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Books on the topic 'Carved architecture'

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Published: 10 March 2023

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1

Archives, Sindh, ed. A study of stone carved graves. Karachi: Sindh Archives, 2012.

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2

Obrist, Barbara. La Kammerzell: Une maison strasbourgeoise de la Renaissance. Strasbourg: Contades, 1990.

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3

Zhuravleva, Larisa Sergeevna. Russkoe narodnoe i raspisnoe derevo v sobranii Smolenskogo gosudarstvennogo ob'edinennogo istoricheskogoi arkhitekturno-khudozhestvennogo muzeya-zapovednika =: Carved and painted woodwork by Russian craftsmen at the Smdensk Museum of Art History and Architecture. Moskva: Sovetskaya Rossiya, 1985.

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4

Royal Institute of British Architects. A career in architecture. London: RIBA Publications, 1986.

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5

Security, Illinois Department of Employment. Architecture & construction. Springfield, Ill.]: Illinois Dept. of Employment Security, 2007.

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6

Parker, Michelle B. The architecture of teaching. East Lansing, Mich: National Center for Research on Teacher Education, 1990.

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7

Carved stones of St. Andrews. Fife, Scotland: St.Andrews University Library, 1992.

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8

The survival guide to architectural internship and career development. Hoboken, N.J: Wiley, 2006.

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9

Kim, Grace H. The survival guide to architectural internship and career development. Hoboken, N.J: J. Wiley, 2006.

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10

Sandor, Hasznos, and Heron Christine, eds. Web service and SOA technologies: Protect your project and career by understanding the common mistakes. 2nd ed. [Denver, Colo.]: Practicing Safe Techs, 2009.

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11

Taneda, Motoharu. Tachihara Michizō no yumemita kenchiku. Tōkyō: Kajima Shuppankai, 2016.

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12

United States. Army. Corps of Engineers, ed. Create a world of difference-- with a career in architecture. [Washington, D.C: US Army Corps of Engineers, 1996.

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13

United States. Army. Corps of Engineers., ed. Create a world of difference-- with a career in architecture. [Washington, D.C: US Army Corps of Engineers, 1996.

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14

Cameron, Neil. Early medieval carved stones at Brechin Cathedral. Edinburgh: Royal Commission on the Ancient and Historical Monuments of Scotland, 2007.

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15

Fiona, Sinclair, ed. Charles Wilson architect, 1810-1863: A question of style. Glasgow: Park Circus Promotions, 1995.

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16

Security, Illinois Dept of Employment. Architectural & engineering services. Springfield, Ill.]: Illinois Dept. of Employment Security, 2001.

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17

Walker, Ranginui. Tohunga whakairo: Paki Harrison : the story of a master carver. North Shore, N.Z: Penguin, 2008.

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18

Tohunga whakairo: Paki Harrison : the story of a master carver. North Shore, N.Z: Penguin, 2008.

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19

Willink, Carel. Carel Willink: Zelfportret en architectuur : [catalogus]. Rotterdam: Museum Boijmans Van Beuningen, 2000.

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20

Jan, Woudstra, ed. Landscape modernism renounced: The career of Christopher Tunnard (1910-1979). London: Routledge, 2009.

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21

Barrantes Monge, José María, 1890-1966., ed. José Ma. Barrantes M.: Arquitecto, acoso histórico. [San José, Costa Rica]: Editorial Costa Rica, 2004.

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22

Tanzer, Virginia. Capo di Monte: A distinguished conclusion to T. Paterson Ross's architectural career. San Francisco, Calif: Capo di Monte, inc., 1987.

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23

Vickery, Robert. The meaning of the lawn: Thomas Jefferson's design for the University of Virginia. Weimar: VDG, 1998.

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24

A career as a construction manager. New York: Rosen Publishing, 2016.

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25

Hale, Robert K. Starting your career as an interior designer. New York, NY: Allworth Press, 2009.

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26

Brenda Colvin: A career in landscape. London: Frances Lincoln, 2011.

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27

Fortini, Patrizia. Carcer tullianum: Il carcere mamertino al Foro romano. Milano: Electa, 1998.

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28

House master school: Career model for education and training in integrated and sustainable conservation of built environments. Göteborg: University of Gothenburg, Acta Universitatis Gothoburgensis, 2008.

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29

A career as a heavy equipment operator. New York: Rosen Publishing, 2016.

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30

1939-, Tauranac John, ed. New York from the air: An architectural heritage. [New York]: H.N. Abrams, 2003.

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31

Riggs, Christina. 3. Making Egyptian art and architecture. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0003.

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‘Making Egyptian art and architecture’ looks at the evidence for how artists, craftspeople, and architects, such as Irtysen from around 2000 bc, learned their trades and carried out their work, providing insights into the meanings and relationships that art and architecture helped create in ancient Egyptian society. The natural world was exploited for materials to create a wide array of objects and buildings: the mould-made, fired faience for Horudja’s shabti; the carved sandstone and architectural design for the temple of Dendur; the highly polished granodiorite of the Sekhmet statues; the carved, joined, and painted wood of Djed-djehuty-iwef-ankh’s nested coffins; and the linen required to embalm bodies.
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32

Graves, Margaret S. The Poetics of Ornament. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0006.

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This chapter continues with the paradigm of rhetoric established in Chapter 4 of the book, but moves discussion from metaphor to ekphrasis—that is, description that seeks to make an absent artwork or building present in the mind of the reader or listener. The example of carved marble jar stands, called kilgas, from medieval Cairo are used to pose a question that crosses modalities: Can decoration be description? Individual stands have been inscribed with a dramatically reconfigured and miniaturized set of components from a full-scale form of architectural water feature. Tracing the redescription of architecture onto object, this chapter applies to its subjects the rhetorical model of ekphrasis, arguing that the atomized architecture of effect and spectacle encountered in medieval Arabic and Persian poetry is paralleled in the refraction of architectural form upon three-dimensional objects.
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33

Deutsch, Randy. Adapt As an Architect: A Mid-Career Companion. RIBA Publications, 2021.

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34

Deutsch, Randy. Adapt As an Architect: A Mid-Career Companion. RIBA Publications, 2021.

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35

Adapt As an Architect: A Mid-Career Companion. RIBA Publications, 2021.

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36

Bogdanović, Jelena. Nested in Its Own Shape. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465186.003.0006.

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The concepts of total design of the Byzantine church based on the micro-architecture of canopies allow the expansion of their scale to include a macro-scale relative to the space in which they are found and which they denote. Two ultimate architectural models for the embodiment of the heavenly and earthly Jerusalem in a Byzantine-rite church are the Temple and the Holy Sepulchre. By focusing on Hagia Sophia, these two concepts and related architectural models are especially highlighted: first, the Biblical architectural models carried on the level of ideas—the Ark, the Tabernacle, the Temple, Heavenly Jerusalem—and second, the Tomb of Christ in Jerusalem as the seminal Christian site that palpably carried the pervasive salvific messages from the Holy Land to the Byzantine believers.
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37

Ruggles, D. Fairchild. Tree of Pearls. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190873202.001.0001.

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The woman known as “Tree of Pearls” ruled Egypt in the summer of 1250. A rare case of a woman sultan, her reign marked the shift from the Ayyubid to the Mamluk dynasty, and her architectural patronage of two building complexes had a lasting impact on Cairo and on Islamic architecture. Rising to power from slave origins, Tree of Pearls—her name in Arabic is Shajar al-Durr—used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron’s relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine. Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture.
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38

Riley, Phil Madison, and Frank Cousins. Wood-Carver of Salem: Samuel Mcintire, His Life and Work. Creative Media Partners, LLC, 2017.

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39

Riley, Phil Madison, and Frank Cousins. The Wood-Carver of Salem: Samuel McIntire, His Life and Work. Franklin Classics Trade Press, 2018.

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40

Riley, Phil Madison, and Frank Cousins. The Wood-Carver of Salem: Samuel McIntire, His Life and Work. Franklin Classics Trade Press, 2018.

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41

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, the book traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. It addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.
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42

Contemporary. Career Companion: Architecture and Construction Value Pack. McGraw-Hill Education, 2011.

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43

Learning, Thomson Delmar. Architectural Drafting & Design Video #1: Architectural Career Opportunities & Design (Architectural Drafting & Design). Delmar Learning, 2001.

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44

Bogdanovic, Jelena. The Framing of Sacred Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465186.001.0001.

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The Framing of Sacred Space offers the first topical study of canopies as essential spatial and symbolic units in Byzantine-rite churches. Centrally planned columnar structures—typically comprising four columns and a roof—canopies had a critical role in the modular and additive processes of church design, from actual church furnishings in the shape of a canopy, to the church’s structural core defined by four columns and a dome. As architectonic objects of basic structural and design integrity, canopies integrate an archetypical image of architecture and provide means for an innovative understanding of the materialization of the idea of the Byzantine church and its multifocal spatial presence. The book considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms. As a crucial element of church design in the Byzantine world, a world that gradually abandoned the basilica as a typical building of Roman imperial secular architecture, the canopy carried tectonic and theological meanings and, through vaulted, canopied bays and recognizable Byzantine domed churches, established organic architectural, symbolic, and sacred ties between the Old and New Covenants. In such an overarching context, the canopy becomes an architectural parti, a vital concept and dynamic design principle that carries the essence of the Byzantine church. The Framing of Sacred Space highlights significant factors in understanding canopies through specific architectural settings and the Byzantine concepts of space, thus also contributing to larger debates about the creation of sacred space and related architectural “taxonomy.”
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45

Architectural Estimator (Career Examination, C-3114). National Learning Corp, 1989.

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46

Career Ideas For Teens In Architecture And Construction (Career Ideas for Teens). Ferguson Publishing Company, 2005.

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47

[Catalogue]: New York Carved Moulding Co. , Manufacturers of Carved, Turned and Twist Mouldings. Creative Media Partners, LLC, 2021.

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48

Genequand, Denis. Two Possible Caliphal Representations from Qaṣr al-Ḥayr al-Sharqı̄ and Their Implication for the History of the Site. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498931.003.0006.

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Qaṣr al-Ḥayr al-Sharqī was founded as a madīna by caliph Hishām ibn ʿAbd al-Malik. It is one of the largest Umayyad aristocratic settlements of the Syrian Steppe. Between 2002 and 2011, extensive fieldwork was conducted there by a Syrian-Swiss mission, with a strong focus on agricultural features and water systems, on structures with an economic role, and on vernacular architecture around the caliphal palace. Fieldwork also included the almost complete excavation of another aristocratic residence called Building E, which might have been a direct predecessor of the caliphal palace. This chapter aims at presenting up-to-date information about the plan of the latter structure, at discussing further some elements of its decoration, especially two carved stucco panels bearing caliphal representations, and at introducing new hypotheses for the history of the site in the early eighth century.
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49

Tittler, Robert. Art and Architecture in Provincial England. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.37.

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This chapter considers the contrasting visual and architectural elements which Shakespeare will have experienced both in his native Stratford and in his frequent travels elsewhere throughout the realm. Two important corrections must be made to the canonical and time-honoured assumption that Shakeapeare’s London was the centre for artistic and architectural production, the hub from which ideas about visual culture entered England and then radiated outwards to the rest of the realm. First, our notions of English ‘art’ and ‘architecture’ must be adjusted in this era to accommodate the role of vernacular painting and building carried out throughout the realm by native-English craftsmen working in traditional modes of design and production. And second, we must acknowledge that, far from being the arid cultural wastelands, provincial towns and cities throughout the realm served as active centres of both painting and building.
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50

Becoming an architect in Renaissance Italy: Art, science and the career of Baldassarre Peruzzi. 2015.

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