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Journal articles on the topic 'Broadcasting policies'
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1
Abdullah, Assyari. "Pola Kebijakan Digitalisasi Penyiaran di Indonesia." ARISTO 8, no. 1 (January 1, 2020): 82. http://dx.doi.org/10.24269/ars.v8i1.2092.
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The purpose of the study is to see how broadcasting digitalization policies in Indonesia after the shaking of the status of broadcast digitalization after the Supreme Court's decision. This research uses a qualitative descriptive method with a case study approach to explore the issues and problems that exist around the digitalization of broadcasting in Indonesia. The practice of broadcasting digitalization in Indonesia does not have clear regulations after Ministerial Regulation 22/2011 has been revoked. So that policies and regulations in managing broadcast digitalization are unclear. Simulcast Public Broadcasting Institutions (LPPs) and Private Broadcasting Institutions (LPS) have conducted trials in the field of broadcast digitalization. TVRI as a Public Broadcasting Institution (LPP) already has TVRI Digital Broadcasting Channel -1, TVRI Digital Broadcast -2, TVRI Digital Broadcast -3, TVRI Digital Broadcast -4 and TVRI Digital-HD Broadcasting. Private Broadcasting Institutions (LPS) that conduct trials are Nusantara TV, Inspira TV, Kompas TV, Gramedia TV, Tempo TV, Net TV, CNN TV, Muhammadiyah TV, Merahputih TV, Badar TV, and Persada TV. The government and all stakeholders must seriously oversee the revision of the broadcasting law that accommodates broadcast digitalization.
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Abdullah, Assyari. "Pola Kebijakan Digitalisasi Penyiaran di Indonesia." ARISTO 8, no. 1 (January 1, 2020): 76. http://dx.doi.org/10.24269/ars.v8i1.2263.
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The purpose of the study is to see how broadcasting digitalization policies in Indonesia after the shaking of the status of broadcast digitalization after the Supreme Court's decision. This research uses a qualitative descriptive method with a case study approach to explore the issues and problems that exist around the digitalization of broadcasting in Indonesia. The practice of broadcasting digitalization in Indonesia does not have clear regulations after Ministerial Regulation 22/2011 has been revoked. So that policies and regulations in managing broadcast digitalization are unclear. Simulcast Public Broadcasting Institutions (LPPs) and Private Broadcasting Institutions (LPS) have conducted trials in the field of broadcast digitalization. TVRI as a Public Broadcasting Institution (LPP) already has TVRI Digital Broadcasting Channel -1, TVRI Digital Broadcast -2, TVRI Digital Broadcast -3, TVRI Digital Broadcast -4 and TVRI Digital-HD Broadcasting. Private Broadcasting Institutions (LPS) that conduct trials are Nusantara TV, Inspira TV, Kompas TV, Gramedia TV, Tempo TV, Net TV, CNN TV, Muhammadiyah TV, Merahputih TV, Badar TV, and Persada TV. The government and all stakeholders must seriously oversee the revision of the broadcasting law that accommodates broadcast digitalization.
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Dyson, Kenneth, and Peter Humphreys. "Satellite Broadcasting Policies and the Question of Sovereignty in Western Europe." Journal of Public Policy 6, no. 1 (January 1986): 73–96. http://dx.doi.org/10.1017/s0143814x0000386x.
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AbstractThe article examines the manner in which public-policy for satellite broadcasting has been made in West Germany and France, the two countries currently leading developments in satellite broadcasting technology in Western Europe. A special theme of the two case studies is that of the complex relations and potential contradictions between industrial/technological policy and broadcasting policy, between the wider economics of satellite broadcasting and its cultural dimension. The article demonstrates a common pattern, as policy makers in both countries have been constrained to develop a broker role between competing aims and between national/regional pressures and international pressures. Nevertheless, both ideological and structural differences remained of enduring importance in establishing the parameters of policy making, and produced different, as well as similar, policy outcomes in the two countries. The question of ‘sovereignty’ is also set within the wider European context and the article examines responses at this latter level, in particular the European Community.
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Masduki. "Political economy of sport broadcasting: Assessing Indonesian PSB policy in sport broadcasting." International Communication Gazette 79, no. 2 (January 23, 2017): 162–74. http://dx.doi.org/10.1177/1748048516689196.
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The increasing presence of sport broadcasting on public service broadcasters in Indonesia is driven by a mixture of interests. It may serve as a tool for education and entertainment as well as for increasing awareness of ‘symbolic nationalism’. Sport can also be used as a soft political campaign in the electoral system or even for pragmatic business purposes. This article assesses the sport broadcasting histories and policies of two Indonesian public service broadcasters: Radio of the Republic of Indonesia, and Television of the Republic of Indonesia. It assesses two political periods: the authoritarian period (1966–1998) and the transition towards a more liberal system (1998-present). Furthermore, this article critically examines both the political and economic interests behind the mediated sport policy. In addition, it intends to fill the gap in studies on sport policy, specifically public service broadcaster sport programming in transitional states. This study found that a change in the political structure resulted in unstable policies of sport broadcasting in Indonesian public broadcasters.
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Mansell, Gerard. "Broadcasting and new media policies in Western Europe." International Affairs 65, no. 4 (1989): 720. http://dx.doi.org/10.2307/2622613.
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Mutunga, Isaac Mutwiri, and Collins Wagumba. "Developing Broadcasting Industry Through Glocalisation and Hybridisation." Jurnal Komunikasi Islam 9, no. 1 (June 1, 2019): 1–20. http://dx.doi.org/10.15642/jki.2019.9.1.1-20.
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This article is a qualitative descriptive study that examines South Korean and East Africa Audio-visual production and distribution policies and regulations. Through analysing the results of in-depth interviews with audio-visual (broadcast) policymakers, content producers, and audiovisual business owners, this study found that South Korea reviewed regulations and policies that were protectionist in nature to more open and collaborative policies that were in tune with the digital broadcast environment. It recommended that to create successful broadcast industries, developing countries should review their broadcast policies and regulations to be in tandem with digital and media convergence environment as well as give audio-visual industry prominence by establishing ministries that deals with broadcast-related issues to promote locally, to produce content internationally, and also to source for collaboration between local and international producers.
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Ryu, Seung-Kwan. "Analysis of Local Broadcasting Acts and related policies to recover local broadcasting stations’ competence - Focusing on Local Broadcasting Acts -." Journal of Media Law, Ethics and Policy Research 16, no. 3 (December 31, 2017): 71–99. http://dx.doi.org/10.26542/jml.2017.12.16.3.71.
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Noni Suharyanti, Ni Putu, and Kadek Endra Setiawan. "PERAN KOMISI PENYIARAN INDONESIA DALAM MENGAWASI PENYELENGGARAAN PENYIARAN PADA MASA PANDEMI COVID-19." Jurnal Aktual Justice 6, no. 1 (June 14, 2021): 78–100. http://dx.doi.org/10.47329/aktualjustice.v6i1.622.
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In order to support the government in overcoming the Covid-19 outbreak, Komisi Penyiaran Indonesia (KPI) has issued several policies related to broadcasting, especially on television. This policy was taken considering that television is still the media with the most audience reach and has a high duplication power in society. Therefore, in every program broadcast to the public, adherence to health protocols is a must. Based on this, it is necessary to examine in depth the role of KPI in overseeing broadcasting and the synergy between Central and Regional KPIs in overseeing broadcasting during the Covid-19 pandemic. The results showed that the KPI in supervising broadcasting during the Covid-19 pandemic played an optimal role in regulating and supervising broadcast content by issuing policies to broadcast the socialization of prevention of the spread of Covid-19 either through Public Service Ads (ILM) or other programs by television and radio. In addition, KPI also issued KPI Decree (KKPI) Number 12 of 2020 concerning Support of Broadcasting Institutions in Efforts to Prevent and Overcome the Spread of Covid-19. Then to follow up on the Circular on news related to the Covid-19 Virus, the Central KPI along with Regional KPI throughout Indonesia conveyed and reminded all Broadcasting Institutions to remain guided by broadcasting rules in broadcasting institutions to convey useful and accountable information.
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Servaes, Jan. "‘Europe 1992’: The audiovisual challenge." Gazette (Leiden, Netherlands) 49, no. 1-2 (February 1992): 75–97. http://dx.doi.org/10.1177/001654929204900105.
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The article discusses the changing role of the European Community and its impact on national media systems and policies. It claims that the EC-policies advocate total freedom to provide services across borders, and that, therefore, total liberalization may lead to a future cultural synchronization and economic oligopolization of Europe. The main arguments presented are: 1. The national, and especially the European policies regarding telecommunication services in general and broadcasting in particular are based on economic in stead of cultural considerations. This trend will continue after 1992. 2. The public service broadcasting structure and philosophy has undergone major changes throughout the last decades. These changes, initiated by internal as well as external factors, have affected the organizational and finance structures, and the programming of public service broadcasting. 3. It is questionable whether the European policies will be in the advantage of the so-called smaller countries in the European Community, like for instance Belgium or the Netherlands, on the one hand, and whether these policies will be able to secure a free and balanced flow of information, ideas, opinions and cultural activities within the Community on the other hand.
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Najikh, Ahmad Hayyan, and Muhammad Ardy Zaini. "KEBIJAKAN KOMISI PENYIARAN INDONESIA TERHADAP KONTEN TELEVISI EDISI RAMADHAN." Dakwatuna: Jurnal Dakwah dan Komunikasi Islam 6, no. 01 (February 22, 2020): 24. http://dx.doi.org/10.36835/dakwatuna.v6i01.502.
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The research entitled " THE KPI POLICY IN THE TELEVISION INDUSTRY (Case Study of KPI Policy on Content of Television Broadcasting Program Ramadhan Edition)" is motivated by the lack of maximum role of the government in creating situations and conditions conducive to worship in the month of Ramadan, especially in the realm of television media broadcasting the Ramadan edition)". The concrete form is that some of the da'wah programs on television present more shows than guidance, some deviate to the point of lacking in everyday examples. Whereas television, if seen from the perspective of da'wah, can be said to be an effective da'wah media. And the role of government here is institutionally represented by KPI (Indonesian Broadcasting Commission). This study aims to find out exactly how the Indonesian Broadcasting Commission's policies towards television media content, especially during the month of Ramadan. Because of KPI's findings, found violations committed by television media are a repetition of previous years. This research is a qualitative study using policy analysis as a methodology for analyzing KPI policies, which includes collecting data from online news, the Broadcasting Law, KPI's official website and MUI statement, and then analyzing the findings. The results show that if theoretically, the policies issued by KPI institutions are legally strong and must be obeyed by all parties related to KPI institutions. But in reality there are still those who have not yet implemented it. And when related to the theories above, the factors that cause implementation to fail are due to factors such as the selection of the wrong strategy, or the wrong "machine" or "instrument"; "Programming" bureaucracy is wrong; the operation operation is bad; there is something wrong at the "executive level"; or a bad response to a problem. From these factors, it could be that the factors within the KPI are the poor level of implementing policies. The lack of strict sanctions provided, so that KPI institutions do not have the authority in the eyes of media stakeholders. And can also be bad bureaucratic instruments.
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Hayden, Craig. "Arguing Public Diplomacy: The Role of Argument Formations in US Foreign Policy Rhetoric." Hague Journal of Diplomacy 2, no. 3 (2007): 229–54. http://dx.doi.org/10.1163/187119007x240514.
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AbstractSince 2002, US communication-based foreign policies have resulted in the launch of two high-profile international broadcasting stations — Radio Sawa and al-Hurra television — as well as other failed ventures such as the 'Shared Values' documentary campaign and the Hi Arabic youth magazine. These policies have, at best, delivered mixed results as a form of public diplomacy for the United States. The principal objective of this article is to illuminate how governing beliefs about public diplomacy might have mitigated its success, by identifying the implicit policy imagination revealed in policy arguments. This article investigates the discursive imagination behind US international broadcasting programmes and how public debate outlines an 'argument formation' for US foreign-policy rhetoric. Three episodes of policy argument between 2001 and 2005 are assessed as demonstrative of a rhetorically constructed policy imagination that prompted a broadcasting strategy that was incompatible with the communicative norms of its targeted foreign audience.
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Masduki, Masduki. "Media and Politics: Re-Thinking the Indonesian Broadcasting System." Jurnal Ilmu Sosial dan Ilmu Politik 21, no. 1 (October 25, 2017): 14. http://dx.doi.org/10.22146/jsp.28680.
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The emergence of the policy of broadcasting liberalization in the established democracies of Europe and North America, which is indicated by the absence of state intervention to broadcasting governance has been influencing broadcasting policy in the new democracies, including Indonesia. Is it true that Indonesia adopts a liberal broadcasting policy? This paper outlines two issues. First, the academic debate surrounding broadcasting system in the world. Second, discussion as stated by scholars on a thesis of the enactment of the liberal media system in Indonesia that is primarily based on the broadcasting policies after Suharto’s reign of power, among others Law 32/2002 on Broadcasting. Based on the intensive literature review, it can be concluded that the broadcasting system prevailing in Indonesia is not purely liberal, but a mix of liberal and authoritarian model, a unique character that also occurs in the post-communist and post-authoritarian states in Asia, Africa and Eastern Europe. This mix is indicated within the last fifteen years through the adoption of public and community broadcasters and the establishment of Komisi Penyiaran Indonesia (KPI) as an independent regulator that were accompanied with the existing control of the ruling government to public broadcasters (RRI & TVRI); the weak mandate of KPI and the omission of commercial broadcasting domination.
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Castro, J. Justin. "Radiotelegraphy to Broadcasting." Mexican Studies/Estudios Mexicanos 29, no. 2 (2013): 335–65. http://dx.doi.org/10.1525/msem.2013.29.2.335.
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This essay explores the development of wireless communications from radiotelegraphy to broadcasting. An under analyzed and important topic, Porfirian and revolutionary wireless officials and policies laid the foundation for Mexico’s powerful broadcasting and telecommunications industries. From the beginning, communications specialists used radio for state and nation building, especially in the hinterlands. The Revolution briefly shifted the focus of wireless experts away from the frontiers and toward warfare; however, the upheaval actually expanded the number of wireless devices and technicians. These professionals subsequently became essential figures in communications projects carried out during the presidencies of Venustiano Carranza and Álvaro Obregón, as well as during the rise of broadcasting in the 1920s. El presente ensayo analiza el desarrollo de las radiocomunicaciones, desde la radiotelegrafía hasta la radiodifusión. El tema ha sido poco analizado, pero es importante: los oficiales y las políticas de radiocomunicación porfiristas y revolucionarios sentaron las bases de las poderosas industrias de la radio y la telecomunicación en México. Desde un principio, especialistas en comunicaciones utilizaron la radio para la construcción del estado y la nación, especialmente en las fronteras del país. La revolución desplazó brevemente la atención de los expertos lejos de las fronteras y hacia la guerra; sin embargo, el levantamiento no hizo sino aumentar el número de aparatos y técnicos de radiocomunicación. Más adelante, estos profesionales se convertirían en figuras esenciales en proyectos de comunicación emprendidos durante las presidencias de Venustiano Carranza y Álvaro Obregón, así como durante el florecimiento de la radiodifusión en la década de 1920.
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Kwak, Ki-Sung. "The Role of the State in the Regulation of Television Broadcasting in South Korea." Media International Australia 92, no. 1 (August 1999): 65–79. http://dx.doi.org/10.1177/1329878x9909200109.
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Television broadcasting in South Korea is experiencing a major change in its regulatory structure under the new government led by Kim Dae-Jung, who won the 1997 election as an opposition candidate for the first time in Korean history. Based on the review of the regulatory history of television broadcasting and its recent development in South Korea, this paper provides an overall background which explains the way in which the state has shaped and developed the regulatory structure of television broadcasting in Korea. It argues that the policies set in law and regulatory practice exercised by the state bureaucracy have not always been consistent or completely compatible. It concludes that this has been mainly because the government has been the sole player in establishing, framing and devising television broadcasting regulations.
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Talebian, Sara. "Understanding the characteristics of broadcast media policy in Iran: A thematic policy analysis." Global Media and Communication 16, no. 2 (June 7, 2020): 148–66. http://dx.doi.org/10.1177/1742766520921906.
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This article aims to explore the characteristics of broadcasting media policy in Iran. Ratified laws and regulatory documents concerning broadcast media in Iran are collected and analysed using qualitative content analysis and thematic coding. The results indicate that rigid state ownership, promoting political and cultural discourses, unification, using state-secured budgets, focussing on mass audience and developing air broadcasting technology have been the core themes of the broadcast media policy paradigm in Iran in the past four decades. In the given time horizon, the Iranian government has always reinforced regulatory policies for broadcast media to impose limitations on possible broadcasting activities of individuals, groups and commercial parties.
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Wedell, George. "Prospects for Television in Europe." Government and Opposition 29, no. 3 (July 1, 1994): 315–31. http://dx.doi.org/10.1111/j.1477-7053.1994.tb01224.x.
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The Classical Model for Broadcasting Structures in Europe is one based on national autarchy and linguistic exclusivity. The model derives from the introduction of radio broadcasting in the 1920s. As always in the field of communications, developments art supply-led rather than demand-led. Thus the early radio manufacturers established local radio stations to demonstrate their new equipment at a time when governments had not formulated any policies to deal with the new phenomenon.
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Stefanija, Leon. "Radio Ljubljana and its music policies 1928-1941." Muzikologija, no. 21 (2016): 123–39. http://dx.doi.org/10.2298/muz1621123s.
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The main programming issue faced by Radio Ljubljana was connected to its function: was it a new medium basically intended for cultural advancement and democratic information distribution or was it a new medium primarily serving as an entertainment platform for different types of listener? The question had been one of the key topics from the beginnings of Radio Ljubljana?s broadcasting in 1928. This paper discusses the answers to this question through an analysis of the musical programming from 1928 until the Luftwaffe destroyed Radio Ljubljana?s transmitter in Domzale on April 11, 1941.
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Siripongtugsin, Nithita, and Dr Naruemon Thabchumpon. "Politics in Public Media Policies of the Thai Public Broadcasting Service." Khon Kaen University Journal (Graduate Studies) 11, no. 2 (April 1, 2011): 71–82. http://dx.doi.org/10.5481/kkujgs.2011.11.2.8.
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Fife, Marilyn. "Promoting racial diversity in US broadcasting: federal policies versus social realities." Media, Culture & Society 9, no. 4 (October 1987): 481–504. http://dx.doi.org/10.1177/016344387009004006.
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Ayish, Muhammad I., and Ali Qassim. "Direct satellite broadcasting in the Arab Gulf region: Trends and policies." Gazette (Leiden, Netherlands) 56, no. 1 (August 1996): 19–36. http://dx.doi.org/10.1177/001654929605600102.
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Hardy, Jonathan. "UK Television Policy and Regulation, 2000–10." Journal of British Cinema and Television 9, no. 4 (October 2012): 521–47. http://dx.doi.org/10.3366/jbctv.2012.0104.
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Between 2000 and 2010, new institutional arrangements were created for UK broadcasting regulation, built upon a radical rethinking of communications policy. This article examines key changes arising from Labour's media policy, the Communications Act 2003 and the work of Ofcom. It argues that changes within broadcasting were less radical than the accompanying rhetoric, and that contradictory tendencies set limits to dominant trends of marketisation and liberalisation. The article explores these tendencies by reviewing the key broadcasting policy issues of the decade including policies on the BBC, commercial public service and commercial broadcasting, spectrum and digital switchover, and new digital services. It assesses changes in the structural regulation of media ownership, the shift towards behavioural competition regulation, and the regulation of media content and commercial communications. In doing so, it explores policy rationales and arguments, and examines tensions and contradictions in the promotion of marketisation, the discourses of market failure, political interventions, and the professionalisation of policy-making.
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Simon, Danielle. "From Radio to Radio-visione." Representations 151, no. 1 (2020): 1–25. http://dx.doi.org/10.1525/rep.2020.151.1.1.
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This article investigates a series of experimental television broadcasts undertaken by Italian Fascism’s national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network’s early experiments with television to show that producers’ attitudes regarding medium specificity shaped decisions about programming and musical content. It then suggests that these early sorties into televisual broadcasting left traces that can be seen in the style and political clout of Italian television even today.
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Motta, Massimo, and Michele Polo. "Concentration and public policies in the broadcasting industry: the future of television." Economic Policy 12, no. 25 (October 1997): 293–334. http://dx.doi.org/10.1111/1468-0327.00023.
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Kim, Kyung Hwan. "A Comparative Study on the UHD Broadcasting Policies of Korea and Japan." Korea Jouranl of Communication Studies 29, no. 3 (August 28, 2021): 87–112. http://dx.doi.org/10.23875/kca.29.3.4.
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Purani, Keyoor, and Krishnan Jeesha. "Capital Budgeting: Maledia Broadcasting Ltd." Asian Journal of Management Cases 17, no. 2 (September 2020): 241–56. http://dx.doi.org/10.1177/0972820120922641.
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In 2011, Samjad, deputy CEO of Maledia Broadcasting Limited (MBL)—a new venture of the media group Maledia, based in Cochin, India—prepared to make financial projections to justify the feasibility of the new Malayalam news channel. He was faced with challenges of making estimates that made the project attractive yet practical and credible for the group that was conservative in their advertising sales approach. Set in an interesting industry like broadcasting, the case simulates a real-life situation that also provides a internal corporate context. With the help of the rich market data such as advertising spends, commercial time, competitive scenario in the region, students are expected to forecast revenue for the project. Students are also challenged to use benchmark data of competitors to estimate hurdle rate, capex and operating costs. Estimation of initial investments is also required to be made. Using the processed financial data and projections, students are required to prepare discounted cash flows (DCF) statements with net present value (NPV) and internal rate of return (IRR) for the broadcast channel project. They learn to build alternate scenarios to deal with decisions under uncertainty. The case provides several opportunities to discuss narratives and numbers, helping students of finance realize the value of analysing the company policies and values, business situation, market environment and competitive financial information in capital budgeting, and project finance beyond number crunching.
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Long, Malcolm. "Do More — With Less: Some Challenges for the Public Service Broadcaster." Media Information Australia 41, no. 1 (August 1986): 21–26. http://dx.doi.org/10.1177/1329878x8604100107.
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The 1980s seems to be the decade in which public service broadcasting will have to answer for its existence as never before. Certainly in most countries, where public service broadcasting is part of the media scene, there has been the bubbling of controversy in the past: heated debates about funding; disagreements about program policies; revelations of management inefficiency and incompetence. These things are perhaps all part of the complex, somewhat neurotic love/hate relationship that audiences have with their national broadcaster. In recent years, however, the ‘debate’ about public service broadcasting has taken on a new tone. It is almost a frantic debate, conducted with a great deal of energy by government, broadcasters and audiences, and often with considerable bitterness. There is now a constant testing of the legitimacy of the public service broadcaster. Those of us who work within these organisations find that we are required regularly to make the argument for national broadcasting and to restate the philosophical assumptions that underpin its existence. Why is this so?
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De Giorgi, Laura. "Communication Technology and Mass Propaganda in Republican China." European Journal of East Asian Studies 13, no. 2 (2014): 305–29. http://dx.doi.org/10.1163/15700615-01302009.
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This article analyses the policies and plans of the Nationalist Party (Guomindang, GMD) regarding wireless radio broadcasting, arguing that they laid the foundations for the development of a national-level modern cultural institution aimed, for the first time in China, at mass propaganda and education. During the Nanjing decade, notwithstanding its limits beyond the most developed urban areas, the Nationalists’ approach was the extensive use of radio broadcasting for the ‘partyfication’ (danghua) of Chinese state structure and the Chinese people’s social and cultural life. Nevertheless, their aspirations were greater than their ability to transform the plan into reality. Unable to impose an effective state monopoly on radio communication and broadcasting infrastructures, the Nationalists’ aims to exert stronger control and to gain a hegemonic position in the Chinese ‘ether’ could be achieved only by resorting to technical, administrative and legal measures whose efficacy was rather limited, because it was subordinated to a capacity to have them implemented. The Nationalists’ main accomplishments were the establishment of a powerful national radio broadcasting station under the control of the Party in Nanjing and of a central-level commission aimed at coordinating the work of the different state, Party and military bureaucracies involved in radio broadcasting propaganda.
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Taurino, Giulia. "Distributing CanCon: CBC strategies for international distribution." Journal of Popular Television 8, no. 3 (October 1, 2020): 299–305. http://dx.doi.org/10.1386/jptv_00029_1.
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This article tackles the evolution of Canadian Broadcasting Corporation international distribution strategies at the intersection of the contemporary television landscape, by providing a context and definition for Canadian content (CanCon) rules, so as to consider more recent debates on the positioning of foreign streaming services in Canada in relation to existing broadcasting companies. The aim is to problematize media policies, by outlining the present state of the debate and updating the conversation to include global streaming TV players. Key questions are explored, such as whether CanCon rules are outdated forms of cultural protectionism or still represent viable answers to the risks of media imperialism.
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Rahayu, Rahayu. "Political Interconnection in the Operation of Digital Terrestrial Free-to- Air Television Broadcasting." Policy & Governance Review 2, no. 1 (March 23, 2018): 14. http://dx.doi.org/10.30589/pgr.v2i1.69.
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Agent(s) role in the implementation of policies is frequently considered as the determining factor for the success of policy implementation. This is reflected quite clearly in the “principle- agent” theory that describes how self-interested agent influences the implementation process. However, is self-interested agent still relevant in explaining Indonesia’s broadcasting policy implementation? What if policy implementation involved many actors with their respective personal interests? How will agents position themselves amidst numerous personal interest- bearing actors? By using the political economy approach, this research aims to reveal the role of agents in the constellation of actors’ relation to Indonesia’s broadcasting policy implementation. The operation of digital terrestrial free-to-air television broadcasting case is used to provide a reflection of agents’ position and political behavior in responding to the interest among actors. This research was conducted using the qualitative approach by implementing the data collection technique through in-depth interviews and document analysis. The research result shows that broadcasting policy implementation is not merely influenced by a self-interested agent but is also influenced by political interconnection and multiple-principles’ political-economic interest.
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Starks, Michael John. "Digital Convergence and Content Regulation." Convergent Television(s) 3, no. 6 (December 24, 2014): 125. http://dx.doi.org/10.18146/2213-0969.2014.jethc075.
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Distribution systems for broadcasting, Press and Internet journalism are converging: the same infrastructure can deliver all three historically separate services. Reception devices mirror this: the Connected TV, the tablet and the smart phone overlap in their functionality. Service overlaps are evident too, with broadcasters providing online and on-demand services and newspapers developing electronic versions. Does this mean that media regulation policies must converge too? My argument is that they should, though only where historically different communications are now fulfilling a similar function, e.g. broadcaster online services and electronic versions of newspapers. Convergence requires a degree of harmonisation and, to this end, I advocate a review of UK broadcasting’s ‘due impartiality’ requirement and of the UK’s application of the public service concept. I also argue for independent self-regulation (rather than state-based regulation) of non-public-service broadcasting journalism. These proposals are UK-specific since, given the regulatory and cultural differences between countries, detailed policy changes are likely to be determined mainly at national level, but I note the wider European context. Moreover, the underlying principle is relevant internationally: as freedom of entry into the non-public service sector of broadcast and online journalism becomes closer to the historically much greater freedom of entry into the Press, so the regulation of freedom of expression in these converging fields should become more consistent – and, I would argue, less state-based.
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Jung, In Sook. "A Study on the Evaluation of Broadcasting Policies based on Social Value Elements." Social Economy & Policy Studies 9, no. 4 (November 30, 2019): 203–30. http://dx.doi.org/10.22340/seps.2019.11.9.4.203.
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Dyson, Kenneth, and Peter Humphreys. "Policies for new media in Western Europe: Deregulation of broadcasting and multimedia diversification." West European Politics 9, no. 4 (October 1986): 98–124. http://dx.doi.org/10.1080/01402388608424601.
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Oktora, Dina Dwika. "GIMMICK IN THE REALITY SHOW RUMAH UYA." Capture : Jurnal Seni Media Rekam 11, no. 2 (July 1, 2020): 15–24. http://dx.doi.org/10.33153/capture.v11i2.2817.
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This research focuses on the gimmick in reality television shows, namely the Rumah Uya program which is broadcasted by ANTV station. This research uses a qualitative descriptive approach, data collection uses purposive sampling techniques, and data analysis uses content analysis. The results showed that the gimmick added to this event was not only a sound effect, but also create the acting of talents with dialogues that tended to be vulgar and showed impolite behavior. This contradicts with the applicable broadcasting regulations, namely the policies set out in the Indonesian Broadcasting Commission (Komisi Penyiaran Indonesia) regulation. Adding gimmicks to the reality show program can be done as long as it does not conflict with decency, law, and applicable regulations.
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Hartono, M. Paulina. "“A Good Communist Style”." Representations 151, no. 1 (2020): 26–50. http://dx.doi.org/10.1525/rep.2020.151.2.26.
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This essay focuses on the history and politicization of radio announcers’ vocal delivery in China during the mid-twentieth century. It explores how Chinese Communist Party leaders used internal party debates, national policies, and broadcasting training to construct an ideal Communist voice whose qualities would ostensibly communicate party loyalty and serve as a sonic representation of political authority.
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Nagi Noi, Erasmus, Alo Liliweri, and Lenny N. Tammunu. "Implementation of the regulations of the board of directors of TVRI public agency on Non-Civil Servant in public television broadcasting agency in Indonesia." Annals of Management and Organization Research 1, no. 2 (December 3, 2020): 95–106. http://dx.doi.org/10.35912/amor.v1i2.272.
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Purpose: This research aims to analyze the implementation of the regulation of the board of directors of the TVRI public broadcasting institution regarding non-civil servants (Study at the Indonesian Television Public Broadcasting Institute (TVRI), East Nusa Tenggara Station. Research methodology: In this study, the authors used an interpretive research paradigm. The interpretive approach aims to understand the "world of human experience". In this study, the total population was 110 people consisting of 27 non-civil servants and 83 civil servants. Furthermore, purposively, the researcher selected 11 people as informants with details of 1 Head of the Office as Key Informants and 10 non-civil servants as Ordinary Informants Results: The conclusions of this study can be grouped into four aspects, namely actors, organizations, procedures, and techniques. Limitations: this research only analyzes the implementation of policies on the development of Indonesian migrant workers' families in the field of economic empowerment in Kupang city. Contribution: This research becomes scientific information for public administration science. Keywords: Regulations, Implementation, Broadcasting agency, Non-Civil Servant
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Hayday, Matthew. "Brought To You by the Letters C, R, T, and C: Sesame Street and Canadian Nationalism." Journal of the Canadian Historical Association 27, no. 1 (July 18, 2017): 95–137. http://dx.doi.org/10.7202/1040526ar.
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The wildly popular educational program Sesame Street arrived in Canada during a key transitional period for Canadian broadcasting policy in the early 1970s. An American-made program, it was threatened with cancellation by stations seeking to meet their Canadian content (CanCon) quotas with the least possible financial cost. A heated debate that included public protests and lobbying ensued, involving the Canadian Radio-Television Commission (CRTC), the Canadian Broadcasting Corporation (CBC), the media, parliamentarians, parents and even children. Each group advanced their particular interests regarding the issue of Canadianizing television. Ultimately, the CBC provided a compromise solution with the Canadianization of Sesame Street, whereby a portion of the program’s segments would be replaced by Canadian-made material that aimed to provide messages about Canada for young children. This tumultuous debate and its ultimate solution reveal the ambivalent attitudes held by Canadians, private broadcasters, and even the CBC about both the CRTC’s Canadianization policies and the quantitative approaches used to meet its objectives. It also demonstrates the roles that activist groups and more established interests such as broadcasters have played in shaping Canadian broadcasting policy.
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Reid, Donald. "Public Broadcasting through the Public Sphere: A Reimagining of Public Service Media in New Zealand." Media International Australia 153, no. 1 (November 2014): 31–40. http://dx.doi.org/10.1177/1329878x1415300105.
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During 2013, the New Zealand government heralded the launch of the Ultra-Fast Broadband (UFB) and Rural Broadband Initiatives (RBI) as significant tools across a range of economic and social policy areas, including the delivery of education and health services and the promotion of development policies for Maori. Conspicuously absent in the associated political discussion was the issue of public service broadcasting and the possibility for internet-based technologies to provide an efficient and cost-effective platform for the production and delivery of non-commercial public service media. The reason for this omission may be due to the governing National Party's historic disregard for public service broadcasting, as demonstrated by its disestablishment of a number of public broadcasting initiatives since 1999. Drawing on a Habermasian theoretical framework and Dan Hind's concept of ‘public commissioning’, the purpose of this article is to outline an alternative system for public service broadcasting based on a series of referenda and on open public debate. I begin by examining the present public broadcasting system and the traditional centrality of the state in governance and gatekeeping issues. I argue that the communicative potential of social media, enabled by universally accessible ultra-fast broadband, could provide an adequate platform for public gatekeeping, with the state having a significantly reduced role. I make the argument that the technological and resourcing mechanisms for such a system already exist, and the required shift in audience culture is already present in the consumption of entertainment and reality TV texts.
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Fountaine, Susan. "Themes of connection and progress in rural television: New Zealand’s Country Calendar 1990–2015." Media International Australia 174, no. 1 (September 11, 2019): 109–24. http://dx.doi.org/10.1177/1329878x19873930.
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Airing for over 50 years, New Zealand’s Country Calendar (CC) television show tells the stories of those who live and work on the land. This article presents a thematic analysis of 25 years of programme content, identifying a balance of ‘connection’ and ‘progress’ themes across this time frame, linked to the political economy of NZ broadcasting and agriculture. The concept of the rural idyll helps explain the connection theme’s focus on family, community, a passion or dream, and history and tradition. However, CC’s version of the rural idyll goes beyond nostalgia and the expression of shared social ideals to include the practical, day-to-day ‘work’ of contemporary farming. Ultimately, CC’s content is shaped by the broadcasting and agricultural policies and structures which impact its funding, subjects and socio-economic environment.
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Sen, Biswarup. "A new kind of radio: FM broadcasting in India." Media, Culture & Society 36, no. 8 (August 26, 2014): 1084–99. http://dx.doi.org/10.1177/0163443714544998.
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In 2001, India’s first private FM station – Radio City, Bangalore – came on air, ending an era of state broadcasting that began in 1930. In the past decade, FM radio has enjoyed spectacular success: over 200 stations are now in operation, and the FM industry has seen spectacular growth in listenership and revenues. FM’s impact goes beyond economics; it is now a cultural signifier synonymous with modernity – as the ‘tagline’ for a popular FM network puts it ‘Radio Mirchi – it’s hot!’ FM, I argue in this article, represents a new kind of radio. The shift from state-controlled, nationwide AM transmission to corporate-owned local FM broadcasting signals a profound change in the very philosophy of radio in India. This article offers a brief account of the history of Indian radio and analyzes the social and economic factors that necessitated a change in modes of broadcasting. It also brings its claims into focus through using a case study that looks at the business structure, programming policies, and audience management strategies of one very popular FM station – Radio Mirchi, Kolkata – in order to demonstrate how these newly shaped practices are reinventing the role of radio in contemporary India.
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Paulino, Fernando Oliveira, Liziane Guazina, and Madalena Oliveira. "Public service media and public communication: concept, context and experiences." Comunicação e Sociedade 30 (December 29, 2016): 71–86. http://dx.doi.org/10.17231/comsoc.30(2016).2486.
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Unlike the commercial sector because, among other aspects, it does not have a profitable objective, the public sector of communication has been defined according to a principle of universality and of equal access of citizens to media products. Notwithstanding this basic ground, which is more or less common to the public service broadcasting systems from most origins, the denomination of public service broadcasting – consistent with a European tradition – is not an unequivocal correlate of the concept of public communication – more in tune with an American, at least South-American, tradition. Focused on the experiences of Portugal and Brazil, this paper develops a comparative approach that aims to understand the political, social, and cultural framework of the public media activity in these two countries. Based on an analysis of legal documents that support the development of this activity, the paper is meant to discuss the sector in the broader context of Portuguese and Brazilian communication policies. On the other hand, while not ignoring the aspects – such as funding and independence issues – that have made public service broadcasting and public communication a field of permanent debate, this article also aims to identify and discuss the challenges faced by concessionary companies.
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Flew, Terry. "From ‘Taste and Standards’ to Structural Pluralism: Activism in the Australian Media Policy Process." Media International Australia 99, no. 1 (May 2001): 35–48. http://dx.doi.org/10.1177/1329878x0109900107.
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This paper traces the emergence of media policy reform activism in Australia around media content regulations for commercial broadcasting, from 1953 to 1976. Its focus is on processes of participation in public inquiries, and the ways in which these were manifestations of what Anna Yeatman (1998) has termed ‘activism in the policy process’. It finds evidence that such processes facilitated the emergence of more wide-ranging campaigns for media reform in the 1970s, but also finds that the extent to which such trends can be seen as applying a logic of ‘governmentality’ to broadcast media has in practice been limited by the predominantly commercial nature of the Australian broadcasting system, the conduct of regulatory agencies and their proneness to ‘regulatory capture’, and the extent to which the demands of media critics could be translated into implementable policies.
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Selby, Hannah. "Continuity and Change in British Public Service Television’s Engagement with Mental Health." VIEW Journal of European Television History and Culture 9, no. 18 (December 24, 2020): 126. http://dx.doi.org/10.18146/view.226.
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This article explores factual television coverage of mental health by British public service broadcasters (PSB) from the post-war period, examining continuity and change by highlighting the range of voices given airtime, the variety of programme formats and stylistic presentation. It argues that British television has had a long commitment to educating the public about mental health, periodically examining mental health policies, and providing air-time for a range of perspectives. In addition, mental health conditions are now featured more widely, however newer factual genres emphasise experiential accounts and self-accountability over critical investigation. By situating televisual representations of mental health within a historical framework of UK broadcasting and mental health policy, it contributes to the history of health and television, demonstrating the ways in which policy, broadcasting practices and cultural constructions of mental health are interrelated.
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Negus, Keith. "Plugging and programming: pop radio and record promotion in Britain and the United States." Popular Music 12, no. 1 (January 1993): 57–68. http://dx.doi.org/10.1017/s0261143000005353.
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The radio networks of North America and Britain provide one of the most important promotional outlets for recorded music, setting programming agendas at radio stations and influencing the talent acquisition policies of record labels throughout the world. For many years there have been sharp contrasts in the way in which music radio has operated and been organised in these two countries. The promotion of records in Britain has mainly been directed towards one national non-commercial station, Radio 1, which plays an eclectic mixture of musical styles. In the United States radio promotion has been aimed across a complex of commercial stations which broadcast ‘narrowcast’ music very clearly defined according to various ‘formats’. However, the recent re-regulation of the broadcasting system in Britain has resulted in a proliferation of regional commercial stations that are responding to increasing competition by introducing narrowcasting policies similar to those of North America. With Radio 1's share of listeners declining and the prospect of national commercial stations being granted licences and further challenging Radio 1's dominance of pop broadcasting, it seems particularly pertinent to contrast the practices of record companies and radio stations in Britain and North America and highlight how they directly effect the production and consumption of pop music.
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De Giorgi, Laura. "Media and popular education: Views and policies on radio broadcasting in Republican China, 1920s–30s." Interactions: Studies in Communication & Culture 7, no. 3 (December 1, 2016): 281–96. http://dx.doi.org/10.1386/iscc.7.3.281_1.
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Rawnsley, Ming-Yeh T., and Chien-san Feng. "Anti-Media-Monopoly Policies and Further Democratisation in Taiwan." Journal of Current Chinese Affairs 43, no. 3 (September 2014): 105–28. http://dx.doi.org/10.1177/186810261404300305.
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The student-led anti-media-monopoly movement in Taiwan has generated strong momentum since mid-2012. In early 2013, the National Communications Commission responded by drafting the “Prevention of Broadcasting and Television Monopoly and the Maintenance of Diversity Act”, which was approved by the Executive Yuan in April 2013 and is now waiting to be debated in the Legislative Yuan. In contemporary Taiwan, the social is often connected with the political. The existing democratic system, which is a legacy of the democratisation process in the twentieth century, no longer seems adequate to serve the citizens of the twenty-first century. This paper considers the anti–media-monopoly movement and the burgeoning civic movements in recent years as part of a “second wave” of democratisation for further political reform and democratic consolidation. When martial law was lifted in Taiwan in 1987, the “first wave” of media liberalisation ended with the commercialisation of industry. The “second wave” of media democratisation has picked up where the first wave left off and may finally establish, through increasingly more thoughtful media policies, a better and fairer media environment that is more suitable for democratic Taiwan.
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Katsirea, Irini. "The Transmission State Principle: The End of the Broadcasting Sovereignty of the Member States?" Cambridge Yearbook of European Legal Studies 6 (2004): 105–39. http://dx.doi.org/10.5235/152888712802759485.
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Observers of the media policies of the European Union contend that the transmission state principle of the Television Without Frontiers Directive, by ruling out the restriction of transfrontier broadcasts, which are in compliance with the laws of the originating state, has signified the end of the broadcasting sovereignty of the Member States. The transmission state principle is central to the objective of the Television Without Frontiers Directive to create an internal market in broadcasting services. Laid down initially in Article 2(2) of Directive 89/552/EEC, it has been transferred to Article 2a(1) following the adoption of the revised Directive 97/36/EC. The meaning of the principle has remained the same: Member States are obliged to ensure the unhindered reception of broadcasts lawfully transmitted in their state of origin. They only have a limited possibility to derogate provisionally from the transmission state principle, when foreign television broadcasts manifestly, seriously and gravely breach provisions concerning the protection of minors or public order.
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Katsirea, Irini. "The Transmission State Principle: The End of the Broadcasting Sovereignty of the Member States?" Cambridge Yearbook of European Legal Studies 6 (2004): 105–39. http://dx.doi.org/10.1017/s1528887000003608.
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Observers of the media policies of the European Union contend that the transmission state principle of the Television Without Frontiers Directive, by ruling out the restriction of transfrontier broadcasts, which are in compliance with the laws of the originating state, has signified the end of the broadcasting sovereignty of the Member States. The transmission state principle is central to the objective of the Television Without Frontiers Directive to create an internal market in broadcasting services. Laid down initially in Article 2(2) of Directive 89/552/EEC, it has been transferred to Article 2a(1) following the adoption of the revised Directive 97/36/EC. The meaning of the principle has remained the same: Member States are obliged to ensure the unhindered reception of broadcasts lawfully transmitted in their state of origin. They only have a limited possibility to derogate provisionally from the transmission state principle, when foreign television broadcasts manifestly, seriously and gravely breach provisions concerning the protection of minors or public order.
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Dwiana, Ressi, Ade Armando, and Mario Antonius Birowo. "Emergency Broadcasting Radio in Indonesia: Comparative Studies in Lombok and Palu." Journal of Disaster Research 15, no. 5 (August 1, 2020): 655–63. http://dx.doi.org/10.20965/jdr.2020.p0655.
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In every disaster, problems of information and communication distribution always occur. The communication channel is very dependent on various supporting facilities. Electricity, transmitter towers, broadcasting stations, to human resources. In two big disasters in Indonesia in 2018: the Lombok earthquake; and the earthquake, tsunami and liquefaction in Palu, there were issues of the information and communication channels. Local people do not know the conditions that occur in their area and the situation of their families. While outsiders, the government, and rescue teams did not get detailed information from the affected areas. In countries with high intensity of natural disasters, emergency broadcasting policies have been long practiced. The simplest device for emergency broadcasting is radio. This kind of media can immediately air with simple facilities. Regardless, the initiative of emergency radio has not yet adopted into regulation in Indonesia. Therefore, the emergency radio initiator limited to a handful of organization like in Lombok earthquake. Conversely in Palu disaster, there was a Ministerial Decree of Information and Communication Ministry Number 773/2018 (KM 773), regulation that simplify access to radio frequency. Using comparative method, this research examined these two disasters to analyze the differences of emergency radio practices. Only 1.5 months away and similar location features, the emergency radios initiation differ in several aspects related subjects that regulated in this KM. The result shows that this KM can broaden all aspects of emergency broadcasting radio. Although, the KM unable to shorten the time of emergency radio implementation. Regulation change only limited to frequency access. A broader regulation change is needed to support the practice of emergency radio.
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Aktürk, Şener. "Regimes of Ethnicity: Comparative Analysis of Germany, the Soviet Union/Post-Soviet Russia, and Turkey." World Politics 63, no. 1 (January 2011): 115–64. http://dx.doi.org/10.1017/s0043887110000304.
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How do state policies that regulate the relationship between ethnicity and nationality change? This article examines the dynamics of persistence and change in state policies toward ethnicity. In order to better comprehend the nature of political contestation over these state policies, the author first develops a new typology, “regimes of ethnicity,” and categorizes states as having monoethnic, multiethnic, and antiethnic regimes. These regimes are defined along dimensions of membership and expression. Second, he develops a theory of ethnic regime change. He explains the persistence and change in policies related to ethnicity and nationality in Germany, the Soviet Union/post-Soviet Russia, and Turkey since the 1950s by reference to the presence or absence of three independent variables: counterelites, new discourses, and hegemonic majority. He argues that if counterelites representing constituencies with ethnically specific grievances come to power equipped with a new discourse on ethnicity and nationality and garner a hegemonic majority, they can change state policies on ethnicity. These three factors are separately necessary and jointly sufficient for change. Reform in the German citizenship law, removal of ethnicity from Russian internal passports, and the beginning of public broadcasting in Kurdish and other minority languages on state television in Turkey are examined as major changes in state policies.
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Yiu-Wai, Chu. "Developing Local Popular Songs in Hong Kong: A Study of the All Cantonese Pop Music Station Format." Media International Australia 105, no. 1 (November 2002): 147–62. http://dx.doi.org/10.1177/1329878x0210500118.
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Taking the case of the All Cantonese Pop Music Station, launched by Commercial Radio of Hong Kong in the late 1980s, this paper investigates the intricate relations among cultural policy, broadcasting institutions and the music industry. Through analysis of this empirical case, the complex relationship between cultural policy and the development of local pop songs is also examined. The major theoretical thrust tackles the important question of whether protective cultural policies are culturally limiting or integral to creating discursive space for indigenous culture to develop.