Academic literature on the topic 'Byzantine manuscript study'

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Journal articles on the topic "Byzantine manuscript study"

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Wagschal, David. "The Byzantine canonical scholia: a case study in reading Byzantine manuscript marginalia." Byzantine and Modern Greek Studies 43, no. 1 (April 2019): 24–41. http://dx.doi.org/10.1017/byz.2018.23.

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The scholia to the canonical manuscripts of theCollection in Fifty TitlesandCollection in Fourteen Titlesserve as an excellent case study in the potentials of marginalia to illuminate historical narratives and broaden our understanding of how the Byzantines encountered and read their traditional texts. This article explores these potentials by a) offering an overview and taxonomy of the canonical scholia; b) (re)discovering a Macedonian ‘proto-commentator’ hiding in plain sight in the margins of one manuscript; c) sketching some of the scholia's hermeneutic particularities in comparison to the twelfth-century canonical commentaries.
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Clifton, James, and John Lowden. "The Octateuchs: A Study in Byzantine Manuscript Illustration." Sixteenth Century Journal 25, no. 1 (1994): 208. http://dx.doi.org/10.2307/2542579.

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Kurysheva, Marina A. "Dating and Historical Context of a Greek Manuscript Containing Palaiologoi Emperors’ Portraits (Paris. gr. 1783)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 2 (2021): 86–95. http://dx.doi.org/10.15826/izv2.2021.23.2.027.

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This article puts forward a new later dating of the Greek manuscript BnF, Paris. gr. 1783 kept in the National Library of France and containing portraits of emperors of the Palaiologoi dynasty. The manuscript contains important texts related to the Constantinople period of court history and culture. Historiographers used to date the manuscript to the fifteenth century according to the portrait of Patriarch Joseph II (†1439), a famous participant of the Ferraro-Florence Council, which can be seen in the Italian fresco paintings of the fifteenth century. Meanwhile, the study of the manuscript’s palaeographical features shows that it was written by an anonymous scribe from Crete who worked in Venice and Rome for Italian humanists in the middle — third quarter of the sixteenth century. The handwriting of the famous Cretan calligrapher, employee of Francis I’s library in Fontainebleau Angelus Vergecius, as well as some other scribes associated with him was typologically close to the handwriting of the main scribe of the manuscript. Analogies to this handwriting can also be seen in the handwriting of Manuel Provataris, another famous scribe of the epoch, a Cretan Greek from Rethymno, employee and copyist of the Vatican Library. The new palaeographic dating of the Paris. gr. 1783 manuscript changes the date of creation of portrait drawings of the Byzantine emperors of the Palaiologoi dynasty and Patriarch Joseph II. Also, it is important to change the dating of all texts contained in the manuscript including such important texts as one of the three lists of imperial tombs of the Church of Sts. Apostles in Constantinople, as well the list of the offices of the Byzantine court. The Paris. gr. 1783 manuscript should be excluded from the circle of Late Byzantine booklore and attributed to post-Byzantine book heritage.
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Boeten, Julie, and Sien De Groot. "The Byzantine antiquarian: a case study of a compiled colophon." Byzantinische Zeitschrift 112, no. 1 (February 1, 2019): 31–46. http://dx.doi.org/10.1515/bz-2019-0003.

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Abstract In this article, we present a colophon epigram found in the manuscript Napoli, Biblioteca Nazionale, gr. II C 33. We edit the text, provide a translation and commentary and supply it with a thorough metrical analysis. Throughout the article, we investigate whether the scribe meant this colophon to be one text or three separate texts. By doing so, we will touch upon broader issues, such as Byzantine metrics in general and the Byzantine habit of compiling texts from an antiquarian perspective.
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Martani, Sandra. "The theory and practice of ekphonetic notation: the manuscript Sinait. gr. 213." Plainsong and Medieval Music 12, no. 1 (April 2003): 15–42. http://dx.doi.org/10.1017/s0961137103003024.

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The cantillation of the Scriptures played an important role in the complex matrix of symbols that is the Byzantine liturgy. Beginning in the ninth century, a special type of notation called ‘ekphonetic’ was developed to indicate in the lectionaries the formulae used in the chanting of the appointed scriptural pericopes. Gradually, over the course of the thirteenth and fourteenth centuries the system fell into disuse, and the meaning of the notational signs was forgotten. Unfortunately, no surviving Byzantine theoretical treatises explain the system; hence the only sources of information about it (apart from the lectionaries themselves) are lists of ekphonetic neumes found in some manuscripts. Of particular value in this regard is the manuscript Sinaiticus graecus 213. Not only is this one of the oldest datable Greek evangeliaries, but it contains the most ancient list of neumes heretofore discovered, having escaped the attention of musicologists probably because of its unusual location in the manuscript. The present study, proceeding from an analysis of the theoretical information contained in the Sinait. graec. 213 list, will seek to establish the practical application of the neumes within the body of the manuscript, thus contributing to a clarification of the structural characteristics of the earliest, so-called ‘preclassic’, phase of the notational system.
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Rodionov, Oleg. "Codex Vatopedinus gr. 610 and Its Place in the Manuscript Tradition of Kallistos Angelikoudes’ Works." ISTORIYA 12, no. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015968-3.

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The article deals with one of the oldest manuscripts containing a significant part of the theological chapters of Kallistos Angelikoudes, one of the most important hesychast authors of the late Byzantine period. Codex Vatopedinus gr. 610 was written in the late 14th c. It contains a great amount of quotations excerpted from Patristic literature. In the second part of the codex, one can find the chapters of Kallistos Angelikoudes; these 92 chapters were retrieved from a greater collection containing now about 200 chapters. The article discusses the content of the Vatopedi manuscript, pointing out to the use of many Patristic fragments included there in different works by Kallistos Angelikoudes. This may shed light on the origin and purpose of the manuscript. A further study of the history of the text of these chapters allows us to assess the place of the Vatopedi codex in the manuscript tradition of Kallistos Angelikoudes’ literary legacy. The Church Slavonic translation of this collection of Angelikoudes’ chapters made by Paisius Velichkovsky in the 1770—1790s reproduces many peculiarities of the Greek text contained in the Vatopedi manuscript and was presumably based on a copy of that codex.
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Myers, Gregory. "The medieval Russian Kondakar and the choirbook from Kastoria: a palaeographic study in Byzantine and Slavic musical relations." Plainsong and Medieval Music 7, no. 1 (April 1998): 21–46. http://dx.doi.org/10.1017/s0961137100001406.

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The Byzantine choirbook or Asmatikon was a musical anthology of melismatic chants for the Office and Liturgy of the fixed and movable parts of the Church year. With its counterpart for the soloist, the Psaltikon, the Asmatikon flourished in the twelfth and thirteenth centuries and was then superseded in the fourteenth and fifteenth by a new manuscript type known as the Akolouthia, which absorbed much of the material from the older sources and added collections of new chants. The older manuscript types were distinguished not only by their repertory of chants, but by separate modal and melodic traditions and stock of characteristic melodic formulae.1
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Emese, Egedi-Kovács. "A Barlám-Regény Kódexképei És Címsorai (Cod. Athon. Iviron 463)." Antik Tanulmányok 64, no. 2 (November 18, 2020): 203–26. http://dx.doi.org/10.1556/092.2020.00014.

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A tanulmány az Athós-hegyi Iviron 463-as jelzetű kétnyelvű (ógörög-ófrancia) bizánci kézirat különféle rétegeinek (ógörög főszöveg, miniatúrák, lapszélen szereplő ófrancia fordítás, ófrancia címsorok) összefüggéseit vizsgálja újabb megközelítésből, korábban nem vizsgált szempontok bevonásával: a miniatúrák és az ófrancia szövegben szereplő piros tintával kiemelt címsorok közötti kapcsolat feltárásával. A tanulmány a Barlám-regény görög változatait megőrző kódexek – ivironi kézirat szempontjából fontos – magyarázó címeit is áttekinti, a kéziratok közötti közös elemeket vizsgálja. Az elemzés az ivironi kódex készítésének körülményeivel kapcsolatban újabb fontos összefüggésekre világít rá.The study examines the relations between different aspects (Ancient Greek main text, miniatures, Old French translation on the margins, Old French headlines) of the manuscript Iviron № 463, which is a bilingual (Ancient Greek-Old French) Byzantine manuscript kept on Mount Athos, from a new perspective by including formerly not investigated viewpoints: by exploring the relationship between the miniatures and the headlines that are highlighted by red ink in the Old French text. The study also mentions the explanatory inscriptions in codices that preserved the Greek versions of the Barlaam-romance and are relevant in connection with the Iviron manuscript, furthermore, it investigates the common features of the manuscripts. The analysis reveals new important relations regarding the circumstances of the creation of codex Iviron.
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Alexaki, Marirena. "Icons as punishers. Two narrations from the Vaticanus gr. 1587 manuscript (BHG 1390 f)." Byzantinische Zeitschrift 114, no. 1 (February 1, 2021): 35–64. http://dx.doi.org/10.1515/bz-2021-9003.

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Abstract The Iconoclastic controversies of the Byzantine Era have provided a rich literary tradition of miracle narrations regarding the various magical aspects of the icon. The second period of Iconoclasm however seems to have given rise to a lesser prominent motif of the earlier traditions, namely that of the icon-agent acting as active punisher against its transgressor. The current article explores the development of this motif after a concise survey of the history of icon-miracle narrations, their representative texts and their role in liturgical practice. The starting point of the study were two previously unedited byzantine texts from the manuscript Vaticanus gr. 1587, testifying unique stories of icons as punishers. Finally, these stories are also perfect examples of the rich historical information popular narrations can provide on a topographical and prosopographical level regarding the era within which they were produced.
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Chircev, Elena. "Archdeacon Sebastian Barbu-Bucur PhD – Researcher of the Byzantine Musical Tradition across the Romanian Territory." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 89–101. http://dx.doi.org/10.2478/ajm-2018-0004.

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Abstract Professor Archdeacon Sebastian Babu-Bucur PhD is one of the most prominent representatives of Romanian Byzantology with a tireless activity spreading throughout different fields – research, psalmic musical creation, teaching, performing. Our study focuses briefly on several of the researcher’s achievements, some of his main concerns having been the Romanianisation process of the church chant in the 18th century and the manuscripts elaborated by Romanians. We highlighted the merits of the Byzantinist musicologist who contributed to the discovery of most of the Romanian manuscript no. 61 in the Romanian Academy Library, who tracked down and catalogued over 250 Romanian manuscripts to be found in the libraries from Mount Athos, who demonstrated through documenta and transcripta editions the significance of the activity of various Romanian psalm readers whose contribution to the translation of chants in Romanian had been, up to that moment, almost unknown. Archdeacon Sebastian Babu-Bucur’s tireless work as a researcher of Byzantine music contributes to a better knowledge and understanding of the evolution of this type of music in the 18th and the 19th century and leads the way towards new investigations in the years to come.
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Dissertations / Theses on the topic "Byzantine manuscript study"

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Alexakis, Alexander. "Codex Parisinus Graecus 1115 and its Iconophile florilegium." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315083.

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Papadaki-Oekland, Stella. "Byzantine illuminated manuscripts of the Book of Job : a preliminary study of the miniature illustrations : its origin and development /." [Turnhout] : Brepols, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018695307&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Books on the topic "Byzantine manuscript study"

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The Octateuchs: A study in Byzantine manuscript illustration. University Park, Pa: Pennsylvania State University Press, 1992.

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Carr, Annemarie Weyl. Byzantine illumination, 1150-1250: The study of a provincial tradition. Chicago: University of Chicago Press, 1985.

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Carr, Annemarie Weyl. Byzantine illumination, 1150-1250: The study of a provincial tradition. Chicago: University of Chicago Press, 1987.

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Lowden, John. Illuminated prophet books: A study of Byzantine manuscripts of the major and minor prophets. University Park: Pennsylvania State University Press, 1988.

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McKay, Gretchen Kreahling. Imaging the divine: A study of the representations of the Ancient of Days in Byzantine manuscripts. Ann Arbor, Mich: UMI Dissertation Services, 1997.

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Brenton, Lancelot Charles Lee, Sir, 1807-1862., ed. Byzantine illuminated manuscripts of the Book of Job: A preliminary study of the miniature Illustrations, its origin and development. Athens: Astrid-Zoé Økland, 2009.

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Tameion cheirographōn psaltikēs technēs. Thessalonikē: Hetaireia Makedonikōn Spoudōn, Epistēmonikai Pragmateiai, 2005.

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Byzantine Illumination Eleven Fifty to Twelve Fifty: The Study of a Provincial Tradition (Studies in Medieval Manuscript Illumination). University of Chicago Press, 1987.

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Morton, James. Byzantine Religious Law in Medieval Italy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861140.001.0001.

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This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.
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Bouras-Vallianatos, Petros. Innovation in Byzantine Medicine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850687.001.0001.

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Byzantine medicine is still a little-known and misrepresented field not only in the wider arena of debates on medieval medicine but also among Byzantinists. Byzantine medical literature is often viewed as ‘stagnant’ and mainly preserving ancient ideas; and our knowledge of it continues to be based to a great extent on the comments of earlier authorities, which are often repeated uncritically. This book presents the first comprehensive examination of the medical corpus of, arguably, the most important late Byzantine physician John Zacharias Aktouarios (c.1275–c.1330). The main thesis is that John’s medical works show an astonishing degree of openness to knowledge from outside Byzantium combined with a significant degree of originality, in particular, in the fields of uroscopy, pharmacology, and human physiology. The analysis of John’s edited (On Urines and On Psychic Pneuma) and unedited (Medical Epitome) works is supported for the first time by the consultation of a large number of manuscripts. The study is also informed by evidence from a wide range of medical sources, including previously unpublished ones, and texts from other genres, such as epistolography and merchants’ accounts. The contextualization of John’s works sheds new light on the development of Byzantine medical thought and practice, and enhances our understanding of the late Byzantine social and intellectual landscape. Finally, John’s medical observations are also examined in the light of examples from the medieval Latin and Islamic worlds, placing his medical theories in the wider Mediterranean milieu and highlighting the cultural exchange between Byzantium and its neighbours.
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Book chapters on the topic "Byzantine manuscript study"

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Litsas, Efthymios K. "The study of Mount Athos manuscripts: problems and suggestions." In A Catalogue of Byzantine Manuscripts in their Liturgical Context: Challenges and Perspectives, 201–13. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.cbm.1.101395.

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Antonopoulou, Theodora. "Byzantine Homiletics: An Introduction to the Field and its Study." In A Catalogue of Byzantine Manuscripts in their Liturgical Context: Challenges and Perspectives, 183–98. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.cbm.1.101394.

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Andrews, Justine. "Crossing Boundaries: Byzantine and Western Influences in a Fourteenth-Century Illustrated Commentary on Job." In Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts, 111–19. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rcim-eb.3.927.

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Spronk, Klaas. "The study of the historical-liturgical context of the Bible: A bridge between ‘East’ and ‘West’?" In A Catalogue of Byzantine Manuscripts in their Liturgical Context: Challenges and Perspectives, 15–22. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.cbm.1.101387.

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"2 The Study of Byzantine Illustrated Manuscripts since Kurt Weitzmann: Art Historical Methods and Approaches." In A Companion to Byzantine Illustrated Manuscripts, 23–34. BRILL, 2017. http://dx.doi.org/10.1163/9789004346239_003.

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Morton, James. "Introduction." In Byzantine Religious Law in Medieval Italy, 1–14. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861140.003.0001.

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The introductory chapter poses the central question of the book: why did the Greeks of medieval southern Italy continue to produce and read collections of Byzantine canon law even after they had ceased to be a part of the Byzantine church and had instead become subjects of the Roman papacy? The Norman conquest of the region took place in the 1040s–1070s, yet the Italo-Greeks were still copying Byzantine canon law manuscripts as late as the fourteenth century. What does this say about the nature of law and religion in southern Italy in the Middle Ages? The chapter then contextualises the book by discussing its place against the background of Byzantine legal scholarship, highlighting the potential of legal anthropology and the concept of legal pluralism to contribute to the field. It then moves on to discuss the significance of law for the study of religion and culture and sets out the rationale behind the way in which the book approaches the subject. Following this, the chapter introduces the thirty-six manuscripts that serve as the book’s primary sources, explaining how the approach of material philology informed its methodology. Finally, it provides an overview of the content and arguments of the rest of the book’s chapters.
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"From Britain to Byzantium: the study of Greek manuscripts." In Through the Looking Glass: Byzantium through British Eyes, 119–32. Routledge, 2016. http://dx.doi.org/10.4324/9781315236063-18.

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Beta, Simone. "The Riddles of the Fourteenth Book of the Palatine Anthology." In Greek Epigram from the Hellenistic to the Early Byzantine Era, 119–34. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836827.003.0008.

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Chapter 8 deals with the riddling epigrams of Book 14 of the Greek Anthology and discusses the common methods employed by the poets to disguise the solution of the aenigmata. It traces the origins of some riddles, together with their specific techniques, back to comedy and contextualizes the epigrams within the Greek and Latin ‘riddling tradition’. The comparative study of the most relevant sources (the Greek Anthology, Athenaeus’ Deipnosophists, and some manuscripts whose content still needs to be explored) leads to the conclusion that the Byzantine poets who composed riddling epigrams (Cristopher of Mytilene, John Mauropous, John Geometres, Michael Psellus, Basil Megalomytes, and Eustathius Macrembolites) could have been inspired by lost anthologies of riddles composed at different periods.
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