relationships, the chapel, school, and cemetery in what was known as the Saunders Chapel Community in Hawkins County, Tennessee, becomes a unifying bond to its descendents. This study records Saunders School history as an established central archive and uses the history for a restoration proposal. Saunders history, like all social and cultural history, exists as coalesced fragments. In the hope of deriving proof of the past, each entity and event is brought together so they might illuminate another. The story of Saunders Chapel will continue to grow and live on through the decedents, the site, and their history. The lives and faith that created the community has been brought to present light to insure the descendents of Saunders Chapel a place to keep coming home to.
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Schellhammer, Christopher Paul. "Positions." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/45324.
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This companion of short essays, images and drawings are parts to a whole: a series of independent studies in search of architectural understandings. While this â projectâ has been underway for several years, until recently the thread of relevance between studies has been untethered. Now at the end, I come to the beginning of this book to suggest the emerging relevance to these studies: architectural harmony.
And because the process of understanding is one of sorting things out, this compilation should be appreciated as such. Thus, it is by no means comprehensive or conclusive, despite its presence as a completed work. Indeed, the writing of this book is itself a sorting activity. It is not a report of absolute findings, supported by irrefutable references or statistical data points. Readers should therefore enter the book as a student, engaged in question making, discoursing with another also searching in these pages.
Herein lies emerging positions, built up from root questions. Because of this, these positions will likely change with time and may never find absolute resolution. If forced to side with one position at this time, it must be the acknowledgement that there are many. Indeed, many valid positions exist and perhaps, more importantly, coexist.
This is the nature of harmony as well. Harmony in architecture is less about notions of something specific, final or pleasing and is more about the poise of phenomenal states: where relationships of part to part and parts to whole form entireties whose identities are appreciable for more than their singularity or their totality.
Because harmony is a ex post facto backdrop for these studies, it is not persistent theme throughout the book. Part 1 is dedicated to positions best described as taking stock; for example, taking stock of subjects, such as knots or the square; taking stock of situations and roles, such as modes of inquiry and the responsibility of design; taking stock of oneâ s own dispositions, so to set out a consistent relationship between the players and the field of play.
Part 2 describes the thesis project with demonstrations and words. Words are inevitable in discussing the work. They help articulate observations and defend design decisions and sensibilities. Some of these observations are described as if the project exists. But because an architectural thesis often uses demonstrations to provide examples in lieu of final constructions, it is hard to gauge the extent to which these speculations are imagined or drawn out by demonstration.
The book concludes with Part 3. The thesis defense lecture is one distillation of harmony that closely examines a fragment of the project as an example of part and whole.
Alas, it is in the very nature of using words to understand architecture, especially if the author of text and line are one in the same, that an authorâ s a priori intentions and their a posteriori evaluations of the work are susceptible to mix. Further, such an author is faced with a paradox; on the one hand, he is the expert, on the other, he is in no position to claim ultimate authority. Compatibility between work and word exists partially in the mind and partially in the eyes. It is indeed difficult (perhaps impossible) to step outside the self enough to accurately compare and contrast word and work. With this point established, the work is not only subject to critique, but so is this evaluation of it.
To conclude these preparatory remarks, as the direct benefactor of these studies, my appreciation of harmony in architecture is reaching that elusive position where, with each layer of understanding made clear, additional layers of opacity are encountered. In other words, questions are answered with yet more questions. For example, should harmony be understood as cause or effect? Does harmony exist out of time or completely in it?
Thus, standard definitions are quite inadequate for architectural understandings of harmony. And while it might be helpful to break harmony down into digestible parts, this reductive inventory does not render a harmonic assembly. Furthermore, even the most lucid of explanations do not translate well into examples such to instruct. It seems the type of thing, perhaps like color, is best known through repetitive and thoughtful experience. This is just the start where even assumptions brought to the table must be checked.
Despite these quandaries, my challenge for this book is to reveal something fundamental, albeit modest, to readers, and in the end, for architecture.Master of Architecture
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Burkitt, James. "A cemetery for the city." Thesis, 1995. http://hdl.handle.net/2429/4422.
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The intention of this thesis project will be primarily focused on issues of the cemetery that involve
its utilization as a vehicle to cultivate an awareness of heritage and its role in establishing a
framework on which to promote the sense of communal identity in an authentic manner. For as
many divergent societies that co-exist on earth there are equally as many diverse ritualistic
patterns involving death and dying particular to each society. Although the study of these
ritualistic patterns is an intriguing one, with regard to utilization of the cemetery as a vehicle to
strengthen the identity of place, I believe, it is essential to accommodate and enrich already
accepted notions of death and dying particular to Vancouver and Canada. As a consequence of the
country's age, it seems that there is always the pressure to import character and values from other
places. To begin to define an identity and therefore cultivate community there has to be
acknowledgment and acceptance of heritage as an initial point of growth. For these reasons, rather
than replace an already existing set of rituals with foreign ideologies surrounding death and dying,
it is crucial that existing rituals not be discarded.
The proposed site for this project is the Grandview Cut rail corridor that extends between the False
Creek Flats and Grandview Woodlands in East Vancouver. Specifically, the site is situated between
Clark Drive on the west and Slocan Drive on the east.
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"Preserving Rural African American Heritage in Hawkins County, Tennessee: A History and Restoration Proposal for Saunders School, Chapel, and Cemetery." East Tennessee State University, 2005. http://etd-submit.etsu.edu/etd/theses/available/etd-0401105-154456/.
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NOVÁK, Jaroslav. "Farnost a obec Křemže v letech 1885 -1920." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-49154.
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This work deals with life and villages in the parish Křemže in the period 1885 to 1920. Home work contains a brief description of the emergence of villages and parishes of the first references in the historical annals, after the year 1885. Another reference to time zone are the years 1885 - 1905 from the perspective of life in the parish and Křemže of sacral buildings in this period. At the same time a separate chapter in the life and community events and intrusions Křemže parish and village life. The following chapter handles the period before the World War II, the years 1911 to 1914. Here is a breakdown done in terms of parish and community Křemže own view, and again the common life away. A separate chapter is devoted to the first veto war. Emphasis here is placed on the description of life in the village itself and the difficulties and War on the territory of the parish. The final chapter contains a description of a new independent Republic and its impact on the ethnic and political. It describes also describe trends and developments in the territory of the Catholic Church parish Křemže from 1919 - 1920.
Books on the topic "Cemetery chapels"
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Weston, Jean. The Lye & Wollescote Cemetery and chapels: A Victorian cemetery and its notable burials. Stourbridge: West Midlands Historic Buildings Trust, 2010.
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US GOVERNMENT. An Act to Name the Chapel Located in the National Cemetery in Los Angeles, California, as the "Bob Hope Veterans Chapel.". [Washington, D.C: U.S. G.P.O., 2002.
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Cornell, Jerry J. Mann's Chapel Cemetery inscriptions. [Springfield]: Illiana Genealogical and Historical Society, 1985.
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Liley, Howard B. McGee Chapel and McGee Chapel Cemetery, Bollinger County, Missouri: A history of the chapel and cemetery with census of the cemetery. Bollinger County, Mo: H.B. Liley, 1994.
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Post, Connie. Mount Hope Cemetery & chapel mausoleum. Hemingway, SC (P.O. Box 811, Hemingway 29554): Three Rivers Historical Society, 1992.
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Butts, Lesleigh Laite. Chapel Hill Memorial Park Cemetery. Largo, Fla: L.L. Butts, 2001.
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Judy, Johannsen, and Dykes Martha, eds. Portage Township cemeteries, Ottawa County, Ohio: Dwelle Cemetery, Shook Cemetery, Christy Chapel Cemetery. [Port Clinton, Ohio: Martha Dykes, 2002.
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Johannsen, Judy. Portage Township cemeteries, Ottawa County, Ohio: Christy Chapel Cemetery, Dwelle Cemetery, Shook Cemetery. Port Clinton, Ohio: Ottawa County Genealogical Society, 2005.
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Angus, Bethune, Durham John, Durham Beryl, and Highland Family History Society, eds. Monumental inscriptions Chapel Yard Cemetery Inverness. [Inverness?]: Highland Family History Society, 1999.
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Fannin, Minxie J. History of Saint Augustine's chapel and cemetery. [South Boston, Mass: St. Augustine's Parish, 1989.
Find full textBook chapters on the topic "Cemetery chapels"
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Conner, Thomas H. "The Completion of the ABMC’s Original Mission and Looking toward an Uncertain Future, 1937–1938." In War and Remembrance, 117–42. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813176314.003.0005.
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This chapter examines the future for the ABMC after the project the agency had been created to do—namely, build and dedicate the eight cemetery chapels and eleven monuments—was completed. Discussing in great detail the planning for the dedication of the memorials in 1937, the chapter points out how the difficulties of that process paled in comparison to the solemn and honorable significance of the project the ABMC had been given. The dedications featured impassioned pleas for peace at a time that war clouds were again appearing in Europe. Once the dedications were finished, the ABMC was able to confound speculation that its termination would follow. This chapter ends with General Pershing surviving a near fatal bout of illness, and the beginning of the next European war that found the newly created monuments in the middle of the coming terror.
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Ignaczak, Marcin, Andrzej Sikorski, Artur Dębski, and Mateusz Sikora. "Research on Kolegiacki Square in Poznań (St. Mary Magdalene Parish Collegiate Church)." In Treasures of Time: Research of the Faculty of Archaeology of Adam Mickiewicz University in Poznań, 386–97. Adam Mickiewicz University Poznan, 2021. http://dx.doi.org/10.14746/wa.2021.23.978-83-946591-9-6.
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An interdisciplinary archaeological study of St. Mary Magdalene parish collegiate church, the largest in the city of Poznań, the adjacent cemetery, and the building development after these were decommissioned (the New Market, the municipal bathhouse, the fire basin from World War II, the lawn (with flower beds), and the car park) was carried out between 2016 and 2021 in Kolegiacki Square. This was the largest archaeological project carried out to date in the Old Town. In addition to architectural foundations, the result of this project is thousands of graves with enormous significance for not only the history of the former church, but also for Poznań and Poland. To some extent, this is confirmed by the European character of some funerary findings, including the so-called pearl mob cap and devotional items in graves, crypts, and ossuaries. In the temple walls and chapels, representatives of distinguished families and members of guilds found their resting place; epitaph stones and ceremonial tombstones were placed here.
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"Funeral Chapel, Maulburg Cemetery." In Sacred Buildings, 228–29. Birkhäuser, 2008. http://dx.doi.org/10.1007/978-3-7643-8276-6_71.
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"Arabic Abstracts, Excavation Chapters." In Settlement and Cemetery at Giza, 301–12. Ancient Egypt Research Associates, 2015. http://dx.doi.org/10.2307/j.ctvscxs95.17.
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"Chapel of Rest, Am Pliefstal Cemetery." In Sacred Buildings, 223–25. Birkhäuser, 2008. http://dx.doi.org/10.1007/978-3-7643-8276-6_69.
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"The Woodland Cemetery and the Woodland Chapel." In Nordic Classicism. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350044210.ch-013.
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"20. Arnold Gapp: Totenkapelle und Friedhof / Chapel of rest and cemetery." In Alpine Architecture in South Tyrol, 170–77. DETAIL, 2023. http://dx.doi.org/10.11129/9783955536046-023.
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Bonabeau, Eric, Marco Dorigo, and Guy Theraulaz. "Cemetery Organization, Brood Sorting, Data Analysis, and Graph Partitioning." In Swarm Intelligence. Oxford University Press, 1999. http://dx.doi.org/10.1093/oso/9780195131581.003.0008.
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In the previous two chapters, foraging and division of labor were shown to be useful metaphors to design optimization and resource allocation algrithms. In this chapter, we will see that the clustering and sorting behavior of ants has stimulated researchers to design new algorithms for data analysis and graph partitioning. Several species of ants cluster corpses to form a “cemetery,” or sort their larvae into several piles. This behavior is still not fully understood, but a simple model, in which agents move randomly in space and pick up and deposit items on the basis of local information, may account for some of the characteristic features of clustering and sorting in ants. The model can also be applied to data analysis and graph partitioning: objects with different attributes or the nodes of a graph can be considered items to be sorted. Objects placed next to each other by the sorting algorithm have similar attributes, and nodes placed next each other by the sorting algorithm are tightly connected in the graph. The sorting algorithm takes place in a two-dimensional space, thereby offering a low-dimensional representation of the objects or of the graph. Distributed clustering, and more recently sorting, by a swarm of robots have served as benchmarks for swarm-based robotics. In all cases, the robots exhibit extremely simple behavior, act on the basis of purely local information, and communicate indirectly except for collision avoidance. In several species of ants, workers have been reported to form piles of corpses— literally cemeteries—to clean up their nests. Chretien [72] has performed experiments with the ant Lasius niger to study the organization of cemeteries. Other experiments on the ant Pheidole pallidula are also reported in Deneubourg et al. [88], and many species actually organize a cemetery. Figure 4.1 shows the dynamics of cemetery organization in another ant, Messor sancta. If corpses, or, more precisely, sufficiently large parts of corposes are randomly distributed in space at the beginning of the experiment, the workers form cemetery clusters within a few hours.
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Webster, Jane. "Materializing the Middle Passage." In Materializing the Middle Passage, 1–26. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199214594.003.0001.
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Abstract This introductory chapter employs three material things—a portrait, of Dido Belle Lindsay, a punch bowl depicting the slave ship Swallow, and the components of a necklace from the cemetery at Newton Plantation, Barbados—to foreground the themes and issues central to Materializing the Middle Passage, and to outline the author’s practice as a historical archaeologist. Some of the scholarship that has informed the book is also introduced here, in discussing the entwined theoretical frameworks that underpin the analysis: creolization theory and postcolonial theory. Finally, the structure of the book is outlined, and brief summaries provided of the central themes of each of the following eleven chapters.
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Cieślak-Kopyt, Małgorzata. "Analiza materiałów." In Ocalone Dziedzictwo Archeologiczne, 67–82. Wydawnictwo Profil-Archeo; Muzeum im. Jacka Malczewskiego w Radomiu, 2020. http://dx.doi.org/10.33547/oda-sah.10.zn.03.
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Due to the long lifespan of the cemetery, the pottery discovered in Żelazna Nowa is relatively diversified. Unfortunately, the majority of the graves have been partly damaged, and some have been completely destroyed. In many cases only grave bottoms were recorded, while the furnishings were scattered over a large area. Sometimes (e.g. in feature 56) one cannot be certain whether fragments of vessels uncovered in a grave pit indeed belonged to the burial urn. A few graves from the Younger Pre-Roman period were relatively well furnished in vessels, but the state of preservation rarely makes it possible to determine the actual number of vessels in particular graves. The same holds true with respect to Early Roman period pottery. Graves dated to this period often survived only in their bottom parts. Hand-made vessels prevail by far in the ceramic material. The only few wheel-made sherds were found in the cultural layer in the vicinity of the groove feature. Vessels used as burial urns were those representing Liana types II.2, II.3, and group III. The predominant vessel forms among Younger Pre-Roman period pottery were cups of Dąbrowska types I.2, 3, 4, 5, and 7, bowls II.13, and bulbous vessels. Roman period pottery is primarily represented by vessels of types II.2 and 3; group III; and small bowls of group VI.1 and 2. Some unique forms were identified as well, including a jug with a canal in feature 56 and a small bowl imitating glass vessels. A total of 490 small finds (including those from the modern period) were discovered in the cemetery. Due to severe damage to the cemetery, only some of them have been recovered from features (204), while 181 small finds have been found outside the context of features. Surface surveys were performed several times in the site, and these produced another 105 small finds, most of them found in the western and northern parts of the cemetery. With 54 items discovered, brooches prevail among the small finds. They include four Late La Tène brooches of type N, fragments of A.II or mixed A.II/IV brooches; A.III brooches; a significant number of A.IV brooches, including a few specimens of A.67 and A.68, trumpet brooches, and derivatives of strongly profiled brooches; brooches of series A.V, including A.96, A.120, and A.137; fragments of A.VI brooches; A.VII brooches; a fragment of a Gallic brooch of Rih’s variant 2.2.4; a brooch of Riha’s variant 5.17.5; and a Norico-Pannonian brooch of type A.236. Belt pieces included a clasp of type Kostrzewski 49, seven buckles (most of them of type D.1), two profiled group I variant 6 belt finials, and a set of belt fittings found inside the urn in grave 37, consisting of a buckle, a finial, and a ring. Ornaments are represented by fragments of a knotenring from feature 33, fragments of Kamieńczyk type bracelets and a bar bracelet, several appliques, among them a fragment of a silver plaque, and many fragments of melon beads and glass beads. Weapons are rare in the cemetery: surviving are primarily fragments of shield grips, rivets from shield bosses (fts. 6 and 7), complete spearheads (fts. 41, 48, stray find), and fragments of spearhead sockets (ft. 41, stray find). The finds included two sets of two spearheads each, found in graves, and uncontexted finds of a sword scabbard chape and a spur. Tools and objects of everyday use are relatively well-represented: 19 knives, 8 awls, 1 awl-like tool, 2 needles, 16 clay spindle-whorls, 2 whetstones, a polishing plate, iron fittings of the box, chest locks, fragments of key (?), a massive rim fitting, 2 fragments of combs, 2 fragments of dice, a fragment of an E.139–144 glass vessel, and an immense number of unidentified artefacts made of bronze and iron.
Conference papers on the topic "Cemetery chapels"
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Pavlík, Zbyšek, Lukáš Balík, Lucie Kudrnáčová, Jiří Maděra, and Robert Černý. "Chapel of cemetery church of all saints in Sedlec – Long-term analysis of hygrothermal conditions." In INTERNATIONAL CONFERENCE OF NUMERICAL ANALYSIS AND APPLIED MATHEMATICS (ICNAAM 2016). Author(s), 2017. http://dx.doi.org/10.1063/1.4994509.
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