Relevant bibliographies by topics / Buddhist and Hindu images

Academic literature on the topic 'Buddhist and Hindu images'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Buddhist and Hindu images.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Buddhist and Hindu images"

1

Erokhin, B. R. "BUDDHIST HERITAGE OF KALINGA (ODISHA STATE, INDIA)." Bulletin of Udmurt University. Series History and Philology 30, no. 1 (March 21, 2020): 119–25. http://dx.doi.org/10.35634/2412-9534-2020-30-1-119-125.

Full text
Abstract:
The interaction between autochthonous, Buddhist and Hindu traditions here is regarded through the historical perspective basing on the material presented in publications of the state’s historical school which describe the archaeological and epigraphic monuments of Odisha. Unlike the “brahminical” approach, which generally dominates the Indian historiography and diminishes the influence of Buddhism on the Indian subcontinent, the studies of the local school provide more attention to this factor forming the regional history. The introduction describes the early period of Kalinga's relationship with Buddhism. The main part of the article is dedicated to the evidence of the overwhelming presence of Buddhist tantric tradition and subsequent gradual adaptation of Buddhist images and symbols in Hinduism. Due attention is paid to the outstanding figures of Buddhism whose lives were connected with Odisha, and to the main archaeological sites of the state. The conclusion generalizes the historical process of assimilation of Buddhist ideas and practices on the Indian subcontinent, which ended in the 13-14 centuries by extinguishing Buddhism over the most part of the subcontinent.
APA, Harvard, Vancouver, ISO, and other styles
2

Lepekhova, E. S. "Ganeša’s Cult and His Veneration in Japanese Buddhism." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 33–46. http://dx.doi.org/10.31696/2618-7302-2020-1-33-46.

Full text
Abstract:
This research focuses on the cult of the deity Ganeša in Japanese Buddhism. Ganeša is one of the Hindu gods, also known as Vinayaka, Ganapati and Vighnesa. Like many other Hindu deities, he was included in the pantheon of Vajrayana Buddhism. Due to this fact, various hypostases of Ganeša spread in Tibet, China and Japan, where his worship turned into an esoteric cult. In the Far East were known both single and paired images of Ganeša in the form of two hugging creatures with elephant heads. In Japan, such images were called Sosin Kangiten. In local esoteric Buddhism (mikkyō) they were interpreted as the opposites, male and female, phenomenal and absolute in the form of two sacred mandalas: the “Diamond mandala” and the “Womb Mandala”. For this reason, Ganeša is sometimes considered the epitome of the main deity of mikkyō tradition — Mahavairocana Buddha (Jp.: Dainiti Nerai) and was known as a composite element of another esoteric deity, Matarajin, or Santen, a triad of deities Saraswati, Dakini, and Ganeša. The history of Ganeša’s cult in these countries has not been sufficiently studied yet, however it shows the way in which elements of Hindu religion were preserved in the traditions of tantric Buddhism. While this religious and philosophical doctrine spread in the countries of Central Asia and the Far East, they gradually became part of local religious and cultural traditions. The author stresses that in the future they influenced not only the development of philosophical doctrines in local Buddhist schools, but also the formation of popular religious beliefs.
APA, Harvard, Vancouver, ISO, and other styles
3

Bautze-Picron, Claudine. "Some Observations on Vārāhī in Bihar and Bengal." Cracow Indological Studies 24, no. 2 (December 19, 2022): 117–48. http://dx.doi.org/10.12797/cis.24.2022.02.05.

Full text
Abstract:
The sheer intensity of the encounter between the Buddhist and Hindu pantheons in ‘Eastern India’ (comprising the Indian states of Bihar, Jharkhand, West Bengal and present Bangladesh) from the 7th to the 12th century, was unmatched in any other region.1 It left, above all, a visual and textual trail in the Buddhist iconography, as attested by the presence of two Mātṛkas (Mothers) among the members of Māra’s army attacking the Buddha on the night of his Awakening, Brahmanical deities being incorporated into the Buddhist world: Vārāhī appears in the Jagdishpur sculpture, and Cāmuṇḍā in a large fragment from a sculpture which must have been as large as the Jagdishpur image and used to stand in Lakhisarai, more fragments of it being preserved in the Indian Museum (Fig. 1).2 Further, the key component of Vārāhī iconography,3 the hog head, became an integral part of the images of Buddhist deities like Mārīcī and Vajravārāhī. The cultural background within which the images of the goddess were incorporated helps to understand this twofold phenomenon, the representation of her being transferred to a Buddhist context and some of her specific features being embedded in the iconography of Buddhist deities.
APA, Harvard, Vancouver, ISO, and other styles
4

Royo‐Iyer, Alessandra Lopez Y. "Dance images of ancient Indonesian temples (Hindu/Buddhist period): The dance reliefs of Borobudur." Indonesia Circle. School of Oriental & African Studies. Newsletter 20, no. 56 (November 1991): 3–23. http://dx.doi.org/10.1080/03062849108729768.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tan, Noel Hidalgo, Im Sokrithy, Heng Than, and Khieu Chan. "The hidden paintings of Angkor Wat." Antiquity 88, no. 340 (June 1, 2014): 549–65. http://dx.doi.org/10.1017/s0003598x00101176.

Full text
Abstract:
The temple of Angkor Wat in Cambodia is one of the most famous monuments in the world and is noted for its spectacular bas-relief friezes depicting ceremonial and religious scenes. Recent work reported here has identified an entirely new series of images consisting of paintings of boats, animals, deities and buildings. Difficult to see with the naked eye, these can be enhanced by digital photography and decorrelation stretch analysis, a technique recently used with great success in rock art studies. The paintings found at Angkor Wat seem to belong to a specific phase of the temple's history in the sixteenth century AD when it was converted from a Vishnavaite Hindu use to Theravada Buddhist.
APA, Harvard, Vancouver, ISO, and other styles
6

Ningrum, Meilia Tika Ayu, Agus Purnomo, and Idris Idris. "Pengembangan media pembelajaran IPS berbasis android materi kerajaan dan peninggalan Hindu-Buddha." JINoP (Jurnal Inovasi Pembelajaran) 7, no. 1 (May 20, 2021): 19–31. http://dx.doi.org/10.22219/jinop.v7i1.14344.

Full text
Abstract:
Android-based learning media for Social Studies (SS) might reduce boredom and accelerate student learning because it conveys attractive, creative, and innovative learning materials that support independent learning. This study aims to develop android-based learning media for SS about the Kingdom and Relics of Hindu-Buddhist. It employed Research and Development (R&D) with Analysis, Design, Development, Implementation, Evaluation (ADDIE) model. Validation by material experts and linguists stated that the learning media was feasible with 61.5% and 70%. Results show that the learning media is suitable to use by 88.2%. The product trials resulted in practical products by 100% from educational practitioners, and 80.2% from students. This finding indicates that the media is effective, as can be seen, that 26 out of 32 students scored above the minimum grade. It is suggested that SS learning media are developed through further research by utilizing virtual reality technology. This may accelerate student understanding as the use of videos and pictures, and virtual reality to images and objects help depict things clearly.
APA, Harvard, Vancouver, ISO, and other styles
7

Targowski, Andrew. "From Data to Wisdom in the Global and Civilizational Context." International Journal of Knowledge-Based Organizations 4, no. 3 (July 2014): 56–70. http://dx.doi.org/10.4018/ijkbo.2014070105.

Full text
Abstract:
The purpose of this study is to define what is information, mainly in terms of cognition units, and also find out its other perspectives and images. Once information is understood, then it is possible to define its role in wisdom development in general and in civilization. First information will be defined in terms of several perspectives. Secondly information will be defined in term of its images. The basic concept of information is in the cognitive perspective which recognizes cognition units. Among these units are perceived: data, information, concept, knowledge, and wisdom. Some global and civilizational impact upon the concept of wisdom is evaluated. Finally, the model of comprehensive wisdom is defined. Wisdom is defined in terms of the evolution of minds, from Basic Mind and Whole Mind, through Global Mind to Universal Mind. In conclusion, the wisdom of these minds is defined for each of eight current civilizations: Western, Eastern, Chinese, Japanese, Buddhist, Islamic, Hindu, and African.
APA, Harvard, Vancouver, ISO, and other styles
8

Rajesh, M. N. "Travel of Bonpo Gods from the Eurasian Borderlands to the Tibetan Culture Area and the Borderlands of North-east India." Kawalu: Journal of Local Culture 5, no. 1 (June 30, 2018): 71. http://dx.doi.org/10.32678/kawalu.v5i1.1874.

Full text
Abstract:
Abstract Popular writing has brought about an image of Hindu deities that are seen as a part of Hinduism only and Hinduism is also seen as a religion of the Indian subcontinent. While this may be largely true in many cases, it forces us to look at Hinduism in very Semitic terms as a closed religion. On the contrary we see that there was a considerable travel of gods and goddesses from other religions into Hinduism and vice versa. And thus negates the idea of Hinduism as a closed system. This therefore brings us to the problem of defining Hinduism which is by no means an easy task as there is no agreement on any singular definition. Pre-modern India had more contacts with her neighbours and thus central Asia and south East Asia emerge as some of the main regions where Indian influence is seen in many aspects of life. Even to a casual observer of both central Asia and South East Asia we see that there striking Indian influences in culture, religion and other aspects of life. All of them are not part of the textual literature that has become very nationalistic in the recent past and this tends to also dismiss the earlier writings as western Eurocentric. It is true that there is a great element of eurocentricism in the earlier writings but one point that needs to be highlighted is that these earlier writings also faithfully portrayed many aspects like iconography etc. in a very descriptive manner that focused on the measurements, likeness, colour and other associated characteristics of the statues. Such trends are clearly visible in the writings of Jas Burgess,E.B Havell etc. who were influenced by the dominant paradigm in contemporary Europe of the 1850‟s where the duty of the historian was to just record. Such an approach was informed by the writings of the German philosopher Leopold Von Ranke. Though there are certain value judgments at the end of the chapter, the main narrative is a dry as dust and it is easy to decipher the characteristics or reconstruct the iconographic programme in any shrine and by extension the religious practices. In the modern period , where the dominant forms of anti-colonial struggles led to a writing of nationalist history succeeded by Marxist influenced social histories in many parts of Asia, the identification of the national boundaries and national cultures also extended to religions and many aspects were either muted or totally obliterated in history writing to present a homogenous picture. Thus, we have a picture of Hinduism and Buddhism that fits in with the national narratives. Such a collapse of categories is there in the borderland of India where the cultural boundaries are not clearly marked as also h religious boundaries. One single example that illustrates this assertion is the portrayal of Sri Lanka as a Sinhala Buddhist region with the Tamil regions of Sri Lanka marked off as separate entity and both being largely exclusive. In the Buddhist temples of Sri Lanka, one finds firstly the statue of Ganesha and later the images of Karthikeya and also the god Shani or Saturn. This image of a Buddhist monastery sharply contrasts with the highly buddhistic space of a Sinhala Buddhist temple where non-Buddhist elements are not found.
APA, Harvard, Vancouver, ISO, and other styles
9

Koadhi, Sudir. "DAKWAH DAN ISLAM FUNDAMENTALIS." TASAMUH 16, no. 1 (December 1, 2018): 25–48. http://dx.doi.org/10.20414/tasamuh.v16i1.541.

Full text
Abstract:
The term fundamentalism was initially used only to refer to Catholics who rejected modernity and maintained the teachings of religious orthodoxy. However, at present, the term is also used for adherents of other religions which have similarities so there are also Islamic, Hindu and Buddhist fundamentalism. Over time, the use of the term fundamentalism raises certain images, such as extremism, fanaticism, or even terrorism in maintaining religious beliefs. The Islamic fundamentalist movement in Indonesia is more influenced by domestic and foreign social-political instability, from the Dutch colonial era until the end of the Suharto government. The era of reform, freedom of opinion and groups, is a moment for fundamentalists to voice their opinions, offer solutions to overcome the multidimensional crisis that occurred in Indonesia. Therefore, the propaganda of wisdom, advice, and dialogue must continue to be established with the fundamental groups of Islam to straighten out some of them have come out of the rules of Amar makruf nahimungkar. Advice and dialogue must continue to be made for them to improve the shortcomings
APA, Harvard, Vancouver, ISO, and other styles
10

Kinnard, J. N. "When Is The Buddha Not the Buddha? The Hindu/Buddhist Battle over BodhgayA and Its Buddha Image." Journal of the American Academy of Religion 66, no. 4 (January 1, 1998): 817–39. http://dx.doi.org/10.1093/jaarel/66.4.817.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Buddhist and Hindu images"

1

Tenzin, Kencho. "Shankara a Hindu revivalist or a crypto-Buddhist? /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-11302006-094652/.

Full text
Abstract:
Thesis (M.A.)--Georgia State University, 2006.
Kathryn McClymond, committee chair; Jonathan Herman, Christopher White, committee members. Electronic text (70 p.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007; title from title screen. Includes bibliographical references (p. 60-61).
APA, Harvard, Vancouver, ISO, and other styles
2

Shaw, Richard. "Iconography of Siddhas on south Indian temples." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340652.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kim, Bo-Young. "Indefinite boundaries reconsidering the relationship between Borobudur and Loro Jonggrong in Central Java /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467888511&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wilkinson, Sandra Margaret. "Young British Hindu women's interpretations of the images of womanhood in Hinduism." Thesis, University of Leeds, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246939.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cover, Jennifer Joy. "Bodhasar̄a by Narahari an eighteenth century Sunskrit treasure /." Connect to full text, 2008. http://hdl.handle.net/2123/4085.

Full text
Abstract:
Thesis (Ph. D.)--University of Sydney, 2008.
Title from title screen (viewed March 11, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Indian Sub-Continental Studies. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
6

Lomi, Benedetta. "The precious steed of the Buddhist pantheon : ritual, faith and images of Batō Kannon in Japan." Thesis, SOAS, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chandrasekhar, Chaya. "Påla-period Buddha images their hands, hand gestures, and hand-held attributes /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092830047.

Full text
Abstract:
Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages; contains xvi,375 p.; also contains graphics. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.
APA, Harvard, Vancouver, ISO, and other styles
8

SAKUMA, Ruriko. "LOKEŚVARA IMAGES PRESERVED AT THE NEPALESE BUDDHIST TEMPLE CATURBRAHMA MAHĀVIHĀRA IN BHAKTAPUR." 名古屋大学印度哲学研究室 (Department of Indian Philosophy, University of Nagoya), 1993. http://hdl.handle.net/2237/19180.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kim, Jeong-Eun. "Sabangbul during the Chosŏn dynasty : regional development of Buddhist images and rituals." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/13105/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kim, Sunkyung. "Decline of the law, death of the monk Buddhist texts and images in the Anyang Caves of late sixth-century China /." Click to view thedissertation via Digital dissertation consortium, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Buddhist and Hindu images"

1

Deep, Dhurba Krishna. Popular deities, emblems & images of Nepal. Jaipur: Nirala Publications, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bangdel, Lain Singh. Stolen images of Nepal. Kathmandu, Nepal: Royal Nepal Academy, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Maxwell, T. S. The gods of Asia: Image, text, and meaning. Delhi: Oxford University Press, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Images of the gods: Khmer mythology in Cambodia, Thailand, and Laos. Bangkok: Published and distributed in Thailand by River Books, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Deva, Krishna. Kalādarpaṇa, the mirror of Indian art: Essays in memory of Shri Krishna Deva. New Delhi: Aryan Books International, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pal, Pratapaditya. Divine images, human visions: The Max Tanenbaum collection of South Asian and Himalayan art in the National Gallery of Canada. Ottawa: National Gallery of Canada, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

The Rūpa mālā: In Sanskrit verse with an English translation. Colombo: Dept. of National Museums, Sri Lanka, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Art, icon, and architecture in South Asia: Essays in honour of Dr. Devangana Desai. New Delhi: Aryan Books International, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

India, National Museum of, and Archaeological Survey of India, eds. Reflections of Indian consciousness. New Delhi: National Museum, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Shashi, Asthana, and Indraprastha Museum of Art and Archaeology., eds. Elements of Indian art: Including temple architecture, iconography & iconometry. 2nd ed. New Delhi: Indraprastha Museum of Art and Archaeology, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Buddhist and Hindu images"

1

Agarwal, Binod C. "Buddhist, Hindu, and Jain Contribution to Communication in Asia." In Mindful Communication for Sustainable Development: Perspectives from Asia, 34–42. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications, Inc., 2018. http://dx.doi.org/10.4135/9789353280697.n4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sharify-Funk, Meena. "Toward a Global Understanding of Pacifism: Hindu, Islamic, and Buddhist Contributions." In Pacifism’s Appeal, 103–35. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13427-3_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Menon, Usha. "Images of the Life Course." In Women, Wellbeing, and the Ethics of Domesticity in an Odia Hindu Temple Town, 101–22. India: Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-0885-3_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cha, John Y. "A Hindu Gift of Bestowal: Śankara’s Concept of Grace in a Buddhist Context." In Learning from Other Religious Traditions, 97–115. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76108-4_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lewin, David, and Oren Ergas. "Eastern Philosophies of Education: Buddhist, Hindu, Daoist, and Confucian Readings of Plato’s Cave." In International Handbook of Philosophy of Education, 479–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72761-5_40.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Appendix: Kashmirian Literary Evidence for Multi-Headed Śiva Images." In The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences, 497–500. BRILL, 2013. http://dx.doi.org/10.1163/9789004248328_012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Schmidt-Leukel, Perry. "The Demonisation of the Other through the Narrative of Māra’s Defeat ( māravijaya )." In Buddhism and Its Religious Others, 155–75. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197266991.003.0008.

Full text
Abstract:
Across different cultural realms, and over a long period of time up to the present day, Buddhism has demonized religious others (Hindus, Christians, Muslims) and political others (political powers and parties) by referring to them as “Māras”, “Māra’s sons” or “Māra’s army”. In this context, the most frequently employed narrative is the story of Māra’s defeat (māravijaya) in the context of the Buddha’s awakening. While this demonization took place in word and image alike, my paper will focus primarily on Buddhist iconography. The demonization of the other was not without practical implications. In India, the Earth Goddess called upon by the Buddha as the witness of his purity is accompanied by, or transforms into the fierce Aparājitā, the “destroyer of all Māras”. In East Asia, the Earth Goddess causes a huge flood in which she drowns Māra’s army. The motif of killing to the higher glory of the Buddha has been repeatedly applied within real conflicts and was justified by some Buddhists as the killing of demonic appearances, not of genuine human beings.
APA, Harvard, Vancouver, ISO, and other styles
8

Chajes, Julie. "Hindu and Buddhist Thought." In Recycled Lives, 160–83. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190909130.003.0008.

Full text
Abstract:
Chapter 7 describes Blavatsky’s activities in India and Ceylon. The chapter argues that it is reasonable to assume Indian influences contributed, at least in part, to Blavatsky’s eventual acceptance of reincarnation. It shows that Blavatsky framed her later ideas in Vedantic terms provided by notable early Indian Theosophists such as Mohini M. Chatterji (1858–1936) and Tallapragada Subba Row (1856–1890). These came together with other influences in a modernising depiction of Theosophy as the esoteric essence of Hinduism and Buddhism that was offered as an alternative to Ernst Haeckel’s materialist monism. The chapter reveals Blavatsky’s reincarnationism as involving an entanglement of Western philosophies with the interpretations of Vedanta of Western-educated Hindu elites alongside academic Orientalism.
APA, Harvard, Vancouver, ISO, and other styles
9

Braunthal, Julius. "Hindu and Buddhist Socialism." In History of the International, 242–55. Routledge, 2019. http://dx.doi.org/10.4324/9780429048166-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Joshi, Nikhil. "Divergence, Convergence: Hindu-Buddhist Encounters." In The Mahābodhi Temple at Bodhgayā, 71–92. Routledge, 2019. http://dx.doi.org/10.4324/9780367822804-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Buddhist and Hindu images"

1

Purwanti, Retno. "The Influence of Hindu-Buddhist on Islamic Tombs in Palembang." In 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Setyani, T. "Heritage of Hindu-Buddhist Thought: Pradaksina and Prasavya Perspective in Tantu Panggelaran Text." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282768.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pertiwi, Ayu Ratna, Hardiyati, and Yosafat Winarto. "Evolution of Hindu–Buddhist Architectural Ornaments Into Javanese Traditional Architecture: Case Study of Sewu Temple." In 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

Full text
Abstract:
In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both relevant new publications as well as significant old publications. Its turns out that photographic surveys of archaeology in Indonesia during the colonial period developed from early archaeological activities into systematic institutional programs. The qualities of photography were appreciated in miscellaneous application and offered substantial benefits. Photography became a documentation medium, publication complementary, archive, and object representation and substitution. This historical background of photography in the context of Indonesian archaeology marks the significant value of these photographs so that it can be the foundation of preservation for the future. Di Hindia Belanda, dokumentasi fotografis pada tinggalan purbakala sangat mutakhir sebagaimana di Eropa yang dikembangkan sejak paruh terakhir abad ke-19 M. Fotografi menjadi perangkat untuk survei arkeologi yang menghasilkan ribuan sumber daya. Dalam tulisan ini, latar belakang sejarah terkait pengumpulan foto lama tersebut serta penggunaannya dalam berbagai aktifitas arkeologi akan dijabarkan. Lini masa yang dikaji dibatasi pada Indonesia pra-kemerdekaan dengan subjek yang berfokus pada tinggalan Hindu-Buddhis. Metode yang digunakan adalah kajian pustaka, baik terbitan terbaru yang relevan maupun terbitan lama yang penting. Ternyata survei fotografi pada arkeologi Indonesia selama periode kolonial berkembang sejak aktifitas arkeologis yang masih dini hingga menjadi program institusi yang sistematis. Kualitas fotografi juga diapresiasi dalam beragam penerapan serta menawarkan manfaat yang substansial, Fotografi menjadi media dokumentasi, pelengkap publikasi, arsip, serta representasi dan substitusi objek. Latar belakang sejarah fotografi dalam konteks arkeologi Indonesia semacam ini menjadikan nilai penting dari foto-foto tersebut sehingga dapat dijadikan fondasi dalam pelestarian untuk masa depan.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Buddhist and Hindu images' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography