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1

Hall, Patrick W. Detection and target-strength measurements of buried objects using a seismo-acoustic sonar. Monterey, Calif: Naval Postgraduate School, 1998.

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2

G, Geyers Richard, Klemperer Wilfred K, and National Institute of Standards and Technology (U.S.), eds. Suggested methods and standards for testing and verification of electromagnetic buried object detectors. [Boulder, Colo.]: U.S. Dept. of Commerce, National Institute of Standards and Technology, 1990.

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3

Minetti, Alessandra. L' orientalizzante a Chiusi e nel suo territorio. Roma: "L'Erma" di Bretschneider, 2004.

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4

Musée du Louvre. La descente de croix. Paris: Somogy, 2013.

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5

Nadal, Laura Filloy. Misterios de un rostro maya: La máscara funeraria de K'inich Janaab' Pakal de Palenque. México, D.F: Instituto Nacional de Antropología e Historia, 2010.

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6

Affairs, United States Congress House Committee on Interior and Insular. Protection of Native American graves and the repatriation of human remains and sacred objects: Hearing before the Committee on Interior and Insular Affairs, House of Representatives, One Hundred First Congress, second session, on H.R. 1381 ... H.R. 1646 ... H.R. 5237 ... hearing held in Washington, DC, July 17, 1990. Washington: U.S. G.P.O., 1991.

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7

Malmberg, Roy Dale. A study of the feasibility of using a buried sonar transducer to echo-locate objects buried in sediment. 1987.

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8

Goldhill, Simon. Buried Life of Things: How Objects Made History in Nineteenth-Century Britain. Cambridge University Press, 2014.

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9

Goldhill, Simon. Buried Life of Things: How Objects Made History in Nineteenth-Century Britain. Cambridge University Press, 2014.

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10

Goldhill, Simon. Buried Life of Things: How Objects Made History in Nineteenth-Century Britain. Cambridge University Press, 2014.

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11

Buried Life of Things: How Objects Made History in Nineteenth-Century Britain. Cambridge University Press, 2014.

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12

Detection and Target-Strength Measurements of Buried Objects Using a Seismo-Acoustic Sonar. Storming Media, 1998.

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13

The Second Interim Evaluative Report on the Program on Electromagnetic Sensing of Buried Objects. Washington, D.C.: National Academies Press, 1988. http://dx.doi.org/10.17226/19153.

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14

Casler, Jennifer Randolph, and Patricia Ann Berger. Tomb Treasures from China: The Buried Art of Ancient Xi'an. Asian Art Museum of San Francisco, 1994.

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15

Lepper, Paul Andrew. The development and testing of a parametric sonar system for use in sediment classification and the detection of buried objects. 1999.

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16

Thanh, Nguyen Trung. Infrared Thermography for the Detection and Characterization of Buried Objects: Thesis Submitted in Fulfilment of the Requirements for the Award of the Degree of Doctor in Engineering by Nguyen Trung Thành. Academic & Scientific Publishers, 2007.

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17

Thomson, Jeffrey. Museum of Objects Burned by the Souls in Purgatory. Alice James Books, 2022.

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18

Thomson, Jeffrey. Museum of Objects Burned by the Souls in Purgatory. Alice James Books, 2022.

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19

Suggested methods and standards for testing and verification of electromagnetic buried object detectors. [Boulder, Colo.]: U.S. Dept. of Commerce, National Institute of Standards and Technology, 1990.

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20

Suggested methods and standards for testing and verification of electromagnetic buried object detectors. 1990.

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21

Asyut, Tomb III: Objects. Wiesbaden: Harrassowitz Verlag, 2016.

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22

Hein, Anke. Burial Record of Prehistoric Liangshan in Southwest China: Graves As Composite Objects. Springer London, Limited, 2016.

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23

Hein, Anke. The Burial Record of Prehistoric Liangshan in Southwest China: Graves as Composite Objects. Springer, 2016.

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24

Hagios Charalambos : a Minoan Burial Cave in Crete: I. Excavation and Portable Objects. Institute for Aegean Prehistory Press, 2014.

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25

Hein, Anke. The Burial Record of Prehistoric Liangshan in Southwest China: Graves as Composite Objects. Springer, 2018.

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26

Daniell, Christopher. Later Medieval Death and Burial. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.35.

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This chapter discusses medieval burial ritual, including the act of burial, cemeteries and burial location, and the grave goods of priest, bishops, nobility, and royalty which included a wide range of clothing and objects associated with their office. The burial of Richard III illustrates how much bioarchaeology can now reveal to us about the biography of the body in the grave. Also outlined here are the distinctive mortuary practices of, for example, Jews, lepers, heretics, and suicides as well as the mainstream Christian tradition of heart burials. Commemorative monuments of all levels of society are described, from medieval royal tombs to the graves of the poorest parishioner, though minor monuments within the graveyard are only rarely discovered.
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27

Ross G, Anderson. Ch.2 Formation and authority of agents, Formation II: Arts 2.1.6–2.1.14—Acceptance, Art.2.1.12. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0028.

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This commentary focuses on Article 2.1.12 of the UNIDROIT Principles of International Commercial Contracts (PICC) concerning written confirmations. Art 2.1.12 stipulates that if a writing which is sent within a reasonable time after the conclusion of the contract and which purports to be a confirmation of the contract contains additional or different terms, such terms become part of the contract, unless they materially alter the contract or the recipient, without undue delay, objects to the discrepancy. This commentary discusses silence as acceptance of new terms, issues arising from incorporation of a choice of law or arbitration clause into the contract, consequences of failure to object to the written confirmation, and burden of proof of the party invoking the terms of the contract as stated in the confirmation.
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28

Ordynat, Ryna. Egyptian Predynastic Anthropomorphic Objects: A Study of Their Function and Significance in Predynastic Burial Customs. Archaeopress, 2018.

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29

Egyptian Predynastic Anthropomorphic Objects: A study of their function and significance in Predynastic burial customs. Archaeopress Access Archaeology, 2018.

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30

Ross G, Anderson. Ch.2 Formation and authority of agents, Formation II: Arts 2.1.6–2.1.14—Acceptance, Art.2.1.11. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0027.

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This commentary focuses on Article 2.1.11 of the UNIDROIT Principles of International Commercial Contracts (PICC) concerning modified acceptance of an offer. Art 2.1.11 stipulates that a reply to an offer which purports to be an acceptance but contains additions, limitations or other modifications is a rejection of the offer and constitutes a counter-offer. However, a reply to an offer which purports to be an acceptance but contains additional or different terms which do not materially alter the terms of the offer constitutes an acceptance, unless the offeror, without undue delay, objects to the discrepancy. If the offeror does not object, the terms of the contract are the terms of the offer with the modifications contained in the acceptance. Art 2.1.11 also addresses the burden of proof with respect to the discrepancy between offer and acceptance.
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31

Weiss-Krejci, Estella, Philip Schwyzer, and Sebastian Becker. Interdisciplinary Explorations of Postmortem Interaction: Dead Bodies, Funerary Objects, and Burial Spaces Through Texts and Time. Springer International Publishing AG, 2022.

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32

Weiss-Krejci, Estella, Philip Schwyzer, and Sebastian Becker. Interdisciplinary Explorations of Postmortem Interaction: Dead Bodies, Funerary Objects, and Burial Spaces Through Texts and Time. Springer International Publishing AG, 2022.

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33

Final Reports of the Lebanese-German Excavations at Beirut, BEY 020. Volume III: Small Objects and the Dog Burials. Zaphon, 2022.

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34

Final Reports of the Lebanese-German Excavations at Beirut, BEY 020. Volume III: Small Objects and the Dog Burials. Zaphon, 2022.

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35

Neer, Richard, ed. Conditions of Visibility. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845560.001.0001.

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We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.
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36

Alram-Stern, Eva, Kostas Gallis, and Giorgos Toufexis. Platia Magoula Zarkou The Neolithic Period. Environment, Stratigraphy and Architecture, Chronology, Tools, Figurines and Ornaments. Verlag der Österreichischen Akademie der Wissenschaften, 2022. http://dx.doi.org/10.1553/978oeaw90363.

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The publication presents the excavation of the Neolithic settlement strata of the tell Platia Magoula Zarkou, situated in the Peneios Plain in Western Thessaly (Greece). The tell is characterized by an uninterrupted settlement sequence which, according to the radiocarbon data, dates to the 6th millennium BC and includes the Middle Neolithic and early Late Neolithic of Greece. Geological and geophysical analyses situate the tell in its natural environment. They show that during the Neolithic period, this part of the Peneios Valley was characterized by a temporary lake, the settlement being situated on the bank of a narrow gulf. The tell was surrounded by ditches which clearly defined the settlement area. Based on the stratigraphy and building development, the radiocarbon data, the tools, the ritual objects – including the well-known house model – as well as the ornaments, the cultural development and change during this period are analysed. The nine building phases show an alternation of built and unbuilt areas. Clear change is seen in the character of the finds from the late Middle Neolithic onwards, which inter alia is evident in the use of raw materials as well as the connected acquisition network. The house model is interpreted as a symbol of a buried household, the figurines as its inhabitants, being characterized by special roles in this household.
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37

UFOs and the murder of Marilyn Monroe. Roswell, N.M: Black Mesa Press, 2003.

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38

Wiśniewski, Robert. The Beginnings of the Cult of Relics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199675562.001.0001.

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Christians always admired and venerated martyrs who died for their faith, but for a long time thought that the bodies of martyrs should remain undisturbed in their graves. Initially, the Christian attitude toward the bones of the dead, whether a saint’s or not, was that of respectful distance. This book tells how, in the mid-fourth century, this attitude started to change, swiftly and dramatically. The first chapters show the rise of new beliefs. They study how, when, and why Christians began to believe in the power of relics, first, over demons, then over physical diseases and enemies; how they sought to reveal hidden knowledge at the tombs of saints and why they buried the dead close to them. An essential element of this new belief was a strong conviction that the power of relics was transferred in a physical way and so subsequent chapters study relics as material objects. The book seeks to show what the contact with relics looked like and how close it was. Did people touch, kiss, or look at the very bones, or just at reliquaries which contained them? When did the custom of dividing relics appear? Finally, the book deals with discussions and polemics concerning relics and tries to find out how strong was the opposition which this new phenomenon had to face, both within and outside Christianity on the way to relics becoming an essential element of medieval religiosity.
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39

Hoards, Grave Goods, Jewellery: Objects in Hoards and in Burial Contexts During the Mongol Invasion of Central-Eastern Europe. Archaeopress, 2015.

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40

Vargha, Mária. Hoards, Grave Goods, Jewellery: Objects in Hoards and in Burial Contexts During the Mongol Invasion of Central-Eastern Europe. Archaeopress, 2015.

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41

Champion, Timothy. Britain before the Romans. Edited by Martin Millett, Louise Revell, and Alison Moore. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199697731.013.010.

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Much of Britain saw significant changes in the later part of the first millennium bc, particularly in the south-east. Widespread but regionally varied changes in settlement organization resulted in the emergence of new types of sites, some of which have been termed oppida. Changes included the reappearance of gold, the adoption of wheel-turned pottery, new styles of clothes fastening, and cremation burial from Late La Tène Gaul. The burial tradition included a small number of richly furnished burials. Imports of Roman origin were transmitted through Gaulish intermediaries. After Caesar’s expeditions to Britain, the influence of Rome was much more marked and imports increased. Contacts between Britain and Rome may have included formal recognition of some rulers as client kings. Evidence suggests a limited knowledge of literacy and Latin, but the cultural significance of many Roman objects is often unclear.
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42

Moshenska, Joe. Iconoclasm As Child's Play. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9780804798501.001.0001.

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This book begins with the observation that, during the English Reformation, holy things taken from churches and monasteries were on occasion not smashed or burned but instead given to children as toys. Iconoclasm has tended to feature prominently in narratives of modernity as a process of disenchantment, sometimes understood as the cultural diminution of playfulness: this book asks how these narratives might have to change once we recognize that iconoclasm and child’s play were periodically one and the same. Each chapter begins with an example of iconoclastic child’s play in practice--from locations in England, Germany, and East Asia, involving objects from broken crucifixes to wooden sculptures. The chapters then move outward from these starting points to ask what iconoclasm as child’s play can tell us about the ways in which children, their play, and objects more broadly are made to assume meanings. In pursuing these questions the book draws consistently on major and minor sixteenth-century figures--Erasmus, Bruegel, Spenser--but also ranges backward and forward to consider biblical, classical, and patristic understandings of play, as well as more recent thinkers including Walter Benjamin, D. W. Winnicott, T. W. Adorno, Alfred Gell, Ian Hacking, and Michael Taussig. These figures are used not so much to theorize iconoclasm as child’s play as to consider how this phenomenon might inflect the ways in which we seek to interpret and to organize children, play, and the past.
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43

Molodin, V. I., N. S. Efremona, and A. I. Soloviev. Archaeological Site of Sopka-2 on the Om River. Vol. 6: Ritual complexes of the Middle Ages. IAET SB RAS Publishing, 2021. http://dx.doi.org/10.17746/7803-0317-6.2021.

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This monograph is a part of a multivolume edition containing the materials from a completely studied archaeological site named Sopka-2, which unites burial and ritual complexes of different eras and cultures. Volume 6 is devoted to the analysis of the medieval ritual complex, related to the Kyshtovka culture of the southern Khanty people. The main elements of ritual practice, the types of ritual structures and an accompanying inventory are analyzed. The chronological, historical and cultural interpretations of the ritual complexes of Sopka-2 and other similar Western Siberian objects are given. This edition will be of interest to archaeologists, ethnographers, historians, students of humanitarian faculties, as well as local historians and people interested in the ancient history of Siberia.
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44

Auyoung, Elaine. George Eliot’s Promise of More. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0005.

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This chapter recovers the aesthetic significance of a reader’s mediated relation to the objects and experiences represented in realist fiction. When George Eliot’s intrusive narrators in Adam Bede, The Mill on the Floss, and Middlemarch cue readers to form impressions that are as distinct as possible, they expose the indeterminacy that persists in the most concrete passages of literary description, alerting us to the limits of how much we can ever know about a fictional world. By drawing on the aesthetics of indeterminacy advanced by Edmund Burke, this chapter reveals that Eliot’s commitment to narratives of disillusionment exists in tension with a surprisingly Romantic aversion to finitude, and that literary realism enchants ordinary things by freeing them from the solidity and determinacy they possess in everyday life.
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45

Riley, Barbara L., Cameron D. Willis, Bev Holmes, Diane T. Finegood, Allan Best, and Jessie-Lee D. McIsaac. Systems Thinking and Dissemination and Implementation Research. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190683214.003.0009.

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Increasingly, the literature highlights the benefits of systems thinking in approaching dissemination and implementation efforts and associated research in health. This chapter draws attention to features of systems thinking that are most pertinent to dissemination and implementation research, including how we think about dissemination and implementation objects and strategies. It covers main features of dissemination and implementation research—its purpose and questions, conceptual frameworks, study designs and methods, and the research process. In doing so, it provides an overview of a systems-oriented approach to dissemination and implementation research. The chapter provides two dissemination and implementation research examples that demonstrate the applicability of the approaches described in this chapter across a range of health issues, especially the complex health problems—of today and the foreseeable future—that cause the greatest health, social, and economic burden to individuals and societies worldwide.
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46

Kamash, Zena. Memories of the Past in Roman Britain. Edited by Martin Millett, Louise Revell, and Alison Moore. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199697731.013.037.

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After setting out the history of memory studies and the role of archaeology in these studies, this chapter examines three realms of memory in Roman Britain: the burial of memories; the reorganization of landscapes and memories; and the building of religious memory. First, I explore how burying people and objects can be part of the memory process, focusing on embodied actions and the use of legendary topographies in the landscape. I then examine how different memory communities responded to major periods of landscape reorganization, linking this to wider discussions about the creation and maintenance of identity in Roman Britain. Finally, I explore the Romano-Celtic temple phenomenon. I argue that the construction of temples was linked to the kinds of memory-making that are particularly prevalent in times of social instability, a phenomenon seen as part of a broader set of processes that began in the late Iron Age.
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47

Mack, Adam. Sensory Overload. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039188.003.0003.

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This chapter examines the Chicago Fire of 1871 as a multisensory spectacle—an object of curiosity and marvel. More specifically, it considers how the fire destabilized sensory perception and threw up an array of strange sensations that mocked the civic elite's attempts to control Chicago's sensory landscape. After providing a background on the fire and describing its immediate experiential aspects, the chapter discusses the disaster's impact on survivors and how they represented that impact in terms of social difference. It also looks at the relief and rebuilding efforts that followed and suggests that the firestorm of 1871 called into question Chicago's future as a site of modern industrial capitalism. It explains how the fire tested the senses of victims to expose the connections that elites drew between sensory refinement and social distinction. Finally, it shows how the fire lent credence to the notion that social class expressed itself through the senses, a notion used by elites to promote their vision of civic order even while the city burned.
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48

GOVERNMENT, US. Protection of Native American graves and the repatriation of human remains and sacred objects: Hearing before the Committee on Interior and Insular Affairs, ... held in Washington, DC, July 17, 1990. For sale by the U.S. G.P.O., Supt. of Docs., Congressional Sales Office, 1991.

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49

Holt, Frank L. When Money Talks. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197517659.001.0001.

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This book tells the story of numismatics, the study of coins, as part of the larger history of money. It explains why and where coinage was invented and how this monetary revolution spread around the world. By examining sources ranging from Aristotle and the Gospels to modern novels and TV sitcoms, this book highlights how historians, philosophers, poets, and religious leaders have used coinage to investigate, teach, and preach about human societies. It uses new ideas about memes and object agency to ask whether coins can act as though independent of human oversight. It details how numismatists have become more scientific since the Renaissance, although misuses of physiognomy and phrenology still hamper the field. Coins are studied not solely as individual works of art, but also as meaningful groups brought together as treasures called hoards. The analysis of buried hoards offers many interesting insights into human behavior, particularly in times of political turmoil and natural disaster. Although numismatics shares a common origin with archaeology, these disciplines have clashed in recent history, particularly over the disputed rights of amateurs to collect artifacts of historical importance. This book explores the ethics of coin collecting and considers whether paleontology might provide a model for the future of numismatics. New forms of numismatic investigation, such as Cognitive Numismatics, also pave a novel path for one of the oldest and most respected contributors to the arts and humanities.
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50

Moltesen, Mette, Marjatta Nielsen, and Annette Rathje, eds. Approaches to Ancient Etruria. Museum Tusculanum Press, 2022. http://dx.doi.org/10.55069/llw75521.

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‘Approaches to Ancient Etruria’ covers a wide range of topics within the legacy of the Etruscans – material and immaterial. Through close examination of the visible we gain insight into the questions of social and cultural identities, and broader questions lead to new interpretations and hypotheses. In fifteen articles, scholars from Italy, Germany, Sweden, Norway and Denmark present recent work on a broad range of Etruscan issues. Contributions include a settlement study and a detailed work on architectural mouldings, and they provide insights into religious practices, burial customs, funerary art, portraiture and social relations, deduced from epigraphical testimonia. Several articles deal with imagery in tombs, tomb paintings, bronze reliefs etc. – one presenting a new hypothesis on the scenes on the Tragliatella oinochoe, another examining the ‘Magistratensarkophag’ from Tomba dei Sarcofagi in Cerveteri – while others explore space in tombs or invite the reader to experience images of nature or imagine Etruscan music. Two contributions deal with objects in the Etruscan Collection created by the Danish sculptor Bertel Thorvaldsen during his extended sojourn in Rome (1797–1838). The introduction includes a useful overview of Etruscan studies and Etruscan collections in Denmark.
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