Academic literature on the topic 'Cartographic cultural heritage'

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Journal articles on the topic "Cartographic cultural heritage"

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Chabaniuk, Viktor, and Kateryna Polyvach. "Cartographic interpretation of the “meta” notion in the cultural heritage context." InterCarto. InterGIS 26, no. 4 (2020): 371–84. http://dx.doi.org/10.35595/2414-9179-2020-4-26-371-384.

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The monograph [Aslanikashvili, 1974] does not define the term “metacartography”, although the notion itself is described in sufficient detail to be understood. A. Aslanikashvili’s metacartography has proven to be very useful in considering the relations between modern systematic cartographic phenomena, which are often relate to Web 2.0 cartography. The article offers a practical interpretation of the “meta” notion in such phenomena as National Atlases, National Spatial Data Infrastructures and OpenStreetMap. This is done using the Conceptual Frameworks (CoFr) method and the Atlas Extender (AtEx), which allow extending atlases in the classical sense to extended atlas systems. AtEx implements a CoFr method of relational cartography based on patterns (hereinafter RelCa), among which are relational patterns of “meta”. CoFr describe the structure of spatial information systems in an extended sense, and relational cartographies are defined as the coordinated art, science and technology of making and using relations in (extended) cartographic systems and between (extended) cartographic systems. Due to this we can consider relational spaces that have a lot in common with the specific spaces of A. Aslanikashvili. To apply the RelCa methods, the understanding of “metacartography”, “map meta-model” and “map language” notions have been updated. For this purpose, Model-Based Engineering (MBE) has been used, an area of computer science that is evolving in our century. The analogies between BMI constructions, modern systematic cartographic phenomena and A. Aslanikashvili metacartography are shown. It has been proved abductively that in modern conditions the field of cartography research needs to be extended by relational spaces or to a system of spatial systems of a certain epistemological structure. Important in this structuring is the relation of “meta” that A. Aslanikashvili began to explore. The abduction proved the presence and necessity of using the “meta” relation when constructing cultural heritage maps. In particular, the interpretation of the “meta” relation for choropleth maps is proposed, modeling the saturation assessment of the country by the entities of the material cultural heritage. The results obtained will be included in the Atlas of Cultural Heritage of Ukraine.
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Lebzak, Anastasiya, and Svetlana Yankelevich. "THE DEVELOPMENT OF GEOINFORMATION SUPPORT OF CULTURAL HERITAGE OF THE NOVOSIBIRSK REGION." Interexpo GEO-Siberia 6, no. 1 (2019): 30–36. http://dx.doi.org/10.33764/2618-981x-2019-6-1-30-36.

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The article considers the role of geoinformation technologies in the preservation and promotion of cultural heritage. The urgency of the creation of the reference-cartographic system “Cultural Heritage of the Novosibirsk Region” is proved. The developed requirements for reference-cartographic GIS, its content and structure are given. A technological scheme for creating reference-cartographic GIS objects of cultural heritage is proposed. A developed system of symbols and main results of the study are presented.
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Mościcka, Albina, and Agnieszka Zwirowicz-Rutkowska. "Description of Cartographic Heritage in Europeana Data Model." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-260-2019.

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<p><strong>Abstract.</strong> Europeana is a portal that provides access to millions of objects from all kinds of cultural heritage communities. It enables users to find digital cultural works made available by cultural institutions throughout the European Union. Currently, Europeana provides access to a collection of more than 50 million books, periodicals, video clips, maps, photographs and digital documents from libraries, archives, museums and audio-visual archives in Europe. To facilitate Europeana’s participation in the Semantic Web Europeana Data Model (EDM) has been developed. The idea of EDM is to constitute a framework for collecting, connecting and enriching metadata. It is a theoretical data model that allows data to be presented in different ways according to the practices of the various domains that contribute data to Europeana. EDM brings more meaningful links to Europe’s cultural heritage data. Data from partners or external information resources with references to persons, places, subjects, etc., will connect to other initiatives and institutions. This will result in sharing enriched content, adding to it and thereby generating more content in ways that no single provider could achieve alone.</p><p>Presented research is the continuation of authors earlier study. In previous research, authors have proposed to integrate EDM structured information with geographic information system for movable heritage providing the semantic relations of movable heritage to the geographical space. This was a step into mixing GIS and Europeana world with the use of semantic contextualization for the object representations. Current research is the next step in this study and is going towards development of the new areas of EDM implementation – in cartographic heritage description.</p>
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Bilotta, Giuliana, Rossella Nocera, and Pier Matteo Barone. "Cultural Heritage and Obia." WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 17 (May 5, 2021): 449–65. http://dx.doi.org/10.37394/232015.2021.17.44.

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The historic centre of a town is its oldest and original core. It needs special protection in order to ensure the conservation of its historical, artistic and environmental heritage. In Italy, the definition of historic centres and the protection of their cultural heritage evolved in time, up to the current special attention for the historical aspects. The main threats to historical centres are real estate speculation and mass tourism. The purpose of this study is to catalog and monitor historic centers over time, in the context of urban planning. High-resolution satellite images and geographic information systems (GIS) offer new tools for urban planning and also for cultural heritage themes. “Real time” evaluation of urban structures, cartographic updating, monitoring of the progress of major works, with particular regard to cultural heritage, are made possible by the use of high-resolution images, which facilitate the identification of changes in urban and non-urban areas. The technique of Object Based Image Analysis (OBIA) has been used for image analysis and interpretation. OBIA allows a good interpretation of the scene captured by sensors thanks to classification-based segmentation and extraction of complete objects and their topological relations. This yields to a classification similar to the output of human photo-interpreter, but with a better reproducibility and homogeneity. In this paper we describe, through an application example, the potentiality and the difficulties of this technique and some results. The whole information obtained from segmented and categorized satellite images has been structured in a proper GIS, so that it can be overlaid with other environmental data. Information structuring and special metaheuristic analyses allow to study and monitor historic centers and cultural heritage. This methodology allows to identify the places at risk that need priority restoration; moreover it allows to keep track of changes that occurred over time
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Mościcka, Albina. "The concept of movable heritage cartographic presentation on the interactive map." Geodesy and Cartography 61, no. 2 (November 1, 2012): 91–104. http://dx.doi.org/10.2478/v10277-012-0024-7.

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Abstract This paper presents the proposition of cartographic presentation of the movable cultural heritage on interactive map. The original solution on how to link movable monuments with geographical space as well as the different types of spatial reference were described. The text shows both: the way of presentation of single movable monuments and collections of historical objects. The proposed solutions were based on the assumption that the number of heritage resources shown on the map is huge and, what is more, they can keep growing. So, the proposed solution must be able to apply for a resource of indeterminate size. For the presentation of the movable heritage the traditional methods of cartographic presentation, as well as interactive technologies were applied.
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CHETVERIKOV, B., O. KHINTSITSKY, and I. KALYNYCH. "Methodology of mapping of historical and cultural heritage objects by GIS technologies using archival cartographic and aerial materials." Modern achievements of geodesic science and industry 41, no. I (April 1, 2021): 97–103. http://dx.doi.org/10.33841/1819-1339-1-41-97-103.

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Aim. The purpose of the work is to process archival cartographic materials and remote sensing data for the interpretation of objects of historical and cultural heritage (OHCH) of Cherkasy, including those that have not been preserved. Method. One of the possible technological schemes for research is offered. According to her, the first step was to analyze the input data of the study, among which were: a map of Cherkasy in 1895 at a scale of 1:42000; German aerial image of 1944; a fragment of a space image of Cherkasy obtained from the GeoEye-1 satellite in 2018. Geometric correction of the input materials was performed in the Mercator projection and the WGS84 coordinate system, in which the transformed image was obtained. The next step was to vectorize the objects of historical and cultural heritage of Cherkasy, according to the list obtained on the city’s website. There are two types of objects: point and polygonal. When vectorizing polygonal objects, the historical boundaries were specified with the help of archival maps and aerial images. Special symbols have been developed for each of the types of historical and cultural heritage sites, according to the proposed classification. In addition, an attributive database of these objects was created, which had the following structure: number of the passport of object, the name of the object, the address of the OHCH, the number of the decision to take under protection, information about the OHCH. Also, the obtained vector data was exported to the exchange format with the extension kmz and an online version of the thematic map was created on the basis of the free GISFile resource. Results. As a result of the conducted researches, the thematic GIS of the objects of historical and cultural heritage of Cherkasy was created, which are plotted on the space image of high spatial resolution, obtained in 2018. An on-line version of the GIS of Cherkasy historical and cultural heritage sites has been created on the basis of the free GISFile cartographic service, with the possibility of analyzing the location of these objects and building optimal tourist routes. Scientific novelty. Possible algorithms for creating offline and on-line versions of thematic GIS are proposed. Practical value. The obtained results of mapping the objects of historical and cultural heritage of Cherkasy can be used by the structures of protection of objects of historical and cultural heritage of Cherkasy at the Ministry of Culture.
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Papakonstantinou, Apostolos, Dimitris Kavroudakis, Yannis Kourtzellis, Michail Chtenellis, Vasilis Kopsachilis, Konstantinos Topouzelis, and Michail Vaitis. "Mapping Cultural Heritage in Coastal Areas with UAS: The Case Study of Lesvos Island." Heritage 2, no. 2 (May 12, 2019): 1404–22. http://dx.doi.org/10.3390/heritage2020089.

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Dynamic processes in coastal zones and human activities in the coastal environment produce pressure on cultural heritage, especially in touristic places. Unmanned aerial systems (UAS) are used as an additional tool for monitoring cultural heritage sites in sensitive coastal areas. UASs provide low-cost accurate spatial data and high-resolution imagery products in various spatial and temporal scales. The use of UAS for mapping cultural heritage sites in the coastal zone is of increasing interest among scientists and archaeologists in terms of monitoring, documentation, mapping, and restoration. This study outlines the integration of UAS data acquisition and structure from motion (SfM) pipeline for the visualization of selected cultural heritage areas (ancient harbors) in the coastal zone. The UAS-SfM methodology produces very detailed orthophoto maps for mapping and detecting cultural heritage sites. Additionally, a metadata cataloging system has been developed in order to facilitate online searching operations for all products of the data acquisition, SfM pipeline, and cartographic processes. For this reason, a specific metadata profile was implemented, based on the European INSPIRE framework. As a result, datasets reusability and catalogs interoperability are promoted.
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Paramonova, A. "Methodological approaches and practical mapping experience for the "Atlas of the Tyumen region heritage"." Heritage and Modern Times 4, no. 1 (April 20, 2021): 110–24. http://dx.doi.org/10.52883/2619-0214-2021-4-1-110-124.

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The article considers the task of creating of the Atlas of the Tyumen Region Heritage as a fundamental publication, summarizing the results of cultural and natural heritage of the region studies by the beginning of the 21st century. The goals for such a cartographic creation are formulated, and the first samples of the created maps are demonstrated: overview small-scale thematic maps throughout the south of the Tyumen region and regional large-scale maps for municipal districts and urban settlements. The structure of the Atlas of the Tyumen Region Heritage was proposed and an approximate list of maps and additional information material included in it, was compiled.
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YAMASHKIN, Anatoliy A., Stanislav A. YAMASHKIN, Milan M. RADOVANOVICH, Svetlana A. MOSKALEVA, and Oleg A. ZARUBIN. "GEOINFORMATION SUPPORT OF TOURIST AND RECREATION DEVELOPMENT OF CULTURAL LANDSCAPE OF THE REPUBLIC OF MORDOVIA (RUSSIA)." GeoJournal of Tourism and Geosites 37, no. 3 (September 30, 2021): 873–79. http://dx.doi.org/10.30892/gtg.37318-720.

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Study is aimed at solving the problem of developing a strategy for the formation and arrangement of cultural landscapes in the Republic of Mordovia on the basis of geoinformation support for the tourist and recreational development of the cultural landscape. The study of the formation of cultural landscapes of the region was carried out through the use of databases of spatio-temporal organization of geosystems and cartographic modeling of the patterns of economic development of geosystems. The regional GIS "Mordovia" and geoportal "Natural and Historical Heritage of the Republic of Mordovia" developed by the authors contain an interactive system of thematic maps and databases that reveal the peculiarities of nature, population, economy, cultural heritage, and the development of environmental situations of the region. The article shows that the cultural landscapes of Mordovia were formed in the process of centuries-old economic development of geosystems, and include high landscape diversity, cultural objects of peoples with unique development paths as the most important components.
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Mitin, Ivan. "Critical analysis of existing approaches towards atlases within cultural geography." InterCarto. InterGIS 26, no. 4 (2020): 147–62. http://dx.doi.org/10.35595/2414-9179-2020-4-26-147-162.

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Cultural geography is a rather young and not completely institutionalized geographical science in the Russian realm. There are no cultural geographical atlases present in the state of the art, Russian classifications of thematic atlases, though one of the options includes “the atlases of culture”. A series of S.Ya. Suschiy’s atlases of the history of Russian culture and regional historical and cultural atlases may serve as some examples of atlases using the materials of cultural geography. These atlases are rarely original in terms of the means of cartographic visualizations. They are often merely historical or even hardly include any maps being only formally named as atlases while in reality looking like regional encyclopedias. The phonomena of cultural geography have received a certain development among thematic maps of complex atlases. Though the maps of cultural artifacts prevail in this case there are the traditions emerging of mapping cultural heritage and also of cultural geographical regionalization. There are such examples present in the volume “History. Culture” of the National atlas of Russia and also in some thematic products of neighboring disciplines like ethnic, ethnographic and ethnogeographic atlases. However, one can hardly witness any specific for cultural geography mapping means or approaches even in these latter cases. Mental maps could be regarded as potentially prospective trend for creating atlases specifically within cultural geography. In this regard, there is a need to overcome the existing dichotomy of mental maps like graphic means of picturing the human perceptions of their environments and traditional cartographic products focusing on mental representations. The prospect is likely to be focused on the complex cartographic decisions linking spatial representations and certain cultural landscapes.
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Dissertations / Theses on the topic "Cartographic cultural heritage"

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Varano, Sandro. "Proposition d'un espace de navigation hypermédia fondé sur des parcours heuristiques comme aide à la compréhension du patrimoine culturel bâti. SPASM : Système de Parcours d'Apprentissage, de Scénarisation et de Mémorisation." Phd thesis, Institut National Polytechnique de Lorraine - INPL, 2010. http://tel.archives-ouvertes.fr/tel-00547475.

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La restitution du patrimoine culturel bâti présentée sur Internet, sur cédéroms interactifs ou sur bornes muséales, ... est une préoccupation constante de la médiation culturelle. Grâce aux qualités des hypermédias, à savoir l'hypertexte et le multimédia, il semble que ces produits existants ont des capacités à restituer des informations patrimoniales aux publics, mais finalement ils n'ont pas l'efficacité cognitive et pédagogique que nous pourrions en attendre. En exploitant les possibilités offertes par les outils numériques, l'objectif est de proposer aux non-experts désireux d'apprendre, un espace de navigation hypermédia basé sur des hypothèses systémiques, fonctionnelles et graphiques, afin de concevoir un outil complet de visualisation et d'immersion comme aide à la compréhension des connaissances archéologiques et architecturales. D'un point de vue expérimental, nous identifions parmi les caractéristiques des jeux vidéo et de la cartographie, celles qui seraient susceptibles de rendre compte des environnements sémiologiques et cognitifs utiles à la re-présentation et à l'apprentissage. L'espace de navigation proposé, met en correspondance des activités d'exploration et de création. Au fur et à mesure de sa déambulation en temps réel, l'apprenant est guidé et motivé en suivant des parcours topographique, cognitif et scénarisé. Parallèlement, il crée sa propre « carte mémorielle » qui va l'aider à s'orienter, à construire ses connaissances et à les mémoriser. Le travail conduit à un modèle conceptuel applicable à tous types de bâtis. Il débouche sur un prototype qui utilise la Pyramide de Khéops comme support d'expérimentation.
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Mineo, Marcela Maria Patriarca. "Do rancho do Morro Azul ao município de Limeira - SP: uma proposta de cartografia do turismo aplicada ao patrimônio cultural material." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-10032017-152402/.

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O presente trabalho objetivou contribuir com os estudos da Cartografia do Turismo tendo como componente de investigação o município de Limeira, localizado no Estado de São Paulo. A escolha da área de estudo levou em consideração que o município de Limeira representa o processo de ocupação das cidades médias paulistas, a partir da expansão econômica e urbana que historicamente a constituíram, em função dos ciclos econômicos que ocorreram no Brasil. Para tanto, foi realizada uma discussão sobre o uso turístico do patrimônio material, a partir da visão crítica dos geógrafos, explicitando casos no Brasil e no mundo, e investigando o potencial de valorização do patrimônio material em Limeira. Para a elaboração dos mapas temáticos foi feita uma revisão da metodologia da Cartografia do Turismo, considerando-se que os mapas são elaborados tendo como público alvo os turistas e, portanto, devem cumprir com as normas de legibilidade, onde o uso adequado da escala, símbolos e legenda devem ser garantidos, a fim de comunicar as informações de maneira rápida e precisa. O patrimônio cultural material de Limeira tem sido inserido nas políticas públicas recentemente através do Plano Diretor Territorial-Ambiental de 2009, quando foram listados e protegidos os imóveis de interesse histórico para o município. A metodologia utilizada consistiu em classificar estes imóveis nas seguintes modalidades: rural, educacional, religioso, e cultural, por meio de cartas temáticas elaboradas no programa de SIG ArgGis 9.3. Assim, os mapas elaborados no presente estudo podem contribuir como instrumentos a serem utilizados para a valorização do patrimônio histórico local, por meio de programas de incentivo ao turismo, bem como à educação patrimonial.
The major aim of the present work was to contribute with the studies of Cartography of Tourism, by selecting the city of Limeira, located at São Paulo State, as the object of investigation. The choice of the area for this study took into consideration that Limeira City represents the process of occupation of the medium cities of São Paulo from the economical and urban expansion, which occurred historically during the economic cycles that took place in Brazil. For this, it was done a complete review concerning the touristic use of the material heritage from the geographic critical point of view, exemplifying cases in Brazil, as well as over the world, by investigating the potential value of the material heritage of Limeira City. To elaborate the thematic maps, it was carried out a review in the methodology of the Cartography of Tourism, considering that the maps are created to help tourists. In this context, the maps should accomplish the rules of legibility, by providing an accurate use of scale, symbols and legend, which should communicate precisely and quickly the information. The cultural material heritage of Limeira City has been inserted recently in the public policies by the Master Territorial and Environmental Plan of 2009, when the historical buildings from this city were listed and protected. Therefore, in the present study these buildings were classified in the following categories: rural, educational, religious and cultural, by means of thematic charts elaborated using GIS software ArcGis 9.3. In conclusion, the elaborated maps may contribute to give the appropriate value to the local historic heritage, by inducing programs to improve the cultural tourism and heritage education.
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Burda, Naomi Anaue. "Cartografia e patrimônio arquitetônico: a elaboração do atlas eletrônico do Sítio Histórico Urbano da Lapa (PR)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-20032014-105146/.

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Com o objetivo de propor uma metodologia de atlas eletrônico para o patrimônio arquitetônico da Lapa (PR), baseada em uma reflexão teórico-metodológica sobre como a Geografia, especificamente a Geografia Humana, associada à Cartografia e às Geotecnologias, pode promover a compreensão do turismo e gestão do patrimônio cultural, elaborou-se a presente pesquisa, apresentada como tese de doutoramento em Geografia Humana, ao Programa de Pós Graduação em Geografia, da Universidade de São Paulo. A partir de estudos e levantamentos realizados, percebeu-se que existem poucas discussões acerca de teorias sobre turismo e patrimônio cultural na perspectiva geográfica, além de raras abordagens a respeito de atlas produzidos para a seara patrimonial. A percepção da presença de um patrimônio arquitetônico na cidade da Lapa, de origens setecentistas, que se configura como o maior sítio histórico urbano tombado do Paraná e que carece de uma projeção turística regional e nacional, foi determinante para o estabelecimento do corpus da pesquisa. Aliada a essa necessidade, acrescente-se, ainda, a constatação da quase inexistência de materiais geográficos e cartográficos referentes ao sítio histórico. Compreende-se que o entendimento do patrimônio cultural local passa necessariamente pelo conhecimento da teoria geográfica e que o protótipo de um atlas eletrônico torna-se imprescindível para a representação dos estilos arquitetônicos e para a sua ampla divulgação. A elaboração de um protótipo de atlas eletrônico para o sítio histórico urbano da Lapa é uma opção para entender a construção e a dinâmica desse espaço geográfico e histórico. O uso das Geotecnologias para tratamento dos dados comprovou sua aplicabilidade para a elaboração dos atlas atuais, que requerem o uso de mapas temáticos digitais, armazenamento e disponibilização de grande número de imagens, hipertextos, sons e vídeos. Ao contexto da sociedade atual, que utiliza os mais variados recursos informacionais, apresenta-se uma nova Cartografia do Turismo, que utiliza a forma eletrônica de um atlas para o conhecimento do patrimônio cultural, adaptada à realidade dos turistas que buscam conhecer e explorar locais turísticos de expressão. O Turismo passou a ser não apenas a busca pelo lazer, mas uma atividade social que exige materiais para consultas e, por consequência, uma adaptação às tecnologias, com abordagens a atlas eletrônicos. Assim, a Cartografia do Turismo serve como suporte de informações sobre dados geográficos, culturais e sociais, onde o turista pode consultar previamente o local a ser visitado, com o diferencial de se utilizar de um atlas eletrônico. O resultado da pesquisa foi a elaboração dos mapas referentes ao Sítio Histórico Urbano da Lapa, que contém temas sobre o patrimônio cultural material, a tipologia de turismo, os roteiros gastronômico, religioso, de serviços e, principalmente, turístico. Constam neste trabalho fotografias antigas e atuais, plantas e vídeos dos casarões principais, vídeos gerais do sítio histórico e um mapa do relevo em cores hipsométricas. Dessa forma, buscou-se apresentar uma nova metodologia para a elaboração de atlas de áreas tombadas, que, certamente, irá colaborar com os estudos geográficos, patrimoniais e turísticos, principalmente por seu caráter de vanguarda, e poderá ser adotada em demais cidades que se assemelham ao caso da Lapa.
With the objective to \"propose a methodology of electronic atlas to the architectural heritage of Lapa (PR), based on a methodological theoretical reflection on how Geography, specifically Human Geography associated with Cartography and Geotechnologies, it can promote the understanding of tourism and cultural heritage management\" the present study was elaborated, presented as a doctoral thesis in Human Geography at the Graduate Program in Geography of the University of São Paulo. From studies and surveys made, it was noticed that there are few discussions about of theories of tourism and cultural heritage in the geographical perspective, besides of rare approaches regarding atlas produced for equity harvest. The perception of the presence of an architectural heritage in the city of Lapa, the seventeenth-century origins, which constitutes the largest urban historic site tumbled of Paraná and needs of a regional and national tourist projection, it was determinant instrumental in the establishment of the research corpus. Allied to this need, add yourself also the finding of virtually no geographic and cartographic materials related to the historic site. It is understood that the understanding of local cultural heritage necessarily involves knowledge of geographical theory and the prototype of an electronic atlas becomes essential for the representation of architectural styles and for its wide dissemination. The development of a prototype electronic atlas for urban historic site of Lapa is an option to understand the construction and dynamics of geographical and historical space. The use of Geotechnology for processing the data proved its applicability for the development of current atlas, which require the use of digital thematic maps, storage and delivery of large numbers of images, hypertext, sounds and videos. The context of contemporary society, which uses the most varied information resources, we present a new cartography of Tourism, which uses the electronic form of an atlas for knowledge of cultural heritage, adapted to the reality of tourists who seek to know and explore sights expression. Tourism has become not only the pursuit of leisure, but a social activity that requires materials for queries and, consequently, an adaptation technologies with approaches to electronic atlas. Thus, the mapping of Tourism serves as support information on geographical, cultural and social data, where tourists can consult the site to be visited, with the difference of using an electronic atlas. The result of the research was the preparation of maps of the Urban Historic Site of Lapa, which contains topics on cultural heritage material, the typology of tourism, gastronomic tours, religious, service, and especially tourism. Photographs contained in this past and current work, plans and videos of the main houses, general videos of the historic site and a map of the relief in hypsometric colors. Thus, we attempted to present a new methodology for preparing atlas felled areas, that certainly will collaborate with the geographical, heritage and tourism studies, mainly for its avant-garde character, and may be adopted in other cities that similar to the case of Lapa.
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Cambone, Marie. "La médiation patrimoniale à l’épreuve du « numérique » : Analyse de dispositifs de médiation de l’espace urbain patrimonial." Thesis, Avignon, 2016. http://www.theses.fr/2016AVIG1160/document.

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En 2010 – au début de nos recherches –, nous observions une grande effervescence autour du « numérique » dans le domaine patrimonial. Face à ce constat d’ampleur et aux discours toujours plus nombreux à son sujet, nous nous sommes interrogée sur ce que le« numérique » fait (ou ne fait pas) à l’expérience patrimoniale. Bien consciente que le changement de support n’entraîne pas nécessairement (voire rarement) des changements dans les pratiques de médiation patrimoniale, nous entendons dans cette recherche le terme numérique non pas comme la technologie numérique mais bien la notion de « numérique »en tant que phénomène social avec tout ce que ce terme véhicule comme discours,imaginaires, pratiques et horizons d’attente. Au-delà des discours portés sur la technologie,nous avons choisi d’étudier un nombre restreint de terrains (la Cité internationale universitaire de Paris et son centre de valorisation du patrimoine L/OBLIQUE ; le Mont-Royal à Montréal et Les amis de la montagne) et d’opter pour une approche socio-sémiotique. Cette thèse montre qu’une même forme, le dispositif cartographique interactif, peut proposer plusieurs logiques de médiation patrimoniale, entre médiation documentaire et médiation culturelle. Elle amène aussi à s’interroger sur une possible reconfiguration des rôles de médiateur et de visiteur en régime numérique : loin de bouleverser les fonctions et l’identité des institutions patrimoniales, les dispositifs numériques mis en œuvre dans ces deux terrains renforcent leur légitimité en tant que médiateurs culturels
At the beginning of our research in 2010, there was great interest in the advent of the digital era and its impact in the field of cultural heritage. In light of this and the increasingly numerous debates about it, we wondered what “digital phenomena” adds to (or detracts from) the cultural heritage experience. The change of support does not necessarily (rarely even) changes heritage mediation practices, therefore, for the purposes of this research, the term digital refers not to digital technology but the concept of “digital” as a social phenomenon with everything that this implies through speeches, imagination, practices and expectations. To move beyond the discussions about technology, we have chosen to study a limited number of fields (the Cité Internationale Universitaire de Paris and the Mont-Royal in Montreal) and opt for a socio-semiotic approach. This thesis shows that a same device, the interactive map, can offer multiple possibilities for cultural mediation, between documentary mediation and cultural mediation. It also calls into question a possible reconfiguration of the roles of mediator and visitor in the digital forum: far from upsetting the function and identity of heritage institutions, digital devices implemented in these two fields strengthen their legitimacy as cultural mediators
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Novotná, Eva. "Kartografické kulturní dědictví." Doctoral thesis, 2021. http://www.nusl.cz/ntk/nusl-446274.

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Disertace je zaměřena na kartografické kulturní dědictví. Zkoumá postupy a stav jeho zpracování i způsoby a nástroje pro zpřístupnění v paměťových institucích. Byly vytčeny dva hlavní cíle práce. Nejprve zpracovat teoretický model online zpřístupnění kartografického kulturního dědictví a ověřit jej na vzorku mapových sbírek. Dále na základě teoretického modelu vytvořit online nástroj pro zlepšení služeb mapových sbírek. K dosažení cíle byly použity kvalitativní výzkumné metody. Konkrétně se jednalo o dotazníkové šetření českých a zahraničních mapových sbírek a také o případové studie českých projektů zaměřených na zpracování a zpřístupnění kartografických památek. K naplnění cílů práce byly podle knihovnického referenčního modelu IFLA navrženy dílčí modely uživatelských úloh, jejichž cílem bylo najít, určit, vybrat, získat a prozkoumat dílo. Na jejich základě byla doporučena kritéria pro hodnocení uživatelských úloh. K ověření funkčnosti modelu došlo testováním 20 digitalizovaných mapových sbírek. Byl vytvořen webový nástroj Databáze digitalizovaných mapových sbírek pro zlepšení služeb mapových sbírek.
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Books on the topic "Cartographic cultural heritage"

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Tutela della cultura e cultura della tutela: Cartografia archeologica e legislazione sui beni culturali in Italia e in Europa = The conservation of culture and the culture of conservation : archaeological cartography and cultural heritage legislation in Italy and Europe. Bologna: Ante quem, 2009.

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Ulisse, Francesca. Tutela della cultura e cultura della tutela: Cartografia archeologica e legislazione sui beni culturali in Italia e in Europa = The conservation of culture and the culture of conservation : archaeological cartography and cultural heritage legislation in Italy and Europe. Bologna: Ante quem, 2009.

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El uso de Sistemas de Información Geográfica (SIG) en la arqueología sudamericana. Oxford: BAR S2497 South American Archaeology Series 18, 2013.

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Book chapters on the topic "Cartographic cultural heritage"

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Merino del Río, Rebeca, Antonio Tejedor Cabrera, and Mercedes Linares Gómez del Pulgar. "Itálica and the Representation of the Movement Throughout Territory: Cartographic Analysis for a GIS-Assisted Design of Cultural Itineraries." In Graphical Heritage, 39–53. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47987-9_4.

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Giannachi, Gabriella, Rebecca Sinker, Steve Benford, Acatia Finbow, Helena Hunter, Valentina Ravaglia, Emily Pringle, and Tony Glover. "The Cartography Project: Towards a Relational Form of Documentation, the Case of Participatory Art Practices in Museums and Art Galleries." In Digital Cultural Heritage, 315–29. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_21.

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Colizzi, L., F. De Pascalis, and F. Fassi. "3D Visualization and Virtual Reality for Cultural Heritage Diagnostic." In Lecture Notes in Geoinformation and Cartography, 629–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/978-3-540-36998-1_48.

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Hallot, Pierre. "Considering Rich Spatiotemporal Relationships in Cultural Heritage Information Management." In Lecture Notes in Geoinformation and Cartography, 339–47. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63946-8_51.

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Fangi, Gabriele. "Some Metric Documentation of Cultural Heritage in Poland by Spherical Photogrammetry." In Lecture Notes in Geoinformation and Cartography, 189–203. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56218-6_15.

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Nausner, Ben. "Temple complex ‘Virtual Nako’ – 3D Visualisation of cultural heritage in Google Earth." In Lecture Notes in Geoinformation and Cartography, 349–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-12272-9_24.

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Belussi, Alberto, Roland Billen, Pierre Hallot, and Sara Migliorini. "Computing Techniques for Spatio-Temporal Data in Archaeology and Cultural Heritage—Introduction." In Lecture Notes in Geoinformation and Cartography, 305–6. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63946-8_47.

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Kotzbek, Gilbert. "Virtual Tabo: Geocommunication for the Preservation of Cultural Heritage with the Help of Multimedia Technology." In Lecture Notes in Geoinformation and Cartography, 193–200. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29770-0_14.

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Luczfalvy Jancsó, Andrea, Benoît Jonlet, Patrick Hoffsummer, Emmanuel Delye, and Roland Billen. "An Analytical Framework for Classifying Software Tools and Systems Dealing with Cultural Heritage Spatio-Temporal Information." In Lecture Notes in Geoinformation and Cartography, 325–37. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63946-8_50.

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Christofoletti, Rodrigo. "Three Themes in Transition: Soft Power, Illicit Trafficking in Cultural Goods, and the Cartography of World Heritage Sites." In The Latin American Studies Book Series, 263–84. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77991-7_15.

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Conference papers on the topic "Cartographic cultural heritage"

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Lianos, Nikolaos, and Anastasios Anastasios. "A RECORDING AND DOCUMENTATION SYSTEM OF BUILDING STOCK: THE CASE OF PENTALOFOS SETTLEMENT IN KOZANI (GREECE)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3262.

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Facing the need for effective and efficient integration of spatial and descriptive information related to the documentation of the cultural heritage, the primary aim of this project is the production of a dynamic geodatabase in order to collect, record and organize cartographic and architectural data as well as morphological and typological features of Pentalofos settlement into a GIS application. For this purpose, the project is meant, among other things, to complete a thorough research on the evolution of the settlement and its context, create the necessary geographic background for the documentation of the area of interest and to record building's technical features among others (year of construction, property status, structure, morphology, typology, description of current condition, pathology etc) by implementing traditional and up-to-date as well architectural documentation methods.
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Chias, Pilar, and Tomas Abad. "Visualising Ancient Maps as Cultural Heritage: A Relational Database of the Spanish Ancient Cartography." In 2008 12th International Conference Information Visualisation (IV). IEEE, 2008. http://dx.doi.org/10.1109/iv.2008.46.

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Dai Prà, Elena, and Nicola Gabellieri. "Mapping the First World War Forgotten Material Heritage: A Multi-proxy and GIS-based Proposal for the Trentino Alps." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11397.

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The material remains of the First World War field-battles are gradually disappearing, especially in marginal mountain areas, due to negligence and changes in land coverage. The paper presents the first stage of an ongoing project, devoted to identifying the forgotten material features of war landscapes on the Trentino Alps, using a wide range of historical sources, such as cartography, aerial and ground photos, textual descriptions and field surveys. The case study chosen to test the methodology is a small area of the municipality of Trambileno, in the south of the Province of Trento. Different data from different sources are integrated in a GIS platform, in order to safeguard the memory and the location of cultural heritage, as well as to support future enhancement plans.
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Bernardo, Ernesto, and Giuliana Bilotta. "TECHNIQUES OF GEOMATICS AND SOFT COMPUTING FOR THE MONITORING OF UNSAFE BUILDINGS." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12135.

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The proposed research activity is part of the conservation of cultural heritage and is based on the study and development of advanced techniques for monitoring, inspecting and mapping building cracks in order to obtain and constantly update the state of building safety through a GIS platform. The data collection (initial and periodic) is one of the most important phases of the monitoring process and allows us to obtain information about the integrity of the buildings, essential in order to plan future design and intervention choices. This operation can be carried out both through traditional tools (3D laser scanners, GNSS receivers, motorized total station) and innovative tools (such as remote sensing or UAVs). The goal of the research was the design and construction of an innovative automated system for monitoring and continuous data acquisition (big data). Furthermore, we have implemented algorithms dedicated to the management of the amount of georeferenced data (big data) acquired. We optimized their representation on GIS (Geographic Information System) platforms in order to obtain an “open and updatable” thematic cartography, and set up a sort of Cadastre of unsafe buildings in the village of Casalvecchio Siculo (possibly extended to other villages in the future). This is intended (in our application) as an updatable IT tool for archiving, viewing, querying and managing all the data that the municipality and the regions have on their own villages. In it, it will be possible to represent the elements inherent to the geometric characteristics of the buildings, their relevance, the state of the cracks, the interventions carried out in the most important historic buildings and the systems created, having databases available that allow quick selective searches by topics.
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