Journal articles on the topic 'Broadway Bank (New York)'
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Loney, Glenn. "A Theatre of Pre-Depression: Economics and Apathy in New York." New Theatre Quarterly 8, no. 32 (November 1992): 313–20. http://dx.doi.org/10.1017/s0266464x00007090.
Full textPereira, Renato Barreto. "A Gay New York City in Mart Crowley’s “The Boys in the Band”." East-West Cultural Passage 21, no. 2 (December 1, 2021): 26–52. http://dx.doi.org/10.2478/ewcp-2021-0012.
Full textYablon, Nick. "“A Curious Epitome of the Life of the City”: New York, Broadway, and the Evolution of the Longitudinal View." Journal of Urban History 44, no. 5 (September 12, 2016): 953–84. http://dx.doi.org/10.1177/0096144216654882.
Full textMeans Weekly, Edrie. "Shifting Gears in Multiple Styles: An Artist and Teacher of Singing’s Journey with the 2011 Revival of Follies." Journal of Singing 79, no. 4 (February 22, 2023): 497–501. http://dx.doi.org/10.53830/xyup5554.
Full textRobinson, Danielle. "“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York." Dance Research Journal 38, no. 1-2 (2006): 19–42. http://dx.doi.org/10.1017/s0149767700007312.
Full textOlsen, Christopher. "Off-Off-Broadway Explosion: How Provocative Playwrights of the 1960s Ignited a New American Theater. By David A. Crespy. New York: Back Stage Books, 2003; pp. 192; 32 illus. $19.95 paper." Theatre Survey 46, no. 2 (October 25, 2005): 349–51. http://dx.doi.org/10.1017/s004055740539020x.
Full textLoney, Glenn. "Survival Strategies in New York Theatres." New Theatre Quarterly 11, no. 41 (February 1995): 79–90. http://dx.doi.org/10.1017/s0266464x00008915.
Full textFokina, Svitlana. "BROADWAY SEMIOSPHERE IN NOSTALGIC DISCOURSE OF VERA ZUBAREVA." Baltic Journal of Legal and Social Sciences, no. 2 (April 4, 2022): 164–70. http://dx.doi.org/10.30525/2592-8813-2021-2-21.
Full textJohnson, Paddy. "Finola Jones, Broadway Windows, New York, December - January 1996-7." Circa, no. 79 (1997): 65. http://dx.doi.org/10.2307/25563118.
Full textKauffmann, Stanley. "Broadway and the Necessity for ‘Bad Theatre’." New Theatre Quarterly 1, no. 4 (November 1985): 359–63. http://dx.doi.org/10.1017/s0266464x00001779.
Full textWellbrock, Gary, and Molly Ness. "Perspectives On Practice." Language Arts 95, no. 3 (January 1, 2018): 190–97. http://dx.doi.org/10.58680/la201829456.
Full textReddy, Srinivas K., Vanitha Swaminathan, and Carol M. Motley. "Exploring the Determinants of Broadway Show Success." Journal of Marketing Research 35, no. 3 (August 1998): 370–83. http://dx.doi.org/10.1177/002224379803500307.
Full textSavran, David. "Trafficking in Transnational Brands: The New “Broadway-Style” Musical." Theatre Survey 55, no. 3 (August 18, 2014): 318–42. http://dx.doi.org/10.1017/s0040557414000337.
Full textSlesinger, Emily, Hubert du Pontavice, Brad Seibel, Vincent S. Saba, Josh Kohut, and Grace K. Saba. "Climate-induced reduction in metabolically suitable habitat for U.S. northeast shelf marine species." PLOS Climate 3, no. 4 (April 25, 2024): e0000357. http://dx.doi.org/10.1371/journal.pclm.0000357.
Full textHamm, Charles. "The Firebrand of New York: Kurt Weill and his ‘Broadway Operetta’." Music and Letters 85, no. 2 (May 1, 2004): 239–54. http://dx.doi.org/10.1093/ml/85.2.239.
Full textDavies, Lyell, and Kay Takeda. "Helen O'Leary, New Work, Michael Gold Gallery, Broadway, New York, October-December 1998." Circa, no. 87 (1999): 58. http://dx.doi.org/10.2307/25563381.
Full textVarhola, Kim. "If it happened, he was there." Studies in Musical Theatre 17, no. 3 (December 1, 2023): 209–15. http://dx.doi.org/10.1386/smt_00132_1.
Full textRAO, NANCY YUNHWA. "Racial essences and historical invisibility: Chinese opera in New York, 1930." Cambridge Opera Journal 12, no. 2 (July 2000): 135–62. http://dx.doi.org/10.1017/s095458670000135x.
Full textGelles, Barrie. "Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, Stacy Wolf (2020)." Studies in Musical Theatre 16, no. 1 (April 1, 2022): 85–87. http://dx.doi.org/10.1386/smt_00088_5.
Full textTurner, Ed.D., Elizabeth. "Challenges of Female Producers on Broadway." Musical Theatre Educators Alliance Journal 5, no. 2024 (January 1, 2024): 100–115. http://dx.doi.org/10.62392/zttk1750.
Full textDunn, Joe P. "Media Review." Teaching History: A Journal of Methods 12, no. 2 (May 4, 1987): 26–27. http://dx.doi.org/10.33043/th.12.2.26-27.
Full textWHITLEY, EDWARD. "Whitman's Occasional Nationalism: "A Broadway Pageant" and the Space of Public Poetry." Nineteenth-Century Literature 60, no. 4 (March 1, 2006): 451–80. http://dx.doi.org/10.1525/ncl.2006.60.4.451.
Full textGale, Lorena. "A Servant in Mecca: One Playwright’s Experience of New York." Canadian Theatre Review 125 (January 2006): 47–55. http://dx.doi.org/10.3138/ctr.125.008.
Full textChappell, Sally A. Kitt. "A Reconsideration of the Equitable Building in New York." Journal of the Society of Architectural Historians 49, no. 1 (March 1, 1990): 90–95. http://dx.doi.org/10.2307/990500.
Full textBates, Benjamin R. "The New York Yankees and the conservative use of space." Ethnologies 24, no. 1 (May 23, 2003): 201–24. http://dx.doi.org/10.7202/006537ar.
Full textWon, Jongwon, Jong Yoon Lee, and Jong Woo Jun. "Influences of SNS (Social Network Service) Uses and Musical Consumption on City Branding: A Focus on Broadway, New York and the West End, London." Sustainability 12, no. 9 (May 9, 2020): 3856. http://dx.doi.org/10.3390/su12093856.
Full textSpector, Susan. "Preparation for an Audition: Uta Hagen's Broadway Debut." Theatre Survey 30, no. 1-2 (May 1989): 111–26. http://dx.doi.org/10.1017/s0040557400000818.
Full textWilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s0361233300005305.
Full textWilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s036123330000675x.
Full textDeRose, David. "THEATER IN NEW York: Slouching Towards Broadway: Shepard's A Lie of the Mind." Theater 17, no. 2 (1986): 69–74. http://dx.doi.org/10.1215/01610775-17-2-69.
Full textCarp, Benjamin L. "The Night the Yankees Burned Broadway: The New York City Fire of 1776." Early American Studies: An Interdisciplinary Journal 4, no. 2 (2006): 471–511. http://dx.doi.org/10.1353/eam.2006.0011.
Full textCarlyon, David. "From Broadway Tabernacle to the Gettysburg Battlefield: Did Edwin Forrest Influence Abraham Lincoln?" Theatre Survey 56, no. 1 (December 29, 2014): 71–94. http://dx.doi.org/10.1017/s004055741400057x.
Full textHall, Robert A. "165 Broadway – A crucial node in American Structural Linguistics." Historiographia Linguistica 18, no. 1 (January 1, 1991): 153–66. http://dx.doi.org/10.1075/hl.18.1.05hal.
Full textShafer, Yvonne. "The New York Times Book of Broadway. Edited by Ben Brantley. New York: St. Martin's Press, 2001; pp. 268. $35 hardcover." Theatre Survey 43, no. 02 (November 2002): 286–87. http://dx.doi.org/10.1017/s004055740233014x.
Full textKraus, Joe. "Broadway Boogie Woogie: Damon Runyon and the Making of New York City Culture (review)." MFS Modern Fiction Studies 50, no. 3 (2004): 752–53. http://dx.doi.org/10.1353/mfs.2004.0072.
Full textBarros Costa, Hugo. "Nueva York: relatos gráficos." EGA. Revista de expresión gráfica arquitectónica 21, no. 28 (September 29, 2016): 258. http://dx.doi.org/10.4995/ega.2016.6300.
Full textGuzek, Katie. "A Revolutionary Idea: Planning an Epic Hamil-Con." Children and Libraries 16, no. 1 (March 15, 2018): 33. http://dx.doi.org/10.5860/cal.16.1.33.
Full textBurghardt, Linda F. "Crossing Broadway: Washington Heights and the Promise of New York City. By Robert W. Snyder." Oral History Review 43, no. 1 (April 1, 2016): 208–10. http://dx.doi.org/10.1093/ohr/ohw028.
Full textDe Souza Valle Neto, Júlio. "LUDWIG, Ken. How to teach your children Shakespeare. New York: Broadway Books, 2013. 350 p." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 23 (December 10, 2019): 223–28. http://dx.doi.org/10.23925/1983-4373.2019i23p223-228.
Full textDearstyne, Bruce W. "Crossing Broadway: Washington Heights and the Promise of New York City by Robert W. Snyder." New York History 98, no. 1 (2017): 156–59. http://dx.doi.org/10.1353/nyh.2017.0044.
Full textBreon, Robin. "‘Show Boat’: The Past Revisits the Present." Canadian Theatre Review 79-80 (June 1994): 70–79. http://dx.doi.org/10.3138/ctr.79-80.010.
Full textThompson, Cheryl. "The Show Did Go On." Canadian Theatre Review 187 (July 1, 2021): 91–93. http://dx.doi.org/10.3138/ctr.187.027.
Full textSpector, Susan. "Telling the Story of Albee's Who's Afraid of Virginia Woolf?: Theatre History and Mythmaking." Theatre Survey 31, no. 2 (November 1990): 177–99. http://dx.doi.org/10.1017/s0040557400009340.
Full textAsare, Masi. "The Black Broadway voice: calls and responses." Studies in Musical Theatre 14, no. 3 (December 1, 2020): 343–59. http://dx.doi.org/10.1386/smt_00047_7.
Full textLoney, Glenn. "Entertaining Mr. Loney: an Early Interview with Joe Orton." New Theatre Quarterly 4, no. 16 (November 1988): 300–305. http://dx.doi.org/10.1017/s0266464x00002864.
Full textROBERTCROSS, G. "Revenue management: Hard-core tactics for market domination by Robert G. Cross. Broadway Books, 1540 Broadway, New York, NY 10036, 1997. 276 pp. Hardcover, $27.50." Cornell Hotel and Restaurant Administration Quarterly 38, no. 2 (April 1997): 17. http://dx.doi.org/10.1016/s0010-8804(97)81470-x.
Full textMason, Jeffrey D. "American Theatre in the Culture of the Cold War: Producing and Contesting Containment, 1947–1962. By Bruce A. McConachie. Studies in Theatre History & Culture. Iowa City: University of Iowa Press, 2003; pp. xiv + 347; 15 illus. $49.95 cloth." Theatre Survey 46, no. 2 (October 25, 2005): 341–43. http://dx.doi.org/10.1017/s0040557405360200.
Full textMok, Christine. "East West Players and After: Acting and Activism." Theatre Survey 57, no. 2 (April 13, 2016): 253–63. http://dx.doi.org/10.1017/s0040557416000107.
Full textElliott, Charles W. "Revenue ManagementRevenue Management By CrossRobert G., New York: Broadway Books, 1997. 276 pages, hard cover, $27.50." Academy of Management Perspectives 11, no. 2 (May 1997): 87–89. http://dx.doi.org/10.5465/ame.1997.9707132131.
Full textPurnell, B. "The African Burial Ground National Monument. 290 Broadway, 1st Floor, New York, N.Y. http://www.nps.gov/afbg/." Journal of American History 97, no. 3 (December 1, 2010): 736–40. http://dx.doi.org/10.1093/jahist/97.3.736.
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