Journal articles: 'Broadcasting – United States – History'

1

Godfrey, Donald G. "A History of Broadcasting in the United States." Journal of Broadcasting & Electronic Media 54, no. 3 (August 17, 2010): 534–38. http://dx.doi.org/10.1080/08838151.2010.498706.

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Wolfe, Audra J. "Radio's Hidden Voice: The Origins of Public Broadcasting in the United States." Technology and Culture 51, no. 4 (2010): 1050–51. http://dx.doi.org/10.1353/tech.2010.0039.

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Levin, Robert A., and Laurie Moses Hines. "Educational Television, Fred Rogers, and the History of Education." History of Education Quarterly 43, no. 2 (2003): 262–75. http://dx.doi.org/10.1111/j.1748-5959.2003.tb00123.x.

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The history of teaching and learning via television has compressed into a half-century many of the same stages and themes of the larger story of common schooling in the United States. Responding to a variety of public, private, and foundation interests in the post-World War II period, the Federal Communications Commission (FCC) set aside 242 television frequencies for noncommercial educational purposes in 1952. Three decades earlier, the Federal Radio Commission (FRC) had asserted a need for broadcasting to serve a common good for the broad public and civic interest. During the 1920s, nonnetworked educational radio stations were formed on various college and university campuses.

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Howard, Herbert H. "Television Station Ownership in the United States: A Comprehensive Study (1940–2005)." Journalism & Communication Monographs 8, no. 1 (March 2006): 1–78. http://dx.doi.org/10.1177/152263790600800101.

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Multiple-station, or group, ownership is a long established characteristic of broadcasting in the United States. It exists whenever a single organization owns more than one station or one medium. Through the efficiencies of operation of multiple outlets, or economies of scale, group media companies usually enjoy financial benefits that are not available to single medium operators. Thus, a long-term trend toward consolidation has prevailed throughout the history of the radio broadcasting industry. Television owners quickly adopted the practice, which has expanded steadily, as regulations have permitted ever since. The three forms of multiple ownership — Group ownership, Duopoly ownership, and Cross-media ownership are analyzed in this study. Particularly, this study provides (1) a statistical-historical account of the development of multiple-station ownership in the TV industry from 1940 to 2005; and (2) a historical account and analysis of the government's regulatory actions on media ownership during the same period. This study explores thus, the ownership consolidation and industry regulation that continue to be significant issues for the media industries with on-going implications.

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Lippmann, Stephen. "Rationalization, Standardization, or Market Diversity?" Social Science History 32, no. 3 (2008): 405–36. http://dx.doi.org/10.1017/s0145553200014000.

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The “golden age” of radio broadcasting in the 1930s and 1940s was dominated by large, national broadcasting networks. The rise of these networks is thought to have been accompanied by a dramatic decline in the number of locally oriented stations in operation in the United States. However, this presumption contradicts the dynamics of concentration and organizational foundings in a variety of other industries. In this article I use comprehensive data on the vital rates of radio station founding, failure, and density to empirically test the popular claims of network dominance in the midcentury U.S. broadcasting industry. The results indicate that locally owned commercial stations were not eliminated by the rise of national broadcasting networks. In fact, concentration in the hands of the networks actually increased the viability of locally owned radio stations.

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Rabêlo, Melissa S. Moreira, Martha Garcia-Murillo, and Carlos Agostinho Almeida de Macedo Couto. "PUBLIC BROADCASTING SERVICES IN THE UNITED STATES AND BRAZIL: history, funding and new technologies." Revista de Políticas Públicas 21, no. 1 (July 26, 2017): 469. http://dx.doi.org/10.18764/2178-2865.v21n1p469-494.

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O artigo traz a problemática do sistema púplico de televisão no Brasil e Estados,no que se refere ao seu modelo de financiamento e política, fazendo umarelação com as novas tecnologias no setor e as mudanças de comportamento dapopulação em relação ao meio televisão.Palavras-chave: Televisão pública, política, novas tecnologias.

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Keeler, Amanda R. "Radio's Hidden Voice: the origins of public broadcasting in the United States." Historical Journal of Film, Radio and Television 30, no. 1 (March 2010): 147–49. http://dx.doi.org/10.1080/01439680903577516.

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McChesney, R. W. "Media and Democracy: The Emergence of Commercial Broadcasting in the United States, 1927-1935." OAH Magazine of History 6, no. 4 (March 1, 1992): 34–40. http://dx.doi.org/10.1093/maghis/6.4.34.

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Kruse, Elizabeth. "From Free Privilege to Regulation: Wireless Firms and the Competition for Spectrum Rights before World War I." Business History Review 76, no. 4 (2002): 659–703. http://dx.doi.org/10.2307/4127706.

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The activities of commercial wireless companies in the United States before World War I were critical forerunners of the unique system of property rights in the radio spectrum that developed in the United States between 1899 and 1927. These activities formed the basis for commercial claims to property rights in the spectrum during the 1920s, when radio broadcasting developed. The early wireless companies provided the material, institutional, and ideological foundations for commercial rights in the spectrum that are still a striking part of mass communication in the United States today. The De Forest/United Wireless succession of companies, although ultimately business failures, nonetheless laid the groundwork for commercial radio in the United States. Most historians of radio have overlooked the importance of the pre–World War I period, and all have neglected the contribution of the De Forest/United Wireless companies.

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Street, Seán. "Book Review: Douglas Gomery, A History of Broadcasting in the United States, Oxford: Blackwell, 2008." Media, Culture & Society 31, no. 5 (September 2009): 857–58. http://dx.doi.org/10.1177/0163443709339458.

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Sullivan, John L. "Transporting Television in Space and Time: The Export ofDoctor Whoto the United States in the 1970s and 1980s." Journal of British Cinema and Television 12, no. 3 (July 2015): 342–63. http://dx.doi.org/10.3366/jbctv.2015.0269.

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The revival of the BBC series Doctor Who in 2005 heralded the successful rebirth of a defunct science fiction series that had been cancelled in 1989. While the 2005 incarnation was designed as a slick, high-budget media product with cross-national appeal, the initial series, which was broadcast regularly from 1963 to 1989, was quite different – quirky, low-budget and distinctly British. In fact, the roll-out of Doctor Who on American television screens in the late 1970s was marred by missteps thanks in part to structural differences between the US and British broadcasting systems. This essay explores the initial expansion of Doctor Who into the United States beginning in the late 1960s, first via syndication to commercial stations with Time Life Television and later to Public Broadcasting Service (PBS) stations nationwide through the BBC's US distribution arm, Lionheart Television. The attempt to internationalise the Doctor Who audience in its first two decades is examined through the larger lens of shared British and American broadcasting history and policy before and during the Thatcher era. Ironically, while the BBC scrapped Doctor Who in the 1980s due to market pressures and personal rivalries, it attracted an engaged and loyal fan base in the United States, ultimately boosting the fortunes of American public television.

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Slotten, Hugh Richard, and Thomas Streeter. "Selling the Air: A Critique of the Policy of Commercial Broadcasting in the United States." Technology and Culture 39, no. 1 (January 1998): 173. http://dx.doi.org/10.2307/3107036.

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Socolow, Michael J. "A Wavelength for Every Network: Synchronous Broadcasting and National Radio in the United States, 1926–1932." Technology and Culture 49, no. 1 (2007): 89–113. http://dx.doi.org/10.1353/tech.2008.0006.

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Mitchell, J. W. "Hugh Richard Slotten. Radio's Hidden Voice: The Origins of Public Broadcasting in the United States." Enterprise and Society 12, no. 1 (April 9, 2010): 248–50. http://dx.doi.org/10.1093/es/khq022.

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15

Kim, Jina E. "Broadcasting Solidarity across the Pacific: Reimagining the Tongp'o in Take Me Home and the Free Chol Soo Lee Movement." Journal of Asian Studies 79, no. 4 (July 24, 2020): 891–910. http://dx.doi.org/10.1017/s0021911820001278.

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The South Korean radio docudrama and adapted novel Take Me Home (1978) were based on the real-life case of Chol Soo Lee, who in 1974 was wrongly convicted of murder and sentenced to life imprisonment in the United States. Lee was later acquitted following a series of investigative reports and amid an emerging social movement calling for his release that spanned South Korea and the United States. Influenced by both the American civil rights movement and the Korean progressive minjung ideology, Take Me Home is among several popular radio programs and novels that helped spark this transpacific movement by critiquing US hegemony and Korean state nationalism and by reimagining the figure of the tongp'o in the context of a nascent pan-Korean consciousness. This article traces how the tongp'o is foregrounded, constructed, and ultimately saved in Take Me Home and argues that the radio novel's sonic imagination played a crucial role in broadcasting solidarity across the Pacific.

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Rymsza-Pawlowska, Malgorzata J. "Broadcasting the Past: History Television, “Nostalgia Culture,” and the Emergence of the Miniseries in the 1970s United States." Journal of Popular Film and Television 42, no. 2 (April 3, 2014): 81–90. http://dx.doi.org/10.1080/01956051.2013.805118.

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Slotten, Hugh Richard. "Universities, public service experimentation, and the origins of radio broadcasting in the United States, 1900–1920." Historical Journal of Film, Radio and Television 26, no. 4 (October 2006): 485–504. http://dx.doi.org/10.1080/01439680600916777.

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McChesney, Robert W. "Press-Radio Relations and the Emergence of Network, Commercial Broadcasting in the United States, 1930–1935." Historical Journal of Film, Radio and Television 11, no. 1 (January 1991): 41–57. http://dx.doi.org/10.1080/01439689100260031.

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19

Pierce, Robert N., and Fred Fejes. "Imperialism, Media, and the Good Neighbor: New Deal Foreign Policy and United States Shortwave Broadcasting to Latin America." Hispanic American Historical Review 68, no. 1 (February 1988): 188. http://dx.doi.org/10.2307/2516290.

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Pierce, Robert N. "Imperialism, Media, and the Good Neighbor: New Deal Foreign Policy and United States Shortwave Broadcasting to Latin America." Hispanic American Historical Review 68, no. 1 (February 1, 1988): 188–89. http://dx.doi.org/10.1215/00182168-68.1.188.

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Dolber, Brian. "Strange Bedfellows: Yiddish socialist radio and the collapse of broadcasting reform in the United States, 1927-1938." Historical Journal of Film, Radio and Television 33, no. 2 (June 2013): 289–307. http://dx.doi.org/10.1080/01439685.2013.798080.

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22

Moise, Edwin E. "Recent Accounts of the Vietnam War—A Review Article." Journal of Asian Studies 44, no. 2 (February 1985): 343–48. http://dx.doi.org/10.2307/2055928.

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AbstractsThe Public Broadcasting Service series Vietnam: A Television History is generally sound, and commendably willing to present opinions and judgments on controversial issues.Stanley Karnow's Vietnam: A History presents important new information but gives inadequate attention to some fundamental issues; James Harrison's The Endless War contains less original material but deals better with fundamental issues, including the nature and sources of Communist strength in Vietnam.R. B. Smith, Revolution versus Containment, 1955–1961, volume 1 of An International History of the Vietnam War, tries to cover too much in a short book. Some of the conclusions are not adequately proven.Ronald Spector's Advice and Support: The Early Years, 1941–1960 (the first volume of the United States Army's official history of the Vietnam War) is useful, especially for the periods 1944–1945 and 1956–1960. It slightly exaggerates the speed with which Communist guerrilla warfare developed in South Vietnam between 1957 and 1960.

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Davie, William R. "Gomery, D. A History of Broadcasting in the United States. Malden, MA: Blackwell, 357 pp., appendix. ISBN-13: 978-1405122818, hardcover, $94.95." Electronic News 3, no. 3 (July 2009): 164–65. http://dx.doi.org/10.1080/19312430903066423.

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24

SCHOCKET, ANDREW M. "Little Founders on the Small Screen: Interpreting a Multicultural American Revolution for Children's Television." Journal of American Studies 45, no. 1 (May 13, 2010): 145–63. http://dx.doi.org/10.1017/s0021875810000630.

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From 2002 to 2004, the children's animated series Liberty's Kids aired on the Public Broadcasting Service (PBS), the United States' public television network. It runs over forty half-hour episodes and features a stellar cast, including such celebrities as Walter Cronkite, Michael Douglas, Yolanda King, Whoopi Goldberg, Billy Crystal, Arnold Schwarzenegger, Liam Neeson, and Annette Bening. Television critics generally loved it, and there are now college students who can trace their interest in the American Revolution to having watched this series when they were children. At the turn of the twenty-first century, it is the most extended and in-depth encounter with the American Revolution that most young people in the United States are likely to have encountered, and is appropriately patriotic and questioning, celebratory and chastening. Although children certainly learn a great deal about multiculturalism from popular culture, the tropes and limitations of depicting history on television trend toward personification, toward reduced complexity and, for children, toward resisting examining the darker sides of human experience. As this essay suggests, the genre's limits match the limits of a multicultural history in its attempt to show diversity and agency during a time when “liberty and justice for all” proved to be more apt as an aspiration at best and an empty slogan at worst than as an accurate depiction of the society that proclaimed it. This essay is not an effort to be, as Robert Sklar put it, a “historian cop,” policing the accuracy of the series by patrolling for inaccuracies. Rather, it is a consideration of the inherent difficulties of trying to apply a multicultural sensibility to a portrayal of the American Revolution.

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Bretón, Alejandra. "De voz emprendedora. Entrevista a Simone Fojgiel." Dixit, no. 17 (September 18, 2012): 44–48. http://dx.doi.org/10.22235/d.v0i17.356.

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Simone Fojgiel no pasa desapercibida. Su parecido a la cantante estadounidense Cher y su fuerte personalidad no dejan a nadie indiferente. Pero es su voz la que se ha convertido en su sello distintivo. Fojgiel se ha ganado un nombre en el medio radial uruguayo, después de trece años detrás del micrófono. Hoy despliega su talento desde los Estados Unidos en el campo de la locución comercial para el mercado hispano. En una de sus escapadas a Uruguay, se refirió al papel de los comunicadores, al teletrabajo y al emprendedurismo, entre otros temas.Simone Fojgiel does not go by unnoticed. Her resemblance with American singer Cher and her strong personality leave no one indifferent. However, it is her voice that has become her distinctive trademark. Fojgiel has earned a name for herself in Uruguayan radio, after thirteen years behind the microphone. Today, she shows her talent from the United States, in the field of commercial radio broadcasting for the hispanic market. In one of her travels to Uruguay, she talked about the role of communicators, teleworking and entrepreneurship, among other topics.

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Derovs, Aleksejs, Jeļena Derova, and Juris Pokrotnieks. "On the X Anniversary Latvian Gastroenterology Congress with International Participation." Proceedings of the Latvian Academy of Sciences. Section B. Natural, Exact, and Applied Sciences. 76, no. 5-6 (December 1, 2022): 691–93. http://dx.doi.org/10.2478/prolas-2022-0106.

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Abstract The X Anniversary Latvian Gastroenterology Congress with International Participation has been held for the first time for a two-day period (3–4 December, 2021). The first day was devoted to international and local satellite symposia, with a total number of ten, which corresponded to the number of Congresses held. The second day of the Congress was devoted to the plenary session. Due to the severe COVID-19 epidemiology situation in Latvia, for the first time in its history since 2003, it was decided to hold the Congress not in person but remotely from the Rīga Stradiņš University Great Hall stage, with live video broadcasting. Despite the fact that the Congress was virtual, the two days attracted a significant number of participants — 753 registered colleagues. The invited guests included foreign lecturers from the United States, Israel, Germany, Croatia, UK, Italy, and other countries and the discussion panel was led by field leaders from around the world. We continued our tradition of preparing published reports of the congress in a special issue of Proceedings of the Latvian Academy of Sciences, Section B, in collaboration with the Latvian Academy of Sciences.

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Anderson, Heather, and Charlotte Bedford. "Prisoner radio as an abolitionist tool: A scholactivist reflection." Journal of Alternative & Community Media 6, no. 1 (April 1, 2021): 55–68. http://dx.doi.org/10.1386/joacm_00093_1.

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Prisoner and prison radio – audio production and broadcasting that services prisoner and prison communities – has existed in a variety of forms in a diverse range of countries for over 30 years and has recently seen a surge in popularity and awareness. At the same time, the prison abolition movement has also gained momentum and visibility, after an equally long presence and history. Recently in the United States, the New York City Council voted to close Rikers Island by 2026 in response to community campaigning driven by an abolition agenda. Likewise, the Black Lives Matter movement has introduced an abolitionist discourse (especially around defunding police services) to the mainstream vernacular. This article considers the relationships between broadcasters/audiences and the State – embodied through government departments responsible for managing the incarceration of its citizens, and how these impact on prisoner radio’s capacity to act as an agent of change. To do so, we take a scholactivist approach to critically reflect on our experiences as prisoner radio practitioners and researchers and consider the potentials for prisoner radio to either support or hinder a prison abolition agenda. Can the genre contribute to the prison abolition movement when it often requires the support of the prison-industrial complex to exist?

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Berkowitz, Edward D. "Hugh Richard Slotten . Radio's Hidden Voice: The Origins of Public Broadcasting in the United States . (The History of Communication.) Urbana and Chicago : University of Illinois Press . 2009 . Pp. viii, 325. $50.00." American Historical Review 116, no. 1 (February 2011): 193–94. http://dx.doi.org/10.1086/ahr.116.1.193.

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29

Wong, Briana. "Longing for Home: The Impact of COVID-19 on Cambodian Evangelical Life." Studies in World Christianity 26, no. 3 (November 2020): 281–97. http://dx.doi.org/10.3366/swc.2020.0310.

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In Cambodia, the government's response to the COVID-19 crisis intersected with religious practice this year, as April played host both to the Christian Holy Week and the Cambodian New Year holiday, rooted in Cambodian Buddhism and indigenous religions. Typically, the Cambodian New Year celebration involves the near-complete shutting down of Phnom Penh, allowing for residents of the capital city to spend the New Year with their families in the countryside. Many Christians stay with their parents or other relatives, who remain primarily Theravada Buddhist, in the rural provinces throughout Holy Week, missing Easter Sunday services to participate in New Year's festivities at their ancestral homes. In light of the government's precautionary cancellation of the all-encompassing festivities surrounding the Cambodian New Year this spring, Christians who have previously spent Easter Sunday addressing controversial questions of interreligious interaction notably focused this year, through online broadcasting, on the resurrection of Jesus. In the United States, the near elimination of in-person gatherings has blurred the boundaries between the ministry roles of recognised church leaders and lay Christians, often women, who have long been leading unofficial services and devotionals over the phone and internet. In this article, I argue that the COVID-19 crisis, with its concomitant mass displacement of church communities from the physical to the technological realm, has impacted transnational Cambodian evangelicalism by establishing greater liturgical alignment between churches in Cambodia and in the diaspora, democratising spiritual leadership and increasing opportunities for interpersonal connectedness within the Cambodian evangelical community worldwide.

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Stoever, Jennifer Lynn. "Fine-Tuning the Sonic Color-line: Radio and the Acousmatic Du Bois." Modernist Cultures 10, no. 1 (March 2015): 99–118. http://dx.doi.org/10.3366/mod.2015.0100.

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In this essay, I perform archival work on W. E. B. Du Bois's little known history with American radio in tandem with literary analysis to rethink how we have understood The Souls of Black Folk (1903) and Dusk of Dawn (1940) as sonic texts. First, I re-examine ‘the Veil’, Du Bois's famous conception of the color-line in Souls, as an acousmatic device, an aural epistemology dependent on deliberately masking the source of one's voice to avoid the distortion caused by visual representation. Then, I contextualize Du Bois's second autobiographical work, Dusk of Dawn, within early 1940s radio culture in the U.S.A., more specifically the emergence of colorblind discourse developed alongside dominant understandings of radio as an acousmatic medium masking race. In Dusk of Dawn, Du Bois moves away from the color-line, a linear and visual metaphor, to the vacuum chamber, a more complex, diffuse, and aural figuration and, I argue, a sonic metaphor borrowed from his frustratingly racialized experiences with radio in an increasingly segregated United States. Exploring Du Bois's shifting theorizations of race and its expressions through acousmatic sound allows us to place segregation at the heart of the modernist rhetoric of technological innovation and understand how the ‘sonic color-line’ functioned as an important dynamic of the so-called ‘Golden Age’ of American broadcasting.

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31

Starrett, Gregory. "The Varieties of Secular Experience." Comparative Studies in Society and History 52, no. 3 (June 18, 2010): 626–51. http://dx.doi.org/10.1017/s0010417510000332.

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It has become a nearly universal reflex to think about the contemporary Middle East as a region in which secularism is in decline. This is particularly true in countries like Egypt, where the modernist imagination of independence-era socialism seems to have been eclipsed by a grassroots vision of the future as a thoroughly Islamic place, and where the nature of the government's stance with regard to secularism and religion has long been an important question (Winegar 2009; Agrama, thisCSSHissue). Since the late 1970s, a decade which saw the Iranian Revolution, the rise of televangelism in the United States, and the beginnings of an extraordinary wave of Protestant conversion in Latin America, it has become popular to produce histories of secularism that will help explain the failure of “the secularization thesis,” the idea that with economic development, the spread of education, and the advancement of Science, religion was a doomed commodity like pounce pots and butter churns. The moral vision of the popular long-runningStar Trekmythology, in which humans as a species have given up religion altogether, seems ever more remote the closer its technological vision becomes. Surprisingly durable, religion refuses to wait quietly in the churchyard for people to visit. Instead, it stands on the street corner denouncing bad behavior and calling the world to salvation. But now the street corner is a television broadcasting satellite (or a cassette tape, or a website), and religion's call has succeeded in ways that no Cold War sociologist or political scientist could have imagined.

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Madaras, Larry, Richard A. Diem, Kenneth G. Alfers, Elizabeth J. Wilcoxson, Victoria L. Enders, Robert Kern, Gerald H. Davis, et al. "Book Reviews." Teaching History: A Journal of Methods 11, no. 2 (May 4, 1986): 80–96. http://dx.doi.org/10.33043/th.11.2.80-96.

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Ralph Lee Woodward, Jr., Central America: A Nation Divided. New York: Oxford University Press, 1985. Pp. 390. Cloth, $22.50; Paper $8.95. Second Edition. Review by Donald J. Mabry of Mississippi State University. Edward M. Anson. A Civilization Primer. San Diego: Harcourt Brace Jovanovich, 1985. Pp. 121. Spiral bound, $5.95. Review by Gordon R. Mork of Purdue University. Stephen J. Lee. Aspects of European History, 1494-1789. Second edition. London & New York: Methuen, 1984. Pp. viii, 312. Paper, $11.95. Review by Michael W. Howell of The School of the Ozarks. Roland N. Stromberg. European Intellectual History Since 1789. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1986. Fourth edition. Pp. x, 340. Paper, $18.95. Review by Irby C. Nichols, Jr. of North Texas State University. R. W. Southern. Medieval Humanism and Other Studies. New York: Basil Blackwell, 1985. Pp. 261. Cloth, $24.95; Paper, $10.95. Review by Benjamin F. Taggie of Central Michigan University. H. T. Dickinson. British Radicalism and the French Revolution, 1789-1815. New York: Basil Blackwell, 1985. Pp. 88. Paper, $6.95; F. D. Dow. Radicalism in the English Revolution, 1640-1660. New York: Basil Blackwell, 1985. Pp. 90. Paper, $6.95. Review by Harry E. Wade of East Texas State University. H. R. Kedward. Occupied France: Collaboration and Resistance 1940-1944. New York: Basil Blackwell, 1985. Pp. 88. $6.95; M. E. Chamberlain. Decolonization: The Fall of the European Empire. New York: Basil Blackwell, 1985. Pp. 86. $6.95. Review by Steven Philip Kramer of the University of New Mexico. Harriet Ward. World Powers in the Twentieth Century. London: British Broadcasting Corporation and the Heinemann Educational Books, 1985. Second edition. Pp. xvii, 333. Paper, $12.00. Review by Gerald H. Davis of Georgia State University. Paul Preston, ed. Revolution and War in Spain, 1931-1939. London and New York: Methuen, 1984. Pp. xi, 299. Cloth, $29.95: Paper, $12.95. Review by Robert Kern of the University of New Mexico. Glenn Blackburn. The West and the World Since 1945. New York: St. Martin's Press, 1985. Pp. vi, 152. Paper, $9.95. Review by Victoria L. Enders of Northern Arizona University. M. K. Dziewanowski. A History of Soviet Russia. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985. Second edition. Pp. x, 406. Paper, $22.95. Review by Elizabeth J. Wilcoxson of Northern Essex Community College. Peter L. Steinberg. The Great "Red Menace": United States Prosecution of American Communists, 1947-1952. Westport, CT: Greenwood Press, 1984. Pp. xiv, 311. Cloth, $35.00. Review by Kenneth G. Alfers of Mountain View College. Winthrop D. Jordan, Leon F. Litwack, Richard Hoftstadter, William Miller, Daniel Aaron. The United States: Brief Edition. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985. Second Edition. Pp. xiv, 513. Paper, $19.95. Review by Richard A. Diem of The University of Texas at San Antonio. Edwin J. Perkins and Gary M. Walton. A Prosperous People: The Growth of the American Economy. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1985. Pp. xiii, 240. Paper, $14.95. Review by Larry Madaras of Howard Community College.

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Бессараб, А. О., and Т. С. Гиріна. "ПЕРШЕ ДИТЯЧЕ ТАЛАНТ-ШОУ В ІСТОРІЇ УКРАЇНСЬКОГО РАДІО." State and Regions. Series: Social Communications, no. 1(45) (July 17, 2021): 29. http://dx.doi.org/10.32840/cpu2219-8741/2021.1(45).5.

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The study objective is to expand the awareness of Ukrainians on the history of world Ukrainian-language radio broadcasting and to enrich the profile scientific discourse with the sector of Ukrainian-language radio of diaspora as its natural component.Research methodology. The study is based on the archival research method. The analysis of digitized issues of the Ukrainian daily in the USA «Svoboda», the leading publication of Ukrainian emigration, was expanded with method of monitoring, bibliographic-descriptive method, and method of comparison in time and covered 1930–1932. The obtained conclusions were made, based on the results of the analysis of information collected from 913 issues of the newspaper and 375 materials of various genres, which contain valuable information on this topic.Results. The main preconditions and stages of creation of the first periodical radio program for younger listeners in the world Ukrainian-language radio space are stated. The content, thematic and genre orientation of radio programs in the USA, in which children were invited to the microphone, were analyzed. The methods of feedback, success rate, marketing component, style of constructive criticism, evaluation of such initiatives by contemporaries are studied and analogies to the relevant segment at the present stage are made. The importance of succession of generations in the process of development of the world Ukrainian-language radio space in the conditions of digitalization and internetization of the global information space is emphasized. It was established that the leading role in the creation of the first radio programs on the analyzed topic was played by the personality of its leader, sponsor and inspirer M. Surmach and the importance of the work of the united Ukrainian community motivated to acquaint the general public with its culture through the media is emphasized. The significance of such initiatives for contemporaries in general and the radio process in particular is assessed.Novelty. For the first time, a retrospective of the formation of a foreign Ukrainian-language media space in the context of the creation of the first periodical radio program for children in the international media space of the United States in the early 1930s was carefully researched and documented.The practical significance of the results of the study lies in rethinking the historical context of the formation of the world Ukrainian-language radio space and its perception as a holistic system that has been unfolding around the world for almost a century.Key words: archival periodicals, children’s radio program, multicultural media space, Ukrainian-language radio broadcasting.

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Hayes, Bill. "Digital Television Broadcasting in the United States." SMPTE Motion Imaging Journal 118, no. 6 (September 2009): 38–43. http://dx.doi.org/10.5594/j14910.

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Hayes, Bill. "Digital Television Broadcasting in the United States." SMPTE Motion Imaging Journal 117, no. 6 (September 2008): 75–77. http://dx.doi.org/10.5594/j15066.

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Hayes, Bill. "Digital Television Broadcasting in the United States." SMPTE Motion Imaging Journal 119, no. 6 (September 2010): 63–66. http://dx.doi.org/10.5594/j12200.

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Jones, Graham. "Digital Television Broadcasting in the United States." SMPTE Motion Imaging Journal 116, no. 9 (September 2007): 364–72. http://dx.doi.org/10.5594/j16080.

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Jones, Graham. "Digital Television Broadcasting in the United States." SMPTE Motion Imaging Journal 115, no. 9 (September 2006): 326–33. http://dx.doi.org/10.5594/j16150.

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Aufderheide, Patricia. "Public Service Broadcasting in the United States." Journal of Media Economics 9, no. 1 (January 1996): 63–76. http://dx.doi.org/10.1207/s15327736me0901_6.

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Sytnik, Anna, Natalia Tsvetkova, and Ivan Tsvetkov. "U.S. Digital Diplomacy and Big Data: Lessons from the Political Crisis in Venezuela, 2018–2019." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 2 (April 2022): 192–203. http://dx.doi.org/10.15688/jvolsu4.2022.2.16.

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Introduction. The article reveals the current U.S. digital diplomacy applying the case study referred to the political crisis in Venezuela culminated in late 2018 and early 2019, when the speaker of the National Assembly Juan Guaido declared himself the self-proclaimed acting president after the elections. Confrontation between his supporters and those of the incumbent President Nicolas Maduro reached its apogee. The aim of the research is to reveal whether the U.S. has been able to influence the development of the political situation and opinion of Venezuelan citizens through various digital diplomacy instruments and international broadcasting channels. The analytical part of the paper is divided into two sections. The first section discusses methodological issues relative to research in the field of digitalization of U.S. foreign policy and international relations in general. These methodological approaches are tested on the case study, namely the U.S. digital diplomacy in Venezuela in the second section of the paper. Methods. The methodology of the research includes the analysis of big data and social media. The primary sources are the accounts of U.S. officials, government-sponsored media, Venezuelan media, and bloggers. Twitter was surveyed to the extent that active political discussions flared up there during the crisis. At the time, Venezuela had the third highest number of Twitter users in the world. Analysis. Using the machine analytics, about 10 million tweets were retrieved, allowing us to determine the place of the U.S. governmental accounts among the influencers of public opinion in Venezuela. Results. The analysis shows that local digital media, and the activity of bloggers and politicians, including Juan Guaido and Nicolas Maduro, had more impact on the Twitter community and Venezuelans than U.S. channels of digital diplomacy or tweets of American politicians. The more active local bloggers are, the less chances were left for external players including the United States as well as Russia, China, or Europe, to change public opinions of Venezuelans. Authors’ contribution. Anna Sytnik carried out the big data analysis using Python programming language and developed the methodological foundations of the research. Natalia Tsvetkova developed the methodological foundations of the research and made the interpretations of analysis in terms of U.S. digital and data diplomacy. Ivan Tsvetkov developed the contextual frameworks of the case study.

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Chepornyuk, Anastasiya. "Infotainment as media communication neo-genre: functional and stylistic analysis." Actual issues of Ukrainian linguistics: theory and practice, no. 37 (2018): 124–40. http://dx.doi.org/10.17721/apultp.2018.37.124-140.

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The article is devoted to the functional-stylistic analysis of the new genre of Ukrainian television news – infotainment. The author emphasizes that this genre is currently actively developing in the field of national television. In addition, it has a number of specific features inherent only to it. On the example of the TV program "Абзац!" on the New Channel and "M1 News" on the M1 channel the author provides an analysis of the broadcasting media specifics in the television programs of the infotainment genre. Infotainment – literally "infotainment = information + entertainment" – is a diffuse genre, which emerged as functional mix of two genres – informational and entertainment. The essence of the infotainment news is laying in the presentation of official news in an amusement way. The history of infotainment establishment is related not only to the globalization of television, but also to the change in information space paradigm in general. This genre emerged in the American mediaspace in the 80's of the 20th century and, with the help of the globalization process, gradually expanded its borders therefore it became popular outside the United States. In addition, the infotainment changed its format to the needs of the Ukrainian viewer that gave it the unique features that distinguish this genre not only among other types of news, but also among similar foreign prototypes. Among such features the author distinguish: conversational style of speech, the use of a large number of stylistic trails, the irony of discourse, emotional and expressive presentation of the material, versatility of the video and the free choice of thematic content. Due to these features, the Ukrainian infotainment as neo-genre is gaining popularity among recipients. As a result, it was proved that the infotainment exists on the Ukrainian television and has its own linguistic and stylistic features that require attention not only from journalists, but also by linguists, in particular medialinguists. The bright example of studied programs shows that such a genre enriches not only the content of the television media space, but also the language of the recipients by the innovative lexical units.

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Bîlbîie, Răduţ. "The Professionalization of Public Relations in the Romanian Army." International conference KNOWLEDGE-BASED ORGANIZATION 22, no. 2 (June 1, 2016): 401–6. http://dx.doi.org/10.1515/kbo-2016-0069.

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Abstract The communication structures of the Ministry of National Defense have a considerable seniority and have played an important role both in different historical, critical periods for the country (wars, political crises) or institutional building (the forming of the Romanian army, of the modern command structures, etc.) as well as during the transition period after 1989. The first military publication, Observatorul Militar, (Military Observer), was released in 1859, being followed by a few thousands of magazines, newsletters, specialized directories, or during the war years of information and opinion journals such as Romania, organ of the General Headquarters, in the years of World War I, or Soldatul (The Soldier), Santinela (The Sentry), during the years of World War II. One after another, others followed such as: since 1916 Studioul Cinematografic al Armatei (Army Cinema Studio), originally, a photo-cinema structure, then specialized in the documentary film: history, presentation or training, and, since 1940, on public radio frequencies Ora Ostaşului (Ora Armatei), (Soldier’s Hour, Army’s Hour), then since 1968, a television broadcast on public television station broadcasting frequencies, since 1996 the web products (the first web site of an army in Eastern Europe, the first site of a ministry within the Government of Romania). The force and the role of the structures varied from period to period Studioul cinematografic (The Cinematographic Studio) had in 1989, 217 employed people, military and civilians, today there are less than 15), according to the budgets and the importance of what they were given by the management structures. The revolution of December 1989 marked the depoliticization of the communication act and the switch to the professionalization of the specialized structures, transforming their propaganda tools into products and means of Public Relations. The years 1990-1995 have marked this process through: (a) the establishment of structures, (b), staff training (in France, Switzerland, Germany, but especially in the United States), (c) the completion of the first guides, instructions, procedures for the field, (d) the opening of the first course for specialists, (e) the initiation of a quarterly specialized magazine Panoramic militar, (Military Panorama), (f) a code of ethics for practitioners.

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Codding, George. "The United States and the direct broadcasting satellite." Telecommunications Policy 13, no. 4 (December 1989): 384–85. http://dx.doi.org/10.1016/0308-5961(89)90029-3.

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Hopkins, Robert. "Progress on HDTV broadcasting standards in the United States." Signal Processing: Image Communication 5, no. 5-6 (December 1993): 355–78. http://dx.doi.org/10.1016/0923-5965(93)90003-c.

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Collins, Richard, and Asa Briggs. "The History of Broadcasting in the United Kingdom." American Historical Review 101, no. 5 (December 1996): 1547. http://dx.doi.org/10.2307/2170224.

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Herbert, John. "The broadcast voice." English Today 13, no. 2 (April 1997): 18–23. http://dx.doi.org/10.1017/s0266078400009573.

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Hall, Mitchell. "United States Labor History." Michigan Historical Review 24, no. 1 (1998): 161. http://dx.doi.org/10.2307/20173724.

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Kemble, Jean. "United States Women's History." Acquisitions Librarian 5, no. 9-10 (September 14, 1993): 275–308. http://dx.doi.org/10.1300/j101v05n09_20.

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Harahan, Joseph P., and David M. Pemberton. "United States federal history." Government Publications Review 16, no. 5 (September 1989): 463–88. http://dx.doi.org/10.1016/0277-9390(89)90075-7.

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Crook, David. "School Broadcasting in the United Kingdom: An Exploratory History." Journal of Educational Administration and History 39, no. 3 (December 2007): 217–26. http://dx.doi.org/10.1080/00220620701698341.

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Journal articles on the topic 'Broadcasting – United States – History'

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