Relevant bibliographies by topics / Carlos Terra nostra

Academic literature on the topic 'Carlos Terra nostra'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Carlos Terra nostra"

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Narita, Mizuho. "Don Quixote in Carlos Fuentes' Terra nostra." Estudios Hispánicos 80 (September 30, 2016): 205–19. http://dx.doi.org/10.21811/eh.80.205.

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Petry Mroczkowska, Joanna. "Geografía simbólica en "Terra nostra", de Carlos Fuentes." Revista Iberoamericana 51, no. 130 (June 20, 1985): 261–71. http://dx.doi.org/10.5195/reviberoamer.1985.4006.

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Simson, Ingrid. "Realidad y ficción en "Terra Nostra" de Carlos Fuentes." Verfassung in Recht und Übersee 23, no. 3 (1990): 364–65. http://dx.doi.org/10.5771/0506-7286-1990-3-364.

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Hyland, Julie. "D’événements en avènements." Protée 32, no. 1 (July 25, 2005): 49–58. http://dx.doi.org/10.7202/011025ar.

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Résumé Le roman Terra Nostra de Carlos Fuentes constitue une tentative singulière d’écriture et de représentation des événements du passé de l’Amérique colonisée dans le contexte d’une relation à l’Espagne conquérante. Il se risque à une interprétation moins dépendante des faits que de l’imaginaire. En faisant du rêve son suppôt d’interprétation et de remémoration du passé, Terra Nostra fait aussi du temps une peau de taureau tendue entre les deux aspirations indissociables de la réminiscence et de l’advenir. L’intégration du rêve permet de concevoir une mémoire pluridirectionnelle qui cherche autant le souffle d’un avenir dans le passé que les fruits de germes lointains dans le déploiement de l’actualité. Bien plus qu’une suture subjective qui mêle et adapte l’histoire à la mémoire, le rêve est aussi le moyen par lequel se médiatise la mémoire dans Terra Nostra.
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Lergo Martín, Inmaculada. "The symbolic journey through Aztec mythology in Terra Nostra of Carlos Fuentes." Mitologías hoy 4 (November 3, 2011): 46. http://dx.doi.org/10.5565/rev/mitologias.27.

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Abeyta, Michael. "El trueque y la economía del don en Terra nostra de Carlos Fuentes." Revista Iberoamericana 70, no. 207 (June 29, 2004): 431–41. http://dx.doi.org/10.5195/reviberoamer.2004.5561.

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Olivier, Florence. "The Age of Time according to Carlos Fuentes." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 711–13. http://dx.doi.org/10.1632/s0030812900123004.

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Born on 11 November 1928, Carlos Fuentes on 15 May 2012 met on Parnassus the princes of word and vision that one of his deceased characters dreamed of in El naranjo (1993; The Orange Tree). If, as he wrote in Constancia y otras novelas para vírgenes (1990; “Constancia” and Other Stories for Virgins), readers are the ghosts of writers (296), the author of Terra nostra (1975) was, for his part, a ghost of Cervantes and disciple of Erasmus who rewrote La Celestina, Don Quixote, the successive Don Juans of Tirso de Molina, Zorrilla, and Mozart, the paintings of Hieronymus Bosch and Luca Signorelli, the gnostic gospels, and the texts of the Jewish mystical tradition.
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Navarro, Santiago Juan. "EL TEATRO DE LA MEMORIA DE CARLOS FUENTES: LA UTOPÍA POSIBLE EN TERRA NOSTRA." Acta Literaria, no. 64 (June 2022): 99–119. http://dx.doi.org/10.29393/al64-5tmsj10005.

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Barrenechea, Antonio. ""Monstruosa Belleza": el mestizaje metamórfico en Terra nostra de Carlos Fuentes." Revista Iberoamericana 77, no. 236-237 (December 21, 2011): 685–702. http://dx.doi.org/10.5195/reviberoamer.2011.6848.

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François, Jéromine. "Celestina en Hispanoamérica: La nostalgia de los buenos viejos tiempos como tópico celestinesco en Toro-Garland, Fuentes y Mosquera." Celestinesca 42 (January 16, 2021): 143. http://dx.doi.org/10.7203/celestinesca.42.20219.

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Este estudio consiste en un examen intertextual de un tópico celestinesco, el de la nostalgia de los «buenos viejos tiempos», que se ha vuelto un verdadero leitmotiv en las reescrituras literarias de La Celestina publicadas en Hispanoamérica desde el último tercio del siglo XX. A través del análisis de Razón y pasión de enamorados (1973) de Fernando Toro-Garland, de Terra Nostra (1975) de Carlos Fuentes y de Manifiesto de Celestina (1995) de Marta Mosquera, se evidenciarán así las distintas funciones atribuidas a este tópic en las reescrituras contemporáneas de Ultramar: la nostalgia y la temática de la vejez con la que se asocia en la Tragicomedia de Calisto y Melibea no sólo participan en la adaptación de estas nuevas Celestinas a nuevos contextos ficcionales, sino que también dan cuenta de una relectura de la Tragicomedia de Calisto y Melibea por parte de sus imitadores hispanoamericanos.
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Dissertations / Theses on the topic "Carlos Terra nostra"

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Penn, Sheldon. "Carlos Fuentes's Terra nostra and the Kabbalah." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368992.

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Ramírez, María Rebeca Ramírez. "O tríptico literário em Terra Nostra, de Carlos Fuentes." Pontifícia Universidade Católica de São Paulo, 2011. http://tede2.pucsp.br/handle/handle/2241.

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Made available in DSpace on 2016-04-25T20:20:16Z (GMT). No. of bitstreams: 1 Maria Rebeca Ramirez Ramirez.pdf: 3949523 bytes, checksum: d9461fb06360f930134e6bf6f84b74e0 (MD5) Previous issue date: 2011-05-30
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The thesis establishes a relationship between the three worlds of Terra Nostra (1975), written by Carlos Fuentes. Differently from the linear concept of history, the pre-Colombian tradition understands the world as a multiplicity of historical times, making it possible that several past ages become contemporary realities during the narrative. Terra Nostra goes through the time and space transversalities of Amerindian myths and the history of the New World conquistadors. Conquered and conquerors rescue the popular memory, hidden by the linear historical discourse, through imagination and poetical language, in a discontinuous, fragmented, polyphonic, carnivalized way, according to Mikhail Bakhtin, Walter Mignolo, Edgar Morin, Giambattista Vico. Terra Nostra can be considered as a parallel and alternative understanding of the reality that, at the same time, discusses Latin- American anthropogenesis, observes an unfinished past that is always present at the future conceptions, which are social and political utopias
A tese estabelece a relação tríptica entre os três mundos de Terra Nostra (1975) de Carlos Fuentes. Ao contrário da concepção linear da História, difundida pelas correntes do progresso, a tradição precolombina indica a multiciplicidade de tempos possibilitando que variadas e distantes épocas sejam realidades contemporâneas no instante da narrativa. Sob esse prisma, o romance percorre as transversalidades temporais e espaciais dos mitos ameríndios e da história dos conquistadores do Novo Mundo. De forma descontinua, fragmentada, polifônica e carnavalizada, segundo a óptica de Mikhail Bakhtin, Walter Mignolo, Edgar Morin, Giambattista Vico, o popular e o erudito, o passado, o presente e o futuro, conquistadores e conquistados se imbricam em circularidades trípticas que resgatam por meio da imaginação e da linguagem poética a memória encoberta pelo discurso histórico linear. Terra Nostra pode ser interpretada como uma leitura paralela e alternativa que, ao mesmo tempo em que discute a antropogênese latinoamericana, observa um passado inacabado e constantemente presente nas formulações do devir, isto é, das utopias sociais e políticas
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Tournier, Clément. "L'unité des contraires dans Terra Nostra de Carlos Fuentes." Paris 10, 1998. http://www.theses.fr/1998PA100066.

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L'unite des contraires occupe, dans terra nostra , une place importante. L'espace psychique dans lequel oeuvrent les contraires apparait des l'examen de l'unite du texte. Les contraires sous-tendent le mouvement de (re)fondation qui porte terra nostra. Cet espace de reference du texte, a la fois psychique et physique, temporel et geographique, a pu etre cerne a partir de la dimension fondatrice des references mythico-religieuses et litteraires du roman. La recherche de l'identite, impliquee par ces references, a ete situee entre permanence et changement. Le devenir repose sur la confrontation de l'etre a la realite negative du monde. L'approche du mouvement de l'ideal dans terra nostra permet d'apprehender comment, derriere les dualites majeures, se met en jeu le desir de renouveau.
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Montano, Rodríguez Rafael. "El pasado entre historias en Terra nostra, de Carlos Fuentes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0021/NQ55362.pdf.

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Leopold, Stephan. "Der Roman als Verschiebung : Studien zu mythos, intertextualität und Narratologie in "Terra Nostra" von Carlos Fuentes /." Tübingen : G. Narr, 2003. http://catalogue.bnf.fr/ark:/12148/cb39260259d.

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Garcia, Malpica Alejandro. "La Mémoire des masques : étude sur les différences culturelles dans le roman Terra Nostra de Carlos Fuentes." Paris, EHESS, 1986. http://www.theses.fr/1986EHES0014.

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Barret, Cecilia. "Anamnèses romanesques dans la fiction contemporaine : le personnage transhistorique dans "Les Fleurs bleues" de Raymond Queneau, "Terra nostra" de Carlos Fuentes, "Le Turbot" de Günter Grass." Limoges, 2008. http://aurore.unilim.fr/theses/nxfile/default/04109770-0024-410e-962d-bc8432199d90/blobholder:0/2008LIMO2008.pdf.

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La fiction romanesque de la deuxième moitié du XXe siècle voit apparaître un nouveau type de roman historique, qui explore les dimensions méconnues de l'Histoire. "Les Fleurs bleues" de Raymond Queneau (1965), "Terra nostra" de Carlos Fuentes (1975) et "Le Turbot" de Günter Grass (1977) suivent, pour ce faire, l'évolution des personnages à la durée de vie hors norme, qui traversent les époques. Ces voyages dans le temps livrent, d'après le point de vue souvent marginal des personnages, une vision de l'histoire fortement polémique. La fiction littéraire se fait ainsi le dépositaire de mémoires oubliées ou occultées. Elle permet aux contemporains de recréer une proximité avec des ancêtres jusqu'alors inconnus. En revenant à diverses époques de l'histoire, les personnages transhistoriques incarnent en effet un lien généalogique. Ils se remémorent leurs vies successives à la manière d'une anamnèse, qui relient différentes générations au sein d'un paradigme temporel original. La réouverture du passé revêt alors une vocation identitaire. En se réappropriant le passé, les hommes du présent s'autorisent un avenir ; les récits explorent les différentes strates de la mémoire collective et fondent, à travers cette anamnèse, une identité riche de potentialités, au sein de laquelle cohabitent temporalités, cultures et espaces multiples.
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Rafael, Laura. "The role of history in the recent Mexican novel : a study of five historical novels by Elena Garro, Carlos Fuentes, Fernando del Paso, Paco Ignacio Taibo II and Rosa Beltran." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/323.

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This thesis sets out to investigate the development of the recent historical novel in Mexico by examining a corpus of five novels. Elena Garro’s 'Los recuerdos del porvenir' (1963) represents the final point of the novel of the Revolution and it is the link with the recent historical novel. Carlos Fuentes’ 'Terra Nostra' (1975) and Fernando del Paso’s 'Noticias del Imperio' (1978) belong to the group containing the postmodern historical novel. 'Terra Nostra' summarizes all the concerns of postmodernism and can be considered as a paradigm of this current of thought. 'Noticias del Imperio' seeks a reconciliation between history and literature in an attempt to get closer to the historical truth. Paco Ignacio Taibo II’s 'La lejanía del Tesoro' (1992) is a representative novel in the way it melds history with the mystery novel, developing the genre of the historical thriller. Lastly, Rosa Beltrán’s 'La corte de los ilusos' (1995), and in particular its treatment of history is pertinent to this thesis due to the fact that women have been traditionally silenced by official history. This novel gives them a voice. From its beginnings, the historical novel confronted the problem of being questioned for its lack of accuracy when dealing with the past. This skepticism sparked a long lasting debate that initially degraded the historical novel as secondary genre that could never contribute to historical knowledge. However, as a result of recent theories that seek to defend the poetic nature of history, a theory developed initially by Hayden White, the recent historical novel has sought to debunk historiography’s claim to be the only possible way to recount the past. This thesis advances the theory that the recent historical novel in Mexico is the result of a search for a genuine identity, as well as a quest to develop an alternative, yet truthful, interpretation of a past whose true nature has been distorted by decades of historical officialdom. This process is seen in a context of increasing democratisation and globalisation.
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Echegoyen, Regina Neshma. "La intertextualidad en Terra Nostra de Carlos Fuentes." 1990. http://catalog.hathitrust.org/api/volumes/oclc/23127418.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1990.
Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves: 238-248).
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Books on the topic "Carlos Terra nostra"

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Dacosta, Silvia Martinez. Dos criticas literarias: "Terra nostra"-"Un perdido". Miami: Editorial SIBI, 1985.

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Penn, Sheldon Christopher. Carlos Fuentes's 'Terra Nostra' and the Kabbalah. Birmingham: University of Birmingham, 2000.

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Simson, Ingrid. Realidad y ficción en Terra nostra de Carlos Fuentes. Frankfurt am Main: Vervuert Verlag, 1989.

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López, Begoña Souviron. Don Juan en la novela de Carlos Fuentes: "Terra nostra". Malaga: Servicio de Publicaciones e Intercambio Científico de la Universidad de Málaga, 2005.

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Fuentes,Terra nostra, and the reconfiguration of Latin American culture. Columbia: University of Missouri Press, 2006.

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Carranza, Luz Rodríguez. Un teatro de la memoria: Análisis de Terra nostra de Carlos Fuentes. Leuven, Belgium: Leuven University Press, 1990.

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Carlos Fuentes's Terra nostra and the Kabbalah: The recreation of the Hispanic world. Lewiston, N.Y: Edwin Mellen Press, 2003.

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Leopold, Stephan. Der Roman als Verschiebung: Studien zu Mythos, Intertextualität und Narratologie in Terra Nostra von Carlos Fuentes. Tübingen: G. Narr, 2003.

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Tropología y el arte de la representación histórica en Aura, Terra Nostra y Una familia lejana de Carlos Fuentes. Guatemala, Guatemala: F & G Editores, 2007.

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Simson, Ingrid. Realidad y Ficcion en Terra Nostra de Carlos Fuentes. Iberoamericana Editorial Vervuert, 1989.

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Book chapters on the topic "Carlos Terra nostra"

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Graf-Riemann, Elisabeth. "Fuentes, Carlos: Terra nostra." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3663-1.

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Gernert, Folke. "Philipp II., Celestina und Tlazoteotl: groteske Körperlichkeit und Hybridisierung in Carlos Fuentes’ Roman Terra Nostra." In Das Groteske in der Literatur Spaniens und Lateinamerikas, 281–306. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737002318.281.

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"III. Análisis textual de Terra Nostra." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 35–68. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-004.

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"IV. El proceso de escribir: realidad y ficción en Terra Nostra." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 69–185. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-005.

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"V. El proceso de leer: los "mensajes" principales de Terra Nostra." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 186–207. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-006.

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"Muchas Gracias A..." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 7–8. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-001.

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"I. Notas introductorias." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 13–25. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-002.

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"II. Los diferentes niveles de realidad y ficción en la novela." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 26–34. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-003.

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"VI. Notas concluyentes." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 208–18. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-007.

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"VII. Apéndice." In Realidad y ficcion en "Terra Nostra" de Carlos Fuentes, 219–31. Vervuert Verlagsgesellschaft, 1989. http://dx.doi.org/10.31819/9783964567574-008.

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