Relevant bibliographies by topics / Captain Marvel

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Captain Marvel'

Author: Grafiati
Published: 24 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Captain Marvel"

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Killian, Kyle. "Captain Marvel (2019)." Journal of Feminist Family Therapy 31, no. 4 (April 23, 2019): 211–12. http://dx.doi.org/10.1080/08952833.2019.1602982.

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Fauzi, Nur Amir. "CAPTAIN MARVEL: Kesetaraan Gender dalam Perspektif Tokoh Superhero." spectā: Journal of Photography, Arts, and Media 3, no. 2 (October 7, 2019): 73–79. http://dx.doi.org/10.24821/specta.v3i2.2957.

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Captain Marvel: Gender Equality in the Perspective of Superhero. Gender equality is something that can be a concern lately so it can be used as an issue in the creation of a work of art, because the ‘value’ of women is considered lower than men in various activities or daily activities. A big American movie studio, Marvel Studios, released a film with a female superhero named Captain Marvel. The emergence of the film made the writer want to examine about this superhero much deeper. The method employed for this paper was deconstruction approach by linking it to the phenomenon occurring in the society. Hopefully this article will strengthen the perspective of gender equality by studying the character of Captain Marvel through her portrayed character, sign, and color of her superhero costume. Keywords: Captain Marvel, gender equality, superhero, Marvel Studios, movie
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Saputro, Lungky. "Iron Man’s and Captain Marvel’s Anxieties and Defense Mechanisms in “Civil War II”." K@ta Kita 6, no. 1 (November 16, 2018): 98–104. http://dx.doi.org/10.9744/katakita.6.1.98-104.

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This thesis deals with the anxieties experienced by the leaders of superhero teams in Civil War II, Iron Man and Captain Marvel. Through their anxieties in Civil War II, I tried to reveal the causes of their anxieties and their ways to reduce these uneasy feelings. To analyze the causes of these two characters’ anxieties, I used two of the theory of anxiety, reality and moral anxiety. I found that there are two causes that make Iron Man feel anxieties which are the reaction of Captain Marvel towards Ulysses’ prophecies and his responsibility both as a superhero and as a leader to protect people from the outcome of Ulysses’ prophecies. On the other hand, Captain Marvel also feels anxieties from the blame of Iron Man and her responsibility both as a superhero and as a public officer to protect people from dystopian future. Iron Man uses two defense mechanisms, which are splitting and rationalization. On the other hand, Captain Marvel also uses two defense mechanism, which are idealization and rationalization. These defense mechanisms are used by both, Iron Man and Captain Marvel to ease their reality and moral anxiety.
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Jeffries, Dru. "Captain Marvel and the Art of Nostalgia." Journal of Graphic Novels and Comics 10, no. 3 (March 3, 2018): 381–82. http://dx.doi.org/10.1080/21504857.2018.1446453.

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Biasini, Naurissa, and Sri Wijayanti. "Representasi Feminisme Dalam Karakter Pahlawan Perempuan Captain Marvel." WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY 8 (May 31, 2021): 17. http://dx.doi.org/10.36262/widyakala.v8i0.393.

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Hall, William David, and Ezra Howard. "All American Messiah." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 3, no. 2-3 (February 26, 2010): 131–48. http://dx.doi.org/10.1558/post.v3i2/3.3.131.

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Approaches the recent death of Captain America sideline of Marvel Comics from the perspective of political theology and philosophical messianism as these ideas appear in the works of Giorgio Agamben, Rene Girard, Walter Benjamin, and Carl Schmitt.
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McCleary, Keith. "Captain Marvel and the Art of Nostalgia by Brian Cremins." Inks: The Journal of the Comics Studies Society 2, no. 2 (2018): 258–61. http://dx.doi.org/10.1353/ink.2018.0016.

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Curtis, Neal. "Wonder Woman and Captain Marvel : The (Dis)Continuity of Gender Politics." Journal of Popular Culture 53, no. 4 (August 2020): 926–45. http://dx.doi.org/10.1111/jpcu.12942.

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Agius, Dionisius A. "Where Facts and History Meet Myth and Legend: Groups or Communities in the Marvels of India Stories Model." India Quarterly: A Journal of International Affairs 76, no. 3 (July 24, 2020): 392–410. http://dx.doi.org/10.1177/0974928420936132.

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The cAja-’ib al-Hind ( Marvels of India) is a collection of sea stories allegedly compiled by Captain Buzurg Ibn Shahriya-r (d. 399/1009) which belongs to an Arabo-Islamic literary genre called the caja-’ib, containing themes of entertainment—things that are marvellous and strange. But these stories are not merely entertaining, they are an additional resource for the modern researcher because they also reflect the realities of daily life in seafaring communities of the Indian Ocean in the ninth and tenth centuries. Among the tales of the fantastic and the marvel, we find the simple humanity of the seafarers, something lacking in the purely factual, medieval, geographical and historical texts. A complementary model to the understanding of the maritime landscape of a group or community is proposed in this article. The stories model in this article demonstrates the relationship of an occupational group with other seafarers in a trans-regional Indian Ocean trade.
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Gámez Fuentes, María José. "Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)." European Journal of Cultural Studies 24, no. 1 (January 11, 2021): 94–106. http://dx.doi.org/10.1177/1367549420985839.

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The contemporary visibility of women’s accomplishments and popular outcry in the face of injustice and/or violence might suggest that women have achieved their aim of putting long-fought feminist principles in the spotlight and have finally earned equality. However, let us not forget that, in the face of violence, the hegemonic matrix of intelligibility has also historically defined women victims by their ‘injurability’, so, intrinsically vulnerable, thus justifying the need of the system to assist them. It is not surprising, then, that, as a response to vulnerability, empowerment is celebrated. In this context, one would think that a blockbuster, such as Captain Marvel (2019), would reproduce the hegemonic economy of recognition where the subjects of violence are either treated as devoid of agency or offered empowerment through a neoliberal individualizing logic. However, the controversy that the film and its female protagonist raised (for adopting explicit feminist language to challenge patriarchy), along with the outcry of white angry men (symptomatized in male film critics) and the Internet nerd-culture (members of which considered themselves aggrieved by the film), provide a fruitful ground to look into the communicative logic of victimhood. Captain Marvel can help us to explore not only the chiaroscuros and phallacy of the victim versus empowered subject script but also the implicit logic that obscures the divisions that this logic perpetuates. In this respect, we are interested in analyzing how the movie stages: 1. The assignation and construction of female vulnerability in a hegemonic shared cultural narrative that privileges the construction of the empowered subject obscuring the politics of emotions; 2. The possibilities of empowerment before such a narrative and in relation to reclaiming historical and personal memories; 3. The sharing of the condition of vulnerability across gender and geographical boundaries and its relation with the criminalization of other vulnerable others such as aliens.
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Dissertations / Theses on the topic "Captain Marvel"

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Hammarling, Ted. "Hur rättvis rättskipning gestaltas genom dialog i Batman v Superman (2016) och Captain America: Civil war (2016)." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-33542.

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Denna uppsats undersöker superhjältefilmers syn på rättskipning, lag och rätt och därigenom representation av relationen mellan legalitet, legitimitet och etik. De två superhjältefilmerna jag utgår från är Batman v Superman och Captain America: Civil War. Båda filmerna är väldigt lika varandra, till exempel genom att båda har uttryck för krig och att slåss mot varandra i filmtitlar. Metoden som har använts i uppsatsen är en tematisk analys av dialogerna i båda filmerna. Dialogerna som tagits upp i uppsatsen handlar om brott, rättvisa och ansvar. Det finns intressanta aspekter på rättvisa som också redovisas genom karaktärerna runt om hjälten också. Sådana karaktärer kan vara journalister, författare, flickvänner, betjänter, till och med skurkar. Alla dessa karaktärer har var sin åsikt om hur hjälten ska handla och det är slående hur de skapar en diskussion som visar hur komplexa filmerna gör frågorna som tas upp.
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Buyukada, Utkan. "Gestaltning av nationell identitet i Avengers : Karaktärsanalys av Iron Man, Captain America och Thor." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-103143.

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Uppsatsens huvudsakliga syfte är att undersöka hur amerikansk nationell identitet förmedlas i populära filmer. Undersökningen sker genom att analysera tre av de populäraste karaktärerna i de fyra Avengers-filmerna. Karaktärerna som ska analyseras är Iron Man, Captain America och Thor. Benedict Andersons undersökning av hur nationell identitet och nationalism sprids med hjälp av litteratur är förutsättningen för uppsatsen. Utgångspunkten är att populärkultur påverkar tittaren och kan sprida idéer som har verkliga effekter i samhället. I analysen tar effekterna av terrorattacken mot World Trade Center en viktig plats och hur den påverkar uppfattningen av amerikansk nationell identitet i Marvel-filmer narrativt och visuellt. Innan 9/11 var amerikansk nationell identitet stark kopplad till triumfalism och exceptionalism. Trots att terrorattacken påverkar gestaltningen av amerikansk nationell identitet i popkultur så förblir Amerikansk triumfalism och exceptionalism en grundläggande del av amerikansk identitet. Samtidigt undersöks den paradoxala relationen mellan individualism och kollektivism. En gestaltning av gemenskap och individualism präglar filmerna där även regissörers påverkan kan spela roll i det hyperindustrialiserade Marvel-maskineriet.
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Budirska, Alzbeta. ""This Is a Forced Feminist Agenda" : IMDb users and their understanding of feminism negotiated in the reviews of superheroine films." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104302.

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The thesis examines how users of the Internet Movie Database (IMDb) negotiate feminism in their reviews of four superheroine films – Wonder Woman, Captain Marvel, Birds of Prey: The Fantabulous Emancipation of One Harley Quinn, and Wonder Woman 1984. By combining critical discourse analysis with methods of corpus linguists, this corpus-based study of over 18,000 reviews analyses the frequency of the topic of feminism in the reviews, words and topics associated with it and the way the reviewers reflect broader mediated discourse over the four films, and the role of IMDb as a space for these reviews. The findings show that feminism is still understood as an anti-male movement where female-led films are shielded from criticism by the mainstream media by the virtue of the lead’s gender, the superheroines are criticised for being overpowered particularly where they have no equal male supporting character and that perceived feminist messaging is usually written off as a forced political agenda or as an insincere cash grab made by corporates which effectively use feminism for promotion. It also reveals IMDb as a highly polarised platform where the users leaving 1- and 10-star reviews are generalized as representatives of different sides of the political spectrum (antifeminist vs feminist, conservative vs liberal) regardless of the actual content of the review.
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González, Santos Martina Beatriz. "Destinos turísticos, comunicación y estrategia digital: un estudio sobre el rol y las prácticas de las oficinas nacionales de turismo en el exterior (ONTE) en la captación de mercados internacinales." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/458364.

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El presente estudio investiga la estructura, actividades y medios de comunicación que intervienen en la promoción internacional de los destinos turísticos. Para dar respuesta a los objetivos y preguntas de investigación, hemos implementado un diseño metodológico basado en la aplicación de una encuesta online y entrevistas cualitativas con gestores de marcas de destinos turísticos, así como en el análisis de documentos relevantes. Los resultados del estudio evidencian el rol central de las oficinas nacionales de turismo en el exterior (ONTE), como el principal instrumento a través del cual las organizaciones nacionales de turismo (ONT) coordinan y ejecutan sus objetivos en el mercado internacional. Asimismo, evidencia el impacto del desarrollo de la tecnología digital en las prácticas de las ONTE, a través de la adopción del una mezcla promocional que se caracteriza por ser online, social y móvil. Desde el punto de vista profesional, nuestro estudio puede ser de utilidad para los gestores de marcas de destinos turísticos en el desarrollo de sus objetivos de comunicación en el mercado internacional. Desde el punto de vista académico, la contribuye al desarrollo del campo de estudio de la comunicación y el branding de los destinos turísticos.
This study aims to investigate the structure, communication activities, and use of media in the international promotion of tourism destinations. We implemented a methodological approach based on an online survey and qualitative interviews with destination brand managers, as well as the analysis of relevant documents. The current study confirms the fundamental role of national tourism offices abroad (NTOAs), which are the main coordination via of national tourism organizations’ (NTOs) to accomplish their objectives in the international market. The study also highlights the impact of digital technology on the activities of the NTOAs, which have widely adopted the online, social and mobile media in their promotional mix. This research has several practical applications for practitioners and academics. The present study provides new insights for destination brand managers to develop international communications strategies. Furthermore, this research contributes to the development of the field of destination branding and communications.
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Vosyková, Lenka. "Prvky americké válečné propagandy ve filmových adaptacích komiksu Captain America." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435529.

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The character of Captain America is undoubtedly the most patriotic superhero in the comics world. Just the date of market launch in March 1941 sugests, that there was an intention to support the effort of U.S. Army during the World War II. He managed to highlight american national ideas and patriotismus, so it encouraged men to join the U.S. Army and for other people to buy war bonds to finance military operations. In the beginning of the new millennium the Marvel comics universe have been restored. The first Captain America movie was released in 2011, followed with another two sequels. The whole trilogy is quite in favor of the public. In the theoretical part of my theses, there is a description of different kinds of propaganda and its common use in public. I also ilustrate significance of pop culture and development of Marvel Studios to put it all in the wider perpective. After that follows depiction Captain America as an example of tradional hero displayed with a stereotypical charachteristics. As for the practical part of the theses, I am trying to demonstrate the american propaganda used in movies. In the next chapter I would like to determine if the viewers are able to percept it and respond to it. Part of the research was also to capture the diference in their perception due to their...
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WANG, SHIH-FANG, and 王詩芳. "Interpreting the Dialogue between "Marvel" Super Heroes and the United States on its Current International Affairs - with Captain America, Iron Man, and The Incredible Hulk as points of analysis." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/zq44th.

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碩士
中國文化大學
新聞學系
104
Marvel Studios' movies are mostly among the top 50 globally in recent 20 years. Those movies strongly reflect heroism, Americanism, American culture, beliefs, values and customs. This study focuses in analyzing these three Marvel Studios Heroes’, like “Captain America”, “Iron Man”, and “The Incredible Hulk”, dramatis personae and their functions by using Vladimir Propp’s Morphology of the Folk Tale plus Ferdinand de Saussure and Charles Sanders Peirce’s Semiology in order to bring out the Americanism through these three movies. On top of these, this study will also consolidate all correlations between these heroism Hollywood movies and International Affairs of the United States’ current status. Studies have showed that these Marvel’s heroes are elaborating strong Americanism and heroism, which spared the symbolism of United States worldwide. Since WWII, United States had helped multiples countries on maintaining their safety, peace and also governance and these countries had brought in high economic benefits for United States. On the other hand, United States has invested lots of resources in innovating new weapons and power source to keep up through those trail and errors. On top of scientific innovation, media has swapped its responsibilities from government advertisers to informer and monitors.
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Books on the topic "Captain Marvel"

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Michael, Ryan, and Azaceta Paul, eds. Captain Marvel. New York: Marvel, 2004.

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1948-, Moench Doug, Englehart Steve, and Broderick Pat, eds. Captain Marvel: The death of Captain Marvel. 2nd ed. New York, NY: Marvel Worldwide, 2013.

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DeConnick, Kelly Sue. Captain Marvel: Down. New York: Marvel Worldwide, 2013.

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Mike, Friedrich, and Englehart Steve, eds. The life of Captain Marvel. New York, NY: Marvel Comics, 1990.

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DeConnick, Kelly Sue. Captain Marvel: Earth's mightiest hero. New York, NY: Marvel Worldwide, Incorporated, 2016.

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DeConnick, Kelly Sue. Captain Marvel: Alis volate propriis. New York, NY: Marvel Worldwide, Incorporated, 2015.

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author, Gage Christos, Anka Kris, Failla Marco, and Silas Thony, eds. Captain Marvel: Civil War II. New York, NY: Marvel Worldwide, Incorporated, 2017.

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Starlin, Jim. The life of Captain Marvel. New York: Marvel Comica, 1990.

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Cocca, Carolyn. Wonder Woman and Captain Marvel. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329.

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Phil, Noto, Caramagna Joe, Arciniega Erick 1989-, and Bandini Michele (Illustrator), eds. The Mighty Captain Marvel: Dark origins. New York: Marvel Worldwide, Incorporated, 2018.

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Book chapters on the topic "Captain Marvel"

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Cocca, Carolyn. "Introduction." In Wonder Woman and Captain Marvel, 1–23. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329-1.

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Cocca, Carolyn. "Gender, violence, and militainment." In Wonder Woman and Captain Marvel, 24–41. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329-2.

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Cocca, Carolyn. "Military service, empowerment, and diversification." In Wonder Woman and Captain Marvel, 42–60. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329-3.

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Cocca, Carolyn. "The othering of adversaries and refugees." In Wonder Woman and Captain Marvel, 61–81. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329-4.

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Cocca, Carolyn. "Conclusion." In Wonder Woman and Captain Marvel, 82–88. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge focus on gender, sexuality, and comics: Routledge, 2020. http://dx.doi.org/10.4324/9781003019329-5.

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Babcock, Matthew, Ramon Villa-Cox, and Kathleen M. Carley. "Pretending Positive, Pushing False: Comparing Captain Marvel Misinformation Campaigns." In Lecture Notes in Social Networks, 83–94. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42699-6_5.

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Stevens, J. Richard. "Mentoring Ms. Marvel." In Ms. Marvel's America, 3–20. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827029.003.0002.

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In Marvel’s 2014 Ms. Marvel, Kamala Khan presented an intersectional symbol of female heroism. Referencing the original 1977 character (Carol Danvers), Khan’s portrayal as a Muslim-American teen from New Jersey represented key contrasts to the blonde New York super-heroine, despite the fact that she initially takes on Danvers’ form. Khan eventually encounters Danvers, who serves as a mentor to the teen superhero. The relationship would define both characters, finally providing Danvers with the opportunity to explore her own compromised feminism. This chapter reviews the troubled history of Danvers and documents the turns to redirect her narrative. The chapter analyzes both Ms. Marvel and Captain Marvel as feminist icons Marvel desperately needs to engage growing female audiences for comics. Kamala Khan’s narrative reframes Danvers as an icon worthy of respect through the millennial gaze, and the intergenerational exchange between the two characters serves to promote both for millennial consumers.
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Cremins, Brian. "“Brother, that Ain’t Imaginary!”." In Captain Marvel and the Art of Nostalgia. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496808769.003.0004.

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Billy Batson and his alter ego Captain Marvel reached the height of their popularity during World War II. This chapter studies several of Billy’s wartime adventures, stories that artist C. C Beck often dismissed later in his career. In these narratives, Captain Marvel embodies aspects of the ideal American soldier figured as an innocent boy whose courage all but guarantees a victory over the Axis powers. The chapter also examines the social and cultural consequences of this idealized figure, especially on returning soldiers and their families.
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Cremins, Brian. "Wertham’s Little Goblins." In Captain Marvel and the Art of Nostalgia. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496808769.003.0006.

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After Fawcett’s legal settlement with National in 1953, the original Captain Marvel did not return to comic books until 1973. In the meantime, comic book fans and amateur historians began writing about the character in the 1960s. This chapter traces Captain Marvel’s afterlife in these fanzines, publications that helped to establish the foundation for comics studies in the United States. The chapter also includes an overview of recent developments in the field of memory and nostalgia studies. These recent studies of the history of nostalgia in medicine, psychology, and the arts are essential for an understanding of how childhood memories have shaped comics studies as a discipline.
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Cremins, Brian. "“Tiny Flashes of Light”." In Captain Marvel and the Art of Nostalgia. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496808769.003.0001.

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The relationship between comic books, comics scholarship, and nostalgia is complex. This chapter explores the history of Captain Marvel, the popular comic book hero created by Bill Parker and C. C. Beck for Fawcett Publications in 1939. In addition to sections about the National Comics Publications, Inc. v. Fawcett Publications, Inc. copyright infringement case, the chapter also examines Captain Marvel’s place in early fanzines and comics scholarship published in the 1960s and early 1970s in the U. S. As an overview of the book, the introduction sets out to understand why the character was so tremendously popular in the 1940s only to disappear from popular discourse after the conclusion of the lawsuit in 1953.
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Conference papers on the topic "Captain Marvel"

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Grusby, Greg. "Behind the magic - marvel's captain america." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2897841.2960171.

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Alonso, Victoria, Dan Deleeuw, Jen Underdahl, Russell Earl, and Greg Steele. "The making of Marvel's "Captain America: Civil War"." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2936733.2936738.

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Luengo López, Jordi. "El Sena de Marcel Prévost. Atracción poética en las aguas del infortunio social." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3030.

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Las arterias de la ciudad de París concluyen en el río Sena, que, con sigilosos surcos marcados por las voces de tiempos pasados, aúna todas las esperanzas que emanan de sus calles en un poético anhelo de libertad que embruja a todos sus habitantes. El escritor parisino Marcel Prévost (1862-1941), en sus relatos, pero sobre todo en sus cuentos, y muy especialmente en uno que brindó exclusivamente a este río, supo captar el agridulce sortilegio que muchos transeúntes sentían por sus aguas, dado que a ellas se las amaba como a una madre a la que agradecer la vida, pero también se las veía como la vía directa para abandonar la existencia propia. Sobre las aguas del Sena flotaban incontables suicidas; numerosos cadáveres de hombres y mujeres que fueron asesinados/as; de imprudentes flâneurs, que cayeron desde lo alto de alguno de sus puentes sin que jamás pudiera averiguarse su identidad; o, incluso bebés abandonados que, como moisés atemporales, forjarían, con el paso de los años, las esperanzas de la civilización. Estas aguas frecuentemente teñidas de la más hermosa amalgama de grises que pueden advertirse en una ciudad, no sólo fueron objeto de veneración de los habitantes de la ville lumière, sino que, además, en su superficie se reflejaba también la dura realidad social que se extendía por ambas orillas de beldad urbana.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3030
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Zunno, Antonio. "La fortezza e il suo giardino: uno sguardo dal mare." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11368.

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The fortress and its garden: a view from the seaThe Fortress was built from 1554, on the ruins of an ancient convent, at the behest of Philip of Austria, and it was completed in about 55 years under the direction of Giulio Cesare Falco, knight of the Order of Malta and Captain General against the Turks. The maine structure, called Forte a Mare, was joined with the Opera a Corno, a mighty rampart with the function of enclosure of the intermediate island, separated from the other island in 1598 by the construction of the Angevin canal: here were arranged the lodgings of the troops and garrisons. Castello and Forte, were named by the Spaniards Isla Fortalera que abre el Puerto Grande, because of its particular position to protect the port. The complex was entrusted to the Germans in 1715, then conquered by the French Revolutionaries and, in 1815, re-annexed to the Kingdom of Naples and destined to lazaretto. A period of decline follows until the end of the 19th century when Brindisi became a first class naval base and the fort became a garrison of the Royal Navy, destined, during the Great War, to recover torpedoes and detonators The recovery of the complex, starting in the 1980s, allowed the conservation of the structures but was never included in a real valorisation program. With this intervention in progress, a first visit is expected through the visit from the walkways through a circular route from the Castle to the whole Opera in Corno: the itinerary will allow you to retrace the history of the Fortress and enjoy a unique view from the high towards the sea, also through the passage in a curtain of Mediterranean scrub that has colonized the walls over the centuries, creating a veritable hanging garden on the sea. The aim is to lead the visitor to the rediscovery a forgotten place that is closely connected to the coastal landscape, for which it is a privileged point of view also in relation to the city and the port.
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