Books on the topic 'Capacitive discharge'

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1

N, Shneider Mikhail, and Yatsenko Nikolai A, eds. Radio-frequency capacitive discharges. Boca Raton: CRC Press, 1995.

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2

Physics of Radiofrequency Capacitive Discharge. Taylor & Francis Group, 2020.

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3

Savinov, V. P. Physics of Radiofrequency Capacitive Discharge. Taylor & Francis Group, 2018.

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4

Savinov, V. P. Physics of Radiofrequency Capacitive Discharge. Taylor & Francis Group, 2018.

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5

Savinov, V. P. Physics of Radiofrequency Capacitive Discharge. CRC Press, 2018. http://dx.doi.org/10.1201/9780429470608.

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6

Savinov, V. P. Physics of Radiofrequency Capacitive Discharge. Taylor & Francis Group, 2018.

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7

Savinov, V. P. Physics of Radiofrequency Capacitive Discharge. Taylor & Francis Group, 2018.

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8

Physics of High Frequency Capacitive Discharge. Taylor & Francis Group, 2018.

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9

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. Taylor & Francis Group, 2019.

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10

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. Taylor & Francis Group, 2017.

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11

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. CRC Press, 2017. http://dx.doi.org/10.1201/9780203741337.

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12

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. Taylor & Francis Group, 2017.

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13

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. Taylor & Francis Group, 2017.

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14

Raizer, Yuri P., Mikhail N. Shneider, and Nikolai A. Yatsenko. Radio-Frequency Capacitive Discharges. Taylor & Francis Group, 2017.

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15

Indian Institute of Technology (Kharagpur, India). Dept. of Electrical Engineering., ed. Location of partial discharge in power transformers by computation and measurement of capacitively transmitted voltage surges. New Delhi: Research Scheme on Power, Central Board of Irrigation and Power, 1995.

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16

Phillips, Tom. Polyphony, Event, Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805823.003.0009.

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Abstract:
This chapter argues that Pindar’s Paean 9 creates a complex relationship between enunciative and performative situations. This complexity is pragmatic, but is also informed by the poem’s intertextuality, its construction of voice, and its self-consciousness about its status as an aesthetic artefact. Paean 9 positions itself in a tradition of poems about eclipses; doing so reinforces its control over the event it memorializes. Its opening utterance is meant to be understood simultaneously as a spontaneous response to the eclipse and a crafted authorial utterance, and attunes audiences both to the gods’ ineffable power and man’s capacities for meaningful if provisional understanding of it. The poem’s capacity to make itself understood as separable from its performance context inflects the specific way in which it discharges its ritual aims.
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