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Books on the topic 'Byzantine Icon painting'

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Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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1

Kordis, George. Icon as communion: The ideals and compositional principles of icon painting. Brookline, MA: Holy Cross Orthodox Press, 2010.

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2

Kordēs, Giōrgos. Icon as communion: The ideals and compositional principles of icon painting. Brookline, MA: Holy Cross Orthodox Press, 2010.

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3

Icons of Cyprus. Nicosia: Published by the Holy Archbishopric of Cyprus, 1992.

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4

Kyriakidēs, Grēgorēs G. Theia ekphrasis: Technikē tēs Vyzantinēs hagiographias. Leukōsia: G.G. Kyriakidēs, 2001.

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5

cristiana, Centro studi Russia. Icona volto del mistero. Milano: Casa di Matriona, 1991.

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6

Usvasalo, Marja, Anja Törmä, and Päivi Salmesvuori. Northern Byzantine icons: The Finnish National Committee for Byzantine Studies. Helsinki: Suomen Bysanttikomitea, 2014.

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7

Eurōpaiko Kentro Vyzantinōn kai Metavyzantinōn Mnēmeiōn (Thessalonikē, Greece), Mouseio Vyzantinou Politismou (Thessalonikē, Greece), and Greece Hypourgeio Politismou, eds. Eikones apo tis orthodoxes koinotētes tēs Alvanias: Syllogē Ethnikou Mouseiou Mesaiōnikēs Technēs Korytsas : Thessalonikē 14 martiou-12 Iouniou 2006. Thessalonikē: Eurōpaiko Kentro Vyzantinōn kai Metavyzantinōn Mnēmeiōn, 2006.

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8

Veerle, Vandamme, and Koninklijk Museum voor Schone Kunsten (Belgium), eds. D'un autre monde: Icônes inconnues et art byzantin. Antwerpen: Pandora, Snoeck-Ducaju & zoon, 1997.

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9

Bakolas, Christos N. Hylika stēn technē tēs hagiographias. Serres: Ekdoseis Amētos, 1997.

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10

Georgievski, Milčo. Icon Gallery, Ohrid. Ohrid: Institute for the protection of the monuments of Culture and National Museum, 1999.

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11

Karcheva, Zlatina D. Византийски икони: Praktichesko rŭkovodstvo za izpisvane. Sofii͡a: IK LIK, 2006.

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12

Drandaki, Anastasia. Origins of El Greco: Icon painting in Venetian Crete. [New York]: Onassis Foundation, 2009.

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13

Etingof, Olʹga Evgenʹevna. Obraz bogomateri: Ocherki vizantiĭskoĭ ikonografii XI-XIII vekov. Moskva: Progress-Tradit︠s︡ii︠a︡, 2000.

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14

Carlo, Pirovano, and Gallerie di Palazzo Leoni Montanari (Vicenza, Italy), eds. Percorsi del sacro: Icone dai musei albanesi. Milano: Electa, 2002.

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15

Gonnella, Stefano. Verticali vaganti: Note a margine sulla fenomenologia dell'immagine. Arcidosso (GR): Effigi, 2019.

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16

Drandaki, Anastasia. Origins of El Greco: Icon painting in Venetian Crete. [New York]: Onassis Foundation, 2009.

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17

Palusińska, Anna. Złota obecność: Bizantyńskie korzenie polskiej ikony. Lublin: Wydawnictwo KUL, 2020.

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18

Olędzka-Frybesowa, Aleksandra. Patrząc na ikony: Wędrówki po Europie. Warszawa: Instytut Wydawniczy Pax, 2001.

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19

Jérôme, Collin, ed. Lecture de la Trinité d'Andrei Roublev. Paris: Presses universitaires de France, 2009.

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20

Totev, Totyu. The ceramic icon in medieval Bulgaria. Sofia: St.Kliment Ohridsk, 1999.

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21

ICOM Committee for Conservation. Icon Research Area. Interim Meeting. Changes in post-Byzantine icon painting techniques: ICOM Committee for Conservation Interim meeting of the Icon Research Area Copenhagen, Denmark, 14-17 October, 2001. Edited by Jolkkonen Nina, Nikkanen Helena, and Valamo Art Conservation Institute. Uusi-Valamo, Finland: Valamo Art Conservation Institute, 2001.

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22

Studije iz crnogorske istorije umjetnosti. Cetinje: Centralna narodna biblioteka Republike Crne Gore "Đurđe Crnojević", 1999.

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23

Variantza, Venetia. Hē gennēsē mias eikonas. Thessalonikē: University Studio Press, 2001.

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24

Sendler, Egon. The icon, image of the invisible: Elements of theology, aesthetics and technique. [Redondo Beach, Calif.?]: Oakwood, 1999.

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25

Sendler, Egon. The Icon, image of the invisible: Elements of theology, aesthetics, and technique. Redondo Beach, Calif: Oakwood Publications, 1988.

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26

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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27

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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28

Frigerio-Zeniou, Stella. Luxe et humilité: Se vêtir à Chypre au XVIe siècle. Limassol: Editions Nostos, 2012.

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29

Georgievski, Milčo. Galerija na Ikoni, Ohrid. Ohrid: Zavod za zaštita na spomenicite na kulturata i Naroden Muzej, 1999.

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30

Bay, Caterina, and Caterina Bay. Giunta Pisano e la tecnica pittorica del Duecento. Firenze: Edifir edizioni Firenze, 2021.

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31

Politismou, Greece Hypourgeio, Vyzantino Mouseio (Athens Greece), and Centro mostre di Firenze (Italy), eds. Affreschi e icone dalla Grecia (X-XVII secolo): Palazzo Strozzi, 16 settembre-16 novembre 1986. Atene: Ministero greco della cultura, 1986.

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32

Dolfi, Waldo, and Francesca Barsotti. La Madonna di sotto gli organi e il restauro del 2007. S. l: s. n., 2008.

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33

Museo diocesano (Piazza Armerina, Italy), ed. La Madonna delle Vittorie a Piazza Armerina: Dal Gran Conte Ruggero al Settecento. [Naples, Italy]: Electa Napoli, 2009.

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34

Guida, Maria Katja. La Madre di Consolazione a Piazza Armerina e altre icone postbizantine in Sicilia. Messina: Magika, 2016.

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35

editor, Palamar Petru author, and Solomonea, Carmen Cecilia, author, editor, eds. Mănăstirea Dragomirna. Suceava: Karl A. Romstorfer, 2014.

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36

Krystopchuk, Mykola. Syntez tekhnik monumentalʹnoho mystet́s̀tva v khramoviĭ arkhitekturi. Lʹviv: [s.n.], 2002.

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37

Novčić, Suzana, and Tatjana Mihailović. Доба светлости: Srpska umetnost XIII veka. Kraljevo: Narodni muzej Kraljevo, 2007.

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38

Novčić, Suzana, and Tatjana Mihailović. Doba svetlosti: Srpska umetnost XIII veka. Kraljevo: Narodni muzej Kraljevo, 2008.

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39

Icons: Divine beauty. London: Saqi/The Temple Gallery, 2004.

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40

TEMPLE, RICHARD. Icons: Divine beauty. London: Saqi/The Temple Gallery, 2004.

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41

Stouphē-Poulēmenou, Iōanna. Apo tous Nazarēnous ston Ph. Kontoglou: Themata neoellēnikēs ekklēsiastikēs zōgraphikēs. Athēna: Ekdoseis Harmos, 2007.

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42

Chatzēdakēs, Manolēs. Icons of Patmos: Questions of Byzantine and post-Byzantine painting. [Athens]: National Bank of Greece, 1985.

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43

Chatzēdakēs, Manolēs. Icons of Patmos: Questions of Byzantine and Post-Byzantine painting. [Athens]: National Bank of Greece, 1985.

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44

Traimond, Véra. La peinture de la Russie ancienne: Mosaïques, fresques, icônes, enluminures. Paris: B. Giovanangeli, 2010.

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45

Intesa, Banca, and Gallerie di Palazzo Leoni Montanari (Vicenza, Italy), eds. Duecento: Due icone russe. Vicenza: Terra ferma, 2006.

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46

Lavagnini, Renata. Immagine e scrittura: Presenza greca a Messina dal Medioevo all'età moderna = Image and scripture : Greek presence in Messina from the Middle Ages to Modernity / cura scientifica del catalogo e coordinamento, Renata Lavagnini; [testi di] Kalafati Kalliopi-Phaidra, Francesca Campagna Cicala, Michele Bacci, Maria Teresa Rodriquez, Daniele Macris, Rosario Moscheo, Giovan Giuseppe Mellusi, Cinzia Cigni, Jannis Korinthios, Andrea Giovanni Noto, Eugenia Chalkia. Palermo: Fondazione Federico II, 2013.

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47

Buslaev, F. I. Ist︠s︡elénie i︠a︡zýka: Opyt nat︠s︡ionalʹnogo samoosoznanii︠a︡ : raboty raznykh let. Sankt-Peterburg: VIVLIOPOLIS, 2005.

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48

Myrtalē, Acheimastou-Potamianou, Walters Art Gallery (Baltimore, Md.), and Fine Arts Museums of San Francisco., eds. Holy image, holy space: Icons and frescoes from Greece. Athens: Greek Ministry of Culture, 1988.

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49

Mickūnaitė, Giedrė. Maniera Greca in Europe’s Catholic East. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462982666.

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Abstract:
How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through stories. Following the reception of Byzantine and pseudo-Byzantine art in Lithuania and Poland from the late fourteenth through the early eighteenth centuries, Maniera Greca in Europe’s Catholic East argues that tradition is repetitive order achieved through reduction and oblivion, and concludes that the sole persistent understanding of the Greek image has been stereotyped as the icon of the Mother of God.
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50

cent, Akotantos Angelos 15th, ed. The hand of Angelos: An icon painter in Venetian Crete. Farhham, Surrey: Lund Humphries, 2010.

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