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Journal articles on the topic 'Cathédrale de Tournai (Belgium)'

Author: Grafiati

Published: 29 July 2024

Last updated: 30 July 2024

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1

Bolle, Caroline, and Corentin Haubruge. "Cathédrale de Tournai." lieuxdits, no. 21 (July 6, 2022): 26–32. http://dx.doi.org/10.14428/ld.vi21.67223.

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Résumé. À l’occasion des 850 ans de la cathédrale Notre Dame de Tournai et des vingt ans de son inscription sur la liste du patrimoine mondial de l’UNESCO, l’UCLouvain a rejoint la dynamique culturelle, insufflée par la Ville de Tournai et la Province de Hainaut, visant la mise à l’honneur de ce monument majeur de l’architecture belge. À travers diverses activités pédagogiques, LOCI-Tournai a élaboré des propositions de mise en valeur et de restauration/réaffectation du choeur gothique. L’objectif étant de stimuler l’imaginaire mais aussi la réflexion et les échanges en vue d’assurer un avenir au sanctuaire. S’appuyant sur le thème culturel de l’UCLouvain en 2020-2021, "l’imaginaire comme réponse", le projet a bénéficié d’un Fonds de Développement Culturel, s’achevant par deux expositions à LOCI-Tournai et à TAMAT. Abstract. On the occasion of the 850th anniversary of Tournai Cathedral and the 20th anniversary of its inscription on the UNESCO World Heritage List, UCLouvain-LOCI joined the City of Tournai and the Province of Hainaut in honouring this major monument of Belgian architecture. Through various educational activities, LOCI-Tournai developed proposals for the enhancement and restoration/reassignment of the Gothic choir. The objective is to stimulate the imagination but also to stimulate debate to ensure a future for the sanctuary. The project, based on UCLouvain’s cultural theme for 2020-2021, "the imaginary as a response", benefited from a Cultural Development Fund, and was the subject of exhibitions at LOCI-Tournai and TAMAT.

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2

Elsen, Jan, Anne Brutsaert, Marianne Deckers, and Raymond Brulet. "Microscopical study of ancient mortars from Tournai (Belgium)." Materials Characterization 53, no. 2-4 (November 2004): 289–94. http://dx.doi.org/10.1016/j.matchar.2004.10.004.

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3

Gaillard, Christian, Michel Hennebert, and Davide Olivero. "Lower carboniferous Zoophycosfrom the Tournai area (Belgium): Environmental and ethologic significance." Geobios 32, no. 4 (January 1999): 513–24. http://dx.doi.org/10.1016/s0016-6995(99)80001-1.

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4

Pycke, Jacques. "En marge d’une édition récente : Exploiter la richesse de l’obituaire de la cathédrale de Tournai." Revue Bénédictine 131, no. 1 (January 2021): 64–90. http://dx.doi.org/10.1484/j.rb.5.124387.

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5

Fontaine, Laurent, Roel Hendrickx, and Hilde De Clercq. "Deterioration mechanisms of the compact clay-bearing limestone of Tournai used in the Romanesque portals of the Tournai Cathedral (Belgium)." Environmental Earth Sciences 74, no. 4 (April 7, 2015): 3207–21. http://dx.doi.org/10.1007/s12665-015-4358-y.

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6

Drake, C. S. "The Discovery and Saving of the Tournai Font at the Collegiate Church of Saint-Vincent, Soignies, Belgium." Antiquaries Journal 84 (September 2004): 371–80. http://dx.doi.org/10.1017/s0003581500045911.

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In 1991 the author completed research for his dissertation on the twelfth-century Tournai fonts for a Master's degree in Art History at the University of Essex. Based on this research, his first published article sought to update the paper by our Fellow G C Dunning. In 1997, during his research for The Romanesque Fonts of Northern Europe and Scandinavia, the author discovered and published further information about the products of the Tournai School. Among the fonts listed in the author's 1993 paper were the ‘fragments’ at Soignies, known to be built into the fabric of the church. Late in 2003 his attention was drawn to a monograph published by the Chapter Museum of the collegiate church of Saint-Vincent, Soignies (about 16km south west of Brussels), detailing the recovery, conservation and subsequent display of the font bowl. This article has been pieced together from the three sections of that monograph and we are indebted to the Museum, and to the scholars whose articles make up the monograph, for permission to use their material and a selection of their illustrations.

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7

Pycke, J. "La mémoire des morts à la cathédrale Notre-Dame de Tournai du xie au xxie siècle." Revue d'Histoire de l'Eglise de France 96, no. 2 (January 2010): 289–317. http://dx.doi.org/10.1484/j.rhef.3.39.

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8

Datoussaïd, S., L. Van Parys, D. Lamblin, and T. Descamps. "Structural Behaviour of the Flying-Buttresses of the OL-Cathedral of Tournai (Belgium)." Australian Journal of Structural Engineering 6, no. 3 (January 2006): 191–98. http://dx.doi.org/10.1080/13287982.2006.11464955.

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9

Mertens, G., J. Elsen, R. Brulet, A. Brutsaert, and M. Deckers. "Quantitative composition of ancient mortars from the Notre Dame Cathedral in Tournai (Belgium)." Materials Characterization 60, no. 7 (July 2009): 580–85. http://dx.doi.org/10.1016/j.matchar.2008.09.004.

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10

Kennedy, W. J., F. Amédro, F. Robaszynski, and J. W. M. Jagt. "Ammonite faunas from condensed Cenomanian-Turonian sections (‘Tourtias’) in southern Belgium and northern France." Netherlands Journal of Geosciences - Geologie en Mijnbouw 90, no. 2-3 (November 2011): 209–38. http://dx.doi.org/10.1017/s0016774600001128.

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AbstractIn southern Belgium (Mons Basin and Tournai region) and northern France (area between Lille, Valenciennes and Maubeuge), condensed sequences have been referred to as ‘tourtias’ since the start of the nineteenth century. These levels correspond to a succession of trangressive systems tracts and generally appear as dark green, glauconitic and microconglomeratic facies. They are distributed all along the base of the more important transgressive systems tracts of the Cenomanian and basal Turonian from the Boulonnais (northwest France) to the Mons Basin (southern Belgium), through the Artois and Douaisis. Their age can now be determined more accurately by identification of their ammonite content, as housed in museums such as the Institut royal des Sciences naturelles de Belgique (IRScNB, Brussels) and the Musée d'Histoire naturelle de Lille (MHNL). Here material from the IRScNB collections is described, illustrated and discussed; specimens contained in the MHNL collections were described in a previous paper.

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11

Massen, Dusar, Loy, and Vandenberghe. "Cave volume computed on the behaviour of a blowing well (Tournai basin, W. Belgium)." Terra Nova 10, no. 3 (May 1998): 131–35. http://dx.doi.org/10.1046/j.1365-3121.1998.00179.x.

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12

Elsen, Jan, Gilles Mertens, and Koen Van Balen. "Raw materials used in ancient mortars from the Cathedral of Notre-Dame in Tournai (Belgium)." European Journal of Mineralogy 23, no. 6 (December 21, 2011): 871–82. http://dx.doi.org/10.1127/0935-1221/2011/0023-2139.

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13

Kazanski, Michel. "Sacrifices of Horses in “Princely” Tombs During the Late Phase of the Great Migration Period." Stratum plus. Archaeology and Cultural Anthropology, no. 4 (August 30, 2021): 95–108. http://dx.doi.org/10.55086/sp21495108.

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The article considers a few graves of the elite of the Great Migration Period, containing several burials of horses. In the German context, this is a “royal” burial in Tournai on the territory of modern Belgium, owned by King Childeric (died 481/482) and burials in a barrow in Žuráň, in South Moravia, probably belonging to the Lombard royal family. Their parallels in Eastern Europe are finds in the necropolis of Sirenevaya Buhta in the Eastern Crimea and Malai in the region of Eastern Azov Sea. Horse burials in Western and Central Europe can be associated with the influence of the Huns on aristocratic civilization, and reflect the high social status of the buried.

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14

Fischer, Svante, and Lennart Lind. "The Coins in the Grave of King Childeric." Journal of Archaeology and Ancient History, no. 14 (February 13, 2023): 1–36. http://dx.doi.org/10.33063/jaah.vi14.144.

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This article contextualizes some one hundred mid- to late 5 th century solidi and two hundred silver coins found in the grave of King Childeric in Tournai, Belgium. We argue that the coins in the grave must have been assembled for the specific purpose of the burial rite and that some of the participants in the burial rite were allowed to look at the coins before the grave was sealed. We argue that they were capable of identifying the various coins because they were literate and familiar with Roman iconography. It follows that the solidus hoard together with the other coins is a meaningful composition that has been manipulated for deological purposes by Clovis himself. The coins must hence be explained in a manner that considers Clovis’ ideological motives, as the grave and its contents run contrary to all usual explanations.

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15

VIAENE, VINCENT. "The Second Sex and the First Estate: The Sisters of St-André between the Bishop of Tournai and Rome, 1850–1886." Journal of Ecclesiastical History 59, no. 3 (July 2008): 447–74. http://dx.doi.org/10.1017/s0022046907002497.

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In 1855 the sisters of St André in Tournai (Belgium) openly revolted against their bishop by sending a delegation to the pope. It was the high point of a conflict that had been simmering since 1850, and would continue to reverberate until 1886. This case study illustrates the religious, social and gender fault-lines opened by modernity between authoritarian bishops and a new generation of self-conscious religious women active in society. The field of tension provided Vatican diplomacy with the opportunity for an unprecedented affirmation of its mediating role. The affair of St André was one of the first occasions on which the Curia was directly confronted with ultramontane feminism, and it neatly defines the margins within which the Holy See was hammering out a matrix for the Romanisation and ‘standardisation’ of religious women. At the price of ‘following the beaten track’ to Rome, the second sex could sufficiently escape the grip of the first estate to operate a silent revolution in education, charity and devotion during the nineteenth century.

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16

Soetaert, Alexander. "Catholic refuge and the printing press: Catholic exiles from England, France and the Low Countries in the ecclesiastical province of Cambrai." British Catholic History 34, no. 04 (October 2019): 532–61. http://dx.doi.org/10.1017/bch.2019.24.

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The Ecclesiastical Province of Cambrai may sound unfamiliar to modern readers. The bishopric of Cambrai dates to the sixth century but only became an archdiocese and, consequently, the centre of a church province in the sixteenth century. The elevation of the see resulted from the heavily contested reorganization of the diocesan map of the Low Countries by King Philip II in 1559. The new province included the medieval sees of Arras, Cambrai and Tournai, as well as the newly created bishoprics of Saint-Omer and Namur. Its borders were established to encompass the French-speaking Walloon provinces in the south of the Low Countries, territories that are now divided between France and Belgium.1 In the early modern period, this area was already a border and transit zone between France, the Low Countries, the Holy Roman Empire and the British Isles. The province’s history in the sixteenth and seventeenth centuries was deeply marked by recurrent and devastating warfare between the kings of Spain and France, eventually resulting in the transfer of significant territory to France.2 However, the Province of Cambrai was also the scene of frequent cross-border mobility, and a safe haven for Catholic exiles originating from the British Isles, France and other parts of the Low Countries.

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17

ZAHARIA, Ioana-Raluca. "The festival - the mark of the city's cultural identity in the context of urban marketing." Theatrical Colloquia 12, no. 2 (December 1, 2022): 68–77. http://dx.doi.org/10.35218/tco.2022.12.2.08.

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"Should we attach to the notion of identity, that of culture, we will have a more comprehensive and at the same time more precise vision of the relationship that exists between the two terms. The cultural identity is that something that recognizes the human community (social, political, regional, national, ethnic, religious) in terms of values, mentality, commitments, traditions, beliefs, historical memory. To understand the notions of identity and culture, we refer to the individual and then to the group and to the manner they relate to the community, society and why not, the citadel, meaning the city. The latter becomes cultural when it values the customs and traditions of its inhabitants, its heritage, the works of its artists and craftsmen. This article attempts to analyze the interdependence that could exist between a cultural manifestation, more precisely a festival with its thematic aesthetics specific management and the cultural identity of the city that hosts it. Nowadays, the culture plays the role of helping to convert cities into dynamic and attractive urban centers. It is commendable that this reconversion is also used by smaller towns in order to promote their identity. The phenomenon itself is known as urban marketing and has, among other attributes, the role of imposing a new way of conduct on civil servants and local public authorities. It also makes us have a certain conception of cities - in our case - thanks mainly to cultural history, but also in depending on the cultural policy they pursue, due to the image they want to promote, or through works of art, through the realization of certain artistic projects: festivals, branded cultural events, etc. This is the case of the city of Tournai in Belgium, a border settlement entered into the phenomenon of European metropolisation which leads to the formation of centers composed of networks of metropolises and which become economic, social and political pillars, but also cultural, with a whole administrative dynamic and cultural facilities (cultural centers, museums, theaters, universities, etc.). The biennial festival we are referring to is called ""Découvertes, marionnettes et images"", being the only one in the French-speaking area of Belgium. The reputation of the festival is inevitably associated with the city of Tournai, and this association adds more value, effectively contributing to its image in the region and not only. The cultural identity of the city is linked among other things to the evolution of the festival and vice versa. It is an international festival dedicated to contemporary forms of puppet animation. From the theater of objects, passing through street art, dance or digital art, each edition of the festival gives access to the wealth of contemporary forms of the puppet and marionette as well as their interdisciplinarity. The analysis of the ""Découvertes, images et marionnettes"" festival in this context, taking into account the quoted references and the specific interferences of a research, is all the more complex and revealing at the same time."

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18

Storemyr, Per, Patrick Degryse, and James F. King. "A black tournai “marble” tombslab from Belgium imported to Trondheim (Norway) in the 12th century: Provenance determination based on geological, stylistic and historical evidence." Materials Characterization 58, no. 11-12 (November 2007): 1104–18. http://dx.doi.org/10.1016/j.matchar.2007.04.005.

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19

Pycke, Jacques, and Tania Van Hemelryck. "Une source de l'Abregiet et effect des trois decades de Titus Livius d'Henri Romain? Note sur un fragment de la traduction de Tite-Live par Pierre Bersuire retrouvé à la cathédrale de Tournai." Scriptorium 62, no. 2 (2008): 327–33. http://dx.doi.org/10.3406/scrip.2008.4007.

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20

Van Velthoven, Harry. "Het Belgische en Brusselse model ter discussie." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 67, no. 2 (January 1, 2008): 139–47. http://dx.doi.org/10.21825/wt.v67i2.12476.

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De grondwetsherzieningen veranderden België in een federale staat. Die dynamiek werkt verder door. Op dit moment zorgt dat voor een patstelling: de Vlaamse partijen willen meer autonomie op financieel en sociaal gebied, de Franstalige partijen houden vast aan het status quo. Op de achtergrond speelt de ongelijkmatige sociaaleconomische ontwikkeling van Vlaanderen en Wallonië en de vraag waarom de Waalse politieke elite (vooral de dominante socialistische partij) er na decennialange Belgische en Europese financiële steun er niet in geslaagd is om, zoals andere oud-industriële regio’s in Europa, voor een economische heropleving te zorgen. Dat immobilisme werkt aan Vlaamse kant radicaliserend in de richting van een vaag geformuleerd confederalisme en doet een minderheid voor separatisme pleiten. In de praktijk is een moeilijke afweging bezig tussen een op zich niet betwiste solidariteit enerzijds, een financiële responsabilisering voor gevoerd beleid anderzijds. De overgang van een in hoge mate door de nationale staat gesubsidieerd federalisme naar een verantwoordelijkheidsfederalisme. Sommige strekkingen willen tegelijkertijd de federale staat versterken.Daarnaast stelt zich de vraag naar de grondvesten van het Belgische model en de plaats van het Brussels Hoofdstedelijk Gewest daarin. Moet dat ook bevoegd worden voor cultuur, onderwijs…die daar nu, vanwege de vroegere taalkundige discriminatie van de Vlamingen in Brussel, door respectievelijk de Vlaamse en de Franse Gemeenschap worden beheerd? En hoe moet de institutionele begrenzing van de 19 gemeenten in overeenstemming worden gebracht met die van het stadsgewest, het economisch hinterland (62 gemeenten)? In plaats van het Belgische en Brusselse model ingrijpend te wijzigen, is het meer aangewezen de communautaire samenwerking binnen het Brussels Hoofdstedelijk Gewest te verbeteren en tegelijkertijd te werken aan de uitbouw van een stadsgemeenschap in samenwerking met Vlaanderen en Wallonië. In dat opzicht kan het transnationale voorbeeld van de metropool Rijsel-Kortrijk-Doornik inspirerend werken.________A Discussion of the Belgian and the Brussels' modelThe amendments to the constitution turned Belgium into a federal state. This dynamics is still ongoing. At the moment this causes a stalemate: the Flemish parties demand more autonomy in the financial and social sector, whereas the French speaking parties insist on the status quo. This must be seen against the background of an unequal socio-economic development of Flanders and Wallonia and the question why the Walloon political elite (in particular the dominant Socialist Party) unlike other former industrial regions in Europe has not been able to ensure an economic revival after decades of Belgian and European Financial assistance. This paralysis has had a radicalising effect among the Flemish, favouring a rather vaguely formulated co-federalism and, for a minority, it has led to calls for separatism. In practice a difficult assessment is taking place between a non-contested solidarity on the one hand and a demand for financial accountability for the pursued policies on the other hand. It is a transition from a form of federalism, which had been highly subsidized by the national government to federalism with accountability. The purpose of some people is to reinforce the federal state at the same time.In addition the foundations of the Belgian model and the place of the Brussels Capital Region within this model must be questioned. Should it also be given competence for culture, education…which at present because of the former linguistic discrimination are managed by respectively the Flemish and the French community? And how should the institutional boundaries of the 19 communities be coordinated with those of the Capital Region, the economic hinterland (62 communities)? In stead of drastically changing the Belgian and the Brussels’ model it might be preferable to improve the cooperation between the communities within the Brussels Capital Region whilst at the same time working towards the expansion of a city community in cooperation with Flanders and Wallonia. In that respect the transnational example of the metropolis of Lille-Courtrai-Tournai could serve as inspiration.

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21

Leemans, Sophie, Erik Van Daele, and Maarten Gheysen. "Mapping the lifelines: how the design of infrastructure networks impacts on transformation in dispersed territories." Architecture_MPS 26, no. 1 (2023). http://dx.doi.org/10.14324/111.444.amps.2023v26i1.001.

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Besides compact cities, Western Europe is characterised by low-density dispersion, resulting in a landscape with elements of both city and land. These dispersed territories offer an alternative to a traditional urban–rural dichotomy framework and have been put forward as twenty-first-century cities. However, these territories are currently facing urgent and complex socio-economic and ecological challenges. One such territory is the Eurometropolis Lille–Kortrijk–Tournai, a transnational region on the border of Belgium and France. The hypothesis is that the evolution of the Eurometropolis territory is closely intertwined with its infrastructure networks. The structure of this article is threefold. First, it describes the non-binary condition in which the Eurometropolis is situated. Second, it analyses the evolution of infrastructure networks in the Eurometropolis from the late eighteenth century to today through case studies. Third, it highlights the potential future role of infrastructure networks in providing answers to large-scale challenges. The research presented in this article demonstrates that transformation in dispersed territories is closely related to the evolution of their infrastructure networks. Moreover, infrastructure – such as waterways, railways and roads – has enabled an urban condition without urban form in the Eurometropolis dispersed territories. In the light of these findings, the article shows that the inherent nature of dispersed territories can be influenced by rethinking these infrastructures to proactively address the collective challenges at stake.

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