Relevant bibliographies by topics / Caprices

Academic literature on the topic 'Caprices'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Caprices"

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Kira, Tymofeieva. "INTERPRETATION PECULIARITIES OF THE CAPRICE GENRE IN F. MENDELSSOHN’S PIANO CREATIVITY." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (October 3, 2021): 96–110. http://dx.doi.org/10.34064/khnum1-60.05.

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Statement of the problem. The centuries-old development of the genre of piano caprice (capriccio), which led to its flourishing in the work of romantic composers, is considered as an integral part of the genre system in Western European piano music. Insufficient study of Mendelssohn’s piano works, in particular caprices, determines the relevance of the research. The purpose of the article is to generalize stylistic qualities of the composer’s piano caprices in the context of genre evolution and their performance features. Analysis of research and publications. The genre of caprice is studied in the historical research of T. Livanova (1983), who equates the form of fantasy and capriccio-ricercare. V. Protopopov (1979) reveals the connection between fantasycapriccio and fugue in the early 17th century. K. Agisheva (2007) examines the historical aspects of the study of the capriccio genre. Modern Western European researchers, analyzing the genre of piano caprice, emphasize that its musical texture is filled with elements of vocal lyrics and mood swings (Lewandowski, 2017; Keym, 2009). At the same time, the issues of performance features remain unclear. Methods. Complex methodological approach applied in the article (historical, genre, structural-functional, performаnce research methods) allows us to trace the development of caprice from the Baroque era to Romanticism and conduct an intonational-dramatic analysis of Mendelssohn’s works in accordance with the following criteria: musical form (dramaturgy), textural presentation, thematic development, tempo-rhythmic characteristics, nature of thematism. Analysis of recent research and publications. Baroque caprice is a work of polyphonic composition and improvisational construction (J. S.Bach, G.F. Handel, I. Sweelink, J. Frescobaldi). In the era of Viennese Classicism, caprice was not very popular due to its improvisational, bizarre nature, contradicting to the aesthetic ideals of the time. The genre of piano caprice became widespread in the era of Romanticism in the works of F. Mendelssohn, whose distinguished style is marked by virtuosity, melody, grace, sentimentality, clarity of presentation. Among the works of F. Mendelssohn there are seven caprices for solo piano and with orchestra. The intonational-dramatic analysis of Mendelssohn’s piano caprices makes it possible to trace the main stylistic qualities of the genre and to reveal its performance features. Conclusions. The work outlines the stylistic traits of Mendelssohn’s piano caprices ассording to such parameters: – compositional structure of his piano caprices is a one-movement composition or a cyclic one, composed of two or three movements; – texture of the music is determined by polyphonic orchestral elements and broad cantilena themes; – thematic development is based on repetition, variability or variation; – tempo-rhythm is characterized by three-beat pulsation, syncopation of rhythm, sharp accentuation; – thematicism is determined by synthesis of lyrical and decisively acting images inherent in the style of Mendelssohn. Hence, the main task for the performer is clarity, expressive intonation of the melody in combination with a “pearl” light touch and energetic dynamic tempo rhythm.
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Houston, Jeanne Wakatsuki. "Caprices (review)." Manoa 15, no. 1 (2003): 187. http://dx.doi.org/10.1353/man.2003.0077.

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Perry, Jeffrey. "Paganini's Quest: The Twenty-four Capricci per violino solo, Op. 1." 19th-Century Music 27, no. 3 (2004): 208–29. http://dx.doi.org/10.1525/ncm.2004.27.3.208.

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Nicolo Paganini (1782-1840) has long been viewed as an emblem of virtuosity, his music heard, if at all, through the variations and adaptations of other composers. This historical neglect and the Paganini mythos notwithstanding, the twenty-four Caprices, op. 1, published in 1820, establish his place as a serious composer whose innovations must be considered in any assessment of early Romanticism. In the Caprices, two voices seem to speak. The first is lyrical and draws on the vocal and operatic roots of PaganiniÕs musical upbringing. The second I have labeled the questive voice. Romanticism is an aesthetic of distance; the questive voice is a means of traversing the immensity that is the one essential feature of early Romanticism in its incarnations. This immensity manifests itself in the wide registral space opened and explored in the Caprices; in the motivically driven, asymmetrical construction of many passages found therein; and in the extensive harmonic reach of many of the Caprices. This article presents close readings of Caprices nos. 1, 2, 4, 9, and 10, drawing on Schenkerian methodologies and work by Ratner, Caplin, and Burnham to articulate the lyrical/questive dichotomy and interplay between technique and expression in these singular works by a singular composer.
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Bazin, Paul. "Le sérialisme lyrique de la « Devinette de la guitare » (1954) de Serge Garant." Circuit 22, no. 2 (October 18, 2012): 57–68. http://dx.doi.org/10.7202/1012793ar.

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La mélodie « Devinette de la guitare », tirée du cycle Caprices que composa Serge Garant en 1954, est un exemple éloquent de la fascination qu’exerçait sur le compositeur la rigueur de la construction musicale. Premiers opus entièrement sériels de son catalogue, les mélodies du cycle Caprices témoignent à la fois de la manipulation virtuose que fait Garant de son matériau sonore, ainsi que du lyrisme abstrait qui caractérise sa démarche.
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Le Nestour, Annick. "Bêtises et/ou caprices infantiles." Enfances & Psy 63, no. 2 (2014): 81. http://dx.doi.org/10.3917/ep.063.0081.

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Turner, Sophie. "‘Caprices’ and Naming in Cyrano’s Letters." Romance Studies 31, no. 3-4 (November 2013): 179–88. http://dx.doi.org/10.1179/0263990413z.00000000044.

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Cooper, Barbara T. "Alfred De Musset, Les Caprices de Marianne." Studi Francesi, no. 144 (XLVIII | III) (December 15, 2004): 632–33. http://dx.doi.org/10.4000/studifrancesi.37952.

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DiBenedetto, Lucia A. "Caprices de la chair by Jean Ferniot." French Review 86, no. 1 (2012): 219. http://dx.doi.org/10.1353/tfr.2012.0059.

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Garnier, Emmanuel. "La ville face aux caprices du fleuve." Histoire urbaine 18, no. 1 (2007): 41. http://dx.doi.org/10.3917/rhu.018.0041.

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Schneider, Monique. "Femmes et hommes : les caprices du don." Revue du MAUSS 39, no. 1 (2012): 405. http://dx.doi.org/10.3917/rdm.039.0405.

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Dissertations / Theses on the topic "Caprices"

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Shen, Fang-Yi. "A pedagogical and analytic comparison of Auguste Franchomme's Twelve Caprices, Op. 7 and Alfredo Piatti's Twelve Caprices, Op. 25." Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1236048721.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.
Advisors: David Carson Berry (Committee Chair), Jonathan Kregor (Committee Member), Lee Fiser (Committee Member). Title from electronic thesis title page (viewed May 1, 2009). Includes abstract. Keywords: Cello; Schenker; Performance; Franchomme; Piatti; Caprices; Etude. Includes bibliographical references.
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Stocker, Melinda Suat-Lee. "The evolution of the caprice for solo violin with reference to the caprices by Locatelli, Paganini and Reitz /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18759.pdf.

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Tung, Mary Helen. "The pedagogical contributions of Rode's Caprices to violin mastery." Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008254.

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Shen, Keh-Shu. "An analytical study of Paganini's Twenty-four caprices for solo violin /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11338.

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Perget-Amblard, Elisabeth. "Le caprice et son dessein." Paris 1, 2006. http://www.theses.fr/2006PA010656.

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De prime abord le caprice se présente comme instable. Il loge dans la spontanéité, l'instant (siège de notre sensation d'existence chez Bachelard) et le flux husserlien, flux qui, par définition, ne connaît pas de constance. Il est « ce que jamais on ne verra deux fois. ». Là est son effet de surprise. Ses connivences avec les humeurs ne doivent pas le réduire à un acte instinctif ou automatique; elles sont à recevoir bien davantage comme autant de pulsions et d'impulsions, incitations stimulatrices qui déclenchent et entraînent un geste artistique. Soudain, comme un événement se produit, le caprice participe d'un état d'urgence. Aussitôt, dans l'ignorance de ce qui va suivre, il improvise. La disponibilité du trait jaillit. Le trait est donc matière première et manière première dans son aptitude à saisir par un dessin. Il permet d'apprivoiser le vif, comme peut parfois le faire la photographie. Aussi ce caprice en acte invite à l'étude de notions relatives à sa pratique : cause et raison, intention et décision dans l'action. Paraissant gratuit et futile, le caprice semble appartenir à une même famille d'activités que le jeu, hors de la vie courante. Par ce rapprochement, il se précise. Il est ilinx (vertige), empreint de paida (divertissement, turbulence), il est joueur, maître vagabond d'un jeu dont il invente les règles au fur et à mesure de son déroulement, dans une forme immanente. Justement, du caprice comme genre on peut retenir ses qualités d'indépendance vis-à-vis des règles édictées. Le caprice se présente comme un terrain d'exploration non soumis aux impératifs des dogmes qui peuvent canaliser l'activité artistique. Finalement ce terrain se révèle un vaste jardin et amène à considérer les correspondances entre œuvrer et jardiner.
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Vu, Chuong Viet. "A Practical Edition of the Twenty-four Caprices for Solo Violin by Sir William Herschel." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822781/.

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Sir William Herschel (1738–1822) was a prominent musician and composer in the 18th century England. He worked as a concert director in several cities. In addition, he was a master of various instruments, and an active solo performer. Herschel composed numerous orchestral and solo works. His music, however, is hardly known today. Many of his compositions remained unpublished, among them the Twenty-Four Caprices for Solo Violin. These caprices are one of the earliest technical studies for the instrument, which must be brought to the intermediate violin students’ and violin teachers’ attentions. The purpose of this study is to create a practical edition of the Twenty-Four Caprices for Solo Violin, and to make it available for violinists by publishing them. The dissertation will look into the performance practice of Hershel’s caprices. Based on a thorough research of the violin methods, the edition will provide fingerings, bowings, and practicing suggestions which are useful for students who wish to improve violin technique. The author of this study strongly believes that these neglected technical studies are extremely beneficial works for violinists, and they deserve to be made public.
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Kanz, Roland. "Die Kunst des Capriccio : Kreativer Eigensinn in Renaissance und Barock /." München : Deutscher Kunst, 2002. http://catalogue.bnf.fr/ark:/12148/cb389549684.

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Lara, Maria do Carmo Custodio de Souza Hunold. "Artrite-encefalite dos caprinos - aspectos clínicos e epidemiológicos." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/10/10136/tde-14032005-162759/.

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Estudou-se a freqüência da ocorrência de anticorpos antivírus da Artrite-encefalite dos Caprinos, em caprinos de 14 plantéis localizados no Estado de São Paulo, por um período de 2 anos, utilizando-se a técnica de imunodifusão em gel de ágar. A prevalência obtida foi de 26,3%, sendo significativamente maior nos caprinos mantidos em regime intensivo (31,8% - 733/2303) de criação do que no sistema semi-extensivo (13,1% - 128- 977). A infecção pelo vírus da Artrite-encefalite dos Caprinos aumentou gradativa e significativamente após os 6 meses de idade, havendo predominância da infecção nos caprinos mais velhos. Não se detectou influência de fatores sexuais sobre a prevalência da enfermidade determinada em caprinos do sexo feminino (27,9% - 663/2375) e masculino (32,3% - 94/291). A prevalência da doença foi significativamente maior nos caprinos das raças Anglo Nubiana (63,8% - 88/138) e Toggenbourg (56,0% - 28/50) do que nas demais raças estudadas: Saanen (27,4% - 673/2458), Alpina (11,9% - 59/497), Bôer (5,9% - 2/34) e caprinos mestiços (10,7% - 11/103). Paralelamente realizou-se estudo clínico dos animais infectados pelo vírus da Artrite-encefalite dos Caprinos, quando pudemos demonstrar que 17,1% (64/374) dos caprinos sororeagentes apresentavam a forma clínica articular da enfermidade e que 6,6% (17/249) das cabras sororeagentes apresentavam a forma mamária. A possibilidade de transmissão vertical transplacentária foi menor do que 3,8%. Verificou-se ser pequena a possibilidade dos cabritos se infectarem pelo colostro de cabras sororeagentes positivas, mas podem se infectar pelo leite oriundos dessas cabras infectadas (18,8% - 3/16). O tempo de duração dos anticorpos séricos adquiridos passivamente pelo colostro variou de 60 a 120 dias. Demonstrou-se, indiretamente, a presença e a viabilidade do vírus no sangue circulante, colostro e leite de caprinos infectados, bem como a possibilidadede infectar animais susceptíveis por inoculação, sendo o período de incubação de 45 a 60 dias. Não se demonstrou diferenças significativas dos teores séricos de proteína total, gamaglobulina e da atividade enzimática da glutamiltransferase - γGT em cabritos que receberam colostro de cabras infectadas ou não infectadas pelo mencionado vírus.
The frequency of occurrence of antibodies anti-caprine arthritis-encephalitis virus was studied in 14 herds in the State of São Paulo, during 2 years, using agar gel immunodiffusion. Prevalence was equal to 26.3%, and was significantly higher in animals kept under an intensive management scheme (31.8% - 733/2303), than in animals kept under a semi-extensive one (13.1% - 128- 977). Infection by the caprine arthritis-encephalitis virus increased gradual and significantly after 6 months of age. Infection was predominant in older animals. There was no gender influence on the prevalence of the disease, both in females (27.9% - 663/2375) and males (32.3% - 94/291). In relation to breed, prevalence of the disease was significantly higher in Anglo-Nubian (63.8% - 88/138) and Toggenbourg animals (56.0% - 28/50), than in the rest of the breeds studied: Saanen (27.4% - 673/2458), Alpine (11.9% - 59/497), Boer (5.9% - 2/34) and mixed breed animals (10.7% - 11/103). A clinical study of the animals infected by caprine arthritis-encephalitis virus was also performed. It was observed that 17.1% (64/374) of seroreagents presented the articular form of the disease and that 6.6% (17/249) of the seroreagent females presented the mammary form of the disease. The possibility of vertical, transplacentary transmission was lower than 3.8%. It was observed that the probability of infection of kids by colostrum of infected females was low (18.8% - 3/16). Antibodies passively acquired by colostrum ingestion lasted from 60 to 120 days. The presence and viability of the virus circulating in blood, colostrum and milk of infected animals, as well as the possibility of infection of susceptible animals by inoculation was indirectly demonstrated. Incubation period ranged from 45 to 60 days. There was no significant difference in serum levels of total protein and gammaglobulin, and in enzymatic activity of glutamiltransferase - γGT in kids that received colostrum from infected and non-infected females.
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Desarthe, Jérémy. "Les caprices du bon vieux temps : climat et société dans l'ouest de la France (XVIe-XIXe siècle)." Caen, 2011. http://www.theses.fr/2011CAEN1633.

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La question du changement climatique et des évènements climatiques extrêmes est au cœur des préoccupations sociétales actuelles. Dans le cadre de différents projets scientifiques (RENASEC, CLIMURBS), ce travail vise à étudier le climat de l'ouest de la France entre le XVIe et le XIXe siècle autour de différentes perspectives de recherche. Dans la continuité des travaux d'Emmanuel Le Roy Ladurie et d'Emmanuel Garnier, l'objectif est de reconstruire la variabilité saisonnière du climat à partir des différentes sources dépouillées (Délibérations municipales, livres de raison…). Il a ainsi été possible de mettre en exergue les variations qui affectent le climat pendant quatre siècles. L'analyse des événements climatiques extrèmes a quant à elle permis de reconstituer leurs fréquences et leurs impacts sur les populations littorales et urbaines et pose la question de la vulnérabilité des sociétés. Les différents dépouillements ont ainsi suggéré l'existence d'une gestion du risque depuis le XVIe siècle. En effet, conscientes de leur vulnérabilité, les populations ont su, entre mesures de prévention, gestion de l'espace et organisation de secours, mettre en œuvre des politiques pour faire face à ces aléas. In fine, l'étude de la perception et de la mémoire de l’évènement permet de souligner l'évolution du rapport des hommes au climat et plus généralement du rapport à la Nature. Cette évolution apparaît ainsi incontournable dans l'analyse de la création d'une mémoire de l'évènement
The issue of climate change and extreme climate events is at the heart of current societal concerns. In the context of different projects (RENASEC, CLIMURBS), this work examines the climate of western France between the sixteenth and nineteenth centuries around different research perspectives. In continuing the work of Emmanuel Le Roy Ladurie and Emmanuel Garnier, the ambition is to reconstruct the seasonal variability of the climate from different data stripped. It was possible to highlight changes that affect the climate for four centuries. The analysis of extreme climate events has allowed the reconstruction of their frequencies and their impacts on littoral communities and urban areas and raises the question of the vulnerability of societies. The documentary data have enabled to show the existence of a risk management since the sixteenth century. Conscious of their vulnerability, the populations have known, from prevention, land management, implement policies. The study of perception and memory of the event serves to analyze the evolution of the climate and the men and generally report to Nature. This development is essential in creating a memory of the event
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Song, Chi Young. "EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/91.

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The purpose of this project is to bring Kim’s caprices into the mainstream violin literature through a three-prong approach by examining each caprice via musical analysis, technical analysis, and by investigating its pedagogical merit. After inspecting each caprice through three different lenses mentioned above, the paper will organize the twelve caprices around a tripartite structure; serial, atonal, and free tonal. The work opens with a six-measure Motto. While the relationship between the Motto and the rest of the work is not immediately clear, thorough musical and formal analysis will provide insight into the work’s cohesion. This project will also examine pedagogically what specific technical challenges lay in selected caprices and how to solve thorny problems. The caprices are truly innovative in a sense that they present opportunities to understand non-tonal polyphonic writing on what is supposed to be a monophonic instrument while expanding the tradition of the Violin Caprice.
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Books on the topic "Caprices"

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Gauthier, Jean-Luc. Deux caprices. Saint-Romuald, QC: Productions d'Oz, 2005.

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Millêtre, Béatrice. Les caprices. Paris: Hachette Pratique, 2013.

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Caprices: Poèmes. [Paris]: Gallimard, 2004.

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Goya, Francisco. Les Caprices. Paris: Editions de l'amateur, 2005.

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Les caprices. Paris: Amateur, 2005.

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The caprices. Boston: Houghton Mifflin, 2002.

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Goya, Francisco. Les Caprices. Paris: Insulaire, 1999.

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Mullender, Jacques. Paris caprices. Paris: Presses de l'Ecole nationale des ponts et chaussées, 1992.

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1981-, Allag Mélanie, ed. Marie caprices. Paris: L'Élan vert, 2012.

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Chaniel, Maurice. Caprices du destin. [Nouméa, Nouvelle-Calédonie]: Editions du Littoral, 1999.

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Book chapters on the topic "Caprices"

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Burkhardt, Dietrich, and Ingrid de la Motte. "Stalk-Eyed Flies: Caprices of Evolution?" In Monographiae Biologicae, 169–74. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1685-2_17.

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Timko, Michael. "Carlylean Caprice." In Carlyle and Tennyson, 91–96. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09307-6_12.

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Muratova, Xénia. "L’ambiguité des fonds et les caprices des rinceaux. Remarques sur les fonds ornementaux dans l’enluminure du XIIIe siècle." In Ars Nova, 235–46. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ars-eb.3.34.

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Thies, Henning. "Firbank, Ronald: Caprice." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8514-1.

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Bährle-Rapp, Marina. "Capric Acid." In Springer Lexikon Kosmetik und Körperpflege, 88. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1612.

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Gooch, Jan W. "Capric Acid." In Encyclopedic Dictionary of Polymers, 114–15. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_1901.

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Peterhans, E., B. Pohl, R. Zanoni, and S. Lazary. "Caprine Arthritis-Encephalitis." In Rheumatoid Arthritis, 216–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-76189-8_15.

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Balbin, Michelle Macugay, and Claro Niegos Mingala. "Caprine Arthritis-Encephalitis." In Emerging and Re-emerging Infectious Diseases of Livestock, 191–213. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47426-7_7.

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Manso-Silván, Lucía, and François Thiaucourt. "Contagious Caprine Pleuropneumonia." In Transboundary Animal Diseases in Sahelian Africa and Connected Regions, 439–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25385-1_21.

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Soufas, C. Christopher. "Goya and Los caprichos." In Subject, Structure, and Imagination in the Spanish Discourse on Modernity, 121–40. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137532862_8.

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Conference papers on the topic "Caprices"

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Omoronyia, Inah, Liliana Pasquale, Mazeiar Salehie, Luca Cavallaro, Gavin Doherty, and Bashar Nuseibeh. "Caprice: a tool for engineering adaptive privacy." In the 27th IEEE/ACM International Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2351676.2351745.

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Efremov, A., S. Bogomolov, V. Bekhterev, A. Dobrosavljević, V. Vujović, N. Nešković, and I. Trajić. "Upgrading of the CAPRICE type ECR ion source." In Proceedings of the 17th International Conference on Ion Sources. Author(s), 2018. http://dx.doi.org/10.1063/1.5053291.

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Tinschert, K. "Experiments on Beam Extraction from the CAPRICE ECRIS." In ELECTRON CYCLOTRON RESONANCE ION SOURCES: 16th International Workshop on ECR Ion Sources ECRIS'04. AIP, 2005. http://dx.doi.org/10.1063/1.1893411.

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Mantovani, Flávia. "O corpo feminino na revista Capricho: historiografia e metodologia." In VI Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História – Universidade Estadual de Maringá – UEM, 2013. http://dx.doi.org/10.4025/6cih.pphuem.564.

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Mikhaylova, Elena, Emil Khusnutdinov, Michael Shein, Anna Sukhareva, Maria Panfilova, and Bulat Kuluev. "Transcription factor caprice as a target to induce anthocyanin biosynthesis in oilseed rape." In MODERN SYNTHETIC METHODOLOGIES FOR CREATING DRUGS AND FUNCTIONAL MATERIALS (MOSM2020): PROCEEDINGS OF THE IV INTERNATIONAL CONFERENCE. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0068528.

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Manoel Luiz da Silva, Neto, Silva João Vitor Celerino da, Tavares Maciel Alves, and Moura Marismenia de Siqueira Campos. "A PRATICA DA CASTRAÇÃO DE CAPRINOS COMO FERRAMENTA DE ENSINO." In III CONGRESSO INTERNACIONAL DAS CIÊNCIAS AGRÁRIAS. Instituto Internacional Despertando Vocações, 2018. http://dx.doi.org/10.31692/2526-7701.iiicointerpdvagro.2018.00701.

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Antonio Castillo Cevallos, Luis, Janaina Kelli Gomes Arandas, LAURA LEANDRO ROCHA, Henrique Silva Sérvio, and Maria Norma Ribeiro. "Cenário dos recursos genéticos locais caprinos e ovinos do Brasil." In Semana Nacional da Ciência e Tecnologia IFRO Campus Cacoal. ,: Even3, 2022. http://dx.doi.org/10.29327/snctifrocampuscacoal2021.417206.

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You, Y. H., F. W. Meyer, and K. S. Chung. "Bi-Maxwellian electron energy distributions in the edge of the CAPRICE ECR ion sources." In 2006 International Symposium on Discharges and Electrical Insulation in Vacuum. IEEE, 2006. http://dx.doi.org/10.1109/deiv.2006.357385.

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Chertoff, Dustin B., Sandy Vanderbleek, Stephen M. Fiore, and Shaun Gallagher. "Cognitive architecture for perception-reaction intelligent computer agents (CAPRICA)." In the 4th ACM/IEEE international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1514095.1514156.

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de Aguiar Zanola, Fernanda. "PERCEPÇÕES DE CONSUMO DA REVISTA CAPRICHO SOB A ÓTICA DA INTERSECCIONALIDADE." In Anais do IV Encontro Cultura e Consumo Brasil: Construção de Teoria. ,: Even3, 2021. http://dx.doi.org/10.29327/accb2021.405462.

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Reports on the topic "Caprices"

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Cheevers, William P., Kalman Perk, D. S. Adams, Israel Hod, Travis C. McGuire, Arnon Shimshony, and N. Safran. Subunit Vaccine for the Retrovirus of Caprine Arthritis-Encephalitis and Studies of its Pathogenesis and Epidemiology. United States Department of Agriculture, September 1986. http://dx.doi.org/10.32747/1986.7566731.bard.

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Jayat, J. Pablo, and Pablo E. Ortiz. Phyllotis caprinus. En: SAyDS�SAREM (eds.) Categorizaci�n 2019 de los mam�feros de Argentina seg�n su riesgo de extinci�n. Ciudad Aut�noma de Buenos aires: Lista Roja de los mam�feros de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.318.

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Pluhar, Grace. Optimization of Soft Tissue Management, Spacer Design, and Grafting Strategies for Large Segmental Bone Defects using the Chronic Caprine Tibial Defect Model. Fort Belvoir, VA: Defense Technical Information Center, October 2014. http://dx.doi.org/10.21236/ada613146.

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Forsberg, Jonathan A. Optimization of Soft Tissue Management, Spacer Design, and Grafting Strategies For Large Segmental Bone Defects Using The Chronic Caprine Tibial Defect Model. Fort Belvoir, VA: Defense Technical Information Center, October 2014. http://dx.doi.org/10.21236/ada613641.

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Morelo Pereira, Douglas Jahir, and Diocelina Torres Castro. El contador público y los principios de contabilidad financiera. Ediciones Universidad Cooperativa de Colombia, December 2021. http://dx.doi.org/10.16925/wpai.07.

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Abstract:
El presente este documento de trabajo tipo avance de investigación es resultado de la ejecución del proyecto denominado “Relevancia de los principios de contabilidad financiera para un buen análisis de transacciones de negocio”, por lo cual solo desarrolla parte del primer objetivo. En consecuencia, se abordan algunos principios de contabilidad financiera documentados mediante una revisión de literatura. El problema que se aborda radica en la relevancia de estos principios para asegurar la neutralidad en los procesos de análisis de transacciones económicas y de presentación de información financiera a cargo del contador público. La revisión de literatura y el análisis de contenido realizado permiten abordar algunos atributos relevantes de los principios aplicables al ejercicio de la profesión contable y sugiere que la tutela otorgada por el Estado a través de la fe pública en materia socioeconómica debe ser protegida por parte de los contables mediante la emisión de información financiera basada en la aplicación principios de carácter técnico-científicos y no supuestos, caprichos u opiniones que afecten la confianza pública.
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