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Journal articles on the topic 'Catalogers, Publishers''

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Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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1

Nabavi, Majid, and Elmira Karimi. "Metadata Elements for Children in Theory and Practice." KNOWLEDGE ORGANIZATION 49, no. 6 (2022): 435–47. http://dx.doi.org/10.5771/0943-7444-2022-6-435.

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This research aimed to investigate the status of children-specific metadata elements in theory (existing literature) and practice (metadata standards and children’s digital libraries). Literature reviews as well as two cases, including children’s online national libraries of Iran, and Singapore, are used to identify children-specific metadata elements and their application. The results revealed that descriptive metadata types had been mentioned more than analytical, social, and relational types; the DCMI metadata standard, besides LOM and ALTO metadata standards, can be used to develop an application profile for children’s library catalogs. Two cases showed that they partially cover children-specific metadata elements, and neither has covered relational metadata elements. A deeper analysis of the children-specific metadata elements suggests that children’s catalogs should be semantic and social. The results of this study can be insightful for children’s book catalogers and children’s book publishers (for marketing purposes).

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Beall, Jeffrey. "Publishers' Errors Make Catalogers [sic]: An Analysis of the Error Indicators[sic]and[i.e.]in Cataloging." Cataloging & Classification Quarterly 32, no. 3 (November 2001): 87–107. http://dx.doi.org/10.1300/j104v32n03_07.

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3

Hill, George R. "Music Publishers' Catalogs." Notes 64, no. 4 (2008): 830–31. http://dx.doi.org/10.1353/not.0.0009.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 1 (2008): 172–76. http://dx.doi.org/10.1353/not.0.0052.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 2 (2008): 398–99. http://dx.doi.org/10.1353/not.0.0099.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 3 (2009): 589–93. http://dx.doi.org/10.1353/not.0.0135.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 4 (2009): 869–70. http://dx.doi.org/10.1353/not.0.0153.

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George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 1 (2009): 182–84. http://dx.doi.org/10.1353/not.0.0228.

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George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 2 (2009): 416–19. http://dx.doi.org/10.1353/not.0.0250.

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George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 3 (2010): 667–69. http://dx.doi.org/10.1353/not.0.0272.

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George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 4 (2010): 873–74. http://dx.doi.org/10.1353/not.0.0374.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 1 (2000): 180–87. http://dx.doi.org/10.1353/not.2000.0027.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 2 (2000): 458–60. http://dx.doi.org/10.1353/not.2000.0075.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 3 (2001): 700–707. http://dx.doi.org/10.1353/not.2001.0028.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 4 (2001): 984–86. http://dx.doi.org/10.1353/not.2001.0090.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 1 (2001): 155–60. http://dx.doi.org/10.1353/not.2001.0146.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 2 (2001): 415–20. http://dx.doi.org/10.1353/not.2001.0201.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 3 (2002): 660–65. http://dx.doi.org/10.1353/not.2002.0021.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 4 (2002): 907–10. http://dx.doi.org/10.1353/not.2002.0076.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 1 (2002): 150–57. http://dx.doi.org/10.1353/not.2002.0125.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 2 (2002): 420–23. http://dx.doi.org/10.1353/not.2002.0173.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 3 (2003): 730–38. http://dx.doi.org/10.1353/not.2003.0020.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 4 (2003): 969–72. http://dx.doi.org/10.1353/not.2003.0061.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 1 (2003): 259–65. http://dx.doi.org/10.1353/not.2003.0106.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 2 (2003): 521–23. http://dx.doi.org/10.1353/not.2003.0152.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 3 (2004): 775–82. http://dx.doi.org/10.1353/not.2004.0016.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 4 (2004): 1018–20. http://dx.doi.org/10.1353/not.2004.0065.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 1 (2004): 257–64. http://dx.doi.org/10.1353/not.2004.0097.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 2 (2004): 579–81. http://dx.doi.org/10.1353/not.2004.0138.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 3 (2005): 885–91. http://dx.doi.org/10.1353/not.2005.0016.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 4 (2005): 1125–26. http://dx.doi.org/10.1353/not.2005.0053.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 1 (2005): 211–16. http://dx.doi.org/10.1353/not.2005.0096.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 2 (2005): 498–99. http://dx.doi.org/10.1353/not.2005.0137.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 3 (2006): 818–22. http://dx.doi.org/10.1353/not.2006.0019.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 4 (2006): 1074–75. http://dx.doi.org/10.1353/not.2006.0058.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 1 (2006): 218–25. http://dx.doi.org/10.1353/not.2006.0098.

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Hill, George Robert, musician. "Music Publishers' Catalogs." Notes 63, no. 2 (2006): 459–60. http://dx.doi.org/10.1353/not.2006.0146.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 3 (2007): 716–21. http://dx.doi.org/10.1353/not.2007.0021.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 4 (2007): 955–57. http://dx.doi.org/10.1353/not.2007.0072.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 1 (2007): 156–60. http://dx.doi.org/10.1353/not.2007.0111.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 2 (2007): 379–80. http://dx.doi.org/10.1353/not.2007.0141.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 3 (2008): 602–6. http://dx.doi.org/10.1353/not.2008.0013.

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George R. Hill. "Music Publishers' Catalogs." Notes 67, no. 1 (2010): 196–99. http://dx.doi.org/10.1353/not.2010.0042.

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44

Rasch, Rudolf. "How Did Publishers Make up Their Catalogues?" Revue de musicologie 84, no. 2 (1998): 287. http://dx.doi.org/10.2307/947378.

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45

Moorbath, Paul. "Why do publishers send out their catalogues?" Aslib Proceedings 41, no. 6 (June 1989): 213–16. http://dx.doi.org/10.1108/eb051142.

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46

Picot, Nicole. "L’edition d’art en France." Art Libraries Journal 17, no. 3 (1992): 45–46. http://dx.doi.org/10.1017/s0307472200007975.

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Public interest in art is encouraging the publishing of art books and exhibition catalogues, although many of these publications focus on the same subjects. Some 1,200 art books are published in France each year, selling on average some 6,500 copies. Two large publishers dominate French art publishing, but many others are also involved in producing quality art books including titles which help to fill the gaps left by the big general publishers. Because production costs are all but prohibitive, and because the size of the home market is limited, some of these publishers have published books with texts in more than one language, or as co-editions with publishers in other countries.

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47

Radzetskaya, Olga V. "Specifics of the Trade Activity of the Music Publishing Shops in the Second Half of the 19th – Early 20th Centuries: Personalities, Price Lists and Catalogs (From the Collections of the Russian State Library and Private Collections)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 70 (2023): 302–17. http://dx.doi.org/10.37816/2073-9567-2023-70-302-317.

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In the history of the music publishing business of Russia in the second half of the 19th – early 20th centuries there are many interesting, yet insufficiently explored areas that have become traditional for Russian culture over time. Among these, one may cite the trade in musical instruments, which was an indispensable attribute of successful and various enterprises on the scale of their activities. The commercial status of this phenomenon was reflected in the price lists and catalogues of large and small publishing companies, which demonstrated a serious volume of presented products and advertising materials. First of all, famous brands — grand pianos “K. M. Schroeder”, “R. Ratke”, “F. Mulbach” in St. Petersburg, the Diederichs brothers, the court factories “Ya. Becker”, “E. Caps” in Dresden and “Schiedmeyer Sons” in Stuttgart, “R. Weisbrod” in Eisenberg, “K. Bechstein” in Berlin, “Y. Blutner” in Leipzig, “K. Renisch” in Leipzig, etc., as well as automatic pianos, harmoniums, physharmonicas and other rarities. At the head of these processes always stood the personality of the leader, energetic, extraordinary and creative. One of them is F. I. Detlaf, who has established himself as a talented publisher, manufacturer and composer. The totality of all these achievements determined another research facet — insignia, state awards that adorned the catalogs of music publishers: “For diligence”, “For diligence and Art from the Ministry of Finance”, etc.

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48

Ktob, Ahmed, and Zhoujun Li. "Marefa." International Journal on Semantic Web and Information Systems 14, no. 3 (July 2018): 167–83. http://dx.doi.org/10.4018/ijswis.2018070108.

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This article describes how recently, many new technologies have been introduced to the web; linked data is probably the most important. Individuals and organizations started emerging and publishing their data on the web adhering to a set of best practices. This data is published mostly in English; hence, only English agents can consume it. Meanwhile, although the number of Arabic users on the web is immense, few Arabic datasets are published. Publication catalogs are one of the primary sources of Arabic data that is not being exploited. Arabic catalogs provide a significant amount of meaningful data and metadata that are commonly stored in excel sheets. In this article, an effort has been made to help publishers easily and efficiently share their catalogs' data as linked data. Marefa is the first tool implemented that automatically extracts RDF triples from Arabic catalogs, aligns them to the BIBO ontology and links them with the Arabic chapter of DBpedia. An evaluation of the framework was conducted, and some statistical measures were generated during the different phases of the extraction process.

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49

Van Lieburg, Fred. "The Dutch book trade, Christian Enlightenment and the national bibliography. The catalogues of Johannes van Abkoude (1703-60) and Reinier Arrenberg (1733-1812)." Quaerendo 31, no. 1 (2001): 3–16. http://dx.doi.org/10.1163/157006901x00209.

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AbstractIn the 'genealogy' of Dutch national bibliographies there follows - after the Catalogus universalis by Broer Jansz and lists published by Johannes Janssonius van Waesberge between 1675 and 1684 - a hand-written booksellers catalogue by Pieter van der Aa in Leiden. It was copied, augmented and published in 1743 by his pupil Johannes van Abkoude. Publication was accompanied by conflicts with several rivals, like Bernardus Noordbeek in Amsterdam and Nicolaas Goetzee in Gorinchem. Van Abkoude defeated his colleagues' disputes thanks to the quality and public function of his work. It was not only intended for booksellers, but also for book lovers, especially for persons with a theological interest. Reinier Arrenberg, coming from a comparable religious lay culture, developed into a follower of the Christian but tolerant Dutch Enlightenment. Inspired by learned people and other socially involved individuals he himself promoted 'the education of the people' by composing, translating and publishing stories for young and old. His revised new edition of Van Abkoude's catalogue is characterised by the removal of all small publications, such as pamphlets, popular literature and religious or political controversial writings for the reason that they were no longer commercially important. The booksellers catalogues reflected the eighteenth-century developments of levelling up book prices and marketing copyrights. As precursors of national bibliographies the catalogues of Van Abkoude, Arrenberg and De Jong will keep their value.

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50

Ochmański, Mikołaj. "Rejestracja poloników w zbiorach obcych na przykładzie Katalogu starodruków biblioteki Papieskiego Instytutu Studiów Kościelnych w Rzymie oraz Katalogu poloników w Biblioteca Casanatense." Z Badań nad Książką i Księgozbiorami Historycznymi 11 (December 29, 2017): 471–86. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.49.

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A review article focusing on two catalogues published by the National Library in Warsaw in the series Polonica from the 16-18th Centuries in the Roman Libraries, Catalogue of Early Printed Books in the Library of Pontifical Institute of Ecclesiastic Studies in Rome and Catalogue of Polonica in the Biblioteca Casanatense. The main attention was paid to the scope of the material described in them (significant differences in the selection) and registration of provenience (Polonica provenience) as an element indicating the popularity of Polish subject matter and works in foreign collections, dislocations of the collections, or activity of the Poles in exile. Both catalogs are discussed against the background of the other four publications from the series, showing differences in the selection of materials and elements of descriptions (provenance), and briefly the history ofregistration of Roman Polonica.

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