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Journal articles on the topic 'Casentino'

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Author: Grafiati

Published: 10 March 2023

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1

Casadei, Alberto. "Osservazioni semantiche e cronologiche." Deutsches Dante-Jahrbuch 94, no. 1 (September 23, 2019): 125–39. http://dx.doi.org/10.1515/dante-2019-0006.

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Zusammenfassung Der vorliegende Beitrag revidiert die bisherige Forschung zu den Bezügen zwischen Dantes Brief an Malaspina und der sogenannten »canzone Montanina«, um zu klären, zu welchem Zeitpunkt Dante sie vom Casentino aus nach Lunigiana hatte schicken können. Die vorgeschlagene Datierungshypothese (im fortgeschrittenen Jahr 1307) führt zu neuen Erkenntnissen bezüglich Dantes Biographie und seinem Abbruch des Convivio-Projekts.

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2

MUENDEL, JOHN. "The Mountain Men of the Casentino during the Late Middle Ages." Annals of the New York Academy of Sciences 441, no. 1 Science and T (April 1985): 29–70. http://dx.doi.org/10.1111/j.1749-6632.1985.tb14575.x.

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3

Bianco, A. "Post-earthquake Restoration Strategies: a Pilot Project in Casentino, Sant’Eusanio Forconese-L’Aquila, Italy." Restoration of Buildings and Monuments 18, no. 2 (April 1, 2012): 93–104. http://dx.doi.org/10.1515/rbm-2012-6509.

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4

Salvadori, G., L. Bianchi, and G. Calamini. "Cultural treatments and woody debris: the study case of beech forests in Casentino (Italy)." Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 6, no. 1 (January 29, 2009): 39–49. http://dx.doi.org/10.3832/efor0551-006.

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5

ROTA, EMILIA, FLAVIA DE NICOLA, and ROBERTO BARGAGLI. "Parergodrilus heideri Reisinger, 1925 (Annelida: Polychaeta) from a holm oak wood in an extinct volcano of southern Italy." Zootaxa 2687, no. 1 (November 25, 2010): 65. http://dx.doi.org/10.11646/zootaxa.2687.1.5.

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A well established population of the soil-dwelling polychaete Parergodrilus heideri Reisinger, 1925 was discovered during a survey of the woodland soil fauna in the Astroni Crater (a State Nature Reserve near Naples, Italy, 50 m a.s.l., 40°50′52″N, 14°08′59″E) (Fig. 1A, B). This is the southernmost capture of this worm in Europe (Fig. 2A), although a lower latitude record (35°22′0.4″N, 127°34′52″E), the sole (so far) outside the continent, has been reported recently from Korea in this same journal (Dózsa-Farkas & Hong 2010). In Italy the species was known only from the Casentino National Park (1,120 m a.s.l.) in Tuscany and the Regional Park of Suviana and Brasimone Lakes (975 m a.s.l.) in Emilia Romagna (Rota 1997; Rota et al. 2001). Also in central Europe the species appears confined to mountain habitats (650-1,200 m a.s.l.), the lowland records being located along the northern coasts of Spain and Germany and in southern Sweden (Fig. 2A, B).

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6

Bianchi, L., M. Paci, and A. Bresciani. "Effects of thinning intensities in experimental plots of Black European pine in “Foreste Casentinesi, Monte Falterona and Campigna National Park” (Tosco-Romagnolo Apennine, Italy), eight years after the felling." Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 7, no. 1 (April 1, 2010): 73–83. http://dx.doi.org/10.3832/efor0616-007.

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7

Ricci, Andrea, Mario Biggeri, and Andrea Ferrannini. "Integrated local development in Mediterranean marginal territories: The case study of Casentino (Italy), Algarve (Portugal) and Corse (France)." REGION 6, no. 1 (January 10, 2019): 1–16. http://dx.doi.org/10.18335/region.v6i1.208.

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Today, Mediterranean marginal territories are facing tremendous challenges but at the same time they have relevant endogenous resources, which are often underutilized and unexploited and that could be pivotal for the strategic recovery and economic and social development of the whole European territory. In the last decades, they have been characterised by a progressive abandonment in favour to urban areas, with consequent high social costs such as the hydrogeological instability, degradation and soil erosion. This research investigates the potential active role of Mediterranean “marginal territories” with respect to the re-formulation, adaptation, interpretation and implementation of the European development policies. The paper aims to verify the idea that Mediterranean marginal territories, in the sense of weak, mountainous and inland, could take part at the construction of their own development trajectories and actively contribute to the harmonious development of Europe, creating new jobs opportunities and stable development patterns. Moreover, the paper aims to formulate policy implications and strategies for the studied areas and for Mediterranean marginal territories more in general. The structure of this paper starts from general theoretical arguments and a short description of European policies for development; it follows with the diagnostic analysis of three local territorial contexts – i.e. Casentino (Italy), Algarve (Portugal) and Corse (France) – and then it comes back on the general European issues proposing implications and lessons learnt in the analysis of the development processes at the local level.

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8

Pancani, G., and A. Ricci. "THE MEMORY OF PLACES: THE SURVEY, REINVENTION AND RECONSTRUCTION OF A SMALL AGRICULTURAL ARTEFACT IN THE MOUNTAIN VILLAGE OF QUOTA, CASENTINO, ITALY." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 131–36. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-131-2020.

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Abstract. The "history" of places exists as a stratification process of events that have occurred over time in a specific place, leaving more or less appreciable physical traces. The "memory" of the places, instead, is the result of a conscious choice of events to be handed down to future generations constructing the identity of a community and a recognisable image of places. It is in this sense that the project conducted in Quota, a mountain village in central Tuscany, Italy should be interpreted and set. The urban redevelopment process led to the design and reconstruction of a small agricultural artefact, particularly important to the local community given its location near a public fountain. Initially identified as the subject of an exercise to be conducted as part of the Thematic Seminar "Survey, redevelopment and redesign of architecture and environment", the redesign offered an opportunity to "re-invent" a neglected corner of the village taking as reference the traces of the ancient village fountains to create the plot of a new "story" involving the small local community. The reconstruction was carried out using traditional techniques with stone ashlars and cement mortar. To complete it, a corten steel staircase designed with reverse engineering methods and modelled using experimental 3D photo-modelling was created. The "Quota chestnut dryer" proved to be a virtuous process involving various subjects to enable the recovery of a degraded area, a possible model for the preservation of villages in the Apennines of central Italy, authentic sites of collective memory.

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9

Masala, G., I. Milli, M. Grifagni, V. Sforza, O. Tarantino, C. Saieva, M. Martinez, et al. "Prevalence of peptic ulcer in a population-based endoscopic survey in an area at high risk for gastric cancer. The Casentino project." Digestive and Liver Disease 32 (November 2000): A146. http://dx.doi.org/10.1016/s1590-8658(00)80757-4.

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10

Gillingham, Bryan. "Conductus as Analgesic." Canadian University Music Review, no. 14 (February 22, 2013): 49–59. http://dx.doi.org/10.7202/1014310ar.

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One of the difficulties in creating an adequate picture of the contextual situation for music, other than that clearly associated with the liturgy, in the Middle Ages, is the paucity of accounts describing performance circumstances. We know little about the social milieu and purposes attending genres marginal to the liturgy such as the conductus and thirteenth-century motet. A manuscript which seems to redress this problem, albeit for one very specific instance, is Vat. lat. 2854 in the Vatican library in Rome. This manuscript is unusual in that it contains not only music but a detailed account of why the music was written. The author, Bonaiutus de Casentino, active in the circle of Pope Boniface VIII, prepared the manuscript in the last decade of the thirteenth century at Rome. The document includes various poems, sacred and secular, as well as two Latin songs written in late Franconian notation. One of the pieces is a two-voice conductus (Hec medela corporalis) which was written, according to the account of Bonaiutus himself, in order to cure the maladies of an ailing pontif. The pontifical complaints seemed to be both psychological and intestinal in nature. It was the hope of Bonaiutus not only to provoke laughter (always a curative), but also to cleanse the papal bowels through his composition. Although one cannot generalize on the basis of this single incident, it does yield a fascinating glimpse into a possible venue for the conductus.

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11

Vazzano, E., G. Quilghini, D. Travaglini, and S. Nocentini. "Changes in forest cover in the Foresta della Lama (Casentino Forests National Park) from Karl Siemon’s and Anton Seeland’s 1837 forest management plan." Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 8, no. 1 (May 23, 2011): 78–87. http://dx.doi.org/10.3832/efor0655-008.

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12

Cavallini, Ivano. "La diffusione del madrigale in Istria: I Casentini e Gabriello Puliti." Musicological Annual 23, no. 1 (December 1, 1987): 39–70. http://dx.doi.org/10.4312/mz.23.1.39-70.

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13

Kolbuszewski, Jacek. "Góry i wspinaczka w „Boskiej komedii” Dantego." Góry, Literatura, Kultura 15 (December 29, 2021): 11–43. http://dx.doi.org/10.19195/2084-4107.15.3.

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The study uses a variant of the geocritical methodology combined with humanistic mining studies. It was pointed out that in Dante’s poem there were numerous references to the realities of real space (the Alps and the Apennines, which, appearing as a separate part of the mountain world, in the poem at the same time constitute a kind of props room of mountain motifs, used in the construction of Purgatory Mountain). Also, the journeys of the heroes, Dante and his guide Virgil, can be perceived realistically as an actual journey, made in a difficult mountain terrain. It was specified in the realities of Hell, Purgatory Mountain, and Paradise. In this way, using specific Earth realities, Dante created a powerful vision largely made of mountain realities. Mount Purgatory, the target of Dante’s ascent, created when Lucifer, thrown from the heavens, struck the depths of the Earth deep into its center, which changed the hemisphere and pushed up the land masses, throwing them over the surface of the ocean covering the southern hemisphere. Locating the Mount of Purgatory in the center of the southern hemisphere, and at the antipodes of Jerusalem, as a mountain rising on a small island from the vastness of the seas covering this part of the world, Dante used elements of the Muslim tradition (perhaps known to him) with its notions of a lofty, pyramidal shape, which is considered to be the holy Mount of Adam (2243 m) in Ceylon (Sri Lanka). The poet, however, never once described the Purgatory Mountain as a whole, creating a vision of its enormity seen from under its steep walls, but he introduced into the poem numerous details about the surface of this mountain and how to climb it. He filled his abstract vision with real details. From the very first songs of Purgatory, the narrative runs in the order of the characters’ ascent towards the summit Paradise. The work hypothesized that the famous poet Bismantova became the prototype of the Dante Mountain of Purgatory, such a judgment is almost universally approved. That Dante saw this mountain is certain: he was in Lunigiano and Casentino (Bismantova rises right next to it) in 1306, and certainly before 1315, at the time when Divine Comedy was being written. For the accuracy of this hypothesis, the shape of this vast rock mass (culmination in 1047), rising above the level of the surrounding valleys by about 400 m in height with almost vertical rock walls, is of great importance for the accuracy of this hypothesis. The peak landscape largely corresponds to the ideas of an ancient idyllic grove. These realities of the mountain landscape meant that the thought about them found literary expression in the pages of Dante’s poem, which prompts me to share my opinion that the sight of the boatswain and his presence in it gave Dante a vision of the Purgatory Mountain as a “hybrid” creation, partially a description of a real landscape and in part a fantastic, syncretic vision based on elements of ancient literary tradition. The description of climbing this mountain leads us through a narrow chimney, overhang, and other rock formations, forming terraces in the structure of the mountain. The conclusion of the work are the words of Italian literary researcher Filippo Zolezzi, who wrote that “Mount Purgatory appears as an absolute ideal of a mountain, because on its top there is an earthly Paradise — a space of direct contact with the divine, hence even the most beautiful earthly mountains are merely a copy of them. However, the very fact that a poet — a man — to reach this summit, has to climb, climb, makes it an ideal prototype for mountain climbing”.

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14

Meyers, Gretchen. "M. Ducci ed. Santuari Etruschi in Casentino." Etruscan Studies 11, no. 1 (January 2008). http://dx.doi.org/10.1515/etst.2008.11.1.175.

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15

Dominici, Corso M. "Settlement and Culture in the Inner Apennines: a diachronic topographic analysis of Casentino and Valtiberina (7th‑5th centuries BCE)." Frontière·s, Supplément 1 (May 20, 2022). http://dx.doi.org/10.35562/frontieres.1044.

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This work presents a temporary settlement analysis of Casentino and Valtiberina, from the 7th to the 5th century BCE. During this period, these regions may have constituted an area of Apennine interconnectivity. Over time, they became the hinterland to one or more local political entities. To demonstrate these points, I begin by creating a theoretical model of the relationship between aristocratic and civic networks and the movement of professional artisans in the hinterland. The activity of these professionals in Casentino and Valtiberina becomes clear through singling out relevant patterns in material culture and building techniques. The final diachronic analysis of these patterns shows a drastic change in local settlement strategies in the middle of the 6th century BCE. This change can be related to simultaneous processes recorded along the rest of the Tiber Valley, perhaps resulting from the political influence of Clusium and its allies. To conclude, two different areas of settlement are interpreted as two hinterlands belonging to different cities, namely Arretium and Faesulae.

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16

Biondi, Andrea, Margherita Azzari, Duccio Baldassini, Ugo Chiavetta, Giovanni Galipò, Nicola Puletti, and Davide Travaglini. "Mappatura delle aie carbonili con immagini derivate da dati LiDAR: il caso di Raggiolo in Casentino." L'Italia Forestale e Montana, 2021, 5–19. http://dx.doi.org/10.4129/ifm.2021.1.01.

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In the medieval period the Casentino was an important center for iron working and for the production of charcoal necessary for this activity. Between XIII and XIV centuries the Guidi family owned various ironworks in the localities of Cetica and Raggiolo. In this area companies of charcoal burners were active and used local forest resources for the production of charcoal. In this study we mapped the old charcoal kiln sites over an area of 1841 hectares located west of the center of Raggiolo. The charcoal kiln sites were mapped by photointerpretation of LiDAR-derived images. The results are discussed on the basis of the historical events that occurred in the study area between the end of the XIII and the first decades of the XIV century.

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17

Banti, Neri, Cecilia Ciacci, Vincenzo Di Naso, and Frida Bazzocchi. "Assessing Typological Variants in Existing Prefabricated Industrial Buildings: Case Study of Casentino in Tuscany, Italy." Journal of Architectural Engineering 28, no. 4 (December 2022). http://dx.doi.org/10.1061/(asce)ae.1943-5568.0000557.

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18

Tavoni, Mirko. "Un paesaggio memoriale ricorrente nella Divina Commedia: i fiumi che decorrono dal versante destro e sinistro dell’Appennino." Deutsches Dante-Jahrbuch 92, no. 1 (October 26, 2017). http://dx.doi.org/10.1515/dante-2017-0005.

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ZusammenfassungIn Dantes De vulgari eloquentia wird der Kamm des Apennins mit seinen jeweils in Richtung der Adria sowie bis zum Tyrrhenischen Meer laufenden Strömen als Sprachgrenze angesehen zwischen den Mundarten der rechten und der linken Seite Italiens. Der Toskanisch-Emilianische und der Toskana- Romagna Apennin mit ihren im Nordosten in Richtung der Adria, im Südwesten in Richtung des Tyrrhenischen Meeres laufenden Flüssen kehren in Dantes Inferno und Purgatorio mehrfach als Motive wieder, die jeweils unterschiedliche Bedeutungen aufweisen. Der vorliegende Aufsatz beabsichtigt, an Hand der Analyse der einschlägigen Stellen aus der Göttlichen Komödie die folgenden Punkte zu klären: 1) Dantes biographische Erfahrungen aus den ersten zwei Jahren seines Exils in den Gebieten Casentino, Mugello und Romagna, welchen diese wiederkehrende Gedächtnislandschaft zugrunde liegt; 2) die politische Valenz des »von den Apenninen herkommenden Blicks« des exilierten Dichters, der auf der einen Seite in die toskanischen Comuni, auf der anderen in die sich entwickelnden Signorie der Romagna schaut; 3) die Idee der überquellenden Wasserfülle dieses Gebiets, welche in mehreren Stellen des Inferno und des Purgatorio auftritt.

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19

Brandmayr, Pietro, and Tullia Zetto Brandmayr. "Le comunità a Coleotteri geoadefagi di alcune faggete ed abetine appenniniche, dal Casentino al M. Pollino (Coleoptera, Carabidae, Rhysodidae)." Biogeographia – The Journal of Integrative Biogeography 10 (1986). http://dx.doi.org/10.21426/b610110282.

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