Academic literature on the topic 'Caravage, Le (1571-1610)'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Caravage, Le (1571-1610).'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Caravage, Le (1571-1610)":
Lionnet, Marie. "Laurent Bolard , Caravage . Michelangelo Merisi dit Le Caravage, 1571-1610 , Fayard, 2010, 282 pages, 22 €." Études Tome 413, no. 7 (June 30, 2010): XV. http://dx.doi.org/10.3917/etu.4131.0119o.
Dervaux, Alain. "Les passages à l'acte dans la vie et l'?uvre du Caravage (1571-1610)." L'information psychiatrique 82, no. 6 (2006): 495. http://dx.doi.org/10.3917/inpsy.8206.0495.
Dissertations / Theses on the topic "Caravage, Le (1571-1610)":
Fichera, Giorgio. "Caravage queer : l'histoire de l'art face aux sexualités." Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0170.
The topos of homosexuality and homoerotism that is associated with Caravaggio’s initial paintings poses a number of questions for Art History. My research contributes to the critique of the hetero-patriarchal epistemology that remains widely naturalised in the study of images from ages past. To elaborate this critique, I have returned to historical and anthropological categories in order to determine the evolution of non-conforming sexualities, notably problematising the binary heritage “homo-hetero” of the 19th century in contemporary texts on Caravaggio. In opposition to biographical speculation and the literal application of psychoanalytic theory to Caravaggio’s life and painting, my work draws on the anachronism of queer theory, which is less normative and more affective, in line with a current elaboration of art history. The analysis of Caravaggio’s homoerotic corpus and its insertion into a wider tradition of figurative art allows us to see how the work of the image undoes categories (both that of art history and those pertaining to gender) to question the subject who is looking. It further shows how the historiographic articulation of act and identity works through the representation (in painting) more than it determines it, and how this autonomy of the visual troubles the presence, structure and weight of the discursive regime–as much in past as in contemporary historiographies
Books on the topic "Caravage, Le (1571-1610)":
Lambert, Gilles. Caravage, 1571-1610. Köln: Taschen, 2001.
Lambert, Gilles. Caravage (1571-1610). Paris: "Le Monde, 2005.
Bolard, Laurent. Caravage: Michelangelo Merisi dit le Caravage, 1571-1610. [Paris]: Fayard, 2010.
Lambert, Gilles. Caravage (1571-1610) : Un génie précurseur. Taschen, 2010.