Academic literature on the topic 'Carol (Personnage fictif)'
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Journal articles on the topic "Carol (Personnage fictif)"
Krongold, Joanna. "History with Heart: Canadian Holocaust Literature for Young People." Canadian Jewish Studies / Études juives canadiennes 32 (October 25, 2021): 128–42. http://dx.doi.org/10.25071/1916-0925.40246.
Full textSchenk, Ralf. "Entre deux fronts : Allemands et Russes dans les films de guerre de la DEFA. Un panorama historique." Cinémas 18, no. 1 (April 4, 2008): 71–90. http://dx.doi.org/10.7202/017847ar.
Full textDissertations / Theses on the topic "Carol (Personnage fictif)"
Ferreira, Nathalie. "Pinocchio, une métaphore de la manipulation : étude de quatre avatars cinématographiques et théâtraux pour une poétique du personnage." Paris 3, 2007. http://www.theses.fr/2007PA030134.
Full textWhy representing human being by artificial being? That is what do performing arts which stage Pinocchio, artificial being who metamorphoses himself into a human being. This puppet character raises the issue of manipulation in the initiation into mankind. This thesis delimits the problem by showing that Pinocchio is a hybrid being, both human and artificial. The analyses of the original character in Pinocchio’s Adventures of C. Collodi (part 1) and of four of its adaptations (by Disney, Spielberg, Bene and Cagnard: part 2) try to bring to light the existence of this hybridity, which appears seminal in order to express the human being in sciencefiction movies and in puppet theater. These adaptations raise the problem of manipulation in a different manner. Movies realize adaptations of Pinocchio who lose their artificiality to become human, while theater creates ones that are not transformed into human being, the character persevering in its artificiality. These two occurrences show that initiation into human being implies the discovery of the link between human and artificial. They ask the following question: can human beings manipulate the artificial or do they have to compose with it? The answer to this question is about poetics and not of moral or scientific order, because the conflict between artificial and human does not only concern reality. Reality meets dreams and fantasies. It follows that the character obeys a hybrid poetics (part 3) which mixes the rules of plastic art and those of the narrative. Pinocchio offers to the spectator the experience of a strange hybridity that gives him access to the invention of his singularity
Röthlisberger, Pierre. "Entre l'âme et le bois : une lecture totémique du Pinocchio de Collodi." Mémoire, 2008. http://www.archipel.uqam.ca/1182/1/M10486.pdf.
Full textBooks on the topic "Carol (Personnage fictif)"
McDermid, Val. Splinter the silence. Toronto, Ontario, Canada: HarperCollins, 2015.
Find full textMcDermid, Val. Splinter the Silence: A Tony Hill and Carol Jordan Novel. HighBridge Audio, 2015.
Find full textMcDermid, Val. Schwarzes Netz: Ein Fall für Carol Jordan und Tony Hill. Knaur Taschenbuch, 2017.
Find full textMcDermid, Val. Splinter The Silence. Charnwood, 2016.
Find full textMcDermid, Val. Splinter the silence. 2015.
Find full textMcDermid, Val. Splinter the Silence. Grove Press, 2017.
Find full textMcDermid, Val. Splinter the Silence. Little, Brown Book Group Limited, 2015.
Find full textMcDermid, Val. Splinter the silence. 2015.
Find full textMcDermid, Val. Splinter the Silence. Little, Brown Book Group Limited, 2016.
Find full textMcDermid, Val. Splinter the Silence. Little, Brown Book Group Limited, 2016.
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