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Journal articles on the topic 'Campbell and Company of Sydney'

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Published: 10 December 2022

Last updated: 28 January 2023

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1

Cocker, Alan. "Photographers Hart, Campbell and Company: The role of photography in exploration, tourism and national promotion in nineteenth century New Zealand." Back Story Journal of New Zealand Art, Media & Design History, no. 2 (July 1, 2017): 93–103. http://dx.doi.org/10.24135/backstory.vi2.24.

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It has been argued that “the history of New Zealand is unique because the period of pioneer colonization closely coincided with the invention and development of photography”1. However, as the first successfully recorded photograph in the country was not made until the late 1840s, the widespread use of photography came after the initial European settlement and its influence coincided more closely with the development of early tourism and with the exploration and later promotion of the country’s wild and remote places. The photographic partnership of William Hart and Charles Campbell followed the path of the gold miners into the hinterland of the South Island aware of its potential commercial photographic value. Photographers understood the “great public interest in what the colony looked like and inthe potential for features that would command international attention”2. Photography was promoted as presenting the world as it was, free of the interpretation of the artist. By the early 1880s the Hart, Campbell portfolio was extensive and their work featured at exhibitions in London, Sydney and Melbourne. Yet their photographs were criticised for fakery and William Hart’s photograph of Sutherland Falls, ‘the world’s highest waterfall’, promoted a quite inaccurate claim.

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2

Rodwell, John. "Legal Research: Materials and Methods. By Enid Campbell, E.J. Glasson, Lee Poh York and Jennifer M. Sharpe. 3rd ed. Sydney: Law Book Company, 1988. Pp. xii, 326. A$45.00 (hardcover) A$29.00 (softcover)." International Journal of Legal Information 18, no. 2 (1990): 159–60. http://dx.doi.org/10.1017/s0731126500026822.

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3

Eastlack, Joseph O., and Ambar G. Rao. "Advertising Experiments at the Campbell Soup Company." Marketing Science 8, no. 1 (February 1989): 57–71. http://dx.doi.org/10.1287/mksc.8.1.57.

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4

Saunders, Graham. "Endgame by the Sydney Theatre Company." Journal of Beckett Studies 11, no. 2 (January 2002): 109–12. http://dx.doi.org/10.3366/jobs.2002.11.2.8.

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5

Russell, Ed, Anthony J. Adams, and Bill Boundy. "HIGH‐TECH TEST MARKETING AT CAMPBELL SOUP COMPANY." Journal of Consumer Marketing 3, no. 1 (January 1986): 71–80. http://dx.doi.org/10.1108/eb008155.

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6

ANTARI, NI KADEK DESI PUJA, LUH PUTU IDA HARINI, and NI KETUT TARI TASTRAWATI. "ANALISIS PENJADWALAN PRODUKSI MENGGUNAKAN METODE CAMPBELL DUDEK SMITH DAN DANNENBRING DALAM MEMINIMUMKAN TOTAL WAKTU PRODUKSI BERAS." E-Jurnal Matematika 10, no. 4 (November 30, 2021): 215. http://dx.doi.org/10.24843/mtk.2021.v10.i04.p345.

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The increasing needs for basic materials has resulted in an increased production process of basic materials in a company. CV. Puspa is a manufacturing company engaged in the production of rice, on the production process, CV. Puspa often has a buildup of work so that it requires an alternative production scheduling optimally. This research was conducted to minimize the total time of completion using the Campbell Dudek Smith and Dannenbring method in determining efficient production scheduling. Based on the scheduling sequence obtained, the calculation results of the total completion time using the Campbell Dudek Smith method are less than or equal to the results of calculation using the Dannenbring method. So the Campbell Dudek Smith method is more efficient than the Dannenbring method to be applied to CV. Puspa.

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7

McNiven, Malcolm A. "Commentary on “Advertising Experiments at the Campbell Soup Company”." Marketing Science 8, no. 1 (February 1989): 74–75. http://dx.doi.org/10.1287/mksc.8.1.74.

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8

Quán, Thường, Ian Campbell, and Tony Chu. "Two Poems by Nguyễn Tiên Hoàng, Writing in Vietnamese as Thường Quán, With English Translations by Ian Campbell and Tony Chu." PORTAL Journal of Multidisciplinary International Studies 15, no. 1-2 (July 4, 2018): 121–24. http://dx.doi.org/10.5130/pjmis.v15i1-2.5845.

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The poems ‘Ngoài Giấc Ngủ’ and ‘Hiện Ra’ were included in the book poetry collection—also titled Ngoài Giấc Ngủ—published in California, USA, in 1990 and featuring sixty-seven poems by Melbourne-based Nguyễn Tiên Hoàng, writing under the pen name, Thường Quán. In 1994 the Journal of Vietnamese Studies (Melbourne) published the poem ‘Ngoài Giấc Ngủ,’ together with a first English language version co-translation, titled ‘Beyond,’ by Ian Campbell and Tony Chu. An adaptation of the poem was sung in Vietnamese ngâm style by Thu Huong Huynh, as part of ‘A Spring Evening of Poetry, Translated Verse and Music’ held in 1995 in Sydney to mark 50 years of post-war migration to Australia. The English language version later appeared in 1996, with the original poem in Vietnamese, in a Sydney-based Vietnamese language newspaper, and in 2002 the English language translation appeared again in Sunlines: An Anthology of Poetry to Celebrate Australia’s Harmony in Diversity, edited by Anne Fairbairn (Canberra: Dept. of Immigration and Multicultural and Indigenous Affairs, 2002). Most recently the English language co-translation of the poem has appeared in Nguyễn Tiên Hoàng’s collection, Captive and Temporal, published by Vagabond Press (Sydney and Tokyo, 2017). The poem, ‘Ngoài Giấc Ngủ,’ now appears in its Vietnamese language original form (1990), and in an English language co-translation by Chu and Campbell which varies slightly from all previous translations. An English language version of the poem, ‘Hiện Ra,, has never been previously published and appears now in a co-translation as ‘Becoming Visible,’ together with the 1990 poem in its original Vietnamese language version.

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9

Erskine, Angus B. "Victor Campbell and Michael Barne in Svalbard: the 1914 voyage of Willem Barents." Polar Record 30, no. 173 (April 1994): 117–22. http://dx.doi.org/10.1017/s003224740002132x.

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AbstractIn 1914 the Northern Exploration Company of London employed Commander Victor Campbell (the leader of the Northern Party of Robert Falcon Scott's Terra Nova expedition of 1910–1913) to voyage to Spitsbergen in charge of a mineral-prospecting team. Campbell sailed in the schooner Willem Barents, taking Michael Barne (the second lieutenant on the British National Antarctic Expedition of 1901–1904) as mate. There was a mixed British and Norwegian crew. Between May and August, Campbell took the schooner to various sites between Recherchefjorden and Krossfjorden on the west coast of Spitsbergen, maintaining two-way contact with London through the Norwegian radio station at Grønfjorden. Hearing that war was about to break out, the expedition visited the German meteorological station at Ebeltofthamna, then sailed back to Norway, from where the British members returned to England.

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10

Sternbach, George. "Sydney ringer: Water supplied by the new river water company." Journal of Emergency Medicine 6, no. 1 (January 1988): 71–74. http://dx.doi.org/10.1016/0736-4679(88)90254-5.

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11

Spalanzani, Widya, Salwiah, and Asmuddin. "Pengaruh Metode Campbell Dudeck Smith dalam Penjadwalan Produksi Table 76-0001-Veneer Mesin Shop PT. Cegeone." Jurnal Jaring SainTek 3, no. 2 (October 31, 2021): 38–44. http://dx.doi.org/10.31599/jaringsaintek.v3i2.694.

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CEGEONE (CG) is a manufacturing industry company in furniture. It is a supplier company for the Horrison & Gil company. The company manufactures furniture from raw materials into semi-finished goods. The company produces its products on consumer demand (customized order). The overwhelming and varying amount of demand each period was a major problem in the company's production. Hence it takes scheduling. Production scheduling is an important process in production system. In the production process, particularly in the Shop Machine line there is often bottle neck. Under that, researchers did production scheduling at the Shop Machine with the Campbell Dudeck Smith (CDS) method. This method uses Johnson's algorithm that aims to determine the order of the job in order for the earned makespan to be smaller than before. Using production scheduling on shop machines, the company can reduce the total process time to complete the job by 95 minutes or 1 hour 35 minutes. Smaller compared to the previous total makespan of 250 minutes or 4 hours 10 minutes. So that shows total savings in production at 19.79%. The results of the study can be concluded that by using production scheduling on shop machines.

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12

Hamilton, Jennifer Mae. "King Lear by Sydney Theatre Company at the Roslyn Packer Theatre." Shakespeare Bulletin 34, no. 3 (2016): 528–33. http://dx.doi.org/10.1353/shb.2016.0046.

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13

Fathurohman, Muhamad Sayuti, and Alexander Lambas T. "OPTIMASI PENJADWALAN PRODUKSI MENGGUNAKAN METODE CAMPBELL DUDEK SMITH (DI PT. XYZ)." Industry Xplore 5, no. 2 (September 28, 2020): 69–77. http://dx.doi.org/10.36805/teknikindustri.v5i2.1126.

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Scheduling is the allocation of limited resources to do a number of jobs. Problems arise when at certain stages of operation some or all of the work requires the same work station. PT XYZ is a service company engaged in electro plating, where the work process is carried out when receiving a request from the customer. The arrival of products from customers who are late and other things will affect the process of working on the products to be plated so that the schedule for sending back products that have been platted is not on schedule while the company does not have inventory. Therefore, a good production machine scheduling optimization will be able to produce good processing time. In addition to knowing the number of machines and jobs as well as the number and sequence of their production processes, research is also carried out by calculating the processing time of each job. Based on the comparison between the best iterations of CDS and the company's FSCS method, it is known that there is a difference in makespan time of 46990 seconds or about 13.05 hours and a flowtime difference of 216380 seconds or about 60.1 hours.

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14

Newling, Jacqui. "Phillip's Table: Food in the early Sydney settlement." Sydney Journal 5, no. 1 (September 1, 2017): 69–83. http://dx.doi.org/10.5130/sj.v5i1.5730.

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Using food as a lens, this essay looks at what we can discover about Sydney's early settlement from a gastronomic perspective, and what Phillip's table reveals about life at Government House. With few explicit or descriptive references to meals at Government House or in Phillip's company, there are myriad clues in extant journals and information in primary sources about the food available to the colonists and the cross-cultural exchanges involving food between indigenous Australians and settlers.

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15

Morcom, Amy. "Transition of Artistic Leadership in a Theatre Company: A Case Study of Company B/Belvoir, Sydney, Australia." International Journal of Knowledge, Culture, and Change Management: Annual Review 11, no. 6 (2013): 237–46. http://dx.doi.org/10.18848/1447-9524/cgp/v11i06/50216.

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16

Heidemann, Maren. "Current Issues of Directors Liability The Scottish View." European Business Law Review 27, Issue 2 (April 1, 2016): 243–59. http://dx.doi.org/10.54648/eulr2016011.

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The author reviews three recent Scottish cases in company law – Eastford v. Gillespie, Naxos and William Campbell. These cases add to the discussion of a number of issues in company law such as the role of the common law in the sections on directors’ duties of the 2006 Companies Act, lifting the corporate veil and generally a director’s civil liability for breach of statutory duty and in particular failure to arrange employers’ liability insurance. The author critically evaluates these cases in the context of Scots law within the UK and explains how these can be seen to develop a distinct Scottish view on company law matters while contributing to the development of UK company law as a whole. The author also considers relevant legislative initiatives on the part of Scottish and UK governmental bodies and Parliaments.

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17

Ouppara, Nipa S., and Maria Victoria U. Sy. "Quality of Work Life Practices in a Multinational Company in Sydney, Australia." Procedia - Social and Behavioral Sciences 40 (2012): 116–21. http://dx.doi.org/10.1016/j.sbspro.2012.03.169.

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18

Nurainun, Tengku, and Wira Oktiandri. "Usulan Penjadwalan Job Machine Seri Menggunakan Metode Campbell Dudek Smith (CDS) untuk Meminimasi Makespan di UD. Wira Vulkanisir." Jurnal Energi Dan Manufaktur 12, no. 2 (October 31, 2019): 62. http://dx.doi.org/10.24843/jem.2019.v12.i02.p03.

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Dalam perkembangan industri saat ini yang terus maju maka setiap perusahaan dituntut untuk dapat bersaing dan mempunyai strategi yang tepat agar tidak ketinggalan dari perusahaan pesaing yang lainnya. Strategi dari perusahaan itu sendiri bermacam-macam, dapat berupa peningkatan kualitas, ketepatan waktu penyelesaian suatu pekerjaan dan lain sebagainya. UD. Wira Vulkanisir merupakan suatu perusahaan yang bergerak di bidang vulkanisir ban, dengan jenis sistem produksi yang diterapkan yaitu MTO (Make To Order) dimana perusahaan ini sering mengalami keterlambatan dalam pengirim kepada konsumen, yang tentunya berdampak terhadap performa perusahaan itu sendiri. Penjadwalan dengan menggunakan metode CDS pada bulan maret 2019 mengahsilkan urutan job 9-8-7-6-3-4-2-5-1 dengan makespan sebesar 284,49 jam dimana metode ini lebih optimal dibandingkan dengan metode aktual perusahaan dengan selisih makespan sebesar 17,29 jam.Dari hasil penjadwalan menggunakan metode CDS dapat mempercepat proses produksi sebesar 5,6% di bandingkan penjadwalan perusahaan saat ini. Oleh karena ini itu, penajdwalan menggunakan metode CDS dapat di pertimbangkan oleh perusahaan untuk di terapkan di lantai produksi. In an industry scheduling is a very important thing to support the productivity of a company. Therefore, to meet customer demand and satisfaction, a scheduling system that is properly planned, effective and efficient is needed. UD. Wira Vulkanisir is a company engaged in tire retreading, with the type of production system being applied, namely MTO (Make To Order) where the company often experiences delays in the sender to consumers, which of course has an impact on the performance of the company itself. Scheduling using the CDS method in March 2019 produces a sequence of jobs 9-8-7-6-3-4-2-5-1 with makespan of 284.49 hours where this method is more optimal than the actual method of the company with a difference of makespan of 17.29 hours. From the results of scheduling using the CDS method it can speed up the production process by 5.6% compared to the current company scheduling. Because of this, the prediction of using the CDS method can be considered by the company to be applied on the production floor.

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19

Elias, Ann. "The Black Diamonds of Sydney Harbour." Environment and Planning E: Nature and Space 2, no. 3 (May 14, 2019): 645–64. http://dx.doi.org/10.1177/2514848619850446.

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This article explores the case study of a coal mine that was first tunneled under Sydney Harbour in 1897 but closed in 1931. Specifically, it examines how the history of the mine intersects with aesthetics, race, colonialism, and Indigenous dispossession. Centered on the story of an English mining company that first sought a mine site in a pastoral area of the city, but under public pressure was forced to select instead a grimy working class suburb on the opposite harbor shore, the article argues that environmental aesthetics and tastes in beauty collaborated with extractivism. The argument emerges that economics, art, and aesthetics are inextricably linked in this history and further, that while the mine excited the industrial imagination through the aesthetic of the sublime, and associations with darkness and vastness, it conflicted with colonial settler tastes for the pastoral imagination defined by the aesthetics of the beautiful and its associations with light. The article discusses the context of a settler economy in lands stolen from Indigenous peoples, and how conceptualizations of the sublime and beautiful, as well as dark and light, were aligned with the racialization of the properties of coal and space above and below ground.

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20

Burvill, Tom. "Sidetrack: Discovering the Theatricality of Community." New Theatre Quarterly 2, no. 5 (February 1986): 80–89. http://dx.doi.org/10.1017/s0266464x00001949.

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In the interview above, Malcolm Blaylock referred to Sidetrack, a community theatre company in the inner-western suburbs of Sydney, as ‘arguably the best company in Australia’. Here, Tom Burvill examines some of the company's recent work, and sets it in the context of an understanding of community theatre which he traces back to Brecht and Walter Benjamin. Tom Burvill, who has himself acted as a dramaturg for Sidetrack, lectures in English and linguistics at Macquarie University.

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21

Asih, Puji, Iva Mindhayani, and Tatak Prakasa. "Analisis Penjadwalan Proses Packing Arumanis Dengan Menggunakan Metode CDS (Campbell Dudeck Smith) dan NEH (Nawas, Enscore,and HAM) Studi Kasus di UMKM Arumanis Haji Ardi Sleman." JURNAL REKAYASA INDUSTRI (JRI) 4, no. 1 (April 28, 2022): 44–51. http://dx.doi.org/10.37631/jri.v4i1.629.

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ABSTRACT UMKM Arumanis Haji Ardi is a household industry that produces sweet arum located in Berbah, Sleman, D.I. Yogyakarta. Companies often have difficulty meeting consumer demand in a timely manner. The problem of improper delivery schedule of the order is caused by scheduling the packing process which often experiences delays. The purpose of this research is to find out the comparison of completion time, and know the methods that can complete the production process at the shortest. Campbell Dudeck Smith's scheduling method is a scheduling process based on the smallest working time, and having the advantage of being able to provide many scheduling alternatives. The Nawas, Enscore, and Ham method is that scheduling or assignments with a larger total process time should be given greater priority than the smaller total process time. Given the importance of the proper scheduling process, the author wants to do a scheduling analysis of the Packing process using the Campbell Dudeck Smith and Nawas, Enscore, and Ham methods. The results of the research comparison of scheduling time applied by the company have a sequence of 1-2-3-4 with a makepan of 44,395,142.92 seconds. Campbell Dudeck Smith was 4-3-2-1 with 44,335,921.922 seconds. Scheduling with nawas, Enscore, and Ham method has a sequence of 2-1-3-4 with makespan 44,515.921.12 seconds. The most appropriate method used is the Campbell Dudeck Smith method because it has the smallest makespan which is 44,335,921.12 seconds with a percentage of comparison between cds and NEH methods is 0.4%. Keywords: Scheduling, Packing, Campbell Dudeck Smith, Nawas, Enscore, and Ham

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22

Dodson, Joe. "Commentary on “Conducting Advertising Experiments in the Real World: The Campbell Soup Company Experience”." Marketing Science 8, no. 1 (February 1989): 72–73. http://dx.doi.org/10.1287/mksc.8.1.72.

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23

Magelssen, Scott. "Accumulation, Loss, and Deferral: Charles Campbell and Steve Epley's Site-Specific Performance ‘You Are Here’." New Theatre Quarterly 20, no. 2 (April 21, 2004): 180–91. http://dx.doi.org/10.1017/s0266464x04000077.

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This essay is a reflection on the site-specific performance You are Here, created by Charles Campbell and Steve Epley on the roof of the University of Minnesota Tate Lab of Physics in May 2002. Scott Magelssen treats the production within the context of the previous site-specific work of Campbell and Epley, and their Minneapolis-based theatre company Skewed Visions, exploring the project's themes of knowledge-production and memory, the company's unique use of space, and the actor-object mode of performance. Scott Magelssen is Assistant Professor of Theatre Arts at Augustana College, Rock Island, Illinois, where he teaches theatre history and dramaturgy, advises the student-run experimental theatre group, and occasionally directs productions. His current research focuses on the performative and historiographic practices employed by outdoor ‘living history’ museums in Europe and the US.

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24

Hands, Karen. "The royal New Wave: Aubrey Mellor and Queensland Theatre Company, 1988–1993." Queensland Review 22, no. 2 (December 2015): 157–67. http://dx.doi.org/10.1017/qre.2015.28.

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AbstractWhen Aubrey Mellor returned to Brisbane in 1988 to become the second artistic director of Queensland Theatre Company (QTC), the company had been under the direction of a British-born and trained director since its formation in 1969. QTC was part of the national state theatre company network established as a result of postwar cultural planning. The network was charged with promoting national drama and producing theatre to a high artistic standard, but this objective imposed very specific constraints around the companies' programming. This was particularly observable at QTC: the company had been culturally and geographically distant from the New Wave movement that emerged in Sydney and Melbourne between 1968 and 1981. Mellor brought his experience of working in key institutions during this movement to QTC where he pursued a personal mission to develop Australian playwriting. During his five-year leadership he transitioned the artistic identity of the company to a more contemporary artistic framework.

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25

Tait, Peta. "Contemporary Politics and Empathetic Emotions: Company B's Antigone." New Theatre Quarterly 26, no. 4 (November 2010): 351–60. http://dx.doi.org/10.1017/s0266464x10000655.

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Sydney-based Company B's 2008 season included The Burial at Thebes: Sophocles's Antigone in Irish poet Seamus Heaney's translation. This article shows how the production conveyed notions of war, social upheaval, displacement, and exile that are relevant to contemporary Australian spectators. With its ethnic and racial diversity, and one overt reference to the plight of indigenous people under colonial rule and its legacy, the production confirmed that the emotional resonances in this staging of Antigone reflect and yet transcend the contemporary Australian situation; and Peta Tait here argues that the production contributed to spectators' understanding of the emotions underlying contemporary political debates. Peta Tait is Professor of Theatre and Drama at La Trobe University. Her recent publications include Circus Bodies: Cultural Identity in Aerial Performance (Routledge, 2005) and Performing Emotions: Gender, Bodies, Spaces (Ashgate, 2002). She has published widely on theatre, drama, circus performance, and gender identity, and is co-editor (with Liz Schafer) of the anthology Australian Women's Drama: Texts and Feminisms (Currency Press, 1997).

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26

Yan, Jimmy. "The Irish Revolution, early Australian communists and Anglophone radical peripheries: Dublin, Glasgow, Sydney, 1920–23." Twentieth Century Communism 18, no. 18 (March 30, 2020): 93–125. http://dx.doi.org/10.3898/175864320829334816.

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'Communism' and 'Ireland' remain, as a legacy of Cold War binarisms, two subjects that rarely converge in Australian historiography. This article explores the place of 'Ireland' in the political imagination of the nascent Australian Communist movement between its fractured formation in 1920 and the end of the Irish Civil War in 1923. In challenging nation-centric and essentialist treatments of 'the Irish' in Australian political history, it foregrounds a diffuse politicisation around 'Ireland' itself that transcended identitarian ontologies. This article argues that, examined within the ambivalent translation of early interwar radical cosmopolitanisms in a white settler labour movement, 'Ireland' was a directly 'international', if racialised, coordinate in the imaginative geography of early Australian communism. Although the 'Irish Question' circulated within the existing networks of the Comintern, this contest was also produced within other 'routes' on the Anglophone peripheries of the Communist world. The mobile lives of Peter Larkin, Esmonde Higgins and Harry Arthur Campbell, and the momentary alliance of the Communist Party of Australia with the Sydney Irish National Association during the 1923 'Irish envoys' tour, allow for these connections to be reframed in non-primordialist terms within border-crossings and transnational encounter. An investigation of the 'Irish Question' within transgressions of cultural boundaries, instead of 'shared' national histories, can facilitate its extrication from Cold War narratives of ossified 'identity'.

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27

Bradley-St-Cyr, Ruth. "Table of Contents: Testimony to the Royal Commission on Book Publishing." Papers of The Bibliographical Society of Canada 56, no. 1/2 (May 1, 2019): 119–40. http://dx.doi.org/10.33137/pbsc.v56i1/2.32927.

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This article contains a table of contents to the 4408 pages of official testimony from Ontario’s Royal Commission on Book Publishing,which operated from 1971 to 1973 looking into questions about the business of publishing in Canada. The table of contents helpsresearchers discover who testified before the commission—whether as individuals or on behalf of their company or organization—andwhen they testified in order to be able to find the official transcript of their testimony and their accompanying brief in the archival filesheld at the Archives of Ontario (RG 18-164). The article begins with a short introduction to the commission and its work, followed bysix excerpts from the testimony from Quill & Quire, Peter Martin, the McGraw-Hill Company of Canada, Campbell B. Hughes, Dr.Francess G. Halpenny, and Hugh MacLennan. The table of contents comprises the remaining two-thirds of the article.

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28

Vardoulakis, Dimitris. "Between logos and icons: Notes towards a transfigurative culture." Empedocles: European Journal for the Philosophy of Communication 1, no. 2 (June 1, 2010): 175–86. http://dx.doi.org/10.1386/ejpc.1.2.175_1.

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This article will investigate the paradoxical relation between iconic logos, such as the Nike logo, and architectural icons, such as the Sydney Opera House. Both logos and icons are immediately recognizable worldwide. Yet they function in seemingly radically different ways logos as signifiers of a single company: icons as signifiers that always represent something different from exactly what they are. How can these two different ways of signification produce the same result of instant recognition?

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29

MacKinnon, Richard, and Lachlan MacKinnon. "Residual Radicalism." Ethnologies 34, no. 1-2 (August 6, 2014): 273–98. http://dx.doi.org/10.7202/1026154ar.

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The making of songs is an important, yet under-explored tradition amongst steel workers throughout North America. Steel making has been an essential part of Cape Breton Island’s economy and landscape since the mid-nineteenth century. The first steel mill was constructed in Sydney Mines in the 1870s; a larger mill was built in the newly emerging city of Sydney, the island’s largest centre, by 1901. Distinctive traditions of work and leisure began to emerge amidst the grid-patterned streets and company-owned homes of workers and managers. In the early years of the twentieth century, a close-knit working-class consciousness had taken root in the steel making centre of Sydney, Cape Breton Island. Songs explore topics such as the harsh conditions of work in the steel plant, personalities and places, tragedies, the industrial conflicts of the 1920s, and the attitudes of workers toward management. Many are often tinged with satire and witty analysis of working-class life.Sydney, as with many communities in North America, has profoundly experienced the process of deindustrialization in the latter part of the twentieth century. The last operating coal mines closed in Cape Breton the 1990s and the Sydney Steel plant shut its doors in 2000. This paper explores the questions: what role did songs about steel play in the development of class consciousness during the development of the steel industry in Sydney? Do songs play an equally significant role in the latter part of the twentieth century when the community was undergoing the process of deindustrialization? What types of songs about steel making and the steel mill are found in each of these significant periods in Sydney’s history? An exploration of some of these songs reveal much about how human beings respond to the processes of industrialization and deindustrialization.

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30

Bell, Sarah. "The driest continent and the greediest water company: newspaper reporting of drought in Sydney and London." International Journal of Environmental Studies 66, no. 5 (October 2009): 581–89. http://dx.doi.org/10.1080/00207230903239220.

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31

Jackson Jr., Lionel E. "Oldest dated earthquake in Yukon Territory, Canada." Canadian Journal of Earth Sciences 27, no. 6 (June 1, 1990): 818–19. http://dx.doi.org/10.1139/e90-084.

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A strong earthquake was recorded by Hudson's Bay Company trader–explorer Robert Campbell on December 27, 1850 at Fort Selkirk, Yukon Territory. A search of records from the region failed to find any other record of the earthquake. The duration of shaking and lack of aftershocks at Fort Selkirk suggest that the earthquake exceeded magnitude 6 and did not have a local source. The modified Mercalli intensity of VI or greater at Fort Selkirk is not compatible with lower intensities experienced there from large earthquakes along the plate margin and in the Mackenzie Mountains. The Denali fault system in southwestern Yukon and the southern Richardson Mountains are the most likely sources of the earthquake.

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MacDonald, I. "Book Reviews : Roger Collins and Peter Saul Management Competencies Development Program Sydney: McGraw-Hill Book Company. $245.00." Asia Pacific Journal of Human Resources 31, no. 1 (September 1, 1993): 101–4. http://dx.doi.org/10.1177/103841119303100110.

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Warbrick, Colin. "Emergency Powers. By H. P. Lee. [Sydney: The Law Book Company limited. 1984. xl + 334 pp. $50]." International and Comparative Law Quarterly 34, no. 2 (April 1985): 416. http://dx.doi.org/10.1093/iclqaj/34.2.416.

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Hamilton, Margaret. "Genet’s ‘Rituals of the Oppressed’ and the Main Stage: Benedict Andrews’s The Maids at Sydney Theatre Company." Contemporary Theatre Review 28, no. 4 (October 2, 2018): 445–60. http://dx.doi.org/10.1080/10486801.2018.1534840.

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Vatsikopoulous, Helen. "Panel discussion—investigative case studies." Pacific Journalism Review 18, no. 1 (May 31, 2012): 30. http://dx.doi.org/10.24135/pjr.v18i1.288.

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The transcript of a panel discussion on two Australian investigative journalism case studies, moderated by Helen Vatsikopoulos: 1. Dirty Money: The Age and ABC Four Corners investigations in 2009 and 2010 into the Federal Reserve Bank and the allegedly corrupt activities of some staff of a subsidiary company, Securency—Richard Baker, Nick McKenzie and Sue Spencer; 2. Crime Does Pay: a Sydney Morning Herald investigation into how the law enforcement agency NSW Crime Commission has been sharing the proceeds of crime with organised crime figures, cutting deals that allow them to walk away with millions of dollars—Dylan Welch, Linton Besser.

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Anderson, Margot. "Dream weaving: A conversation with Jennifer Irwin." Studies in Costume & Performance 6, no. 1 (June 1, 2021): 69–86. http://dx.doi.org/10.1386/scp_00036_1.

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In December 2019 as I made my way through Bangarra Dance Theatre’s exhibition Knowledge Ground, Australia was in the early stages of a devastating bushfire season and Sydney was shrouded in a cloud of smoke. It was Bangarra Dance Theatre’s 30th anniversary and I was fully immersed in a theatrical display of set pieces, soundscapes and costumes from landmark productions by Australia’s premier First Nations performing arts company. Bangarra’s body of work draws on over 65,000 years of Indigenous culture and fuses the language of traditional and contemporary dance to create a compelling narrative based on a shared knowledge of country. These works have served as markers of revelation in the development of my own understanding of Australia and have made Bangarra an internationally acclaimed source of powerful story telling. They have also fuelled a long-lasting appreciation of the costumes designed for the company by Jennifer Irwin with whom I shared a series of discussions.

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Syron, Liza-Mare. "‘Addressing a Great Silence’: Black Diggers and the Aboriginal Experience of War." New Theatre Quarterly 31, no. 3 (July 9, 2015): 223–31. http://dx.doi.org/10.1017/s0266464x15000457.

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In 2014 Indigenous theatre director Wesley Enoch announced in an interview that ‘the aim of Indigenous theatre is to write into the public record neglected or forgotten stories’. He also spoke about the aims of a new Australian play, Black Diggers, as ‘honouring and preserving’ these stories. For Enoch, Black Diggers (re)addresses a great silence in Australia’s history, that of the Aboriginal experience of war. Also in 2014, the memorial sculpture Yininmadyemi Thou Didst Let Fall, commissioned by the City of Sydney Council, aimed to place in memoriam the story of forgotten Aboriginal soldiers who served during international conflicts, notably the two world wars. Both Black Diggers and the Yininmadyemi memorial sculpture are counter-hegemonic artefacts and a powerful commentary of a time of pseudo-nationalist memorialization. Both challenge the validity of many of Australia’s socio-political and historical accounts of war, including the frontier wars that took place between Aboriginal people and European settlers. Both unsettle Australia’s fascination with a memorialized past constructed from a culture of silence and forgetfulness. Liza-Mare Syron is a descendant of the Birripi people of the mid-north coast of New South Wales in Australia. An actor, director, dramaturg, and founding member of Moogahlin Performing Arts, a Sydney-based Aboriginal company, she is currently the Indigenous Research Fellow at the Department of Media, Music, Communication, and Cultural Studies at Macquarie University, Sydney. She has published widely on actor training, indigenous theatre practice, inter-cultural performance, and theatre and community development.

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Griffiths, Huw. "The History Cycle after Brecht: Sovereignty, Pathos and Violence inThe War of the Roses(Sydney Theatre Company, 2009)." Shakespeare 9, no. 1 (April 2013): 91–107. http://dx.doi.org/10.1080/17450918.2012.705883.

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Livesey, Alastair. "Urbaser S.A. and Consorcio de Aguas Bilbao Bizkaia, Bilbao Biskaia Ur Partzuergoa v. The Argentine Republic." World Trade Review 17, no. 1 (January 2018): 175–78. http://dx.doi.org/10.1017/s1474745617000556.

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On 8 December 2016, an International Centre for Settlement of Investment Disputes (ICSID) tribunal chaired by Professor Andreas Bucher, with co-arbitrators Professor Pedro J. Martinez-Fraga (Claimants' appointee) and Professor Campbell McLachlan QC (Respondent's appointee), issued its award in Urbaser and CAAB v. Argentina (Award). The dispute related to a Concession Contract granted to Aguas Del Gran Buenos Aires S.A. (AGBA), a company in which Claimants were shareholders, for the provision of water and sewerage services in the Province of Greater Buenos Aires (Province). Claimants alleged that they had faced numerous obstacles created by the Province's authorities, which precluded the efficient and profitable operation of their Concession. Respondent counterclaimed that Claimants had failed to make the necessary investment in the Concession, thereby violating their obligation under international law based on the human right to water.

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40

Angelo, A. H. "Fundamentals of European Civil Law." Victoria University of Wellington Law Review 27, no. 2 (July 1, 1997): 388. http://dx.doi.org/10.26686/vuwlr.v27i2.6118.

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This article is a book review of Martin Vranken Fundamentals of European Civil Law (Federation Press, Sydney, 1997) 290 + xiv pages including Appendix, Bibliography and Index. Soft cover, NZ$45. Angelo states that the book is very tightly and clearly presented, providing a good introductory text for several purposes including the central topics of comparative law, a basic introduction to the law of contract, tort labour law and commercial company law in the French and German systems, as well as within the context of the European Union. Angelo concludes that the book provides a reasoned and correct view of the impact of the European Union on aspects of the private law of the member states.

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Shephard, R. B., E. G. C. Smith, and D. D. Spurr. "Earthquake insurance loss assessments for regions of Australia." Bulletin of the New Zealand Society for Earthquake Engineering 30, no. 1 (March 31, 1997): 32–39. http://dx.doi.org/10.5459/bnzsee.30.1.32-39.

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Following the Newcastle earthquake of December 1989, a consortium of Australian insurance companies commissioned Works Consultancy Services Ltd, New Zealand to undertake earthquake probable maximum loss assessments for the main city centres of Australia. Studies have been completed for the regions around Sydney, Melbourne, Adelaide, Perth and Brisbane. Customised insurance loss assessment models were developed for each study region, with each including specific analytical models for geography, seismicity, ground conditions, patterns of building construction, and insurance company exposures. The analysis model includes earthquake insurance loss versus shaking intensity relationships derived from Australian and international data, and takes specific building vulnerabilities into account. Loss assessments target the Probable Maximum Loss in relation to return period.

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Cao, Jun, Jason Prior, and Damien Giurco. "Government and Private Company Collaboration in the Governance of Shared Mobility Schemes: A Case Study of Dockless Bike-Sharing Schemes in Sydney, Australia." Sustainability 14, no. 20 (October 13, 2022): 13141. http://dx.doi.org/10.3390/su142013141.

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While a growing body of studies has investigated the collaborative governance (CG) of dockless bike-sharing schemes (DBSS) worldwide, few offer close descriptions and analyses of stakeholder interactions in specific social contexts. Our study fills this gap by examining the development of CG of DBSS in Sydney, Australia between 2017 and 2020. The methodology is guided by an Integrative Framework for CG, drawing on qualitative analysis of policy documentation and semi-structured interviews with key DBSS participants from the public and private sector. Our findings reveal context-specific drivers and dynamics that shaped the development of particular forms of CG within Sydney’s DBSS.

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Kemaluddin, Rifky Pajar, and Endang Prasetyaningsih. "Perbaikan Stasiun Kerja Bottleneck melalui Penerapan Theory of Constraint di PT. Pindad (Persero)." Bandung Conference Series: Industrial Engineering Science 2, no. 2 (July 28, 2022): 262–70. http://dx.doi.org/10.29313/bcsies.v2i2.3562.

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Abstract. PT. Pindad, Kendaraan Khusus Division is a company-owned business in the manufacture of the Anoa 6x6 motor vehicle. The company has a strategy response market “make to order” so that if there is a delay in fulfilling the demand, the company will get a penalty cost. In 2019, there was a delay in delivery which caused the company to get a penalty cost and reduce profits. The thing that affects the delay is the production flow of the ramp door, which is one of the components that make the Anoa 6x6, not yet due to the ability of each machine to produce products. Based on this phenomenon, the problems in this study are: (1) What causes the workstation to become jammed? (2) What is being done to eliminate bottlenecks that occur in the ramp door production flow. The application used is Theory of Constraint (TOC) which consists of 4 stages, namely knowing the constraints using the Current Reality Diagram (CRT), exploiting constraints using Linear Programming, subordination of constraints using Drum-Buffer-Rope and scheduling Campbell-Dudek-Smith (CDS), and provide improvement proposals at the last stage, namely the elevation constraint. After processing and repairing, it was found a decrease in machine utility from 168.72% to 84.36% with the previous profit of Rp 189,669,000,000 to Rp 336,000,000,000. The results of this study are: The special vehicle division needs to add work shifts at the Welding & Mig Workstation so that production capacity can meet customer demands and schedule component work to get the shortest time in producing ramp door components. Abstrak. PT. Pindad divisi kendaraan khusus merupakan usaha milik perusahaan dalam pembuatan kendaraan bermotor Anoa 6x6. Perusahaan memiliki respon pasar make to order sehingga jika terjadi keterlambatan dalam memenuhi permintaan akan mendapatkan penalty cost. Tahun 2019, terjadi keterlembatan pengiriman yang menyebabkan perusahaan mendapatkan penalty cost dan mengurangi keuntungan. Hal yang mempengaruhi keterlambatan adalah aliran produksi rampdoor yang merupakan salah satu komponen penyusun Anoa 6x6 belum seimbang dikarenakan kemampuan setiap mesin dalam menghasilkan produk berbeda, sehingga menimbulkan stasiun kerja bottleneck. Berdasarkan fenomena tersebut maka permasalahan dalam penelitian ini yaitu: (1) Apa yang menyebabkan stasiun kerja menjadi bottleneck? (2) Apa yang dilakukan untuk menghilangkan bottleneck yang terjadi pada aliran produksi rampdoor. Penerapan yang digunakan yaitu Theory of Constraint (TOC) yang terdiri dari 4 tahapan yaitu identifikasi constraint menggunakan Current Reality Diagram (CRT), eksploitasi constraint menggunakan Linear Programming, subordinasi constraint menggunakan Drum-Buffer-Rope serta penjadwalan Campbell-Dudek-Smith (CDS), dan memberikan usulan perbaikan pada tahapan terakhir yaitu elevasi constraint. Setelah dilakukannya pengolahan dan melakukan perbaikan didapatkan penurunan beban mesin untuk SK Pengelasan & Mig dari 168,72% menjadi 84,36% hal ini menyebabkan beban kerja yang sebelumnya berlebih menjadi berkurang. Keuntungan yang diperoleh sebelumnya Rp 189.669.000.000 menjadi Rp 336.000.000.000 dikarenakan permintaan yang dapat terpenuhi. Hasil dari penelitian ini adalah: Divisi kendaraan khusus perlu menambahkan shift kerja pada Stasiun Kerja Pengelasan & Mig agar kapasitas produksi dapat memenuhi permintaan pelanggan dan menjadwalkan job komponen agar mendapatkan waktu tependek dalam menghasilkan komponen rampdoor.

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Vikha Indira Asri, Dwi Ayu Lestari,. "ANALISA PERBANDINGAN PENJADWALAN PRODUKSI DENGAN METODE CDS (CAMPBELL DUDEK SMITH), EDD (EARLIEST DUE DATE) DAN FCFS (FIRST COME FIRST SERVE) PADA PT. SARI WARNA ASLI UNIT V." Journal of Industrial Engineering and Technology 1, no. 2 (October 4, 2021): 46–51. http://dx.doi.org/10.24176/jointtech.v1i2.6499.

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Scheduling is defined as the process of sequencing the manufacture of a product as a whole on several machines. All industries need proper scheduling to manage the allocation of resources so that the production system can run quickly and precisely as of it can produce optimal product. PT. Sari Warna Asli Unit V is one of the companies that implements a make to order production system with the FCFS system. Thus, scheduling the production process at this company is also known as job shop production scheduling. The methods used in this research are the CDS method, the EDD method and the FCFS method. The purpose of this research is to minimize the production time and determine the best method that can be applied to the company. The results of this research showed that the makespan obtained in the company's scheduling system with FCFS rules was 458 minutes, and the results of scheduling using the CDS method obtained a makespan value of 329 minutes, then the best production scheduling method that had the smallest makespan value was the CDS method.

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45

Cooke, Michael. "L. Robinson ( 1994) Handbook for Legal Interpreters, Sydney: The Law Book Company. xv + 170 pp. ISBN 04 55 212252." International Journal of Speech Language and the Law 2, no. 1 (April 23, 2013): 132–33. http://dx.doi.org/10.1558/ijsll.v2i1.132.

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46

Lang, Emma. "Molloy, Andrew and Tom Urbaniak (eds). Company Houses, Company Towns: Hertitage and Conservation. (Sydney, NS: 2016, Cape Breton University Press. Pp. 260. ISBN 978-1-77206-049-2.)." Ethnologies 39, no. 1 (2017): 265. http://dx.doi.org/10.7202/1051064ar.

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McCann, L. D. "Fragmented Integration: The Nova Scotia Steel and Coal Company and the Anatomy of an Urban-Industrial Landscape, c. 1912." Articles 22, no. 2 (June 27, 2013): 139–58. http://dx.doi.org/10.7202/1016714ar.

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This paper examines how forces of fragmentation within the Maritimes contribute a partial but important explanation of the urban-industrial collapse that marked the region in the early 20th century. Specifically, weaknesses that affected the spatial strategies of the vertically-integrated industrial giant, the Nova Scotia Steel and Coal Company, provide evidence of limited interaction within the Maritime urban system. Profits from exporting staples, pig iron, and steel products to foreign and national markets, although initially aided by tidewater location and control over all phases of production, were not sufficient to overcome, in the long-run, such forces of fragmentation as dispersed and limited regional markets, increased costs of producing poor quality resources, or the minimal presence of external economies. With "Scotia's" eventual demise, towns like Sydney Mines, Trenton, and New Glasgow suffered economic and population decline.

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48

Ahmadi, Ahmadi. "Movie Review “The Firm (1993)”, Director: Sydney Pollack, Written by: David Rabe, Robert Towne, David Rayfiel, Daniel Pyne. Production: Paramount Pictures." Semarang State University Undergraduate Law and Society Review 2, no. 2 (July 22, 2022): 261–78. http://dx.doi.org/10.15294/lsr.v2i2.54927.

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The Firm is a 1993 American legal thriller film directed by Sydney Pollack and starring Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Ed Harris, Holly Hunter, Hal Holbrook, and David Strathairn. The film is based on the 1991 novel The Firm by author John Grisham. A young lawyer joins a small but prestigious law firm only to find out that most of their clients are on the wrong side of the law. The company is helping to launder mob money, get clients off charges and even murder partners who threaten to blow their cover, but when the FBI come calling to gather evidence on the lawyer's colleagues, he is caught between a rock and a hard place, juggling his life and his liberty.

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Sussman, Sally, and Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance." Theatre Research International 22, no. 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.

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As brochures for the January 1996 Sydney Festival blare out ‘Feel the Beat. Feel the Heat!’ to draw the crowds of summering Sydney folk to performances of the National Dance Company of Guinea (already appropriated and stamped with approval by reviewers in San Francisco and London, who are quoted on the same flyer), the chairman and former artistic director of Playbox Theatre in Melbourne, Carrillo Gartner, worries about the strength of popular Australian opposition to Australia's expanding links with Asia. In an article on the holding of the 14th annual Federation for Asian Cultural Promotion in Melbourne, Gartner fears that ‘there are people in this community […] thinking that […] it is the demise of all they believe in their British heritage’. The focus of the article, though, is not the promotion of Asian culture but how to overcome Asian indifference to Australia and the problem of bringing Australian artists to the notice of Asian impresarios and audiences. Australian cultural cringe wins out over Australian Asia-literate political correctness. In another corner of the continent the director and playwright Peter Copeman has been attempting to replace ‘the Euro-American hand-me-downs and imitations’ of mainstream Australian theatre with a theatre project which explores ‘attitudes of the dominant Anglo-Celtic and the Vietnamese minority cultures towards each other, using the intercultural dialectic as the basis of dramatic conflict’.

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Faiz, M., L. Stalker, N. Sherwood, A. Saghafi, M. Wold, S. Barclay, J. Choudhury, W. Barker, and I. Wang. "BIO-ENHANCEMENT OF COAL BED METHANE RESOURCES IN THE SOUTHERN SYDNEY BASIN." APPEA Journal 43, no. 1 (2003): 595. http://dx.doi.org/10.1071/aj02033.

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Coals in the Sydney Basin contain large amounts of gas ranging in composition from pure methane (CH4) to pure carbon dioxide (CO2). These gases are derived from thermogenic, magmatic and biogenic sources and their present-day distribution is mainly related to geological structure, depth and proximity to igneous intrusions.A coal bed methane (CBM) study of the Camden area of the Sydney Basin has been jointly conducted by Sydney Gas Company NL (SGC) and the Commonwealth Scientific and Industrial Research Organisation (CSIRO). The delineation of high production fairways is vital for any CBM project development to be commercially successful. An integrated research project employing various methods of reservoir characterisation, including geological, geochemical, geomechanical and gas storage analyses contribute to this delineation for the Camden area, where SGC is currently developing the 300-well Camden Gas Project.In particular, accurate determinations of gas content, saturation levels, composition and origin, as well as interpretations about distribution, are essential for identifying sweet spots for CBM production optimisation. The extent of gas saturation is a function of numerous factors, including amounts of gas generated between the Permian and Late Cretaceous, amounts expelled from the system during Late Cretaceous-Tertiary uplift and amounts of subsequent secondary biogenic methane generated and absorbed in the coals. The extent of this secondary biogenic gas generation appears to be greatest in coals proximal to the basin margins, where meteoric waters carrying bacteria and nutrients had ready access. Significant enhancement of methane content also occurs, however, in deeper parts of the basin where permeable structures exist.The integrated study shows that high production CBM wells drilled to date by SGC are located in zones of enhanced permeability. In these locations original thermogenic wet gases have been removed and additional secondary biogenic methane has been generated due to microbial alteration of coal, hydrocarbons and carbon dioxide. This process has replenished the coals by enhancing the methane contents of the respective seams and this phenomenon can be termed ‘bio-enhancement’ in the context of CBM production.

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