Log in

Relevant bibliographies by topics / Cavarero / Journal articles

To see the other types of publications on this topic, follow the link: Cavarero.

Journal articles on the topic 'Cavarero'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Cavarero.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Rimell, Victoria. "Philosophy's Folds: Seneca, Cavarero, and the History of Rectitude." Hypatia 32, no. 4 (2017): 768–83. http://dx.doi.org/10.1111/hypa.12361.

Full text

Abstract:

This article takes as its stimulus Adriana Cavarero's recent investigation of the postures of rectitude and inclination in the Western philosophical tradition (Cavarero 2013). To showcase how this book might catalyze productive interactions between feminist critics in different areas of the humanities, I will bring Cavarero into dialogue with a thinker she mentions in passing who extensively develops “rectitude as a general principle” (Veyne 2003): Seneca. I argue that a gendered ontology of rectitude is increasingly put under pressure and transformed in Seneca'sEpistles, and propose that the letters are a laboratory for developing a new model of inclination that arises from an urgent need to confront the consequences of political impotence and threats to bodily integrity for Roman aristocratic manhood in the 60sce. The playful, densely literaryEpistlesoffer multiple points of contact with Cavarero's own philosophical strategies, and emerge as a highly stimulating text for feminist thinkers interested in the ethical and political implications of acknowledging vulnerability. Reading Seneca alongside Cavarero reminds us that such investigations have a (tortuous, buried) history in Roman antiquity whose recovery is itself politically significant.

APA, Harvard, Vancouver, ISO, and other styles

2

Söderbäck, Fanny. "Natality or Birth? Arendt and Cavarero on the Human Condition of Being Born." Hypatia 33, no. 2 (2018): 273–88. http://dx.doi.org/10.1111/hypa.12403.

Full text

Abstract:

This essay offers a critical analysis of Hannah Arendt's notion of natality through the lens of Adriana Cavarero's feminist philosophy of birth. First, I argue that the strength of Arendtian natality is its rootedness in an ontology of uniqueness, and a commitment to human plurality and relationality. Next, I trace with Cavarero three critical concerns regarding Arendtian natality, namely that it is curiously abstract; problematically disembodied and sexually neutral; and dependent on a model of vulnerability that assumes equality rather than asymmetry. This last issue is further developed in the final section of the essay, where I examine the idea that birth, for Cavarero, becomes the very concept by which we can distinguish and normatively differentiate acts of care and love from acts of wounding and violence. Upholding the normative distinction here depends on a conceptual distinction between vulnerability and helplessness. To maintain the ethical potential of the scene of birth, I argue that we have to insist on the very characteristics Cavarero attributes to it—ones, as this essay aims to show, that are ultimately missing in the Arendtian account thereof.

APA, Harvard, Vancouver, ISO, and other styles

3

Naranch, Laurie E. "The Narratable Self: Adriana Cavarero with Sojourner Truth." Hypatia 34, no. 3 (2019): 424–40. http://dx.doi.org/10.1111/hypa.12484.

Full text

Abstract:

This essay engages the work of Italian feminist philosopher Adriana Cavarero and her concept of the narratable self. Her relational humanism, rooted in our exposure to others, offers an ontology of uniqueness whose critique of abstraction, masculinism, and identity politics still resonates today where the meaning of a unique “you” is negotiated in embodied exchanges that may offer care or wounds. Cavarero develops an altruistic ethics that cultivates this humanism. I argue that her work should be extended to better capture the political purchase of the narratable self that interacts dynamically and often ambiguously with the “we” of collective politics. Putting her work into conversation with the nineteenth‐century abolitionist and women's rights advocate Sojourner Truth, I suggest that Cavarero's work illuminates Truth as a philosopher of the narratable self. Moreover, Truth's work extends Cavarero's concerns with exposure that may do violence or offer care by making explicit the challenges of narration in the context of inequality, especially in terms of race and class. Exposure as an ontological and phenomenological condition then needs to take account of a broader publicity of textual, individual, and collective exposure to others to develop the critical, ethical, and political purchase it offers.

APA, Harvard, Vancouver, ISO, and other styles

4

Huzar, Timothy J. "A Politics of Indifference: Reading Cavarero, Rancière and Arendt." Paragraph 42, no. 2 (July 2019): 205–22. http://dx.doi.org/10.3366/para.2019.0299.

Full text

Abstract:

This article compares the accounts of politics found in the work of Adriana Cavarero and Jacques Rancière. It argues that when Cavarero offers a formal account of politics she thinks politics with Hannah Arendt and thus falls foul of Rancière's critique of Arendt. However, Cavarero offers the sense of another account of politics in her reading of Penelope in In Spite of Plato, one that not only avoids Rancière's critique but demonstrates the limits of Rancière's own account of politics. Cavarero makes tangible a sense of a politics indifferent to extant orders, something that is difficult to discern in Rancière given his insistence that politics makes visible forms of existence that could not otherwise be seen, said or heard.

APA, Harvard, Vancouver, ISO, and other styles

5

Guaraldo, Olivia. "Pensadoras de peso: o pensamento de Judith Butler e Adriana Cavarero." Revista Estudos Feministas 15, no. 3 (December 2007): 663–77. http://dx.doi.org/10.1590/s0104-026x2007000300010.

Full text

Abstract:

O texto expõe o ponto de vista de duas grandes filósofas feministas da atualidade, Adriana Cavarero e Judith Butler, sobre subjetividade e relacionalidade, mostrando como ambas distanciaram-se dos temas específicos do feminismo de maneira a aprofundar e ampliar suas reflexões sobre política e ética. Questionando a tradição, Cavarero não compactua nem com o binarismo metafísico nem com a impessoalidade pós-moderna, combinando uma perspectiva feminista com a arendtiana da subjetividade embasada na relacionalidade. No entanto, diferentemente do pensamento de Cavarero, sob a perspectiva desconstrucionista de Butler a linguagem molda corpo e identidade. A subjetividade está presa às normas e valores sociais. Butler e Cavarero repensam a subjetividade, alinhando-se quanto à relacionalidade, ou seja, deslocando a política para longe do ser imune e realocando-a no ser vulnerável em relação com o outro e com os efeitos das regras e valores sociais impostos.

APA, Harvard, Vancouver, ISO, and other styles

6

Ryan, Kevin. "Thinking Sexual Difference with (and against) Adriana Cavarero: On the Ethics and Politics of Care." Hypatia 34, no. 2 (2019): 222–41. http://dx.doi.org/10.1111/hypa.12465.

Full text

Abstract:

This article engages with Adriana Cavarero's framing of sexual difference, specifically in terms of how this displaces “bodies that queer” (Volcano 2013). For Cavarero, the narratable self is inescapably relational and characterized by vulnerability, which is how ethics arises in the form of a decision between caring and wounding. At the same time, Cavarero's deconstructive method of appropriating stereotypes restricts the scope of sexual difference to dimorphism. In examining the implications of this, I build on the work of Michel Foucault and Judith Butler by looking to the intersexed life of Adélaïde Herculine Barbin, whose suicide in 1868 at the age of twenty‐nine was precipitated not through malice or cruelty, but through concerted care. This mode of care is anchored in the apparent self‐evidence of how we see and how we think with and through narratives that sediment in orders of power/knowledge. While agreeing with Cavarero's critique of the autonomous “I,” the article nevertheless argues for authorial audacity—the courage to name oneself—as a way of subverting asymmetrical power relations, including those that make it possible to inadvertently generate suffering through care.

APA, Harvard, Vancouver, ISO, and other styles

7

Adami, Rebecca. "A narratable self as addressed by human rights." Policy Futures in Education 15, no. 3 (April 2017): 252–61. http://dx.doi.org/10.1177/1478210317716299.

Full text

Abstract:

The paper extends the critique in earlier research of human rights as exclusive of otherness and difference by introducing the work of Adriana Cavarero (2000) on a narratable self. Hence, the formation of human rights is thus about the relations between different narratable selves, not just Western ones. A narrative learning, drawing on Cavarero (2000) , shifts the focus in human rights learning from learning about the other to exposing one’s life story narrative through relationality.

APA, Harvard, Vancouver, ISO, and other styles

8

Curtis, Kim. "Review Essay of Cavarero and Riley." Political Theory 30, no. 6 (December 2002): 852–57. http://dx.doi.org/10.1177/0090591702238206.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Bezerra, Iamni Reche. "desconstrução da metafísica em Vozes Plurais, de Adriana Cavarero." Anuário de Literatura 26 (February 25, 2021): 01–16. http://dx.doi.org/10.5007/2175-7917.2021.e72079.

Full text

Abstract:

Neste artigo, proponho descrever e comentar as configurações da ontologia vocálica da unicidade defendida por Adriana Cavarero na obra Vozes Plurais: Filosofia da expressão vocal publicada no Brasil em 2011. O interesse que Adriana Cavarero reserva à voz parte de sua crítica ao esforço metafísico em desvocalizar o logos, privilegiando a voz insonora da consciência frente à voz produzida por uma garganta de carne. Assim, a filósofa italiana defende a necessidade de recuperarmos um pensamento baseado na singularidade da voz, que acarreta a atenção a uma voz sonora e corpórea que seria, acima de tudo, essencialmente relacional. Em seguida, buscarei apresentar os elementos antagônicos entre a desconstrução de Cavarero e a proposta pelo filósofo Jacques Derrida, em especial às noções de singularidade e assinatura, caras às suas filosofias. Como veremos, a questão parece devidamente se localizar naquilo que ela e Derrida, em distinção, apontam como o elemento detentor de validade antimetafísica.

APA, Harvard, Vancouver, ISO, and other styles

10

Benjamin, Lucy. "Adriana Cavarero, Inclinations: A Critique of Rectitude." Philosophy Today 62, no. 2 (2018): 651–52. http://dx.doi.org/10.5840/philtoday2018622229.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Evans. "Adriana Cavarero and the Primacy of Voice." Journal of Speculative Philosophy 32, no. 3 (2018): 475. http://dx.doi.org/10.5325/jspecphil.32.3.0475.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Stone, Alison. "Natality and mortality: rethinking death with Cavarero." Continental Philosophy Review 43, no. 3 (July 30, 2010): 353–72. http://dx.doi.org/10.1007/s11007-010-9148-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Guenther, Lisa. "Being-from-others: Reading Heidegger after Cavarero." Hypatia: A Journal of Feminist Philosophy 23, no. 1 (January 2008): 99–118. http://dx.doi.org/10.2979/hyp.2008.23.1.99.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Guenther, Lisa. "Being-from-others: Reading Heidegger after Cavarero." Hypatia 23, no. 1 (March 2008): 99–118. http://dx.doi.org/10.1111/j.1527-2001.2008.tb01167.x.

Full text

Abstract:

Drawing on Adriana Cavarero's account of natality, Guenther argues that Martin Heidegger overlooks the distinct ontological and ethical significance of birth as a limit that orients one toward an other who resists appropriation, even while handing down a heritage of possibilities that one can—and must—make one's own. Guenther calls this structure of natality Being-from-others, modifying Heidegger's language of inheritance to suggest an ethical understanding of existence as the gift of the other.

APA, Harvard, Vancouver, ISO, and other styles

15

Butler, Shane. "Cicero the Barbarian." PMLA/Publications of the Modern Language Association of America 135, no. 2 (March 2020): 357–62. http://dx.doi.org/10.1632/pmla.2020.135.2.357.

Full text

Abstract:

Late Into The Night, I Sit Alone in My Study, Listening. in This, I Am Not Unlike The Title Character of Italo Calvino's “A King Listens,” one of three stories that make up his Under a Jaguar Sun, first published as a collection in 1986. The aim of Calvino's king is the acoustic surveillance of his realm, every corner of which is connected to the throne room by a twisting network of resonant tubes. Day in, day out, he listens, learning much, but feeling very little.This royal listener would later capture the imagination of the philosopher Adriana Cavarero, who opens her book For More than One Voice with a close reading of the story. For Cavarero, Calvino's king is very much like philosophy in its traditional Western form, listening for bodiless, universal logos, the Greek word for “word” that ancient philosophy uses to designate the rational order of the cosmos. In the story, the king is brought to his knees, suddenly and unexpectedly, by the sound of a woman singing. For Cavarero, this single, singular voice embodies the particularity that philosophy traditionally excludes in the name of the universal.

APA, Harvard, Vancouver, ISO, and other styles

16

Martin, Alison. "Report on ‘Natality’ in Arendt, Cavarero and Irigaray." Paragraph 25, no. 1 (March 2002): 32–53. http://dx.doi.org/10.3366/jsp.2002.25.1.32.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Forrest, Michelle. "Sonorous Voice and Feminist Teaching: Lessons from Cavarero." Studies in Philosophy and Education 34, no. 6 (January 31, 2015): 587–602. http://dx.doi.org/10.1007/s11217-015-9458-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Riep, Leonhard. "The Production of the Muselmann and the Singularity of Auschwitz: A Critique of Adriana Cavarero's Account of the “Auschwitz Event”." Hypatia 35, no. 4 (2020): 626–45. http://dx.doi.org/10.1017/hyp.2020.41.

Full text

Abstract:

AbstractFeminist philosopher Adriana Cavarero claims in her book Horrorism: Naming Contemporary Violence that the core of the horror of Auschwitz is constituted by the figure of the Muselmann. I argue that Cavarero's lack of an accurate historical engagement with this figure in particular and with Auschwitz in general leads her to a speculative turn, thereby universalizing the phenomenon of the Muselmann by making it the example of Auschwitz, and moreover, the key factor to explain its singularity. I show that the phenomenon of the Muselmann, although a particular horrible effect of Auschwitz, is not limited to this concentration and extermination camp system. Consequently, the characteristic that makes Auschwitz a unicum cannot be found in the Muselmann. Rather, as I elucidate, the singularity of Auschwitz and the Shoah in general must be understood in relation to the true goal of this camp: the final extermination of European Jewry.

APA, Harvard, Vancouver, ISO, and other styles

19

Cavarero, Adriana. "Inclinaciones desequilibradas." Papeles del CEIC 2019, no. 2 (September 30, 2019): 211. http://dx.doi.org/10.1387/pceic.20878.

Full text

Abstract:

Este texto procede de las "Jornadas Cuerpo, memoria y representación" organizadas por el Grupo de Investigación ;Cos i Textualitat y el Departamento de Filosofía de la Universidad Autónoma de Barcelona. El texto fue publicado en 2014 en Cuerpo, memoria y representación. Adriana Cavarero y Judith Butler en diálogo (Begonya Sáez, ed., Barcelona, Icaria, pp. 17-38). En este trabajo la autora reflexiona sobre la condición inherentemente vulnerable del ser humano, su exposición constitutiva. La vulnerabilidad apenas aparece en la filosofía Occidental, dominada por una concepción del sujeto regida por la verticalidad, un sujeto autónomo, erguido, violento: el guerrero, para el que lo vulnerable es lo matable. Frente a ella, Cavarero piensa la geometría inclinada del cuerpo sin protección, ya no el guerrero sino de la madre que se torsiona ante la vulnerabilidad del infante que sostiene en sus brazos.

APA, Harvard, Vancouver, ISO, and other styles

20

Huzar, Timothy J. "Horrorism in the scene of torture: Reading Scarry with Cavarero." Journal of Interdisciplinary Voice Studies 2, no. 1 (March 1, 2017): 25–43. http://dx.doi.org/10.1386/jivs.2.1.25_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Gregory, Thomas. "Dismembering the dead: Violence, vulnerability and the body in war." European Journal of International Relations 22, no. 4 (July 26, 2016): 944–65. http://dx.doi.org/10.1177/1354066115618244.

Full text

Abstract:

On 15 January 2010, two soldiers killed an unarmed boy in the Afghan village of La Mohammad Kalay before dismembering his body and posing for photographs with his corpse. Although the soldiers were eventually sentenced to prison for their involvement in this attack and two other incidents, very little has been said about the nature of the violence they inflicted on the bodies of their victims. Drawing on the work of the Italian feminist philosopher Adriana Cavarero, this article will explore the violence inflicted by the so-called Afghan Kill Team, focusing particular attention on the ethical questions posed by a violence that ‘overshoots the elementary goal of taking a life and dedicates itself to destroying the living being as a singular body’ (Cavarero, 2011: 12). I will argue that this level of violence is no longer concerned with questions of life and death, but seeks to destroy the body as body, challenging the ways in which we have traditionally conceptualised the pain and suffering caused by war. This argument will refocus our attention on the constitutive vulnerability of the body, as well as the processes of dehumanisation that leave certain bodies more vulnerable than others.

APA, Harvard, Vancouver, ISO, and other styles

22

Kovačević, Astrid. "(Auto)biografska subverzija Oriane Fallaci u romanu Jedan čovjek (Un uomo)." Fluminensia 33, no. 1 (2021): 255–76. http://dx.doi.org/10.31820/f.33.1.6.

Full text

Abstract:

Odupiranje Oriane Fallaci svakom obliku edipskog totalitarizma i hegemonije, kao i odustajanje od etabliranih žanrovskih konvencija, rezultira atipičnim žanrovskim entitetima s izraženim psihološkim otiskom autorice (Porzio). Takvi, formalno neodređeni, tekstovi prate program tzv. antiedipske estetike (Irigaray), unutar koje predvidljivost i cjelovitost, jedinstvo i totalitet, red i sustavnost ustupaju mjesto spontanosti i fragmentiranosti, varijabilnosti i mnogostrukosti, preklapanju i preplitanju. Aricò naglašava da je u Fallacinu slučaju došlo do formalnoga kreativnog nereda, do gotovo potpune fuzije stvarnosti i fikcije, nejasnog prijelaza pisane i izgovorene riječi, do preklapanja ekstradijegetskih i intradijegetskih razina, odnosno do uspostave čvrste semantičko-sintaktičke veze između autora i pripovjedača (167).Takva neuniformirana tekstualna struktura rezultat je nepostojanja univerzalnog i sveznajućeg, superiornog i nadređenog, autorskog sebstva izvan granica tekstualnog. Fallacina lingvistička kreativnost suprotstavlja se faličkom hijerarhijskom sustavu, koji podrazumijeva unaprijed izgrađen autorski identitet. Priklanjajući se poststrukturalističkoj metodologiji, koja autora i pripovjedača čini rezultatima retoričkih strategija, odnosno čini tekst nadređenim i povlaštenim pojmom (Cavarero), te odbacujući kanonski metodološki pristup (Aricò 171–173), izgovarajući, no istodobno i osluškujući tekst (Derrida, The Ear of the Other, 13), autorica subjekt pretvara u objekt, tekst u „verbalnu projekciju vlastitog sebstva” (Aricò 587).Fallacina autorska i pripovjedačka subverzija tekstualno pretvara u vokalno (Spinazzola), biografsko u autobiografsko (Rosa 77–80), stvarnost u fikciju (Aricò 167). Na tragu francuskog poststrukturalizma, Fallaci odustaje od afirmacije autorskog subjekta kao svemoćnog ekstradijegetskog identiteta, distanciranog od vlastitog teksta. Prema njezinu mišljenju, autorski je subjekt retorički konstrukt, uspostavljen hermeneutičkim procesima, trenucima u kojima subjekt teksta i subjekt čitanja zamjenjuju svoja mjesta (Aricò 172). Odustajanje od unaprijed izgrađene autorske osobnosti ukazuje na proces pisanja kao na proces rekonstrukcije vlastitog bića (Gusdorf 10). Putem pisanja, umetanja krhotina i fragmenata jezične stvarnosti, omogućava se (re)konstrukcija autorskog subjekta i njegovo/njezino pozicioniranje u odnosu na stvarnost koju opisuje (Cavarero; Battersby). Prema Cavarero, ovakve diskurzivne metode odraz su utjecaja ženskog i ženstvenog, a rezultirat će beskonačnim procesom jezične semioze (100–101). Fallacini tekstovi, nabijeni snažnim vokalnim pečatom postaju tako zrcalni prostor unutar kojeg se autoričino sebstvo mise en abîme efektom reflektira i umnožava, prostor performativnih jezičnih strategija (Finci 119).

APA, Harvard, Vancouver, ISO, and other styles

23

Assmann, Selvino J. "Condição humana contra "natureza": diálogo entre Adriana Cavarero e Judith Butler." Revista Estudos Feministas 15, no. 3 (December 2007): 647–49. http://dx.doi.org/10.1590/s0104-026x2007000300008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Mitchell, Liz. "Liz Mitchell on Relating Narratives: Storytelling and Selfhood by Adriana Cavarero." Women’s Philosophy Review, no. 27 (2001): 82–86. http://dx.doi.org/10.5840/wpr2001279.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Ronchetti, Alessia. "Pensare la differenza, tra filosofia e politica. Intervista ad Adriana Cavarero." Italian Studies 66, no. 1 (March 2011): 128–36. http://dx.doi.org/10.1179/007516311x12918079775820.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Bhattacharjee, Tuhin. "Antigone/Mother: Second Death and the Maternal in Lacan and Cavarero." philoSOPHIA 10, no. 2 (2021): 190–206. http://dx.doi.org/10.1353/phi.2021.0003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Kasper, Judith. "Die Suche nach der verlorenen Stimme. Zu Adriana Cavarero: A più voci." Die Philosophin 15, no. 29 (2004): 108–16. http://dx.doi.org/10.5840/philosophin2004152928.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Richardson, Janice. "Beyond equality and difference: Sexual difference in the work of Adriana Cavarero." Feminist Legal Studies 6, no. 1 (March 1998): 105–20. http://dx.doi.org/10.1007/bf02684873.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Amoroso, Maria Betânia. "crítica radical de Pasolini." Remate de Males 40, no. 2 (November 30, 2020): 472–85. http://dx.doi.org/10.20396/remate.v40i2.8659613.

Full text

Abstract:

Partindo de observações de Leonardo Sciascia e de Piergiorgio Bellocchio sobre Pasolini e sua obra, o ensaio propõe seguir pistas interpretativas que apontem para alternativas críticas capazes de ir além de tópicos como o da experimentação na escrita ou o da adequação da obra à história literária convencional. Para isso levou-se em consideração o estudo de Adriana Cavarero (2011) sobre a voz nas suas relações com a filosofia e a política, no que iluminam o significado da crítica radical em Pasolini.

APA, Harvard, Vancouver, ISO, and other styles

30

Nascimento, Luciano. "A gênese da semidivindade do intérprete de sambas-enredo: a parresía da voz." Fragmentum, no. 36 (July 10, 2013): 37. http://dx.doi.org/10.5902/9784.

Full text

Abstract:

O presente trabalho propõe demonstrar que uma das causas da celebridade do intérprete de sambas-enredo é a parresía de sua voz. Para alcançar tal objetivo, analisa-se uma performance bastante peculiar de um dos mais famosos desses cantores. O aporte teórico é composto por alguns estudos de Michel Foucault acerca de características do discurso verdadeiro, bem como por incursões de Adriana Cavarero nas searas da ontologia e da semiologia da voz. O resultado é uma testado inconteste da centralidade da voz na constituição da subjetividade.

APA, Harvard, Vancouver, ISO, and other styles

31

Oliveira, Maria Rosa Duarte de. "Voz, potência, ressonância e corpo na linguagem poética." Revista Crítica Cultural 15, no. 1 (June 30, 2020): 121. http://dx.doi.org/10.19177/rcc.v15e12020121-133.

Full text

Abstract:

Este ensaio tem por objetivo refletir sobre a voz a partir de uma perspectiva tanto ontológica quanto antropológica, em vez de tratá-la como uma questão puramente linguística, no sentido de discurso oral. Para isso, selecionamos alguns estudiosos que entendem o fenômeno vocal nessa direção, como Giorgio Agamben, Jean-Luc Nancy, Adriana Cavarero e Paul Zumthor. Num segundo momento, o desafio será o de investigar o lugar da voz em dois poemas selecionados, a fim de verificar em que medida essas diferentes concepções de voz podem ser dispositivos analíticos significativos para a crítica literária.

APA, Harvard, Vancouver, ISO, and other styles

32

Huzar, Timothy J. "Destruction, Narrative and the Excess of Uniqueness: Reading Cavarero on Violence and Narration." Critical Horizons 19, no. 2 (March 27, 2018): 157–72. http://dx.doi.org/10.1080/14409917.2018.1453292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Perpich, Diane. "Subjectivity and sexual difference: New figures of the feminine in Irigaray and Cavarero." Continental Philosophy Review 36, no. 4 (December 2003): 391–413. http://dx.doi.org/10.1023/b:mawo.0000015834.71440.b3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Santos, Carolina Correia dos. "Fora do eixo." Revista Criação & Crítica, no. 26 (June 9, 2020): 88–108. http://dx.doi.org/10.11606/issn.1984-1124.v1i26p88-108.

Full text

Abstract:

O artigo busca compreender e discutir a teoria que subjaz Formação da literatura brasileira de Antonio Candido através, principalmente, dos conceitos propostos por Adriana Cavarero, Donna Haraway e Gayatri Chakravorty Spivak: a “inclinação”, a “simbiose”, “performar o outro”. Uma vez que Candido expõe seus pressupostos teóricos sobretudo na “Introdução” do livro, este texto visa discutir concepções expostas nas primeiras páginas da obra, desenvolvendo ressalvas tipicamente feministas. Ao levar os pressupostos teóricos de Formação ao limite, este texto, ainda, propõe um debate sobre a literatura-mundo, acreditando na familiaridade dos conceitos envolvidos nos âmbitos desta metodologia e da obra de Candido.

APA, Harvard, Vancouver, ISO, and other styles

35

Tanesini, Alessandra. "Tu che mi guardi, tu che mi racconti: Filosofia della narrazione, by Adriana Cavarero." Women’s Philosophy Review, no. 18 (1998): 64–65. http://dx.doi.org/10.5840/wpr19981842.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Kennedy, Flloyd. "Book ReviewFor More Than One Voice: Towards a Philosophy of Vocal Expressionby Adriana Cavarero." Voice and Speech Review 5, no. 1 (January 2007): 388. http://dx.doi.org/10.1080/23268263.2007.10769794.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Cavarero, A., and E. Bertolino. "Beyond Ontology and Sexual Difference: An Interview with the Italian Feminist Philosopher Adriana Cavarero." differences 19, no. 1 (January 1, 2008): 128–67. http://dx.doi.org/10.1215/10407391-2007-019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Cavarero, Adriana, Konstantinos Thomaidis, and Ilaria Pinna. "Towards a hopeful plurality of democracy: An interview on vocal ontology with Adriana Cavarero." Journal of Interdisciplinary Voice Studies 3, no. 1 (April 1, 2018): 81–93. http://dx.doi.org/10.1386/jivs.3.1.81_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Angeli, Silvia. "‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012)." Empedocles: European Journal for the Philosophy of Communication 12, no. 1 (June 1, 2021): 75–89. http://dx.doi.org/10.1386/ejpc_00029_1.

Full text

Abstract:

This article proposes a reading of Sarah Polley’s Stories We Tell (2012) through the work of Hannah Arendt and Adriana Cavarero. Far from being a simple homage to her late mother Diane, Polley’s film is a ‘polyphonic tale’, a complex and multi-layered narrative which allows for an exploration of the many functions of (cinematic) storytelling. Highlighting the close link between relating narratives and personal identity, the film sheds light on both the innate desire for biography that characterizes us as human beings and the complex and dynamic relationship between storytellers and listeners. The way we tell stories affects the narrator(s), their audience and the fabric of the story itself in a process that ensures both continuity and change. Referring to Arendt’s notion of political storytelling, I conclude by suggesting that Stories We Tell, like the Greek polis, functions as an ‘organized remembrance’, a community whose purpose is to preserve fragile human deeds and words from oblivion.

APA, Harvard, Vancouver, ISO, and other styles

40

Oliveira, Leonardo Davino de. "Canção popular: notas sobre a revocalização do logos." Revista Crítica Cultural 9, no. 1 (August 12, 2014): 13. http://dx.doi.org/10.19177/rcc.v9e1201413-28.

Full text

Abstract:

Este trabalho tem o objetivo de debater o processo de emudecimento do logos poético ao longo do tempo, a partir da análise de algumas canções populares. Apoiados nas observações levadas a público por Adriana Cavarero no livro Vozes plurais: filosofia da expressão vocal (2011), investigamos a presença dos “animais vocálicos”, tomando como exemplo a conhecida fábula da formiga e da cigarra de La Fontaine, passamos pelas avaliação da lírica como “voz do coração” e audição das sereias “mulheres que cantam” como signos da ontologia da poesia e da canção popular, até a polifonia vocal da mitopoética de Macunaíma, como representante de um ensaio sobre o Brasil.

APA, Harvard, Vancouver, ISO, and other styles

41

Quintero Mächler, Alejandro. "Tabular, evocar, recordar." Prismas - Revista de historia intelectual 24, no. 1 (June 1, 2020): 63–81. http://dx.doi.org/10.48160/18520499prismas24.1128.

Full text

Abstract:

El artículo examina las poco trabajadas Tablas de sangre (1843) del letrado argentino José Rivera Indarte, ejemplo único del deseo de refundación nacional a mediados del siglo xix hispanoamericano. Adoptando y ensanchando críticamente los aportes teóricos de Adriana Cavarero y Thomas Laqueur, el artículo propone leer las Tablas no solo como una interpretación precursora e influyente del rosismo, sino también como configuración escrituraria de una “nación argentina”, cuando esta aún no existía. Para ello se hace uso del concepto de “horrorismo”, que ilumina la descripción del régimen que ofrecen las Tablas, y se utilizan los de “necro-nominalismo” y “necro-geografía” para analizar su creación de una “nación victimizada”.

APA, Harvard, Vancouver, ISO, and other styles

42

Díaz-Vicedo, Noèlia. "“Traer al mundo el mundo”: escribir poesía como acción y reto a la realidad = “Bringing the World into the World”: Writing Poetry as Action and Challenge to Reality." Cuestiones de género: de la igualdad y la diferencia, no. 13 (June 19, 2018): 281. http://dx.doi.org/10.18002/cg.v0i13.5130.

Full text

Abstract:

<p><strong>Resumen</strong></p><p>Este artículo analiza la poesía como espacio de praxis socio-simbólica para el sujeto femenino que escribe. Así, partiendo de que la escritura es una acción “incesante e interminable” según Maurice Blanchot, este artículo estudia el concepto de “corpo-ralidad” como estrategia lírica en la que la experiencia particular femenina se traduce en universal a través de la escritura, suponiendo una alteración de realidad y determinando una acción basada en el nacimiento. Este punto, iluminado por la teoría “traer el mundo al mundo” desarrollada por el grupo filosófico <em>Diotima</em>, particularmente por Adriana Cavarero, demostrará así que la diferencia sexual se nos ofrece como respuesta ante la necesidad de cuestionar los parámetros de la tradición poética y han determinado la posición de la mujer como <em>atopia</em>.</p><p><strong>Abstract</strong></p><p>This article deals with poetry as a space for socio-symbolic praxis for the feminine subject who writes. Taking writing as “the incessant, the interminable” according to Maurice Blanchot’s words, this article analyses the concept of “corpo-reality” as a lyric strategy whereby the specific feminine experience transcends into the universality through the action of writing. This strategy implies an alteration of reality and determines an action based upon birth. This point of view, supported by the theory “bringing the world into the world” developed by the philosophical group <em>Diotima</em>, particularly Adriana Cavarero, establishes the need for a sexual difference perspective in order to question the parameters that have constructed the poetic tradition and have relegated women’s position to the place of <em>atopia.</em></p>

APA, Harvard, Vancouver, ISO, and other styles

43

De Salvador Agra, Saleta. "Tras los signos: deseo y narración en el escenario Web." Isegoría, no. 61 (December 12, 2019): 593. http://dx.doi.org/10.3989/isegoria.2019.061.10.

Full text

Abstract:

Nuestros pasos-signos en la Red, alojados en la gran memoria externa de la Web, nos redescubren como seres narrativos pero sobre todo desvelan nuestro anhelo de ser narrados. En nuestra acción narrativa Web, en nuestro vivir “facebookeando” –extensible a nuestro vivir “twitteando”, “blogeando” “googleando”, etc.– vamos dejando atrás huellas de una “historia de vida”. Una historia de vida que, como bien sostiene Cavarero (1997), siguiendo planteamientos arendtianos, confiamos a un otro/otra, a quien podrá contarnos. La esperanza biográfica, que subyace en nuestros intercambios comunicativos vía Web, será objeto de estudio, en un intento de dar cuenta del deseo presente en la actual proliferación narrativa online, esto es, del deseo de ser narrados.

APA, Harvard, Vancouver, ISO, and other styles

44

Benjamin, Lucy. "Ethical Inclinations." Philosophy Today 64, no. 3 (2020): 671–89. http://dx.doi.org/10.5840/philtoday2020108353.

Full text

Abstract:

In this article I take up the image of inclination developed by Adriana Cavarero in her book, Inclinations: A Critique of Rectitude as a mode of developing an account of history informed by an ontology of heterogeneous ethics. Clarifying the potential of inclination contra the Kantian figure of “uprightness,” the principle task of this article is to reimagine the implications of inclination with regard to Walter Benjamin’s theses on history. Ultimately, I show that by pushing at the relationality inherent to an inclined ontology of the self a meaningful exchange can be generated between plural historical temporalities, a move that reveals the inclined figure’s potential to redeem narratives of the historically dispossessed.

APA, Harvard, Vancouver, ISO, and other styles

45

Irlandini, Isabella. "Por uma ontologia plural de vozes singulares: o embate de Adriana Cavarero com a metafísica." Revista Estudos Feministas 23, no. 1 (April 2015): 282–84. http://dx.doi.org/10.1590/0104-026x2015v23n1p282.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Pinto, Isabella, Stiliana Milkova, and Adriana Cavarero. "Storytelling Philosophy and Self Writing—Preliminary Notes on Elena Ferrante: An Interview with Adriana Cavarero." Narrative 28, no. 2 (2020): 236–49. http://dx.doi.org/10.1353/nar.2020.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Zarour Zarzar, Victor Xavier. "Bumping into the Novelistic Scaffolding: Narrative Structure in Elena Ferrante’s Neapolitan Novels." Contemporary Women's Writing 13, no. 2 (July 2019): 186–202. http://dx.doi.org/10.1093/cww/vpz016.

Full text

Abstract:

Abstract This article aims to arrive at a thematics of emplotment by scrutinizing Elena Ferrante’s use of plot in the Neapolitan Novels. It investigates theories of structure and narrative advanced by critics like Hannah Arendt, Peter Brooks, Adriana Cavarero, and Henry James to examine these texts’ narrative complexity. It contends that the novels exhibit a liminal narrative orientation: looking outward, from the inside of the plotted ground, onto the forces that threaten to disintegrate plot. To support this contention, the article finds narrative correlatives for certain phenomena of disintegration that Ferrante has discussed at length, proceeding to examine the novels’ strongest moment of smarginatura (dissolving margins) – the earthquake – in an effort to understand how the novels incorporate or indirectly address forces that are antithetical to plot.

APA, Harvard, Vancouver, ISO, and other styles

48

Barbeitas, Flavio. "Luzes sobre a música a partir da filosofia da linguagem." Per Musi, no. 35 (December 2016): 124–46. http://dx.doi.org/10.1590/permusi20163507.

Full text

Abstract:

Resumo: Já se falou que a finalidade da musicologia compreenderia a descoberta do que a "linguagem musical" nos ensina do ser humano que seja diferente daquilo que a linguagem falada e outras manifestações e instituições primordiais dele nos ensinam. Nesses termos, parece óbvio que tal tarefa depende muito do que se entende por "linguagem". Não obstante o paradigma da linguagem ter sido um bordão na concepção musical ocidental, a comparação tendeu mais a enfatizar certas "carências" e "lacunas" da música, apresentando-a inequivocamente como inferior e mais limitada quanto, por exemplo, a uma eventual função cognitiva. O presente artigo pretende rediscutir essa questão à luz de contribuições contemporâneas do pensamento sobre a linguagem, notadamente na obra de alguns filósofos italianos, como Giorgio Agamben, Paolo Virno e Adriana Cavarero.

APA, Harvard, Vancouver, ISO, and other styles

49

Murphy, Ann V. "Corporeal Vulnerability and the New Humanism." Hypatia 26, no. 3 (2011): 575–90. http://dx.doi.org/10.1111/j.1527-2001.2011.01202.x.

Full text

Abstract:

“Humanism” is a term that has designated a remarkably disparate set of ideologies. Nonetheless, strains of religious, secular, existential, and Marxist humanism have tended to circumscribe the category of the human with reference to the themes of reason, autonomy, judgment, and freedom. This essay examines the emergence of a new humanistic discourse in feminist theory, one that instead finds its provocation in the unwilled passivity and vulnerability of the human body, and in the vulnerability of the human body to suffering and violence. Grounded in a descriptive ontology that privileges figures such as exposure, dispossession, vulnerability, and “precariousness,” this new humanism is a corporeal humanism. This essay probes both the promise and the limitations of this emergent humanism with particular reference to recent work by feminist philosophers Judith Butler and Adriana Cavarero.

APA, Harvard, Vancouver, ISO, and other styles

50

Martínez, Ariel. "Medusa y el espejo cóncavo: la raigambre normativa de la violencia sobre el cuerpo." Universitas Philosophica 35, no. 71 (September 27, 2018): 21–52. http://dx.doi.org/10.11144/javeriana.uph35-71.mecv.

Full text

Abstract:

A partir de las consideraciones de Adriana Cavarero sobre el lugar del cuerpo en las modalidades que adquiere la violencia contemporánea, se plantea un recorrido conceptual por ideas de Jacques Lacan, Judith Butler y Kaja Silverman para sostener, por un lado, un giro onto-epistemológico que entiende al cuerpo como efecto de normas sociales y, por otro lado, una reflexión ético-política respecto a los niveles de exposición violenta a los que son sometidos aquellos cuerpos excluidos de los marcos de inteli- gibilidad que tornan una vida vivible. Finalmente, como alternativa a los modos hegemónicos en que la representación opera en la configuración del cuerpo como totalidad y unicidad –que la teoría lacaniana vincula con el espejo plano– se postula el espejo cóncavo como posibilidad de otros modos, alternativos, de representación del cuerpo.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!