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Journal articles on the topic 'Bronze age'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

LI, Kin Sum (Sammy). "Precious Stones and Bronzes in Jade Age and Bronze Age of China." Old World: Journal of Ancient Africa and Eurasia 3, no. 1 (May 2, 2023): 1–23. http://dx.doi.org/10.1163/26670755-20230003.

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Abstract This article aims to revisit the terms ‘Jade Age’ and ‘Bronze Age’ in respect to Chinese archaeology and history. It argues that the active exchanges of techniques, ideas, and tools between the bronze and stone producers have blurred the definitions of these periods and proposes that we focus more on the concrete agents in history. This article adopts evidence from the cold mechanical treatments of precious stones and bronzes. It presents and analyzes traces of polishing and chiseling on bronze surfaces and argues that some of the traces may have been left by abrasives as practiced in the lithic industry. This demonstrates that lapidary skills and the post-casting treatments of bronze objects were interrelated.

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2

Jinsong, Shi. "The Cultural Landscape of the Chinese Bronze Age." Acta Archaeologica 90, no. 1 (April 22, 2019): 81–109. http://dx.doi.org/10.1111/16000390-09001005.

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The Chinese Bronze Age culture from the 19th to the 1st century BC can be divided into four zones: the Central Plain in the middle and the lower Yellow River region; the Northern zone along the Great Wall; the Southern zone, south to the middle and the lower Yangzi River; the Southwestern zone covering the upper Yangzi River. In each zone, bronzes are not only different in types and styles but also function differently responding to the processes of the early state formation and social development. More precisely, in the first zone, there are mainly ritual bronzes, serving as symbols of the social and political hierarchy. In the second zone, there are mainly utilitarian items such as weapons, tools, bronzes of everyday use, ornaments, as well as horse-chariot fittings. Bronze musical instruments characterise the third zone. And bronzes of the fourth zone are realistic or symbolic in style, depicting scenes of social life. Though having different cultural origins and characteristics, the four zones communicate with and influence each other continuously, creating a dynamic cultural landscape of the Chinese Bronze Age.

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3

Jinsong, Shi. "The Cultural Landscape of the Chinese Bronze Age." Acta Archaeologica 90, no. 1 (April 22, 2019): 81–109. http://dx.doi.org/10.1163/16000390-09001005.

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The Chinese Bronze Age culture from the 19th to the 1st century BC can be divided into four zones: the Central Plain in the middle and the lower Yellow River region; the Northern zone along the Great Wall; the Southern zone, south to the middle and the lower Yangzi River; the Southwestern zone covering the upper Yangzi River. In each zone, bronzes are not only different in types and styles but also function differently responding to the processes of the early state formation and social development. More precisely, in the first zone, there are mainly ritual bronzes, serving as symbols of the social and political hierarchy. In the second zone, there are mainly utilitarian items such as weapons, tools, bronzes of everyday use, ornaments, as well as horse-chariot fittings. Bronze musical instruments characterise the third zone. And bronzes of the fourth zone are realistic or symbolic in style, depicting scenes of social life. Though having different cultural origins and characteristics, the four zones communicate with and influence each other continuously, creating a dynamic cultural landscape of the Chinese Bronze Age.

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4

Van De Mieroop, Marc. "Mesopotamia’s Bronze Age as a Cosmopolitan Age." Old World: Journal of Ancient Africa and Eurasia 3, no. 1 (October 16, 2023): 1–12. http://dx.doi.org/10.1163/26670755-20230008.

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Abstract The key term of this volume is bronze: in its basic meaning it is an alloy of two metals, copper and tin, even if there are other combinations, such as arsenical bronze. In Mesopotamia, the area I will discuss here, every form of bronze shared a common characteristic, however. To make bronze it was necessary to bring together two metals with origins in separate and distant places. The sources changed over time, but in Mesopotamia itself bronze was never the product of elements found in the same location. The outcome was something special, a compound stronger and deemed to be more appealing than its separate components. My discussion here will not be about metallurgy or material culture, however, but about literate culture, which in the Mesopotamian Bronze Age, I argue, showed a similar amalgamation of elements from sources that were geographically distinct. We can see bronze as a metaphor for literate culture in Mesopotamia.

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5

Rakhimov, Komil Akramovich Komil Akramovich. "ANCIENT BACTERIAN BRONZE AGE FIRE WORSHIP." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 05 (May 31, 2021): 71–77. http://dx.doi.org/10.37547/history-crjh-02-05-17.

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This article gives a brief overview of the results of research on the monuments of the Sopolli culture in northern Bactria, as well as the origin, shape, size, functions, stages of development, geography of distribution, geography of other cultures. comparisons with the findings of the eneolithic and Bronze Ages and comments on their periodic dates. It has also been scientifically substantiated that double-fire fire-worshiping furnaces in the eneolithic period continued as a tradition in later periods, i.e. in the Bronze Age, and that these furnaces were observed not in centralized temples but in family houses.

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6

Safarov, Baxtiyor Sattarovich. "Surkhan Oasis In The Bronze Age." American Journal of Interdisciplinary Innovations and Research 02, no. 10 (October 31, 2020): 69–73. http://dx.doi.org/10.37547/tajiir/volume02issue10-12.

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The Surkhandarya oasis, located in the southern part of Central Asia, is a favorable area for agriculture due to its geographic location and climate. In the Bronze Age, a sedentary agricultural culture was formed in the oasis, which was called the Sapalli culture. In this article, the economic, social and cultural life of the oasis in the Bronze Age is scientifically studied on the basis of archeological sources.

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7

Randsborg, Klavs. "Bronze Age Chariots." Acta Archaeologica 81, no. 1 (April 19, 2010): 251–69. http://dx.doi.org/10.1163/16000390-08101011.

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8

Randsborg, Klavs. "Bronze Age Measures." Acta Archaeologica 82, no. 1 (April 19, 2011): 181–202. http://dx.doi.org/10.1163/16000390-08201008.

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9

Haines, John. "Age of Bronze." Hudson Review 46, no. 2 (1993): 289. http://dx.doi.org/10.2307/3851679.

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10

Ratnagar, Shereen. "The Bronze Age." Current Anthropology 42, no. 3 (June 2001): 351–79. http://dx.doi.org/10.1086/320473.

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11

Kim, hyun Sik. "Bronze Age, Lower Han Dynasty and Early Iron Age in South Korea." Pusan Archaeological Society 22 (December 29, 2023): 61–82. http://dx.doi.org/10.47735/odia.2023.33.61.

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Currently, the lower limit of the Bronze Age is generally believed to be around 300 BC based on the appearance of the three-shaped bronze sword. And the period between 300 and 0 BC, when fine-grained bronze swords and clay pottery coexisted, is classified as the ‘Early Iron Age’. However, this common belief is problematic in that it is highly likely that three-shaped bronze swords appeared before the 5th century BC, that the lower limit of the Songguk-ri culture is around 200 BC, and that circular clay pottery coexists with the culture of the late Bronze Age. According to carbon dating, the Songguk-ri culture, the circular clay pottery culture, and the late Bronze Age settlements disappeared around 200 to 150 BC, and the Proto-Three Kingdoms period settlements in the central and western regions appeared around 200 BC. Therefore, the lower age of the Bronze Age and the upper age of the Proto-Three Kingdoms period are around 200 BC, and the name of the period following the Bronze Age, ‘Early Iron Age’, is no longer a valid age name. It is reasonable to call the stage in which fine-shaped bronze swords and circular clay pottery coexisted the late Bronze Age or the late Bronze Age.

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12

Allen, Carol, and David Hopkins. "Bronze Age Accessory Cups from Lincolnshire: Early Bronze Age Pot?" Proceedings of the Prehistoric Society 66 (2000): 297–317. http://dx.doi.org/10.1017/s0079497x00001833.

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Sixteen accessory or pygmy cups of the Early Bronze Age front Lincolnshire are illustrated and discussed for the first time: many were previously unpublished. The possible origins of the cups are considered and it is suggested that they had organic counterparts in domestic use more suitable for the lifestyle of the early 2nd millennium BC. The use of grog tempered fabrics is considered, leading to the concept of ritual use of the cups in traditional rites connecting society with its past. In the Early Bronze Age it seems very likely that the use of pottery was restricted to special occasions, and the cups in particular were used for drinking and smoking sessions, recognisable as part of both modern and past social gatherings and ceremonies.

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13

O'Connor, Brendan. "Martyn Barber Bronze and the Bronze Age." Scottish Archaeological Journal 27, no. 2 (October 2005): 193–95. http://dx.doi.org/10.3366/saj.2005.27.2.193.

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14

Geniş, Evren Y., and Thomas Zimmermann. "Early Bronze Age metalwork in Central Anatolia – An archaeometric view from the hamlet." Praehistorische Zeitschrift 89, no. 2 (June 30, 2014): 280–90. http://dx.doi.org/10.1515/pz-2014-0019.

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Zusammenfassung: Folgender Beitrag diskutiert die Ergebnisse von an Metallfunden der frühbronzezeitlichen Nekropole Kalınkaya-Toptaştepe in Zentralanatolien vorgenommenen Spektralanalysen. Da archäometrische Daten für Zentralanatolien im 3. Jahrtausend immer noch lückenhaft sind und bevorzugt Fundkomplexe früher Zentralorte berücksichtigt, Assemblagen aus dörflichen Ansiedlung jedoch bislang weitgehend unerschlossen sind, ist diese Studie in erster Linie als dringend benötigte Verbreiterung der Quellenbasis zu verstehen. Arsen-Kupferlegierungen bestehen neben „echten“ Bronzen (Kupfer-Zinn), Kontaminationen wie Nickel mögen Rückschlüsse auf bestimmte Lagerstätten zulassen. Die erzielten Resultate ergeben somit einen guten Einblick in Metallverwendung und Legierungstraditionen einer Kleinsiedlung in der jüngeren anatolischen Frühbronzezeit Résumé: L’article ci-dessous présente les résultats d’analyses spectroscopiques menées sur un ensemble d’objets de l’âge du Bronze Ancien provenant de la nécropole de Kalınkaya-Toptaştepe en Anatolie centrale. Vu que les données archéométriques concernant le 3e millénaire av. J.-C. en Anatolie centrale sont encore fort rares, qu’elles proviennent surtout de grands centres occupés précédemment et que les ensembles provenant d’établissements ruraux n’ont presque pas fait l’objet de recherches, l’intention primaire de l’étude que nous présentons ici est d’attirer l’attention sur les données qui sont à notre disposition. Les alliages de cuivre et d’arsenic existent à côté de ‘vrais’ bronzes (alliages de cuivre et d’étain), et la contamination, par exemple par le nickel, peut fournir de nombreux indices sur la présence de dépôts spécifiques. Les résultats permettent de se faire une bonne idée de l’emploi des métaux et des techniques traditionnelles d’alliage utilisés dans un habitat mineur d’Anatolie vers la fin de l’âge du Bronze Ancien. Abstract: The following contribution discusses the results of spectroscopic analyses carried out on metal artefacts from the Early Bronze Age cemetery of Kalınkaya-Toptaştepe in central Anatolia. Given that archaeometric data from 3rd- millennium BCE Central Anatolia are still quite sparse, tend to stem mainly from earlier central places, and the assemblages from village sites have so far remained largely unexplored, the study we present here is primarily intended to draw much needed attention to the data that are available. Copper-arsenic alloys exist alongside ‘true’ bronzes (copper-tin alloys), and contamination, for example by nickel, can yield much information about specific deposits. The results obtained provide good insights into the use of metals and traditional alloying techniques on a minor settlement at the end of the Anatolian Early Bronze Age.

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15

Weisgerber, G. "The Aegean Bronze Age." Philosophy and History 22, no. 1 (1989): 75–77. http://dx.doi.org/10.5840/philhist198922143.

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16

Glausiusz, Josie. "Trading Bronze Age technology." Nature 456, no. 7223 (December 2008): 709. http://dx.doi.org/10.1038/456709a.

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17

Bahn, Paul. "New Bronze Age civilization." Nature 341, no. 6239 (September 1989): 187–88. http://dx.doi.org/10.1038/341187a0.

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18

Schewe, Philip F. "A bronze-age belt." Physics Today 54, no. 10 (October 2001): 9. http://dx.doi.org/10.1063/1.4796226.

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19

RYDER, M. L. "Danish Bronze Age Wools." Journal of Danish Archaeology 7, no. 1 (January 1988): 136–43. http://dx.doi.org/10.1080/0108464x.1988.10590002.

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20

Kaul, Flemming. "Bronze Age tripartite cosmologies." Praehistorische Zeitschrift 80, no. 2 (November 2005): 135–48. http://dx.doi.org/10.1515/prhz.2005.80.2.135.

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21

Moesta, Hasso. "Bronze Age Copper Smelting." Interdisciplinary Science Reviews 11, no. 1 (January 1986): 73–87. http://dx.doi.org/10.1179/isr.1986.11.1.73.

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22

Cooper, Julien, and Yegor Grebnev. "Introduction: Bronze Age Civilizations." Old World: Journal of Ancient Africa and Eurasia 3, no. 1 (October 23, 2023): 1–10. http://dx.doi.org/10.1163/26670755-20230009.

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23

Arruda, Ana Margarida, and Elisa De Sousa. "Late Bronze Age in Alcáçova de Santarém (Portugal)." Trabajos de Prehistoria 72, no. 1 (June 30, 2015): 176–87. http://dx.doi.org/10.3989/tp.2015.12150.

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24

Bonanno, Giuliana. "URBAN DEVELOPMENT IN BRONZE AGE AND IRON AGE MALTA." Vicino Oriente 28 (2024): 93–106. http://dx.doi.org/10.53131/vo2724-587x2024_7.

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From the Bronze Age, the Maltese archipelago followed a particular and unique urban development throughout its history. Here is the attempt to underline this particularity, througha deepening into the settlement topography and land-use strategies of some of the most important Late Bronze and Iron Age’s sites of Malta and Gozo, also by tracing the changes occurred after the arriving of Levantine newcomers in the 8th century BC. This paperwill focus on the specific urban strategies adopted by some of the most representative sites of the Bronze and Iron Age. It follows a brief outlineaboutthelocation of the necropolis,intended asan essential marker to discover the presence of the Phoenician settlements. Altogether, these data shed a lighton the comprehension of the Maltese ancient urban landscape, which appears as an interdependent system that involved, in the Late Bronze Age, a strong connection between many inland villages, their fertile lands and few landing bays. This system became more complex during the Iron Age, with the appearanceof big urban centers exploitingthe rural landscape and connected to important trading harbors

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25

Malmer, Mats P. "Weight systems in the Scandinavian Bronze Age." Antiquity 66, no. 251 (June 1992): 377–88. http://dx.doi.org/10.1017/s0003598x00081485.

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The current received view is that the economy of the Bronze Age of northern Europe was based on gift exchange rather than trade. This paper, based on a comparative analysis of three groups of Scandinavian bronze and gold artefacts – bronze statuettes of ‘goddesses with necklets’, golden ‘oath rings’ and Fårdrup bronze axes – suggest that there were one or more standard weight systems in use in Bronze Age Scandinavia. The author uses these data to state a case for a trade economy, reminiscent of the Mycenaean world.

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26

Sognnes, Kalle. "Reflections on Bronze Age travels." Antiquity 89, no. 343 (January 30, 2015): 215–16. http://dx.doi.org/10.15184/aqy.2014.4.

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In the above paper, Johan Ling and Zofia Stos-Gale present results from a project comparing isotopes from Bronze Age artefacts with signatures from known Bronze Age mining localities. The results showed that artefacts found in southern Sweden were made from bronze mined in Cyprus. This is in itself interesting, but the discovery of rock art engravings in Sweden that resemble ‘oxhide’ bronze ingots from Cyprus adds a new dimension to the interpretation of Scandinavian rock art, with its strong focus on boat images. The number of possible oxhide ingots represented in Swedish rock art is low, but if the identification of these images is correct, we have evidence, for the first time, of direct connections between Scandinavia and the eastern Mediterranean, connections that have been supposed, but not evidenced, for more than a century (e.g. Hansen 1909). Here, I focus on some implications this article may have for future Scandinavian Bronze Age studies, with special emphasis on rock art.

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27

Levy, Janet E. "Bronze casters and gold workers during Denmark’s bronze age." JOM 43, no. 8 (August 1991): 66–68. http://dx.doi.org/10.1007/bf03221108.

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28

Rosenfeld, Amnon, Shimon Ilani, and Michael Dvorachek. "Bronze Alloys from Canaan During the Middle Bronze Age." Journal of Archaeological Science 24, no. 9 (September 1997): 857–64. http://dx.doi.org/10.1006/jasc.1997.0165.

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29

Cho, Jinson, and Eunwoo Lee. "The Provenance and meaning of bronze objects from bronze age-early iron age." Korean Ancient Historical Society 114 (November 30, 2021): 63–94. http://dx.doi.org/10.18040/sgs.2021.114.63.

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30

Gophna, Ram. "Early Bronze Age Fortification Wall and Middle Bronze Age Rampart at Tel Poran." Tel Aviv 19, no. 2 (September 1992): 267–73. http://dx.doi.org/10.1179/tav.1992.1992.2.267.

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31

Holst, Mads Kähler, Marianne Rasmussen, Kristian Kristiansen, and Jens-Henrik Bech. "Bronze Age ‘Herostrats’: Ritual, Political, and Domestic Economies in Early Bronze Age Denmark." Proceedings of the Prehistoric Society 79 (August 21, 2013): 265–96. http://dx.doi.org/10.1017/ppr.2013.14.

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In this article we argue that within the Danish Bronze Age there was a short-lived period (roughly 1500–1150 bc) that witnessed a dramatic investment of resources into the construction of monumental architecture in the form of barrows and long houses. These investments had far-reaching long-term effects on the local landscape with negative consequences for agricultural productivity. We use two extraordinary well-documented excavations of a barrow (Skelhøj) and a long house (Legård) as a model for labour organisation and resource allocation, which is calculated against the number of barrows and long houses recorded in the Danish Sites and Monuments database for the period. An astonishing minimum of 50,000 barrows were constructed, devastating an estimated 120,000–150,000 hectares of grassland. During the same time period an estimated 200,000 long houses were constructed and renewed every 30–60 years. In densely settled regions the effects are easily recognisable in pollen diagrams as a near-complete deforestation. Thereby, the productive potential of the economy was, in effect, reduced.The situation was unsustainable in a long-term perspective and, at least on a local scale, it implied the risk of collapse. On the other hand, the exploitation of resources also appears to have entailed a new way of operating in the landscape, which led to a new organisation of the landscape itself and a restructuring of society in the Late Bronze Age. The intense character of these investments in monumental architecture is assumed to rely primarily on ritual and competitive rationales, and it exemplifies how the overall economy may be considered an unstable or contradictory interplay between ritual, political, and domestic rationales.1

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32

Ko, Il Hong. "Re-examining the ‘Early Bronze Age Jar Burials’ of the Korean Bronze Age." Historical Association for Soong-Sil 35 (December 30, 2015): 5–36. http://dx.doi.org/10.16942/ssh.2015.35.12.01.

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33

Haubner, Roland, and Susanne Strobl. "Direct Production of Tin Bronzes from Copper and Cassiterite." Materials Science Forum 1081 (March 24, 2023): 137–42. http://dx.doi.org/10.4028/p-s4jt77.

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In the Bronze Age several possibilities for tin bronze production were available, namely direct from copper and cassiterite ore or by alloying copper with metallic tin. Cassiterite ores from two sources, Cornwall and Schlaggenwald, were available. It has to be noted that cassiterite from Schlaggenwald contained about 25 wt. % WO3, presumably as wolframite. For the experiments, copper was melted at 1090 °C, covered with charcoal and then cassiterite and again charcoal was added. As is known from Sn smelting, the presence of tungsten reduces the yield of Sn. Thus, in our experiments the Sn content in the bronze was reduced. It can be confirmed by these experiments that the direct production of tin bronzes from copper and cassiterite ore is possible. In the Bronze Age the negative effect of tungsten should not have played a role, because at that time only the cassiterite deposits of Cornwall were known in Europe.

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34

Valdez-Tullett, Andy. "Sheep in Wealth's Clothing: Social Reproduction across the Bronze Age to Iron Age Transition in Wiltshire, Southern England." European Journal of Archaeology 20, no. 4 (April 11, 2017): 663–81. http://dx.doi.org/10.1017/eaa.2016.28.

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The circulation of bronze is considered to be the principal vehicle of social reproduction for the later Bronze Age, with significant social investment in trade networks, systems of exchange, and social alliances. Substantial social upheaval is implied by the decline of bronze, as attested by the widespread deposition of hoards towards the end of this period. This article aims to fill a lacuna between the period of peak bronze hoarding and other vectors of change such as the manipulation of grain surpluses or the creation of hillforts. The reorganization of the Wiltshire landscape signifies transformation to a transhumant regime. Animals became increasingly important at the end of the Bronze Age, with daily life revolving around their management, dictating seasonal movement, and interaction. Investment in the social value of animals beyond pure subsistence requirements was a major factor filling the social gap left by the demise of bronze. This was accompanied by changes in the mode of production and the scales of social engagement.

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35

Sherratt, Susan. "Bronze Age and early Iron Age Crete." Antiquity 77, no. 298 (December 2003): 858–60. http://dx.doi.org/10.1017/s0003598x00061810.

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36

Lavento, Mika. "Early Metal Age bronze axes in Finland: an overview." TRANSACTIONS OF THE INSTITUTE FOR THE HISTORY OF MATERIAL CULTURE Russian Academy of Sciences 20 (2019): 35–52. http://dx.doi.org/10.31600/2310-6557-2019-20-35-52.

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37

Jennbert, Kristina. "Bronze Age Research in the Late 1980s." Current Swedish Archaeology 3, no. 1 (December 28, 1995): 45–54. http://dx.doi.org/10.37718/csa.1995.03.

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A selective overview of Swedish Bronze Age research during the late 1980s is presented. The dominant topics were settlement archaeology, spatial analysis, bronze metalwork and rock art with local or regional perspectives. Both generalistic and particularistic approaches are notable with the use of quantitative and qualitative methods in a search of comprehensive views for Bronze Age societies.

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38

Aslaksen, Ole Christian. "Travellers of the Bronze Age." Archaeologia Austriaca 1 (2015): 11–30. http://dx.doi.org/10.1553/archaeologia99s11.

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39

Dąbrowski, Jan. "Notes on Bronze Age Flintwork." Analecta Archaeologica Ressoviensia 11 (2016): 209–28. http://dx.doi.org/10.15584/anarres.2016.11.9.

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40

VAN DER STEEN, E. J. "Megiddo in Early Bronze Age." Bibliotheca Orientalis 58, no. 3 (August 1, 2001): 303–11. http://dx.doi.org/10.2143/bior.58.3.2015720.

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41

Schofield, Elizabeth, and Phyllis Young Forsyth. "Thera in the Bronze Age." American Journal of Archaeology 103, no. 2 (April 1999): 387. http://dx.doi.org/10.2307/506782.

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42

Barber, R. L. N., and Phyllis Young Forsyth. "Thera in the Bronze Age." Phoenix 53, no. 1/2 (1999): 180. http://dx.doi.org/10.2307/1088142.

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43

Danylova, Tetiana. "Civilization of Bronze Age Crete." Мiждисциплiнарнi дослiдження складних систем, no. 13 (January 9, 2019): 107–16. http://dx.doi.org/10.31392/iscs.2018.13.107.

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44

Foster, Karen Polinger, and Phyllis Young Forsyth. "Thera in the Bronze Age." Classical World 92, no. 5 (1999): 466. http://dx.doi.org/10.2307/4352323.

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45

Merrillees, Robert Stuart. "III. The Bronze Age Antiquities." Cahiers du Centre d'Etudes Chypriotes 40, no. 1 (2010): 29–37. http://dx.doi.org/10.3406/cchyp.2010.952.

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46

BADRE, Leila. "The Bronze Age of Beirut." ARAM Periodical 13 (January 1, 2001): 1–26. http://dx.doi.org/10.2143/aram.13.0.504489.

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47

Reinhold, Sabine. "Re-Envisioning Bronze Age Eurasia." European Journal of Archaeology 13, no. 1 (2010): 117–19. http://dx.doi.org/10.1179/eja.2010.13.1.117.

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48

Kaul, Flemming. "Opening the Bronze Age world." Antiquity 89, no. 343 (January 30, 2015): 210–12. http://dx.doi.org/10.15184/aqy.2014.6.

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In the above paper by Johan Ling and Zofia Stos-Gale, an object seen in a number of Swedish rock paintings and carvings is understood to be a representation of the so-called oxhide shaped ingot of the eastern Mediterranean Minoan-Mycenaean Bronze Age culture.

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49

Booth, Thomas J., Andrew T. Chamberlain, and Mike Parker Pearson. "Mummification in Bronze Age Britain." Antiquity 89, no. 347 (October 2015): 1155–73. http://dx.doi.org/10.15184/aqy.2015.111.

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50

Stock, Jonathan P. J. "Sounds of Bronze Age China." Early Music XXIX, no. 3 (August 2001): 451–52. http://dx.doi.org/10.1093/earlyj/xxix.3.451.

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