Academic literature on the topic 'Cantu in paghjella'
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Journal articles on the topic "Cantu in paghjella"
Herrgott, Catherine. "Cantu in paghjella : Patrimoine Culturel Immatériel et nouvelles technologies dans le projet I-Treasures." Études, no. 30 (March 4, 2019): 91–113. http://dx.doi.org/10.7202/1056922ar.
Full textCrevier-Buchman, Lise, Angélique Amelot, Samer K. Al Kork, Martine Adda-Decker, Nicolas Audibert, Patrick Chawah, Bruce Denby, et al. "Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing: Cantu in Paghjella Case Study." International Journal of Heritage in the Digital Era 4, no. 1 (March 2015): 121–32. http://dx.doi.org/10.1260/2047-4970.4.1.121.
Full textWang, Wenrui. "The Ways that Digital Technologies Inform Visitor's Engagement with Cultural Heritage Sites: Informal Learning in the Digital Era." GATR Global Journal of Business Social Sciences Review 10, no. 4 (December 30, 2022): 237–48. http://dx.doi.org/10.35609/gjbssr.2022.10.4(3).
Full textDissertations / Theses on the topic "Cantu in paghjella"
Burnea, Volvoreanu Ramona-Mariela. "Étude comparative des pratiques poétiques dans les chants traditionnels roumains et corses." Thesis, Corte, 2020. http://www.theses.fr/2020CORT0010.
Full textOur study aims at comparing the doïna and the cantu corsu, traditional songs that deal with universal themes such as love, nostalgia, work, social oppression or death in both agro-pastoral societies.Thanks to the work of contemporary researchers involved in the preservation of these creations and their cultural value, the cantu in paghjella like the doïna became part of the intangible heritage of UNESCO in 2009.The multiple forms of Corsican singing (polyphonic and monodic) cover all aspects of life. From our point of view, the cantu in paghjella can be characterized in particular by the fact that it is sung a capella by men while the doïna is a monody performed in solitude by men and women.Through this study, we highlight similarities and differences, convergences and divergences between these two types of songs.Today we note that the Corsican song constitutes a way of preserving and transmitting the Corsican language or favors the chest voice. We also notice that in Corsica, the universe of death has a more important place than in the Romanian song. These aspects are among the most significant differences.Regarding similarities and in addition to the common themes, let us note that these two types of songs are practiced in isolated territories (geographically for Corsica and linguistically for Romania). For millennia, songs from different regions and dialects have been passed on with the help of transhumant shepherds, with music and lyrics always being transmitted simultaneously. Today and for several reasons (rural exodus or media coverage sometimes disconnected from the context), authentic singing risks disappearing without the implementation of a real process of heritage development
Books on the topic "Cantu in paghjella"
Herrgott, Catherine. Le chant polyphonique corse: Patrimonialisation d'une pratique vocale collective. Paris: L'Harmattan, 2019.
Find full textBook chapters on the topic "Cantu in paghjella"
Albertini, Françoise. "Chapitre 3. Le choix du Cantu in paghjella corse par l’Unesco." In Transmission(s), 55. EMS Editions, 2016. http://dx.doi.org/10.3917/ems.larde.2016.01.0055.
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