Academic literature on the topic 'Carpentier'

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Journal articles on the topic "Carpentier"

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Carpentier, Alejo, and Charlotte Rogers. "Notes on the Trip to the Great Savannah." PMLA/Publications of the Modern Language Association of America 134, no. 5 (October 2019): 1104–8. http://dx.doi.org/10.1632/pmla.2019.134.5.1104.

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In July 1947, the Cuban Author Alejo Carpentier traveled from his home in caracas to the sparsely inhabited interior of venezuela, visiting the country's tropical forests and its great plains. At the time, Carpentier was known principally as a music critic and newspaper columnist for El Nacional in Venezuela and Carteles in Cuba; he had yet to publish El reino de este mundo (The Kingdom of This World; 1949), which would launch his career as a novelist and earn him international renown. Carpentier later wrote a novel about a trip much like the one he took in 1947. In the now-canonical Los pasos perdidos (The Lost Steps; 1953), a failed composer finds inspiration by traveling from a cosmopolitan city to the tropical forests of South America. Carpentier's creativity was similarly sparked by his trip to the Venezuelan wilderness, as his travel diary Notas del viaje a la Gran Sabana (Notes on the Trip to the Great Savannah) makes clear. Notas is the only contemporary account of the journey written by Carpentier, who later made contradictory statements about the details and even the number of trips he took. Beyond its documentary value, the travel diary reveals that Carpentier's experience was deeply enmeshed with his readings, a characteristic that also marks the narrator-protagonist of Los pasos perdidos. Moreover, Notas is of broad ecocritical and historical significance because it makes clear the extent to which the forests and plains of South America were changing during Venezuela's boom in oil drilling and gold mining in the 1940s. Inspired by what he witnessed in Venezuela, Carpentier created the central drama of Los pasos perdidos out of his protagonist's desire to inhabit what the author called the “mundo del Genesis” (“world of Genesis”) at a time when extractive industries were rapidly transforming the economies, ecologies, and societies of the region (“La Gran Sabana” 32).
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Carpentier, Jean. "Jean Carpentier." Raison présente 89, no. 1 (1989): 27–29. http://dx.doi.org/10.3406/raipr.1989.2733.

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Gonzalez, Eduardo. "Framing Carpentier." MLN 101, no. 2 (March 1986): 424. http://dx.doi.org/10.2307/2905774.

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Minale, Carmine. "Carpentier ring." Journal of Thoracic and Cardiovascular Surgery 99, no. 2 (February 1990): 373a—373. http://dx.doi.org/10.1016/s0022-5223(19)37029-1.

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Bischoff, Thomas. "Jean Carpentier." Revue Médicale Suisse 10, no. 438 (2014): 1522–23. http://dx.doi.org/10.53738/revmed.2014.10.438.1522_1.

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Maldonado, Ezequiel. "Alejo Carpentier y la música popular." Fuentes Humanísticas 30, no. 56 (June 30, 2018): 9–16. http://dx.doi.org/10.24275/uam/azc/dcsh/fh/2018v30n56/maldonado.

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Craig, Herbert E., and Sally Harvey. "Carpentier's Proustian Fiction: The Influence of Marcel Proust on Alejo Carpentier." Chasqui 24, no. 1 (1995): 88. http://dx.doi.org/10.2307/29741184.

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Shivers, George. "Alejo Carpentier: The Pilgrim at Home:Alejo Carpentier: The Pilgrim at Home." Latin American Anthropology Review 5, no. 1 (March 1993): 46–47. http://dx.doi.org/10.1525/jlat.1993.5.1.46.

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Dr. Ajay Bhargava and Ashok Kumar Malviya. "The Chronicle of French Revolution in Alejo Carpentier’s Explosion in a Cathedral." Creative Launcher 4, no. 5 (December 31, 2019): 41–49. http://dx.doi.org/10.53032/tcl.2019.4.5.07.

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Alejo Carpentier was a well-known author of Latin American Literature of twentieth century. Explosion in a Cathedral, (El siglo de las luces, 1962) has disclosed the author’s approach, who knew how to take advantages of the chance. This is considered Carpentier’s most effective historical achievement that revealed his destiny accidently. The novel is based on chronicle of French revolution in different circumstances and revealed the French history with winning destiny. It portrays the revolutionary hurdles, which were adopted from the other historians, who wrote about revolutions. Ultimately, Carpentier became successful to assemble immense information, dates and several documents; which were required to write the history of French revolution. The novel presents rare figures as characters without giving more importance to them. Some critics argued that it is characters who are more influenced with European modernity less than Latin America. The novel is about French revolution that is depicted through the character Victor Huggies and Esteban. The French revolution was fought twice as land and water with great efforts. The novel leaves it’s most noteworthy mark in the field of history.
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Leroux, François. "Entrevue avec Richard Carpentier." Horizons philosophiques 7, no. 1 (1996): 51. http://dx.doi.org/10.7202/801028ar.

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Dissertations / Theses on the topic "Carpentier"

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Montoya, Pablo. "La musique dans l'oeuvre d'Alejo Carpentier." Paris 3, 2001. http://www.theses.fr/2001PA030093.

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Dans l'oeuvre d'Alejo Carpentier, la musique est la source de la longue phase baroque, elle structure la forme narrative, elle permet la création de personnage littéraires, elle stimule sans cesse l'imaginaire de l'écrivain et du critique. La musique est la voix qui nomme le mythe, le temps, la modernité. Elle établit des liens significatifs avec la poésie et l'histoire et occupe une place essentielle dans la construction d'une identité latino-américaine proposée par l'écrivian cubain. Les différentes études sur les relations entre musique et littérature dans l'oeuvre de Carpentier sont en général fragmentaires. La première et deuxième partie de notre recherche sont consacrées à l'impact de la musique afro-cubaine, puis européenne, dans l'oeuvre poétique, journalistique et narrative de Carpentier. La dernière partie s'attache à l'étude minutieuse de la musique dans Los pasos perdidos. Notre recherche s'efforce de faire une synthèse de la critique musicale dispersée effectuée sur l'oeuvre de Carpentier
In Alejo Carpentier's work, music feeds the long baroque phrase, structures the narrative form, generates the literary creation of characters, endlessly stimulates the imaginary of writer and critic. Music is the voice to name myth, time, modernity. It establishes significative bounds with poetry and history, and holds a preponderant place in the proposal the Cuban writer makes of the conformation of a Latin American identity. Till now, studies about different relations between music and literature, especially present in Carpentier, are generally made in a fragmented way. Our research faces them through through three essential divisions : the first two are dedicated to study the impact of Afro Cuban and European music in the poetical, narrative and journalistic work ; the last one is dedicated to a careful analysis of musical sphere in Los pasos perdidos. We intend a synthetic and explanatory study of the scattered music criticism done on Alejo Carpentier's work
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Cottle, Inés. "Sobre los Pasos Perdidos de Alejo Carpentier." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100893.

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Viala, Fabienne. "Marguerite Yourcenar, Alejo Carpentier : écritures de l'histoire." Paris 3, 2004. http://www.theses.fr/2004PA030155.

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L’académicienne Marguerite Yourcenar (1903/1987) et le romancier cubain Alejo Carpentier (1904/1980) ont choisi l’Histoire comme matériau privilégié de leur création romanesque. Pour eux, la connaissance du passé est la clé de la connaissance de l’homme et, en même temps, seul le roman peut en donner une approche authentique. La fiction, mieux que l’historiographie événementielle, exhume les invariants de la condition humaine et jette des passerelles entre le passé et le présent. Les pérégrinations du personnage ouvrent une fenêtre sur une réalité révolue, tandis que sa destinée archétypale atteint une dimension mythique ; les références artistiques, tissées dans le récit, réduisent les distances temporelles et révèlent le drame universel de toute existence. Ce roman, qui nous tend le passé comme un miroir, est un roman humaniste qui, malgré une histoire cyclique qui répète les mêmes erreurs, continue de croire aux vertus cognitives de la culture et à la nature perfectible de l’homme
Marguerite Yourcenar, the member of the French Academy (1903/1987) and the Cuban novelist Alejo Carpentier (1904/1980) chose History as the material for their fictions. They both believe that, on the one hand, knowing the past is the better way of knowing mankind; on the other hand, the novel is the path leading to a true version of remote events. The fiction, better than factual historiography, digs out the invariant characteristics of human nature and joins up past and present. With the character, we travel through a chaotic historical period and at the same time, his individual destiny reaches a mythical sense. The works of art reflect themselves on the narration, bring the remote time closer and reveal the universal drama of human condition. Urging the reader to look at himself through the mirror of the past, the novel is moved by the humanist belief that, even if history is constantly being remade, culture can enlighten and improve the humanity
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Wakefield, Steve School of Modern Languages UNSW. "Returning Medusa's gaze : Baroque intertext in Alejo Carpentier." Awarded by:University of New South Wales. School of Modern Languages, 2003. http://handle.unsw.edu.au/1959.4/19141.

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This thesis studies the concept of the baroque as applied to the works of the Cuban novelist Alejo Carpentier (1904-1980). It revisits the original inspiration that the writer found in baroque architecture and sculpture, as expressed in the articles he wrote from Spain in the early 1930s, and follows his use of baroque culture in each of his novels. It is found that, through his attempt to create a period ambience for his historical fictions by incorporating into his novels descriptions of the art and architecture of the Baroque era, and by imitating the literary style of Spanish Golden Age writers, he ultimately produced a parodic and ironic style that was put to a highly original use even in those works set in the contemporary period. Finally, the mature works produced in the last decade of Carpentier's life are studied, and the continuities and discontinuities between these works and those of previous periods are examined, in order to arrive at a critical assessment of the potential to renovate the Latin American novel created by this writer's use of the baroque. Throughout this thesis the primary focus is placed upon the role played by the visual arts, including architecture, in Carpentier's development of baroque themes and style, a secondary focus being placed upon literary influences. Thus the importance for Carpentier of various writers and artists is examined, such as Cervantes, Quevedo, Piranesi, Vico, Goya, Barr????s and d'Ors. It is found that Carpentier's use of baroque themes, motifs and style enabled him to make a unique contribution to literature in a number of ways: by creating an original means of representing the position of the individual with regard to society and the historical process, by reevaluating Latin American culture and environment vis-????-vis is Europe, and by adopting a postcolonial perspective of cultural self-assertiveness that was to pave the way for the 'boom' in the Latin American novel.
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Giovannini, Arno. "Entre culturas : Los pasos perdidos, de Alejo Carpentier /." Bern [etc.] : P: Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb355093060.

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Stanley, Linda Darnell. "Alejo Carpentier's "The kingdom of this world" and the spectral voice of communal consciousness." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013405.

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Wakefield, Steve. "Carpentier's baroque fiction : returning Meduza's gaze /." Woodbridge : Tamesis, 2004. http://catalogue.bnf.fr/ark:/12148/cb39927077v.

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Prud'homme, Annie-Claude. "Le réel merveilleux chez Yves Thériault et Alejo Carpentier /." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79972.

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This thesis is concerned with the "Americanity" of Quebec literature and the existence of a cultural formation specific to the New World, based on a context of renewal, distancing and rupture with respect to European influence. The "real maravilloso" is perceived as an inherent American mode of expression, and its presence is examined in the work of Yves Theriault and Alejo Carpentier. An analysis of the short stories, Contes pour un homme seul (1944) by Theriault and "Histoire de lunes" (1933) by Carpentier, and of the novels Agaguk (1958) and Le royaume de ce monde (1949), allows us to compare the evolution from primitivism to the "real maravilloso americano", revealed in the novel through the "figures of the Other" and the status of the character, characterized by duality (contrast between the primitive forces and civilized world), its quest, its integration with nature, and the importance of sacred ritual.
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Barbieri, Marcia Benedita [UNIFESP]. "A desterritorialização em Os passos perdidos de Alejo Carpentier." Universidade Federal de São Paulo (UNIFESP), 2015. http://repositorio.unifesp.br/handle/11600/39248.

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L'objet de cette étude sont des approximations, les résonances entre les œuvres Les pas perdus par Alejo Carpentier et le projet philosophique de Gilles Deleuze et Félix Guattari. Notre but n'est pas de trouver des points de levier, mais les mouvements qui traversent des lignes de fuite, déterritorialisations courir travaux de l’œuvre de Carpentier en question. Le changement sera essentielle si le narrateur de Les pas perdus réaliser une déterritorialisation, qui passera par la volonté de perturber le corps luimême et traversera par toute la structure narrative. Nous essayons de comprendre comment ces déterritorialisations traversent l'écriture de Les pas perdus sur trois fronts: le déplacement de l’écriture ou de la littérature mineure, la déterritorialisation de la vie et la déterritorialisation des organes ou la création d'un CsO.
O objeto desse estudo são as aproximações, as ressonâncias entre as obras Os passos perdidos de Alejo Carpentier e o projeto filosófico de Gilles Deleuze e Félix Guattari. Nosso objetivo não será encontrar pontos de influência, mas movimentos de deslocamento, linhas de fuga, desterritorializações que percorrem a obra carpentiana em questão. O deslocamento será essencial para que o narrador de Os passos perdidos comece uma desterritorialização, a qual passará pelo desejo de desorganizar o próprio corpo e atravessará toda a estrutura narrativa. Tentamos compreender como essas desterritorializações atravessam a escritura de Os passos perdidos em três frentes: a desterritorialização da escritura ou literatura menor, a desterritorialização da vida e a desterritorialização dos corpos ou a criação de um CsO
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Parisot, Fabrice. "Les épigraphes dans l'oeuvre romanesque d'Alejo Carpentier : théorie et analyse." Aix-Marseille 1, 1994. http://www.theses.fr/1995AIX10032.

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Dans la premiere partie de ce travail, je propose une theorie sur les epigraphes (definition, evolution, formes, situations, fonctions. . . ) qui va servir de base a l'analyse des soixante-six "micro-textes" intertextuels qui jalonnent paratextuellement les recits d'alejo carpentier. Dans la seconde partie, j'analyse depuis el reino de este mundo (1949) jusqu'a el arpa y la sombra (1979) chacune des epigraphes par rapport a leur (inter)dependance au texte narratif auquel elles s'appliquent et je demontre qu'elles permettent, retrospectivement, d'effectuer une lecture condensee au sens global de chacune des oeuvres. Cette analyse permet d'aboutir a la conclusion que les epigraphes dans l'oeuvre romanesque d'alejo carpentier fonctionnent a deux niveaux, l'un interne, l'autre externe. Le premier niveau est davantage d'ordre didactique puisqu'il offre la possibilite de mieux apprehender le message esthetique ou ideologique de l'auteur vehicule par le recit. Le second niveau trahit pour sa part, a travers la constante presence de ces "micro-textes" extratextuels, la volonte et le desir du romancier cubain d'inscrire son oeuvre ainsi que le continent latinoamericain dans l'universalite.
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Books on the topic "Carpentier"

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Haÿ, Ginette. Georges Carpentier. Liévin: Gauheria, 1993.

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Absire, Alain. Alejo Carpentier. Paris: Editions Julliard, 1994.

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Roberto, González Echevarría, ed. Cartas de Carpentier. Madrid: Editorial Verbum, 2008.

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Rodríguez, Alexis Márquez. Ocho veces Alejo Carpentier. [Caracas?]: Grijalbo, 1992.

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Cvitanovic, Dinko. Carpentier: Una revisión lineal. Buenos Aires, Argentina: F. García Cambeiro, 1997.

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Carpentier, Alejo. Conversaciones con Alejo Carpentier. Madrid: Alianza Editorial, 1998.

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Coloquio sobre Alejo Carpentier (1979 Havana, Cuba). Coloquio sobre Alejo Carpentier. Ciudad de La Habana: Ediciones Unión, 1985.

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Campuzano, Luisa. Carpentier entonces y ahora. La Habana, Cuba: Editorial Letras Cubanas, 1997.

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Alexis, Márquez Rodríguez, ed. Nuevas lecturas de Alejo Carpentier. Caracas: Fondo Editorial de la Facultad de Humanidades y Educación, Universidad Central de Venezuela, 2004.

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1937-, Ainsa Fernando, and Márquez Rodríguez Alexis, eds. Alejo Carpentier ante la crítica. Caracas, Venezuela: Monte Avila Editores, 2005.

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Book chapters on the topic "Carpentier"

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Wild, Gerhard. "Carpentier, Alejo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3009-1.

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Herhaus, Ernst, and KLL. "Carpentier, Alejo: El acoso." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3012-1.

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Graf-Riemann, Elisabeth, and KLL. "Carpentier, Alejo: Concierto barroco." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3014-1.

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Wild, Gerhard. "Carpentier, Alejo: Los pasos perdidos." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3011-1.

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Wild, Gerhard. "Carpentier, Alejo: El recurso del método." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3015-1.

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MacAdam, Alfred. "D. H. Lawrence and Alejo Carpentier." In Comparative History of Literatures in European Languages, 351. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xii.29mac.

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Montiel, Marco Katz. "Theme: Alejo Carpentier Sets the Stage." In Music and Identity in Twentieth-Century Literature from Our America, 81–93. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137433336_5.

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Sifuentes-Jáuregui, Ben. "Fashion’s Lost Word: Carpentier Writes Woman." In Transvestism, Masculinity, and Latin American Literature, 53–86. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_3.

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Wild, Sabine, and KLL. "Carpentier, Alejo: El reino de este mundo." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3010-1.

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Fuentes Rojo, Aurelio, and KLL. "Carpentier, Alejo: El siglo de las luces." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3013-1.

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Conference papers on the topic "Carpentier"

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Barbieri, Márcia Benedita. "A desterritorialização em Os passos perdidos de Alejo Carpentier." In VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-027.

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Wenk, Jonathan F., Zhihong Zhang, Guangming Cheng, Deepak Malhotra, Gabriel Acevedo-Bolton, Mike Burger, Takamaro Suzuki, et al. "A Method for Developing MRI-Based Finite Element Models of the Left Ventricle With Mitral Valve and Chordae Tendineae." In ASME 2010 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2010. http://dx.doi.org/10.1115/sbc2010-19671.

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Ischemic mitral regurgitation (MR) affects 1.2 to 2.1 million patients in the United States, with more than 400,000 patients having moderate-to-severe MR [1]. As a consequence of left ventricular remodeling after postero-basal myocardial infarction (MI), the posterior papillary muscle moves laterally. This causes both anterior and posterior mitral leaflets to be tethered, and type 3B Carpentier leaflet motion (restricted motion during systole) and ischemic MR to occur.
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Sava, H. P. "Spectral analysis of Carpentier-Edwards prosthetic heart valve sounds in the aortic position using SVD-based methods." In IEE Colloquium on Signal Processing in Cardiography. IEE, 1995. http://dx.doi.org/10.1049/ic:19950278.

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Pan, Feng, Gao Cong, Anthony K. H. Tung, Jiong Yang, and Mohammed J. Zaki. "Carpenter." In the ninth ACM SIGKDD international conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/956750.956832.

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Oya, Koji, and Junjiro Onoda. "Characteristics of Carpenter Tape Hinge Made of TiNi Alloy." In 43rd AIAA/ASME/ASCE/AHS/ASC Structures, Structural Dynamics, and Materials Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2002. http://dx.doi.org/10.2514/6.2002-1358.

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Coleman, P. "185. Carpenters' Assessment of Hammers and Screwdrivers." In AIHce 1996 - Health Care Industries Papers. AIHA, 1999. http://dx.doi.org/10.3320/1.2764847.

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Derouich, D. Hamel. "Wave Forces on Rectangular Cylinders at Low Keulegan-Carpenter Numbers." In Offshore Technology Conference. Offshore Technology Conference, 1991. http://dx.doi.org/10.4043/6520-ms.

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Dalton, Charles, Xiaohua Sun, Jianfeng Zhang, and Lixian Zhuang. "Computation Of Hydrodynamic Damping Coefficients At Low Keulegan Carpenter Numbers." In Offshore Technology Conference. Offshore Technology Conference, 1993. http://dx.doi.org/10.4043/7235-ms.

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Salyer, Adam. "Black carpenter ant (Camponotus pennsylvanicus, De Geer) phylogenetics within Indiana." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.112967.

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Borchers, Conrad, Dalia Gala, Benjamin Gilburt, Eduard Oravkin, Wilfried Bounsi, Yuki M. Asano, and Hannah Kirk. "Looking for a Handsome Carpenter! Debiasing GPT-3 Job Advertisements." In Proceedings of the 4th Workshop on Gender Bias in Natural Language Processing (GeBNLP). Stroudsburg, PA, USA: Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.gebnlp-1.22.

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Reports on the topic "Carpentier"

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Cottrell, W. D., and R. F. Carrier. Results of the radiological survey of the Carpenter Steel Facility, Reading, Pennsylvania. Office of Scientific and Technical Information (OSTI), July 1990. http://dx.doi.org/10.2172/6708359.

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2

Bryant, Mary, Duncan Bryant, Leigh Provost, Nia Hurst, Maya McHugh, Anna Wargula, and Tori Tomiczek. Wave attenuation of coastal mangroves at a near-prototype scale. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45565.

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A physical model study investigating the dissipation of wave energy by a 1:2.1 scale North American red mangrove forest was performed in a large-scale flume. The objectives were to measure the amount of wave attenuation afforded by mangroves, identify key hydrodynamic parameters influencing wave attenuation, and provide methodologies for application. Seventy-two hydrodynamic conditions, comprising irregular and regular waves, were tested. The analysis related the dissipation to three formulations that can provide estimates of wave attenuation for flood risk management projects considering mangroves: damping coefficient β, drag coefficient C𝐷, and Manning’s roughness coefficient 𝑛. The attenuation of the incident wave height through the 15.12 m long, 1:2.1 scale mangrove forest was exponential in form and varied from 13%–77%. Water depth and incident wave height strongly influenced the amount of wave attenuation. Accounting for differences in water depth using the sub-merged volume fraction resulted in a common fit of the damping coefficient as a function of relative wave height and wave steepness. The drag coefficient demonstrated a stronger relationship with the Keulegan–Carpenter number than the Reynolds number. The linear relationship between relative depth and Manning’s 𝑛 was stronger than that between Manning’s 𝑛 and either relative wave height or wave steepness.
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3

Falling portable scaffold kills carpenter. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, December 1998. http://dx.doi.org/10.26616/nioshsface98ne032.

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4

Ask the Expert ‘Improving Children’s Sleep; The role a teacher can play’ – recording. ACAMH, November 2021. http://dx.doi.org/10.13056/acamh.18431.

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For this session welcomed Dr. Faith Orchard to discuss ‘Improving Children’s Sleep; The role a teacher can play’. Dr. Orchard also answered questions in a session facilitated by leading education professional Professor Barry Carpenter.
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5

Carpenter died from extension ladder fall. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, May 2012. http://dx.doi.org/10.26616/nioshsface10mi137.

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6

Collapsed roof trusses kill carpenter foreman. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, July 2014. http://dx.doi.org/10.26616/nioshsface13or027.

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7

Amish carpenter dies after falling from scaffold. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, August 2004. http://dx.doi.org/10.26616/nioshsface03wi097.

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Hispanic carpenter dies after falling from homemade platform. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, January 2008. http://dx.doi.org/10.26616/nioshsface07ky008.

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9

Carpenter dies following a fall from ladder scaffolding. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, October 1994. http://dx.doi.org/10.26616/nioshsface94wi284.

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10

Understanding Trauma - Ask The Expert; recording. ACAMH, June 2022. http://dx.doi.org/10.13056/acamh.20362.

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For this session we welcomed David Trickey to share his knowledge and insights into trauma, specifically exploring children’s responses to traumatic events, when it might become problematic, how it might present itself and why schools make perfect therapeutic environments to support young people who have experienced trauma. David also answered questions in a session facilitated by leading education professional Professor Barry Carpenter.
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