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Books on the topic 'Caribbean diasporas'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Kummels, Ingrid, Claudia Rauhut, Stefan Rinke, and Birte Timm, eds. Transatlantic Caribbean. Bielefeld, Germany: transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839426074.

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»Transatlantic Caribbean« widens the scope of research on the Caribbean by focusing on its transatlantic interrelations with North America, Latin America, Europe and Africa and by investigating long-term exchanges of people, practices and ideas. Based on innovative approaches and rich empirical research from anthropology, history and literary studies the contributions discuss border crossings, south-south relations and diasporas in the areas of popular culture, religion, historical memory as well as national and transnational social and political movements. These perspectives enrich the theoretical debates on transatlantic dialogues and the Black Atlantic and emphasize the Caribbean's central place in the world.

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2

Robert, Cancel, and Woodhull Winifred 1950-, eds. African diasporas: Ancestors, migrations and borders. Trenton NJ: Africa World Press, 2008.

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3

Coloniality of diasporas: Rethinking intra-colonial migrations in a Pan-Caribbean context. New York, New York: Palgrave Macmillan, 2014.

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4

Hall, Maurice L., and Kamille Gentles-Peart. Re-constructing place and space: Media, culture, discourse and the constitution of Caribbean diasporas. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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5

Falola, Toyin. Yemoja: Gender, sexuality, and creativity in the Latina/o and Afro-Atlantic diasporas. Albany: SUNY Press, 2013.

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6

Scafe, Suzanne, and Leith Dunn. African-Caribbean Women Interrogating Diaspora/Post-Diaspora. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003155560.

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7

Jain, Jasbir. Writers Of The Caribbean Diaspora. S.l: New Dawn Pr, 2008.

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8

Ho, Christine G. T., 1943-. and Nurse Keith, eds. Globalisation, diaspora and Caribbean popular culture. Kingston: Ian Randle, 2005.

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9

Pecic, Zoran. Queer Narratives of the Caribbean Diaspora. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137379030.

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10

Caribbean issues in the Indian diaspora. New Delhi: Serials Publications, 2013.

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11

Laforest, Marie-Hélène. Diasporic encounters: Remapping the Caribbean. Napoli: Liguori Editore, 2000.

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12

Neijhorst, Julian H. A. Caribbean talk--: 1000 proverbs and sayings from the Afro-Caribbean Diaspora. [Suriname: s.n.], 2003.

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13

Caribbean and Atlantic diaspora dance: Igniting citizenship. Urbana, Ill: University of Illinois Press, 2011.

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14

Kamugisha, Aaron, and Yanique Hume. Caribbean cultural thought: From plantation to diaspora. Kingston [Jamaica]: Ian Randle Publishers, 2013.

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15

Winston, James, and Harris Clive 1956-, eds. Inside Babylon: The Caribbean diaspora in Britain. London: Verso, 1993.

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16

Caribbean diaspora in USA: Diversity of Caribbean religions in New York City. Aldershot, England: Ashgate, 2008.

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17

From pillar to post: The Indo-Caribbean diaspora. Toronto: TSAR, 1997.

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18

M, Thomas-Hope Elizabeth, and Allen Rose Mary, eds. Freedom and constraint in Caribbean migration and diaspora. Kingston: Ian Randle Publishers, 2009.

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19

Hosay Trinidad: Muḥarram performances in an Indo-Caribbean diaspora. Philadelphia: University of Pennsylvania Press, 2003.

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20

Ropero, María Lourdes López. The anglo-caribbean migration novel: Writing from the diaspora. Alicante: Publicaciones de la Universidad de Alicante, 2004.

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21

Indian diaspora in the Caribbean: History, culture, and identity. Delhi: Primus Books, 2012.

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22

Caribbean food cultures: Culinary practices and consumption in the Caribbean and its diasporas. Bielefeld: Transcript, 2014.

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23

The Tears of Hispaniola New World Diasporas. University Press of Florida, 2006.

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24

Espacios De La Memoria En El Caribe Hispanico Insular Y Sus Diasporas / Memory Spaces in the Hispanic Caribbean and Its Insualr Diasporas. Ediciones Callejon Inc, 2012.

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25

Carnival and the Formation of a Caribbean Transnation (New World Diasporas). University Press of Florida, 2003.

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26

Practices of Resistance: Narratives, Politics, and Aesthetics Across the Caribbean and Its Diasporas. Taylor & Francis Group, 2018.

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27

Miguel, Yolanda Martínez-San. Coloniality of Diasporas: Rethinking Intra-Colonial Migrations in a Pan-Caribbean Context. Palgrave Macmillan, 2014.

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28

The End of Marriage: A pastoral ethnography within some African and Caribbean diasporas in the West. Xulon Press, 2020.

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29

Miguel, Yolanda Martinez-San, Yolanda Martainez-San Miguel, and Yolanda Mart-Nez-San Miguel. Coloniality of Diasporas: Rethinking Intra-Colonial Migrations in a Pan-Caribbean Context. by Yolanda Mart-Nez-San Miguel. Palgrave Macmillan, 2015.

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30

Adair, Gigi. Kinship Across the Black Atlantic. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620375.001.0001.

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This book considers the meaning of kinship across black Atlantic diasporas in the Caribbean, Western Europe and North America via readings of six contemporary novels. It draws upon and combines insights from postcolonial studies, queer theory and black Atlantic diaspora studies in novel ways to examine the ways in which contemporary writers engage with the legacy of anthropological discourses of kinship, interrogate the connections between kinship and historiography, and imagine new forms of diasporic relationality and subjectivity. The novels considered here offer sustained meditations on the meaning of kinship and its role in diasporic cultures and communities; they represent diasporic kinship in the context and crosscurrents of both historical and contemporary forces, such as slavery, colonialism, migration, political struggles and artistic creation. They show how displacement and migration require and generate new forms and understandings of kinship, and how kinship may be used as an instrument of both political oppression and resistance. Finally, they demonstrate the importance of literature in imagining possibilities for alternative forms of relationality and in finding a language to express the meaning of those relations. This book thus suggests that an analysis of discourses and practices of kinship is essential to understanding diasporic modernity at the turn of the twenty-first century.

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31

Native Diasporas: Indigenous Identities and Settler Colonialism in the Americas. University of Nebraska Press, 2014.

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32

Perez-Sarduy, Pedro, and Jean Stubbs, eds. Afrocuba: Anthology of Cuban Writing on Race, Politics and Culture. Practical Action Publishing, 1993. http://dx.doi.org/10.3362/9781899365142.

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This anthology looks at the AfroCuban experience through the eyes of the island’s writers, scholars and artists. "A rich portrait of AfroCuba—one of the most vibrant and least well-documented of the black Caribbean diasporas." —Stuart Hall

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33

Falola, Otero, Toyin Falola, and Solimar Otero. Yemoja: Gender, Sexuality, and Creativity in the Latina/O and Afro-Atlantic Diasporas. State University of New York Press, 2014.

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34

Falola, Toyin, and Solimar Otero. Yemoja: Gender, Sexuality, and Creativity in the Latina/o and Afro-Atlantic Diasporas. State University of New York Press, 2013.

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35

Manuel, Peter. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038815.003.0001.

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This chapter provides background data on Indo-Caribbean history and situates that culture's development in the context of diasporic studies as a whole. It provides an overview of North Indian Bhojpuri music culture and of Indo-Caribbean music culture, with reference to traditional Bhojpuri aspects, creolized entities like chutney-soca, and the ramifications of exposure to North Indian “great tradition” musics—both pop and classical—since the 1940s. It argues that the various trajectories and the form of Bhojpuri diasporic music in general must be attributed primarily not to inherent features of particular genres or to the activities of particular artists but rather to intricate dynamics of diaspora culture—in this case, Bhojpuri Caribbean diasporic culture.

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36

Daniel, Yvonne. Resilient Diaspora Rituals. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0007.

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This chapter examines the histories and connections between Afro-Latin America and the Caribbean by focusing on sacred Caribbean dance rituals. It begins with a discussion of African-derived rituals in sacred dance, paying attention to how dance reveals and forwards sacred potential and how a relationship between the sacred and the secular is forged in African Diaspora contexts. It then considers how similar religious and dance structures have emerged across the Diaspora from common beliefs and social conditions that were shared by thousands of Africans. It also explores African-derived sacred dance practices in the Caribbean islands, namely: French/Kreyol, English/Creole, Spanish Caribbean, and Dutch Caribbean sacred practices. Furthermore, it describes compares Atlantic Afro-Latin sacred practices, including those in Brazil, Suriname, and Uruguay. The chapter concludes with Afrogenic comparisons of ritual Diaspora dance.

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37

Scafe, Suzanne, and Leith Dunn. African-Caribbean Women Interrogating Diaspora/Post-Diaspora. Taylor & Francis Group, 2022.

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38

African-Caribbean Women Interrogating Diaspora/post-diaspora. Taylor & Francis Group, 2022.

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39

Scafe, Suzanne, and Leith Dunn. African-Caribbean Women Interrogating Diaspora/Post-Diaspora. Taylor & Francis Group, 2022.

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40

Scafe, Suzanne, and Leith Dunn. African-Caribbean Women Interrogating Diaspora/Post-Diaspora. Taylor & Francis Group, 2022.

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41

Corinealdi, Kaysha. Panama in Black. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023128.

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In Panama in Black, Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá City, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic worldview of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest-running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation.

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42

Indian diaspora in the Caribbean. New Delhi, India: Serials Publications, 2009.

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43

Manuel, Peter. Bhojpuri Diasporic Music and the Encounter with India. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038815.003.0004.

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This chapter is devoted to the more general topic of the Indo-Caribbean Bhojpuri legacy's confrontation with music flowing from North India itself in the postindenture period, in the form of mass-mediated film music and other pop, including panregional Hindi devotional songs. Of particular relevance is the influence of these imported sounds on wedding songs, Kabir-panthi music, and Ramayan singing. It argues that most Indo-Caribbeans do not regard imported Indian music as a stultifying hegemon; they see it, rather, as an inexhaustible potential resource that can provide a cultural depth and continuity unavailable to Afro-creoles, alienated as they are from the traditions of their African forebears.

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44

1955-, Gomez Michael Angelo, ed. Diasporic Africa: A reader. New York: New York University Press, 2006.

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45

Manuel, Peter. Chowtal and the Dantāl. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038815.003.0003.

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This chapter discusses two distinct traditional entities in Indo-Caribbean music culture—the antiphonal folksong genre called chowtal and the dantāl, a common metallophone—which have flourished in the diaspora. In fact, they have become considerably more widespread, on a per capita basis, than their counterparts in North India. In the process, they illustrate how the neotraditional stratum of the international Bhojpuri diaspora—including both the Caribbean and Fiji—can constitute an entity that shares features that, despite being of traditional Indian origin, nevertheless are distinct from the Bhojpuri ancestral culture. These phenomena illustrate how, in this sense, neotraditional Bhojpuri diasporic music culture is best seen not as a microcosm of its nineteenth-century Bhojpuri-region ancestor, but as an entity with its own distinctive features, in which inherited features may assume trajectories quite distinct from their North Indian counterparts.

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46

Daniel, Yvonne. Diaspora Dance in the History of Dance Studies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0002.

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This chapter examines Diaspora dance culture from a dance studies perspective. It begins by tracing the history of dance anthropology and Diaspora dance as a field of study, with a particular focus on some key dance scholars such as Franz Boas, E. E. Evans-Pritchard, Margaret Mead, Gertrude Kurath, Katherine Dunham, and Pearl Primus. It then reviews the pioneers and pioneering literature of dance anthropology covering Caribbean, Spanish Caribbean, French/Kreyol Caribbean, English/Creole Caribbean, and Dutch Caribbean dance studies as well as dance studies of Afro-Latin territories. It also provides a short background on African and Diaspora U.S. dance studies and concludes by highlighting how visual analysis of dance formations permits a visceral understanding of Diaspora dance.

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47

Daniel, Yvonne. Igniting Diaspora Citizenship. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0010.

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This book concludes by discussing the transcendence, resilience, and citizenship that have come to define Diaspora dance. It first explains the transcendent tendencies of Diaspora dance, emphasizing how its several genres have spread through migration, transnational connections, and communication technologies to Caribbean niches in other parts of the world. It then considers the resilience of both Diaspora dance and Diaspora dancers in response to change, able to recover spirit and energy in a quick but cool fashion as they deal with a variety of challenges. It also examines how citizenzhip is invoked in the social meaning of Diaspora dance amidst recreational or theatrical display, noting how historical drum/dances, quadrilles, and contredanses have signaled not only entertainment and diversion but also agency. Finally, the author reflects on her experiences and field research in Spanish, French/Kreyol, English/Creole, Dutch, former Danish and Portuguese Circum-Caribbean dances, as well as the contributions of Katherine Dunham in the field of Diaspora dance.

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48

Christine G. T. Ho (Editor) and Keith Nurse (Editor), eds. Globalisation, Diaspora and Caribbean Popular Culture. Ian Randle Publishers, 2005.

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49

Arnell, Philip. Fortunate Member of a Caribbean Diaspora. Independently Published, 2022.

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50

Thompson, Roselle. Poems to Navigate Caribbean Diaspora Disruptions. TCS Tutuorial College, 2021.

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