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Books on the topic 'Cataloging of photographs'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Organizing your photographs. New York: Amphoto, 1986.

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2

Indexing photographs and documents: A step-by-step guide. Pueblo West, CO: Group National Publishing, LLC, 2013.

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3

Krogh, Peter. The DAM book: Digital asset management for photographers. 2nd ed. Sebastopol, Calif: O'Reilly, 2009.

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4

The DAM book: Digital asset management for photographers. Beijing: O'Reilly, 2006.

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5

Roca, Lourdes, Andrew Green, and Felipe Morales Leal. Tejedores de imágenes: Propuestas metodológicas de investigación y gestión del patrimonio fotográfico y audivisual. México, D.F: Instituto de Investigaciones Dr. Jose Maria Luis Mora, 2014.

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6

Klijn, Edwin. Sepiades: Cataloguing photographic collections. Amsterdam: European Commission on Preservation and Access, 2004.

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7

Zannier, Italo. La fotografia in archivio. Firenze: Sansoni, 2000.

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8

Patrick, Escudero, ed. Barcelone et la Catalogne. [Paris]: Chêne, 2007.

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9

Williams, Sarah Bay. The digital shoebox: How to organize, find, and share your photos. Berkeley, CA: Peachpit Press, 2010.

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10

The digital shoebox: How to organize, find, and share your photos. Berkeley, CA: Peachpit Press, 2010.

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11

Scheidegger, Ernst. Traces d'une rencontre: Joan Miró en Catalogne. Paris: Maeght Editeur, 1993.

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12

Images in libraries, museums, and archives: Description and intellectual access : papers from PACSCL (The Philadelphia Area Consortium of Special Collections Libraries), Summer Seminar, 1993. [London]: Gordon and Breach, 1995.

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13

Tiede, Marcia. Create: A Procedure Manual for Cataloging Photographs. 3rd ed. Center for Creative Photography, 1991.

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14

The DAM Book: Digital Asset Management for Photographers. 2nd ed. Beijing: O'Reilly, 2009.

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15

Krogh, Peter. Dam Book. O'Reilly Media, Incorporated, 2005.

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16

Krogh, Peter. Dam Book: Digital Asset Management for Photographers. O'Reilly Media, Incorporated, 2009.

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17

Nelson, Cathi. Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed. Publish Your Purpose, 2017.

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18

Nelson, Cathi. Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed. Publish Your Purpose, 2021.

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19

Nelson, Cathi. Photo organizing made easy: Going from overwhelmed to overjoyed. 2017.

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20

Nelson, Cathi. Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed. Purpose Driven Publishing, 2018.

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21

Nelson, Cathi. Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed. Publish Your Purpose, 2021.

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22

Nelson, Cathi. Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed. Publish Your Purpose, 2021.

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23

Krogh, Peter. The DAM Book: Digital Asset Management for Photographers (O'Reilly Digital Studio). O'Reilly Media, Inc., 2005.

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24

La Fotografia: Manuale di catalogazione. Casalecchio di Reno, Bologna: Grafis, 1990.

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25

La confusion des genres en photographie. [Paris]: Bibliotheque nationale de France, 2001.

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26

Canada, Public Archives, ed. Descriptive and subject cataloguing, National Photography Collection. [Ottawa]: Public Archives Canada, 1985.

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27

“Literary Heritage” for 80 years: A Guide to Volumes 1–103, yrs. 1931–2011. — Book two: Index of Illustrations. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lh.0130-3627-2021-104-2.

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Abstract:

The Index of Illustrations is an integral part of the definitive guide “Literary Heritage For 80 Years. A Guide to Volumes 1–103 yrs. 1931–2011”. There are nearly 12,000 illustrations in 103 volumes of “Literary Heritage”. The search for content spanned small and large museums, archives, and libraries in Russia, with many illustrations published for the first time ever. Other materials were sourced from public and private collections within the country and from abroad. The resulting illustrative content in “Literary Heritage” forms a massive, powerful visual projection of Russian authors, aspects of their family and everyday life, the spectrum of cultural and political professions, and portraits of actors in life and as performers on the stages of domestic and foreign theaters. The authors emphasized reproducing autographs including unpublished manuscripts, letters, and dedications on photographs and in books. Of great importance is the replication of printed materials — illustrations from the works of Russian authors as representative examples of typography. Finally, we should highlight many illustrations that give the viewer an idea about the environment of the authors, including memorials and monuments. The Index of Illustrations serves as a key to this iconic collection of materials, cataloging cutlines in order of their appearance in the volumes and respective location within each book. Cutlines are expanded on the illustrations’ theme — the subjects of the portraits, the groups gathered for specific purposes, the authors of the manuscripts, etc. They indicate the artist or photographer of the original illustration and its current location (museum, archive, etc.). In addition, a cross-reference of over 7,000 names accompanies the Index.

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