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Academic literature on the topic 'CANGAROO'

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Published: 10 December 2022
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Journal articles on the topic "CANGAROO"

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Yukawa, Y., and the CANGAROO Collaboration. "Recent results from CANGAROO-III." Journal of Physics: Conference Series 120, no. 6 (July 1, 2008): 062018. http://dx.doi.org/10.1088/1742-6596/120/6/062018.

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Mori for the CANGAROO Team, Masaki. "Recent Status of CANGAROO-III." Journal of the Physical Society of Japan 77, Suppl.B (January 2, 2008): 32–35. http://dx.doi.org/10.1143/jpsjs.77sb.32.

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Kubo, H., A. Asahara, G. V. Bicknell, R. W. Clay, Y. Doi, P. G. Edwards, R. Enomoto, et al. "Status of the CANGAROO-III project." New Astronomy Reviews 48, no. 5-6 (April 2004): 323–29. http://dx.doi.org/10.1016/j.newar.2003.12.002.

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Dazeley, S. A., P. G. Edwards, J. R. Patterson, G. P. Rowell, M. Sinnott, G. J. Thornton, C. Wilkinson, et al. "Recent Results from the CANGAROO Project." International Astronomical Union Colloquium 160 (1996): 363–64. http://dx.doi.org/10.1017/s0252921100041919.

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TheCollaboration ofAustralia andNippon for aGAmmaRayObservatory in theOutback operates two large telescopes at Woomera (South Australia), which detect the Čerenkov light images produced in the atmosphere by electronpositron cascades initiated by very high energy (~1 TeV or 1012eV) gamma rays. These gamma rays arise from a different mechanism than at EGRET energies: inverse Compton (IC) emission from relativistic electrons.The spoke-like images are recorded by a multi-pixel camera which facilitates the rejection of the large numbers of oblique and ragged cosmic ray images. A field of view ~3.5° is required. The Australian team operates a triple 4 m diameter mirror telescope, BIGRAT, with a 37 photomultiplier tube camera and energy threshold 600 GeV. The Japanese operate a single, highly accurate 3.8 m diameter f/1 telescope and high resolution 256 photomultipler tube camera. In 1998 a new 7 m telescope is planned for Woomera with a design threshold ~;200GeV.
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Muraishi, H., T. Tanimori, S. Yanagita, T. Yoshida, T. Kifune, S. A. Dazeley, P. G. Edwards, et al. "Observation of RXJ1713.7-3946 by CANGAROO telescope." Astronomische Nachrichten 320, no. 4-5 (August 1999): 324. http://dx.doi.org/10.1002/1521-3994(199908)320:4/5<324::aid-asna324>3.0.co;2-3.

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Nishijima, Kyoshi. "Very High Energy Gamma-ray Observations of AGN with CANGAROO." Publications of the Astronomical Society of Australia 19, no. 1 (2002): 26–28. http://dx.doi.org/10.1071/as01089.

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AbstractWe have observed eight AGN since 1993 in the energy region above several hundred GeV using the CANGAROO telescopes. We observed Mrk 421 for ten nights with the CANGAROO-II 10 m telescope during its active state in early 2001 using the very large zenith angle technique. Our preliminary result implies the detection of gamma-ray emission from Mrk 421 in the energy range above 9.3 TeV. The high energy peaked BL Lacs (HBLs) PKS 2005–489 and PKS 2155–304 have been also observed. No statistically significant signals are found for both HBLs and flux upper limits are obtained. A summary of results of observations of AGN is presented in this paper.
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Mori for the CANGAROO Team, Masaki. "CANGAROO Project for High-Energy Gamma-Ray Astrophysics." Progress of Theoretical Physics Supplement 151 (2003): 85–94. http://dx.doi.org/10.1143/ptps.151.85.

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Kifune, T. "Very High Energy Gamma Rays from Plerions: CANGAROO Results." Symposium - International Astronomical Union 188 (1998): 125–28. http://dx.doi.org/10.1017/s0074180900114597.

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The current status of very high energy gamma ray astronomy (in ~ 1 TeV region) is described by using as example results of CANGAROO (Collaboration of Australia and Nippon for a GAmma Ray Observatory in the Outback). Gamma rays at TeV energies, emitted through inverse Compton effect of electrons or π0 decay from proton interaction, provide direct evidence on “hot” non-thermal processes of the Universe, as well as environmental features, such as the strength of magnetic field in the emission region, for the non-thermal processes.
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Enomoto, R., S. Watanabe, T. Tanimori, A. Asahara, G. V. Bicknell, R. W. Clay, P. G. Edwards, et al. "CANGAROO III Observations of the Supernova Remnant RX J0852.0−4622." Astrophysical Journal 652, no. 2 (December 2006): 1268–76. http://dx.doi.org/10.1086/508531.

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Enomoto, R., Y. Higashi, T. Yoshida, T. Tanimori, G. V. Bicknell, R. W. Clay, P. G. Edwards, et al. "CANGAROO‐III Search for Gamma Rays from Kepler’s Supernova Remnant." Astrophysical Journal 683, no. 1 (August 10, 2008): 383–88. http://dx.doi.org/10.1086/589912.

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Dissertations / Theses on the topic "CANGAROO"

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Mizukami, Taku. "Study of Very High Energy Gamma-ray Emission from the Unidentified Source HESS J1614-518 with CANGAROO-III." 京都大学 (Kyoto University), 2013. http://hdl.handle.net/2433/175121.

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Nakamori, Takeshi. "Study of very high energy gamma-ray emission from the pulsar wind nebula in MSH 15-52 with CANGAROO-3." 京都大学 (Kyoto University), 2008. http://hdl.handle.net/2433/136879.

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Watanabe, Shio. "Stereoscopic observations of TeV gamma-rays from the supernova remnant RX J0852.0-4622 with the CANGAROO-3 imaging air Cerenkov telescopes." 京都大学 (Kyoto University), 2007. http://hdl.handle.net/2433/136732.

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Vieira, Marcelo Didimo Souza 1974. "O cangaço no cinema brasileiro." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285053.

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Orientador: Marcius Cesar Soares Freire
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: O cangaço foi uma forma de banditismo social ocorrido no Nordeste do Brasil entre os anos de 1870 e 1940. Esse movimento histórico foi retratado no cinema brasileiro em épocas distintas e de diversas formas. Os primórdios dos filmes abordando essa temática foram realizados a partir da década de 1920. O cangaço se consolida como gênero, o Nordestern, nos anos 1950, quando vários filmes passaram a retratar o tema com características comuns, utilizando o western como referência. A comicidade trabalhou o cangaço de forma satírica e alguns documentários foram produzidos ao longo desses anos. Glauber Rocha, um dos expoentes do Cinema Novo, também enveredou pelo tema com filmes de caráter simbólico. Na década de 1990, alguns filmes fizeram novas leituras na ¿retomada¿ do cinema brasileiro. Enfim, foram produzidos quase 50 filmes em 70 anos, que constituem um gênero tipicamente brasileiro: os Filmes de Cangaço
Abstract: The cangaço was a kind of social banditry that occurred in the Northeast of Brazil between the years 1870 and 1940. This historic movement was portrayed in the Brazilian cinema through different periods, by diverse forms. The first films approaching this thematic were developed from 1920 decade on. The cangaço is structured as a specific genre during the 1950 years, the Nordestern, when several films started to treat the subject with common characteristics, using the western as a reference. The comic type of film considered the cangaço in a satirical way and some documentaries had been produced along these years. Glauber Rocha, one exponent of the Cinema Novo, also engaged himself in the theme streamline with films of symbolic characterization. In 1990 decade some films brought new views, within the new Brazilian cinema. Finally, about 50 films were produced in 70 years, which constitute a very particular Brazilian genre: the Cangaço Films
Doutorado
Multimeios
Doutor em Multimeios
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Menezes, Aldair Smith. "O cangaço no sertão d’Os desvalidos." Universidade Federal de Sergipe, 2010. https://ri.ufs.br/handle/riufs/5715.

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The cangaço and the backland have been recurrent themes in the Brazilian literature. In each epoch in which they are used as raw material for the construction of literary or cinematic texts, these terms assume distinct meanings. As a consequence, it is possible to say that the discovery of new emanated meanings from these words in the novel Os desvalidos (1993), written by Francisco José Costa Dantas, makes a singular analysis of the contemporary social relations possible. This narrative brings from these significants new meanings about Virgulino Ferreira, the Lampião, and his group as well. It reveals the presence of the woman among the cangaceiros and shows the daily life of common people, like Coriolano, a narrator character, Felipe, Zerramo, Maria Melona and other people, in the northeastern of Brazil, during the end of the nineteenth century and the beginning of the Estado Novo, in the twentieth century. People from this region were immerged in an unfinished modernization process of a capitalist order which was coming. Their fears, desires and uneasiness are disclosed in their personal dramas. The construction of this literary approach, therefore, is in the intersection point between the art of make literature and the historical fiction; a point in which events and memories of an epoch disclose the emblematic dialog between the social context and the cultural imaginary. The plot of this novel is driven in the backland man in the cangaço of the Os desvalidos backland, taking as a starting point the theoretical and methodological approach guided by the cultural studies, in such a way that, associated with the Literature, Gender Studies, History and Psychoanalysis, it is possible to have deeper analysis regarding the socio-cultural context of this masterpiece, taking advantage of some categories as ambivalence and chronotope, by Mikhail Bakhtin, a man-narrative, by Todorov Tzvetan; homology, by Lucien Goldmann, and free association, by Sigmund Freud.
O cangaço e o sertão têm sido temas recorrentes na literatura brasileira. Em cada época em que são utilizados como matéria-prima na construção de textos literários ou cinematográficos, esses vocábulos assumem significados distintos. Por essa razão, descobrir os significados que emanam deles a partir do romance Os desvalidos (1993), de Francisco José Costa Dantas, viabiliza uma análise singular das relações sociais contemporâneas. Esta narrativa suscita a partir destes significantes novos significados a respeito de Virgulino Ferreira, o Lampião, e seus bandos, da presença da mulher entre os cangaceiros e no sertão, de práticas coronelistas e, sobretudo, como as pessoas comuns, a exemplo de Coriolano, personagem-narrador, Felipe, Zerrano, Maria Melona e outros revelam o cotidiano do sertão nordestino entre o final do século XIX e o início do Estado Novo, região premida pelo processo de modernização inconclusa de uma ordem capitalista que persiste em chegar. Revelam-se nessa trama os medos, os desejos e os desassossegos vivenciados pelos personagens em seus dramas pessoais. A construção desta abordagem literária, portanto, localiza-se no ponto de encontro entre o fazer literário e a ficção histórica; ponto em que acontecimentos e lembranças de uma época descortinam o emblemático diálogo entre o contexto social e o imaginário cultural. O enredo desse romance vislumbra o sertanejo no cangaço do sertão d Os desvalidos a partir de uma fundamentação teórica e metodológica norteada pelas discussões fomentadas pelos estudos culturais que, juntamente com a literatura, os estudos de gênero, a história e a psicanálise, possibilitam aprofundar a análise em relação ao contexto sócio-cultural da obra em apreço, utilizando categorias como ambivalência e cronotopo, de Mikhail Bakhtin; homem-narrativa, de Tzvetan Todorov; homologia, de Lucien Goldmann; e associação livre, de Sigmund Freud.
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Viana, Claudio José Alves. "Religião e cangaço na cidade de Mossoró." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/2408.

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The history of the conflict among the city of Mossoró and the cangaceiros that tried to assault it in 1927 offered a starting point for the investigation of the constituent elements of their religiosities presented in this study. We tried to investigate the religiosity of the city, as part of the official Catholicism, and of the cangaceiros , as popular religiosity, for visualize the social relationship among them. For so much, we studied the origin and the development of the city of Mossoró as social consequence of the religion and, in the sequence, we tried to verify as the cangaço appeared and grew in the society, besides understanding its religious practice in the relationship with its compound world. We verified that different characters thieves, common men and authorities maintained religious trust in front of the armed danger; in other words, the mystic of the rites operated externally to the imaginary forces, constituting mental operations to face the enemies. Finally, the research approaches the current relationship of the city with the cangaço and, mainly, it verifies which reasons are took to consider Jararaca a saint of the popular religiosity.
A história do conflito entre a cidade de Mossoró e os cangaceiros que tentaram assaltá-la em1927 ofereceu um ponto de partida para a investigação dos elementos constitutivos de suas religiosidades apresentada neste estudo. Procuramos investigar a religiosidade da cidade, como parte do catolicismo oficial, e dos cangaceiros, como religiosidade popular, para, assim, visualizar a relação social entre elas. Para tanto, estudamos a origem e o desenvolvimento da cidade de Mossoró como decorrência social da religião e, na sequência, procuramos verificar como o cangaço surgiu e se desenvolveu na sociedade, além de entender a sua prática religiosa na relação com o seu complexo mundo. Verificamos que personagens diferentes bandidos, homens comuns e autoridades mantinham confiança religiosa frente ao perigo armado; em outras palavras, a mística dos ritos operava externamente às forças imaginárias, constituindo operações mentais para o enfrentamento dos inimigos. Por fim, a pesquisa procura abordar a relação dos dias atuais da cidade com o cangaço e, principalmente, verificar quais as razões que levaram a considerar o cangaceiro Jararaca santo da religiosidade popular.
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Hermoza, Samanez Luz Marina. "Buscando el perfil adecuado de proyectos de desarrollo desde el Arte y el Diseño para la comunidad de Huancarucma." Master's thesis, Pontificia Universidad Católica del Perú, 2012. http://tesis.pucp.edu.pe/repositorio/handle/123456789/4784.

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Nuestro estudio diagnóstico se sitúa en la comunidad campesina de Huancarucma, enclavada en Cangallo, en la zona central de la región Ayacucho. Una consideración inmediata para este escenario, nos lleva al enfrentamiento fratricida impulsado por Sendero Luminoso hace más de 25 años que sembró más pobreza que la ya existente en las zonas rurales andinas, incentivó la emigración de la población de entre 15 y 40 años y atrasó aún más sus posibilidades para encaminar su desarrollo. En el 2012, Ayacucho tuvo las cifras de pobreza y extrema pobreza muy por encima de lo esperado a pesar del esfuerzo de las entidades responsables a nivel gobierno y privadas, por revertir tal situación. Huancarucma, es una antigua comunidad campesina y un ejemplo de que luego de la experiencia de la guerra interna, aún no ha podido salir de la pobreza y orientar su desarrollo de una manera digna. El objetivo de la presente tesis es identificar los elementos de proyectos gestionados desde el Arte y el Diseño, así como analizar experiencias de proyectos que generen desarrollo a través de la cultura patrimonial existente. Luego, se formulará intervenciones a través proyectos orientados al desarrollo y fortalecimiento de su identidad, adecuándose a las características y dinámicas sociales de la comunidad andina de Huancarucma, realizado como un estudio diagnóstico para que de manera propositiva indiquemos algunas rutas para que la población enfrente creativamente su desarrollo de forma sostenible, especialmente pensando para y con las futuras generaciones. En consonancia con nuestros objetivos, la investigación analizó diversos aspectos relativos a los elementos existentes en proyectos, así como sobre las estrategias de intervención por los mismos como la experiencia de los gestionados y ejecutados por AXIS Arte, que pudieran enriquecer y viabilizar una futura intervención por proyectos en la comunidad de Huancarucma, con la intención de replicarla más adelante, una vez validada la experiencia, a otras comunidades con características semejantes, La investigación definida como un estudio diagnóstico de tipo cualitativo, concluyó con un modelo de proyecto de desarrollo que toma en cuenta un enfoque interdisciplinario, combinando desde un perspectiva estratégica, un enfoque social, cultural y productivo, que dé lugar al desarrollo de capacidades teniendo a la cultura como insumo para desarrollar emprendimientos, productos con diseños propios y servicios, creativos e innovados de cara a la demanda del mercado. Con un enfoque de desarrollo tal, podremos fortalecer la identidad, orientar la sostenibilidad en el tiempo y contribuir a revertir el fenómeno de la emigración al dar oportunidades de trabajo, especialmente a los jóvenes y a las mujeres. La necesidad de generar liderazgos especialmente en los jóvenes, de crearles oportunidades para educarse y crear emprendimientos en la comunidad, puede ser un requisito para lograr afianzar el tejido social debilitado que aun necesita reconstruirse. Los jóvenes, con su entusiasmo y su gran aprecio por su comunidad, pueden ayudar también a mejorar la gobernabilidad de la comunidad si se les da oportunidad y se crea un polo de atracción importante para que puedan crecer y desarrollar sus talentos para alcanzar el desarrollo humano, que es fin último de la Gerencia Social.
Title: “Looking for the right development project model for Huancarucma, from an Art & Design approach”. Our diagnostic study is situated in the rural community of Huancarucma, located in Cangallo, in the central Ayacucho region. An immediate consideration for this scenario leads us to the fratricidal confrontation led by Shining Path more than 25 years, which caused increased poverty in rural Andean zones, encouraged the emigration of the population between ages 15 and 40 and delayed even more the communities’ opportunities to coordinate their own development. In 2012, Ayacucho has levels of poverty and extreme poverty well above expectations, despite the efforts of the responsible agencies at the governmental and private levels to reverse the situation. Huancarucma is an ancient rural community and an example of a place that, even after the disastrous experience of the civil war of the nineties, has not yet been lifted out of poverty and remains unable to guide its development in a dignified manner. The aim of this thesis was to identify the elements of projects managed from the Art and Design approach of Axis Arte, an interdisciplinary team of applied research and analyze experiences that generate development projects through existing heritage culture, to develop later interventions through projects aimed at developing and strengthening their identity, appropriate to the characteristics and social dynamics of the Andean Community of Huancarucma. This was achieved through andiagnostic study, as a proposal that indicates some routes for people to creatively confront their sustainable development needs, and especially thinking about future generations. In line with our objectives, this investigation analyzed various aspects of the existing elements in projects and on intervention strategies for projects such as the experience of Axis Arte projects that could enrich and enable a future intervention in community projects of Huancarucma, intending to replicate it later, once validated the experience, to other communities with similar characteristics. The research defined as a qualitative diagnostic study concluded with a development project model that takes into account an interdisciplinary approach, combining from a strategic perspective, a social, cultural and productive focus, using culture as input to develop entrepreneurship, products and services with their own designs, creative and innovated ahead of market demand. With such a development approach, we can strengthen the identity, sustainability target in time and help reverse emigration patterns to give job opportunities especially to young people and women. The need to generate youth leadership especially, of their developing opportunities to educate and create community enterprises may be a prerequisite for strengthening the weakened social fabric that needs to be rebuilt. Young people with a torrent of youth, enthusiasm and great appreciation for their community can also help improve the governance of the community if given the opportunity and can also create an environment for them to grow and develop their talents, to achieve the human development which is the ultimate goal of Social Management.
Tesis
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MENESES, Antonio Alan Dantas de. "O cangaço em “Fogo morto” e em “Os Desvalidos”." Universidade Federal do Pará, 2012. http://repositorio.ufpa.br/jspui/handle/2011/4662.

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O presente estudo visa a estabelecer uma análise comparativa entre dois romances da literatura brasileira do século XX, no que tange à abordagem realizada pelas obras do fenômeno histórico-social do cangaço. As obras escolhidas, Fogo Morto, de José Lins do Rego, e Os Desvalidos, de Francisco Dantas, representam dois momentos distintos da produção ficcional nordestina. A primeira está inserida na corrente ficcional das décadas de 30 e 40. Décimo romance do escritor paraibano, Fogo Morto representa o cangaço na perspectiva do personagem José Amaro, seleiro que se transforma em ajudante do cangaceiro Antônio Silvino. A segunda obra, publicada em 1993, representa uma retomada da ficção regionalista. O romance focaliza o cangaço sob o ponto de vista de Coriolano, personagem que, ao contrário de José Amaro, demonstra ódio implacável pelo cangaço, no romance representado por Lampião. A análise comparativa das obras foi precedida pelo estudo das raízes históricas do cangaço, bem como a caracterização do cangaceiro como ser carregado de dubiedade no imaginário popular nordestino. Com efeito, o cangaceiro ora é representado como herói, ora é encarado como bandido pelo sertanejo, sendo que essa visão contraditória é transportada para a ficção, aparecendo nos dois romances que são analisados neste trabalho. A abordagem histórica do cangaço é realizada a partir de estudos de autores como Rui Facó (1983), Maria Isaura Pereira de Queiroz (1977) e Luiz Bernardo Pericás (2010). Também foi imprescindível um breve estudo de Câmara Cascudo (2005), que auxilia a compreender a figura do cangaceiro enquanto herói popular regional. Finalmente, como suporte para o estudo comparativo entre Fogo Morto e Os Desvalidos foram utilizados trabalhos de autores como José Paulo Paes (1995) e Sônia Lúcia Ramalho de Farias (2006), que fornecem elementos importantes para o estabelecimento de relações entre obras de cunho regionalista, produzidas por escritores nordestinos.
This study aims to establish a comparative analysis between novels of the twentieth century Brazilian literature, regarding the approach taken by the works of social and historical phenomenon of the cangaço. The works Fogo Morto of José Lins do Rego and the Os Desvalidos of Francisco Dantas represent two different moments of northeast fictional production. The first work is inserted into the fiction of the '30s and '40s. The Fogo Morto consists in the tenth novel of the writer represented by character Jose Amaro, saddler that turns into helper outlaw Antonio Silvino. The second works published in 1993 represents regional fiction. The novel is based in the point of view of character Coriolano that unlike Jose Amaro he demonstrates hatred by cangaço represented by Lampião. The comparative analysis of the work was preceded by a historical study of the cangaço, as well as, the ambiguous characterization of the “cangaçeiro” presents in the northeast popular imagination. Indeed, the cangaceiro is represented as hero and sometimes seen as outlaw. The contradictory point of view appears in the two novels analyzed in this work. The historical approach of the cangaço is made from studies of authors such as Facó Rui (1983), Maria Isaura Pereira de Queiroz (1977) and Luis Bernardo Pericás (2010). It was also essential a brief survey of Camara Cascudo (2005) which helps to understand the cangaceiro as a regional folk hero. Finally, for the comparative study between of Fogo Morto and Os Desvalidos were used works of authors such as José Paulo Paes (1995) and Sonia Lucia Ramalho de Farias (2006), which supply important elements to relation between works of nature regionalist produced by writers from the Northeast.
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Freitas, Ana Paula Saraiva de [UNESP]. "A presença feminina no cangaço: práticas e representações (1930-1940)." Universidade Estadual Paulista (UNESP), 2005. http://hdl.handle.net/11449/93408.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Esta dissertação tem por objetivo discutir as práticas e representações femininas no interior do cangaço, no período de 1930/1940, década que inaugura a incorporação de mulheres nos bandos. Considerando-se as formas de inserção (voluntária e involuntária), procuramos compreender e discutir os papéis atribuídos as cangaceiras e sua condição específica de ser mulher num espaço permeado pela violência. Neste sentido, será relevante considerar o desempenho com armas de fogo e a atuação de cada uma delas nos embates violentos em que estiveram envolvidas. E ainda, a preocupação com o embelezamento do corpo, o apreço por jóias e apetrechos diversos, identificados sobretudo, na composição de suas vestimentas que, traduzem um determinado perfil de mulher. Tomando por base este tipo de problemática, uma das preocupações desta pesquisa é analisar as vivências interpessoais no interior dos grupos a partir da bibliografia especializada, de obras de memorialistas que trabalharam o tema, e de outras fontes como: depoimentos orais, entrevistas, documentários, fotografias, imprensa e literatura de cordel.
This dissertation has the aim to discuss the women's practices and representations in the cangaço from 1930 to 1940, time that started their incorporation in the bands. Considering the ways of joining them (volunteer or not), we searched the comprehension and discussion of the roles given to the cangaceiras and their specific condition of being a woman in a space characterized by the violence. In this sense, it will be relevant to consider the performance with guns and the deeds of each of them in the violent fights in which they were involved. Also, the worry about the beauty of the body, the liking for jewels and several accessories identified, specially, in the combination of their clothing, which translates a determined profile of woman. Basing ourselves on this kind of problem, one of the concerns of this research is to analyze the interpersonal experiences inside the groups from specialized bibliography of memoir authors that worked on the topic and other sources, such as: oral testimonies, interviews, documentaries, photos, press and cordel literature.
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Freitas, Ana Paula Saraiva de. "A presença feminina no cangaço : práticas e representações (1930-1940) /." Assis : [s.n.], 2005. http://hdl.handle.net/11449/93408.

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Orientador: Zélia Lopes da Silva
Banca: Tania Regina de Luca
Banca: Janete Leiko Tanno
Resumo: Esta dissertação tem por objetivo discutir as práticas e representações femininas no interior do cangaço, no período de 1930/1940, década que inaugura a incorporação de mulheres nos bandos. Considerando-se as formas de inserção (voluntária e involuntária), procuramos compreender e discutir os papéis atribuídos as cangaceiras e sua condição específica de "ser mulher" num espaço permeado pela violência. Neste sentido, será relevante considerar o desempenho com armas de fogo e a atuação de cada uma delas nos embates violentos em que estiveram envolvidas. E ainda, a preocupação com o embelezamento do corpo, o apreço por jóias e apetrechos diversos, identificados sobretudo, na composição de suas vestimentas que, traduzem um determinado perfil de mulher. Tomando por base este tipo de problemática, uma das preocupações desta pesquisa é analisar as vivências interpessoais no interior dos grupos a partir da bibliografia especializada, de obras de memorialistas que trabalharam o tema, e de outras fontes como: depoimentos orais, entrevistas, documentários, fotografias, imprensa e literatura de cordel.
Abstract: This dissertation has the aim to discuss the women's practices and representations in the cangaço from 1930 to 1940, time that started their incorporation in the bands. Considering the ways of joining them (volunteer or not), we searched the comprehension and discussion of the roles given to the cangaceiras and their specific condition of "being a woman" in a space characterized by the violence. In this sense, it will be relevant to consider the performance with guns and the deeds of each of them in the violent fights in which they were involved. Also, the worry about the beauty of the body, the liking for jewels and several accessories identified, specially, in the combination of their clothing, which translates a determined profile of woman. Basing ourselves on this kind of problem, one of the concerns of this research is to analyze the interpersonal experiences inside the groups from specialized bibliography of memoir authors that worked on the topic and other sources, such as: oral testimonies, interviews, documentaries, photos, press and cordel literature.
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Books on the topic "CANGAROO"

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editor, Salla Thiago Mio, and Lebensztayn Ieda editor, eds. Cangaços. Rio de Janeiro: Editora Record, 2014.

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PAIVA, MELQUIADES PINTO. Ecologia do cangaco. Rio de Janeiro: Interciencia, 2004.

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Castro, Felipe de. Derrocada do cangaço. 2nd ed. Salvador, Bahia: Assembléia Lesgislativa do Estado da Bahia, 2008.

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Barreto, Angelo Osmiro. Curiosidades do cangaço. Fortaleza, CE: Edições Livro Técnico, 2002.

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Albuquerque, Ricardo. Iconografia do cangaço. São Paulo, SP: Terceiro Nome, 2011.

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Barreto, Angelo Osmiro. Curiosidades do cangaço. Fortaleza, CE: Edições Livro Técnico, 2002.

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Torres, Luís Wanderley. Lampião e o cangaço. 2nd ed. São Paulo: EDICON, 1994.

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Souto, Maior Mário. Cangaço: Algumas referências bibliográficas. Recife: 20-20 Comunicação e Editora, 1999.

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Zatz, Lia. Dadá: Bordando o cangaço. São Paulo, SP: Callis Editora, 2004.

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Chiavenato, Julio José. Cangaço: A força do coronel. São Paulo, SP: Editora Brasiliense, 1990.

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Book chapters on the topic "CANGAROO"

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Kifune, T. "Very High Energy Gamma Rays from Plerions: Cangaroo Results." In The Hot Universe, 125–28. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-4970-9_30.

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Tsuchiya, Ken’ichi. "Status of an Atmospheric Cherenkov Imaging Camera for the CANGAROO-III Experiment and Perspective of the Field." In Beyond the Desert 2003, 819–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18534-2_54.

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Wanderley, Ingrid Moura. "INSPIRAÇÃO CANGAÇO." In Na Estante da Moda, 36–49. Atena Editora, 2019. http://dx.doi.org/10.22533/at.ed.3541922054.

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"La batalla de Cangallo." In Peregrinaciones de una paria, 461–86. Consejo Latinoamericano de Ciencias Sociales. CLACSO, 2022. http://dx.doi.org/10.2307/j.ctv2v88cz3.24.

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Vieira, Marcelo Dídimo Souza. "The CangaÇo in Brazilian Cinema." In Brazil, 3–18. Emerald Publishing Limited, 2017. http://dx.doi.org/10.1108/s2050-206020170000013003.

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Cipriani, Roberto. "Maria Isaura e o cangaço." In Agruras e prazeres de uma de uma pesquisadora: ensaios sobre a sociologia de Maria Isaura Pereira de Queiroz, 185–88. Faculdade de Filosofia e Ciências, 1999. http://dx.doi.org/10.36311/1999.978-85.86738-08-5.p185-188.

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Hey, Vanessa de Paula. "GRACILIANO RAMOS E A QUESTÃO DO CANGAÇO/35." In 130 ANOS DE GRACILIANO RAMOS, 35–52. Even3 Publicações, 2022. http://dx.doi.org/10.29327/582073.1-2.

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Vasconcellos, Dora Vianna. "MESSIANISMO E CANGAÇO DESVENDADOS EM VERSO E PROSA." In Arqueologia das Ciências Humanas e Sociais Aplicadas 2, 109–19. Antonella Carvalho de Oliveira, 2019. http://dx.doi.org/10.22533/at.ed.5061916019.

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"Cangaço e Seca no Nordeste - Urna Historia Narrada em Prosa e Verso." In Brasilien: Die Unordnung des Fortschritts, 127–62. Vervuert Verlagsgesellschaft, 1994. http://dx.doi.org/10.31819/9783964566690-005.

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Conference papers on the topic "CANGAROO"

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Mori, Masaki. "CANGAROO-II and CANGAROO-III." In GAMMA 2001: Gamma-Ray Astrophysics 2001. AIP, 2001. http://dx.doi.org/10.1063/1.1419521.

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MORI, MASAKI. "CANGAROO." In Proceedings of the Third Workshop. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773548_0003.

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Edwards, Philip. "The CANGAROO project." In High Energy Gamma−Ray Astronomy. AIP, 1991. http://dx.doi.org/10.1063/1.40307.

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Mori, Masaki. "The CANGAROO-III project." In GeV-TeV gamma ray astrophysics workshop. AIP, 2000. http://dx.doi.org/10.1063/1.1291414.

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MORI, MASAKI. "Recent Results from CANGAROO." In Proceedings of the Fourth Workshop. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812709653_0006.

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Enomoto, R., Felix A. Aharonian, Werner Hofmann, and Frank Rieger. "Status of CANGAROO-III." In HIGH ENERGY GAMMA-RAY ASTRONOMY: Proceedings of the 4th International Meeting on High Energy Gamma-Ray Astronomy. AIP, 2008. http://dx.doi.org/10.1063/1.3076761.

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MORI, MASAKI. "RECENT RESULTS FROM CANGAROO." In Proceedings of the International Workshop. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812708342_0017.

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KIUCHI, R., M. YUASA, M. OHISHI, A. KAWACHI, M. MORI, and THE CANGAROO COLLABORATION. "OPTICAL MEASUREMENTS FOR CANGAROO-III." In Proceedings of the International Workshop. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812708342_0041.

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Mori, Masaki. "Status of the CANGAROO-III project." In The international symposium on high energy gamma-ray astronomy. AIP, 2001. http://dx.doi.org/10.1063/1.1370827.

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Mori, Masaki. "Recent results from CANGAROO-II&III." In HIGH ENERGY GAMMA-RAY ASTRONOMY: 2nd International Symposium on High Energy Gamma-Ray Astronomy. AIP, 2005. http://dx.doi.org/10.1063/1.1878476.

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