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Journal articles on the topic 'Broadcasting – Australia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Willmot, Eric. "Aboriginal Broadcasting in Remote Australia." Media Information Australia 43, no. 1 (February 1987): 38–40. http://dx.doi.org/10.1177/1329878x8704300112.

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A review of Eric Michaels' report Aboriginal Invention of Television: Central Australia 1982–1986, Australian Institute of Aboriginal Studies, Canberra, 1986, 159p, gratis; and policy considerations for Aboriginal broadcasting in remote Australia.

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2

Bridle, M. "Satellite broadcasting in Australia." IEEE Transactions on Broadcasting 34, no. 4 (1988): 425–29. http://dx.doi.org/10.1109/11.16483.

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3

Hadlow, Martin. "‘No Propaganda Will Be Broadcast’: The Rise and Demise of Australian Military Broadcasting." Media International Australia 150, no. 1 (February 2014): 77–82. http://dx.doi.org/10.1177/1329878x1415000117.

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Radio broadcasting has played an important role as a medium of information, news and entertainment for Australian military personnel in wartime and conflict situations. However, while many nations have comprehensive units tasked to the full-time provision of broadcasting services, such as the Armed Forces Radio and Television Service (AFRTS) in the United States and the British Forces Broadcasting Service (BFBS) in the United Kingdom, Australia has relied on more ad hoc measures. As contingencies have required, the Australian military has introduced radio broadcasting elements into its table of organisation, the most comprehensive having been the Australian Army Amenities Service (AAAS) during World War II. Now, in a new technological era, perhaps specialised radio for troops will fade completely from the agenda.

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4

Clark, Andrew. "Your Asia-Pacific Network: The use of Radio Australia by the Australian Government." Pacific Journalism Review : Te Koakoa 9, no. 1 (September 1, 2003): 80–101. http://dx.doi.org/10.24135/pjr.v9i1.758.

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This article examines the use of Radio Australia by the Australian Government. It examines the extent that the Australian Government's foreign policy goals are reflected in the charter and programming of Radio Australia. The paper begins with a brief historical look at Radio Australia followed by description and analysis of the role of an intermediary between the government and the station, which, in this case, is the Australian Broadcasting Corporation (ABC), the parent company of Radio Australia; the programme philosophy of, and programming offered by Radio Australia, and criticisms of Radio Australia from within the Pacific.

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5

Brown, Allan, and Catherine Althaus. "Public Service Broadcasting in Australia." Journal of Media Economics 9, no. 1 (January 1996): 31–46. http://dx.doi.org/10.1207/s15327736me0901_4.

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6

Sinclair, John. "The Broadcasting Debate in Australia." Media Information Australia 63, no. 1 (February 1992): 5. http://dx.doi.org/10.1177/1329878x9206300102.

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7

Rando, Gaetano. "Broadcasting in Italy: Democracy and Monopoly of the Airwaves." Media Information Australia 40, no. 1 (May 1986): 39–48. http://dx.doi.org/10.1177/1329878x8604000109.

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Australia, as compered with some overseas countries, has a stable and continuous radio and television history. The price has been the creation of an oligopolistic commercial sector which is much stronger than the national broadcaster, the Australian Broadcasting Corporation. Public (community) broadcasting is still confined to a sector starved of funds; public TV still a pipedream. Ethnic radio and multicultural television, through the Special Broadcasting Service, have a short history which is far from smooth and under constant threat for TV to be merged with the ABC.

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8

Rutherford, Leonie. "The ABC, the Australian Children's Television Foundation and the Emergence of Digital Children's Television in Australia." Media International Australia 151, no. 1 (May 2014): 5–15. http://dx.doi.org/10.1177/1329878x1415100103.

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This article analyses the campaign to establish terrestrial digital children's public service broadcasting in Australia. It finds that the development of the Australian Broadcasting Corporation's digital children's channel (ABC3), an initiative initially embraced somewhat opportunistically, enabled an expansion strategy for the public service broadcaster that ultimately helped determine the shape of its current digital channel portfolio. Contrasting the collective and divergent interpretations of future audience behaviours and needs developed by the Australian Children's Television Foundation (ACTF) and the ABC, it argues that both organisations developed strategies and made policy decisions that were influential in conditioning the current digital television ecology.

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9

Griffen-Foley, Bridget. "Kindergarten of the Air: From Australia to the world." Radio Journal:International Studies in Broadcast & Audio Media 17, no. 2 (October 1, 2019): 179–99. http://dx.doi.org/10.1386/rjao_00004_1.

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This article considers the radio programme for kindergarten-aged children that the Australian Broadcasting Commission (ABC) launched during the Second World War and continued to broadcast until 1985. Kindergarten of the Air, thought to be the ‘first of its kind in the world’, was to inspire interest from, and similar programmes throughout, the British empire and beyond. The article examines the imperial and international broadcasting networks that enabled the exchange of ideas and initiatives within the field of educational broadcasting, and the export of one of Australia’s most successful radio initiatives, while also considering the willingness of the British Broadcasting Corporation (BBC) to be influenced by a dominion broadcaster.

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10

Dezuanni, Michael, Stuart Cunningham, Ben Goldsmith, and Prue Miles. "Teachers’ curation of Australian screen content for school-based education." Media International Australia 163, no. 1 (March 8, 2017): 87–96. http://dx.doi.org/10.1177/1329878x17693701.

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This article outlines how teachers curate Australian screen content for use in classrooms from pre-school to senior secondary school. It suggests teachers use their professional knowledge of curriculum and pedagogy to arrange screen resources, curriculum concepts and student experiences to promote learning. This complex curatorial process adds value to broadcaster and producer curation processes that aim to position cut-down clips and educational resources for classroom use. The article draws on a national research project that undertook interviews with 150 teachers in schools across Australia. The authors suggest the ongoing digital disruption of the school sector presents both opportunities and challenges for the Australian Broadcasting Corporation, The Special Broadcasting Service and the Australian Children’s Television Foundation.

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11

Meadows, Michael. "Silent Talking: Indigenous Media Policy and the Productivity Commission." Media International Australia 95, no. 1 (May 2000): 29–47. http://dx.doi.org/10.1177/1329878x0009500106.

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The recent Productivity Commission inquiry into Broadcasting in Australia has acknowledged the important place of Indigenous production in the national mediascape. The inquiry's draft report recommended changes to the Broadcasting Services Act which take into account some aspects of the kind of cultural production going on now in the Indigenous media sector across Australia. However, while there have been some significant changes suggested, acknowledgment of the broader cultural importance of the sector and its potential remain unaddressed. Acknowledgment of the special place of Indigenous languages and cultures in the Broadcasting Services Act, for example, remains elusive to national policy-makers.

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12

Molnar, Helen. "Aboriginal broadcasting in Australia: Challenges and promises." Howard Journal of Communications 2, no. 2 (March 1990): 149–69. http://dx.doi.org/10.1080/10646179009359710.

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13

Flew, Terry. "Pay TV and Broadcasting Diversity in Australia." Media International Australia 77, no. 1 (August 1995): 130–38. http://dx.doi.org/10.1177/1329878x9507700114.

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14

Vujanic, Ana. "The future of the Australian Broadcasting Corporation in Australia’s ‘chilling’ mediascape." Australian Journalism Review 43, no. 1 (June 1, 2021): 115–32. http://dx.doi.org/10.1386/ajr_00060_7.

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Two decades after Pierre Bourdieu published On Television and Journalism chronicling the decline of French public broadcasting and serious news, Australia’s national broadcaster, the Australian Broadcasting Corporation (ABC), is in the throes of a similar decline. Besieged by a combination of funding cuts, allegations of political interference, pressure from the commercial media sector, nepotism and legislative frameworks at both federal and state levels that have sent a chill through Australian journalism, the ABC is facing challenging times. Through long-form interviews with journalists and senior bureau figures from the ABC Brisbane Bureau, this study seeks to gauge the extent to which the landscape for conducting public interest journalism in Australia has changed since 2018 and what the future of the ABC may look like.

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15

Bowen, Jennifer. "Riding the Waves: Professor T. H. Laby as Imperial Scientist and Radio Visionary." Historical Records of Australian Science 28, no. 2 (2017): 91. http://dx.doi.org/10.1071/hr17003.

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Thomas Laby, Professor of Natural Philosophy at the University of Melbourne 1915–1942, was an outspoken proponent of science broadcasting during the years when broadcast radio was developing in Australia. While earlier biographical studies have paid some attention to Laby's role in public affairs, there has been no discussion of his sustained advocacy for radio as a means of public education. This article shows how his position was supported by, and in turn enriched, his imperial politics as well as his commitment to scientific research; it draws on a range of archival materials from public hearings, the Australian Broadcasting Commission, and Australian universities. It shows Laby's remarkable grasp of a medium in its formative years, as well as his belief in the need for scientists to participate in social debate.

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16

Hitchens, L. P. "Approaches to broadcasting regulation: Australia and United Kingdom compared." Legal Studies 17, no. 01 (March 1997): 40–64. http://dx.doi.org/10.1111/j.1748-121x.1997.tb00659.x.

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Delivering the 1995 Goodman Lecture, David Glencross, the then Chief Executive of the Independent Television Commission (‘ITC’) commented that the Broadcasting Act 1990 did not contain sufficient flexibility to allow the ITC to deal effectively with unforeseen developments such as changing technology and media ownership and control issues. This is an interesting comment on the legislation because the Broadcasting Act 1990 represented a deliberate move towards a rule-based form of regulation away from the flexible, non-specific and discretionary style of the Broadcasting Act 1981 which it replaced. The White Paper which set out the Government's proposals for the new regulatory system emphasised this:‘The ITC would apply lighter, more objective programme requirements. …The ITC would therefore adopt a less heavy handed and discretionary approach than the IBA necessarily does at present’.However, the Government recognised that ‘[a] new enabling framework must be flexible enough to allow for technological change’.

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17

Anderson, Heather, Bridget Backhaus, Charlotte Bedford, and Poppy de Souza. "‘Go join that radio station up there’: The role of Australian community radio in journalism education and training." Australian Journalism Review 44, no. 2 (November 1, 2022): 171–89. http://dx.doi.org/10.1386/ajr_00102_1.

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Community broadcasting represents the largest independent media sector in Australia, with over 26,000 actively involved volunteers per annum. While people come to community broadcasting at many different points in their life, there is a common, unofficial narrative that describes community radio volunteers ‘cutting their teeth’ in the sector and then ‘moving on’ in their careers. This article details research that interrogates the experiences of journalists and other people working in the creative and cultural industries, who spent significant time in the Australian community broadcasting sector. Employing a collective case study approach, this article identifies and discusses key themes describing the impact of community radio on the employment pathways and career trajectories of its practitioners, with a focus on journalism and media production. These themes provide a framework for further research into the impact of community media on journalists’ employment pathways and career trajectories, viewing community media through a rhizomatic prism.

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18

Andrews, Kylie. "Broadcasting inclusion and advocacy: a history of female activism and cross-cultural partnership at the post-war ABC." Media International Australia 174, no. 1 (September 18, 2019): 97–108. http://dx.doi.org/10.1177/1329878x19876331.

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During the first decade of television in Australia, a cohort of female broadcasters used their hard-won positions at the Australian Broadcasting Commission (ABC) to challenge the social and cultural complacencies of post-war society. Counteracting the assumption that women were largely absent in post-war broadcasting, this research discusses how two of these producers used their roles as public broadcasters to enact their own version of feminism, a social and cultural activism framed through active citizenship. Critiquing race, gender and national identity in their programmes, they partnered with Indigenous Australian activists and worked to amplify the voices of minorities. Referring to documentaries produced in Australian television’s formative years, this article describes how ABC producers Therése Denny and Joyce Belfrage worked to disrupt programming cultures that privileged homogeneous Anglo-Australian perspectives. As a consequence, documentaries like A Changing Race (1964) presented empathetic and evocative content that challenged xenophobic stereotypes and encouraged cross-cultural understandings.

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19

Melville, Barry. "Digital Challenges for Community Broadcasting." Media International Australia 120, no. 1 (August 2006): 10–13. http://dx.doi.org/10.1177/1329878x0612000104.

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This article considers the current developments in convergence from the perspective of community broadcasting in Australia. It examines government media reforms and plans relating to digital technology and content, and notes the potential of community broadcasting to contribute to goals of diversity, innovation and new services. The paper concludes with various policy proposals which aim to ensure that the ‘third tier’ of free-to-air broadcasting is included in the transition to digital services.

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20

Aisbett, Kate. "Production of Australian Children's Drama: Is There a Future?" Media International Australia 93, no. 1 (November 1999): 41–50. http://dx.doi.org/10.1177/1329878x9909300106.

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To mark the twentieth anniversary of the introduction of the children's programs classification scheme (1979–99), the Australian Broadcasting Authority, the Australian Children's Television Foundation and the Australian Film Finance Corporation commissioned a joint research project on C classification programs. The research investigated trends in programming over the 20 years of the classification scheme and current issues related to the financing of children's programs. This paper explores current developments in the production and broadcast of children's television in Australia and the place of regulation in facilitating the community's desire for quality Australian children's programs.

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21

Rees, Yves. "Making Waves across the Pacific." Feminist Media Histories 5, no. 3 (2019): 85–113. http://dx.doi.org/10.1525/fmh.2019.5.3.85.

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This article examines how women's broadcasting promoted consciousness and appreciation of the United States during the 1930s and 1940s. These were decades in which Australians had limited access to US news and culture, and Hollywood dominated local imaginings of US society. In this climate, Australians who had lived Stateside were hailed as authorities on the nation and its people, and they often spoke on radio. Among these “America educators” were significant numbers of women. Armed with firsthand knowledge of the wider world, these female travelers could claim space in a broadcasting landscape otherwise dominated by men. Through their radio broadcasts, they aspired to foster transpacific understanding and friendship. Women's broadcasting was therefore a cultural force at the vanguard of Australia's “turn to America.” More than a manifestation of US popular culture, radio depicted the United States as an ally of and model for Australia during an era of entrenched British allegiance.

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22

Meadows, Michael. "Electronic dreaming tracks: Indigenous community broadcasting in Australia." Development in Practice 19, no. 4-5 (June 2009): 514–24. http://dx.doi.org/10.1080/09614520902866363.

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23

Gaber, Ivor, and Rodney Tiffen. "Politics and the media in Australia and the United Kingdom: parallels and contrasts." Media International Australia 167, no. 1 (April 10, 2018): 27–40. http://dx.doi.org/10.1177/1329878x18766721.

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Australia and Britain share many common aspects in their democratic political and media systems, but there are also important differences. Perhaps the single most important media difference is that television has been a much more important element in the UK political communication system than it has been in Australia. The British Broadcasting Corporation is a much bigger and more central institution than the Australian Broadcasting Corporation, and commercial TV in Britain has a much stronger public service mandate. The British press has a national structure which can give it a substantive collective role, although its right-wing dominance means it has been a less-than-benign influence on public life. Both countries are facing rapid changes, with partisan political divisions in flux and the digital environment disrupting traditional media models. In this article, we seek to interrogate the commonalities and differences between the media and political systems operating in Australia and the United Kingdom. After tracing some important differences in their institutional structures, the dominant theme of our later analysis is that in both systems, and in both countries, the overarching narrative is one of disruption. And we pose the question – Will the current disruptions widen or narrow these differences?

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24

Lloyd, Justine. "“A Girdle of Thought Thrown around the World”." Feminist Media Histories 5, no. 3 (2019): 168–94. http://dx.doi.org/10.1525/fmh.2019.5.3.168.

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This article outlines impulses toward internationalism in women's programming during the twentieth century at two public service broadcasters: the Canadian Broadcasting Corporation (CBC) in Canada and the Australian Broadcasting Commission (ABC) in Australia. These case studies show common patterns as well as key differences in the establishment of an international frame for the modern domestic sphere. Research conducted in paper and audio recording archives relating to nonfiction programming for women demonstrates pervasive tensions between women's international versus national solidarities. The article argues that these contradictions must be highlighted—rather than papered over in a simplistic understanding of such programming as reflecting a binary domestic ideology of private versus public, home versus world—to fully understand media history and cultural memory from a gendered perspective.

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25

Bowen, Jennifer. "Take your partners: Media, government and public participation in the 1930s campaigns against censorship in Australia." Australian Journalism Review 42, no. 2 (November 1, 2020): 279–92. http://dx.doi.org/10.1386/ajr_00040_1.

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Censorship has had a long tradition in Australia, affecting books, films, theatre and artworks. In the 1930s, opposition to it began to be organized: this was initially a reaction to the banning of imported print material on the grounds of ‘indecency’ or sedition, but it was followed by protests against the political interference of radio broadcasts. These campaigns for freedom of expression on the air and in print invoked similar principles, as well as sharing leadership and tactics; while newspapers alerted the public to the issue of censorship, such commentary was also deployed to influence perceptions of the changing media landscape brought about by the development of public broadcasting. This article argues that 1930s activism over censorship prepared the ground for the expectation of impartial news reporting by the public broadcaster, the Australian Broadcasting Commission. It also demonstrates the advantage of considering diverse forms of media in tandem and sheds additional light on the role of the public in pursuit of the right of Australian citizens to hear opinion free from government interference and proprietorial diktat.

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Sitas, Freddy, Dianne L. O'Connell, Cathelijne H. Van Kemenade, Mark W. Short, and Kun Zhao. "Breast cancer risk among female employees of the Australian Broadcasting Corporation in Australia." Medical Journal of Australia 192, no. 11 (June 2010): 651–54. http://dx.doi.org/10.5694/j.1326-5377.2010.tb03665.x.

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27

Herbert, John. "The broadcast voice." English Today 13, no. 2 (April 1997): 18–23. http://dx.doi.org/10.1017/s0266078400009573.

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28

Mencinsky, Nadia, and Belinda Mullen. "Regulation of Children's Television in Australia: Past and Present." Media International Australia 93, no. 1 (November 1999): 27–40. http://dx.doi.org/10.1177/1329878x9909300105.

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The provision of quality television programming made specifically for children has been a significant issue in Australia since television was introduced. From 1979, specific requirements have been in place to ensure children have access to a variety of quality television programs made specifically for them, including Australian drama and non-drama programs. This article traces the development of these requirements and how they have led to the current Children's Television Standards (CTS). The Children's Television Standards (CTS), administered by the Australian Broadcasting Authority (ABA), are widely regarded in Australia and overseas as a notable example — if not benchmark — for how to regulate children's television in the public interest. The article also examines some key trends in programming since 1979 and identifies areas of the standards which are problematic and/or might need to be revised to ensure the expected outcomes are still being achieved.

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Meadows, Michael, Susan Forde, Jacqui Ewart, and Kerrie Foxwell. "A Quiet Revolution: Australian Community Broadcasting Audiences Speak Out." Media International Australia 129, no. 1 (November 2008): 20–32. http://dx.doi.org/10.1177/1329878x0812900104.

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Around four million listeners in an average week tune into community radio stations around Australia, primarily to hear local news and information — evidence of a failure by mainstream media to meet their diverse needs. This discussion draws from the first qualitative study of the Australian community broadcasting sector to explore the role being played by community radio and television from the perspectives of their audiences. The authors argue that community broadcasting at the level of the local is playing a crucial role in the democratic process by fostering citizen participation in public life. This suggests a critique of mainstream media approaches and the central place of audience research in understanding the nature of the empowering relationships and processes involved. The authors argue that the nature of community broadcasting aligns it more closely with the complex ‘local talk’ narratives at the community level, which play a crucial role in creating public consciousness. They suggest that this quiet revolution has highlighted the nature of the audience–producer relationship as a defining characteristic of community media.

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Meagher, Bruce. "SBS: Is There a Role for a Multicultural Broadcaster in 2009 and beyond?" Media International Australia 133, no. 1 (November 2009): 19–23. http://dx.doi.org/10.1177/1329878x0913300105.

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This article notes that the degree of retreat from multiculturalism in public policy in Australia since the mid-1990s has challenged the rationales for government support for the Special Broadcasting Service, and presents the case for ongoing community and government support for SBS in terms of its distinctive contribution to public debates within Australia, and Australia's place in the world. It is noted that this is not uniquely a function of its news and current affairs programs, but is seen across a suite of programming ranging from documentaries to locally produced drama, light entertainment and comedy. It also emphasises the language support remit for SBS, and some of the new challenges faced in supporting communities for recently arrived refugees into Australia.

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Chubb, Philip, and Chris Nash. "The Politics of Reporting Climate Change at the Australian Broadcasting Corporation." Media International Australia 144, no. 1 (August 2012): 37–48. http://dx.doi.org/10.1177/1329878x1214400107.

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This article examines a particular moment in journalism at the Australian Broadcasting Corporation, with the aim of elucidating the link between public-sector journalism and political controversy in the recent Australian response to climate change. The particular moment in question involved the reporting of visits to Australia in early 2010 by two international commentators on anthropogenic climate change, Christopher Monckton and James Hansen, and an unprecedented attack by the chairman of the ABC on the professional performance of ABC journalists in reporting on this issue. We use this case study to canvass the explanatory merits of several scholarly perspectives on journalistic bias: the well-known ‘balance as bias’ argument by the Boykoffs (2004), the less well-known but incisive ‘independence/ impartiality couplet’ argument by Stuart Hall (1976) and Bourdieusian field analysis.

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32

Muhtar, Mohamad Hidayat, Zainal Abdul Aziz Hadju, Zamroni Abdussamad, and Rahmat Teguh Santoso Gobel. "Perluasan Kewenangan Komisi Penyiaran Indonesia Terhadap Pengawasan Media Digital." Jurnal Konstitusi 19, no. 1 (March 28, 2022): 126. http://dx.doi.org/10.31078/jk1916.

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Permasalahan penyiaraan sangatlah kompleks yakni definisi dan pengawasan penyiaraan yang masih belum jelas, serta kewenangan KPI lemah untuk mengawasi media digital. Tujuan penelitian ini, yaitu: Pertama, pengawasan Komisi Penyiaran Indonesia atas Media Digital. Kedua, konsep dan praktek lembaga penyiaran terhadap pengawasan media digital di negara lain. Ketiga, desain pengawasan Komisi Penyiaran Indonesia terhadap pengawasan media digital. Hasil penelitian menunjukan bahwa pertama, problematika hukum terhadap kedudukan KPI dalam pengawasan media digital yakni penafsiran frasa “media lainnya di Pasal 1 angka 2 UU Penyiaran”. Kedua, pengawasan media digital di Jerman dan Australia cukup maju untuk mengatur secara ketat penyiaraan digital dengan sistem terintegrasi misalnya Jerman mewajibkan youtube untuk mengintegrasikan UU penyiaran dalam sistem dan Australia melakukan take down apabila konten negatif dari domain lokal. Ketiga, desain penguatan lembaga KPI melalui perluasan kewenangan media digital, integrasi kelembagaan Polri dan Kominfo dan pendekatan “konvergensi media” bidang telekomunikasi, media dan internet dalam kerangka peraturan tunggal.The problem of broadcasting is very complex, consisting of the definition and supervision of broadcasting which is still unclear and the authority of KPI is still weak to supervise digital media. The research objectives are: First, to look at the legal problems of the Indonesian Broadcasting Commission in supervising Digital Media. Second, the concept and practice of broadcasters on digital media surveillance in other countries. Third, the design of the Indonesian Broadcasting Commission's supervision of digital media supervision. The results of the study show that first, there are still legal problems with the position of KPI on digital media supervision. Second, digital media surveillance in Germany and Australia has been quite advanced which has strictly regulated broadcasting in digital with an integrated system. Third, the design is carried out by strengthening KPI institutions, institutional integration, and the "legislative convergence" approach.

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Flew, Terry. "From ‘Taste and Standards’ to Structural Pluralism: Activism in the Australian Media Policy Process." Media International Australia 99, no. 1 (May 2001): 35–48. http://dx.doi.org/10.1177/1329878x0109900107.

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This paper traces the emergence of media policy reform activism in Australia around media content regulations for commercial broadcasting, from 1953 to 1976. Its focus is on processes of participation in public inquiries, and the ways in which these were manifestations of what Anna Yeatman (1998) has termed ‘activism in the policy process’. It finds evidence that such processes facilitated the emergence of more wide-ranging campaigns for media reform in the 1970s, but also finds that the extent to which such trends can be seen as applying a logic of ‘governmentality’ to broadcast media has in practice been limited by the predominantly commercial nature of the Australian broadcasting system, the conduct of regulatory agencies and their proneness to ‘regulatory capture’, and the extent to which the demands of media critics could be translated into implementable policies.

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Davis, Glyn. "Federalism Versus Centralisation: Organizational Design and Public Broadcasting in America and Australia." Journal of Public Policy 10, no. 2 (April 1990): 195–219. http://dx.doi.org/10.1017/s0143814x00004815.

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ABSTRACTFollowing Wildavsky's argument that a federal bias is often the best principle for organising public policy, this study compares two national public broadcasting systems: the diffuse pattern of multiple agencies used in the United States of America and the highly centralized design employed in Australia. The paper examines whether each structure can respond to an audience while resisting the partisan demands of politicians. Significant advantages are found in the American model, though the question arises of whether participation and editorial independence in public broadcasting are bought at the cost of efficiency and effectiveness.

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Noble, Grant, and Kate Freiberg. "Discriminating between the Viewing Styles of the Commercial and ABC Child TV Viewer." Media Information Australia 36, no. 1 (May 1985): 22–33. http://dx.doi.org/10.1177/1329878x8503600109.

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In Australia discussion concerning the quality of children's television continues unabated. Over the years lobby groups have been successful in persuading the Australian Broadcasting Tribunal (ABT) to bring in Regulations requiring commercial TV stations to produce programs specifically for children and to broadcast them at certain times. While lobbyists have referred to a research base when it has suited their purposes, the points of view of the child audience have not always been consulted. The goal of this study is to attempt to redress the imbalance.

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36

Bahfen, Nasya. "1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (July 31, 2019): 29–38. http://dx.doi.org/10.24135/pjr.v25i1and2.479.

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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.

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Dempster, Quentin. "Bullying the public broadcaster: Threatening the ABC's role." Pacific Journalism Review : Te Koakoa 10, no. 1 (April 1, 2004): 173–77. http://dx.doi.org/10.24135/pjr.v10i1.788.

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Public broadcasting in Australia has been under sustained attack for around 18-years now, both politically and through reduced funding. Although the Fraser Government (1975-1983) enacted legislation converting the ABC from the old broadcasting commission into a corporation (with its own borrowing and corporate treasury powers), the then Malcolm/Fraser/Doug/Anthony Liberal/National Coalition Government did not seem to hold more than the usual superficial grudges about our current affairs programmes' treatment of some of their practitioners.

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Monaghan, Whitney. "Lesbian, gay and bisexual representation on Australian entertainment television: 1970–2000." Media International Australia 174, no. 1 (September 18, 2019): 49–58. http://dx.doi.org/10.1177/1329878x19876330.

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With the exception of a small number of contributions to the study of gay and lesbian representation in Australia, the queer history of Australian entertainment television has been left unexamined. This article seeks to address this gap through analysis of lesbian, gay and bisexual (LGB) characters in Australian entertainment television over a 30-year period from 1970 to 2000. The article examines the rise and fall of LGB representation on prime time Australian television from 1970 onwards in order to understand how key shifts in the politics of Australian cultural life have come to influence Australian television broadcasting. Charting the representation of LGB characters on Australian entertainment television, this article seeks to understand the politics of inclusion and exclusion of LGB characters and provides the basis for further research into Australian queer television history.

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Turner, Paul, and David Shilbury. "The Impact of Emerging Technology in Sport Broadcasting on the Preconditions for Interorganizational Relationship (IOR) Formation in Professional Football." Journal of Sport Management 24, no. 1 (January 2010): 10–44. http://dx.doi.org/10.1123/jsm.24.1.10.

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Environmental factors such as emerging technology, globalization, economic reform and social change are creating a background in which sporting organizations must seek to quickly adapt to manage their ongoing activities and operations. Focusing on emerging technology in the area of sport broadcasting, this research examined six preconditions for interorganizational relationship (IOR) formation from the perspective of professional football clubs in Australia. Based upon theories derived from the IOR literature, these six preconditions for IOR formation were considered to determine if emerging broadcasting technologies impact on IOR formation between Australian Football League (AFL) and National Rugby League (NRL) clubs and broadcasters. Semistructured in-depth interviews with senior managers of 11 AFL, and 10 NRL clubs were undertaken and data analyzed, coded and emergent themes identified. Results indicate that professional club managers display most of these attributes that precipitate the preconditions for IOR formation, but although these preconditions exist, there is little willingness by the clubs to formulate IORs with sport broadcasters.

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Freeman, Julie, Kristy Hess, and Lisa Waller. "Communication life line? ABC emergency broadcasting in rural/regional Australia." Communication Research and Practice 4, no. 4 (August 31, 2017): 342–60. http://dx.doi.org/10.1080/22041451.2017.1370354.

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Michaels, Eric. "Response to Eric Willmot's Review ‘Aboriginal Broadcasting in Remote Australia’." Media Information Australia 43, no. 1 (February 1987): 41–44. http://dx.doi.org/10.1177/1329878x8704300113.

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To respond to Professor Willmot's review of my work, I find it necessary to speak in the first person, as I did in my report, from a reflexive, authorial persona. The reasons are not simply the personal nature of the review (beginning, significantly, with the first paragraph's identification of me as American) but are those I explain in the report's introduction (xiv-xv); not to inscribe myself here but in fact to achieve transparency and deconstruct a myth of objectivity.

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Thomas, Julian. "The Old New Television and the New: Digital Transitions at Home." Media International Australia 129, no. 1 (November 2008): 91–103. http://dx.doi.org/10.1177/1329878x0812900110.

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Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhere has been the implementation of strategies to switch from analogue to digital television broadcasting systems. Despite extensive debate, the transition to digital broadcasting remains fraught. What seems to be a technical matter conceals a range of intractable social, economic and cultural policy decisions. This article explores some of the challenges of digital television through the prism of an earlier, and often overlooked, transformation of television, namely the consumer-driven uptake of what can be called the ‘new television technologies’ of the 1970s and 1980s. These earlier forms of new television help to highlight several arguments: that television was not a stable object prior to digital broadcasting; that the connections between television and broadcasting have been contingent and provisional; and that a remarkable degree of innovation, disruption and adaptation has occurred at the fringes of the broadcasting system, leading to the creation of new audiovisual economies on the boundaries of the household and the market. The article then considers some examples of the ways in which this ‘household sector’ is developing as a new policy problem.

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Madsen, Virginia M. "‘We are all content makers now’: Losing form and sense at the ABC?" Australian Journalism Review 42, no. 2 (November 1, 2020): 243–60. http://dx.doi.org/10.1386/ajr_00038_1.

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This article considers the rise of discourses emerging with the digital ‘content revolution’ at the Australian Broadcasting Corporation (ABC), in the context of severe budget cuts and restructures since the emergence of Brian Johns’ 1996 ‘One ABC’ policy. The article explores key decisions, rhetorics and thinking surrounding the radical dismembering of ABC’s unique ideas and cultural outlet Radio National (now ‘RN’) from 2012 onwards, as it was forced to jettison core parts of its programming and shed specialist and experienced staff. The article seeks to identify how – under the influence of an infectious complex of ideas and discourses associated with ‘digital convergence’, neo-liberalism and managerialism – conditions were in place that favoured the expansion of platform-agnostic journalism and of related topical ‘content’ across the ABC at the expense of other forms and understandings of this ‘rich mix’ network. Core aspects of the ‘project’ as it had evolved over decades were endangered and diluted. Drawing on important historical and comparative research, the article argues that RN is relinquishing its historic ‘special status’ as a media leader in ideas and cultural broadcasting in Australia.

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Perkins, John. "‘Germany calling’: Nazi short‐wave broadcasting to Australia in the 1930s." Journal of Australian Studies 18, no. 42 (September 1994): 43–50. http://dx.doi.org/10.1080/14443059409387185.

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Madsen, Virginia. "Innovation, women’s work and the documentary impulse: pioneering moments and stalled opportunities in public service broadcasting in Australia and Britain." Media International Australia 162, no. 1 (November 24, 2016): 19–32. http://dx.doi.org/10.1177/1329878x16678933.

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This article explores the roles of some of the key women producers, broadcasters and writers who were able to work within the British Broadcasting Corporation (BBC) and Australian Broadcasting Corporation (ABC) from their foundational periods to the 1950s. Despite the predominantly male culture of radio broadcasting from the 1920s to the 1970s, this article considers the significance and long-term impacts of some of these overlooked female pioneers at the forefront of developing a range of new reality and ‘talk’ forms and techniques. While the article draws on primary BBC research, it also aims to address these openings, cultures and roles as they existed historically for women in the ABC. How did the ABC compare in its foundational period? Significantly, this paper contrasts the two organisations in the light of their approaches to modernity, arguing that BBC features, the department it engendered, and the traditions it influenced, had far reaching impacts; one of these relating to those opportunities opened for women to develop entirely new forms of media communication: the unrehearsed interview and actuality documentary programmes.

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Keys, Wendy. "Children's Television: A Barometer of the Australian Media Policy Climate." Media International Australia 93, no. 1 (November 1999): 9–25. http://dx.doi.org/10.1177/1329878x9909300104.

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In relation to media policy, children's television is ‘special’ on a number of levels. The ways in which childhood is constructed and defined are complex and often contradictory; the state of children's television can be used as a barometer of the broader media policy climate; and the subject of children's television has mobilised strong, active and ‘successful’ interest groups. The following discussion is based on analysis of the introduction, development and trajectory of children's television policy and production practices in Australia from the 1945 ‘List of Principles to Govern Children's Programs' (radio) to the debates, issues and policy initiatives raised in the Australian Commonwealth Government Productivity Commission Inquiry into Broadcasting in 1999.

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Astley, David. "QSTV a New Service for Remote Queensland." Media Information Australia 38, no. 1 (November 1985): 76–78. http://dx.doi.org/10.1177/1329878x8503800124.

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The concept of a commercial television service for the remote areas of Australia is something that has been under consideration since the Federal Government of the day first proposed that Australia establish its own domestic satellite system. From the time that the go-ahead for the satellite was given several years ago, remote area television has been one of the most hotly debated issues within the broadcasting industry. The reason for this was that there was a clear division within the industry as to how commercial television should be provided to the remote areas.

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Rokich, Deanna P., Kingsley W. Dixon, K. Sivasithamparam, and Kathy A. Meney. "Smoke, Mulch, and Seed Broadcasting Effects on Woodland Restoration in Western Australia." Restoration Ecology 10, no. 2 (June 2002): 185–94. http://dx.doi.org/10.1046/j.1526-100x.2002.02040.x.

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Thomas, Abigail. "Free-to-Air Futures in the United Kingdom and Australia: A Personal View." Media International Australia 98, no. 1 (February 2001): 103–11. http://dx.doi.org/10.1177/1329878x0109800112.

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This industry paper looks at the broadcasting industry, how its revenue streams are changing and how this will affect the future of free-to-air services. Its premise is that, increasingly, consumers will purchase services rather than goods, and that their attention will become more and more valuable. If existing broadcasters want to remain relevant, they need to make sure that their content is accessible to consumers in the new world

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Han, Sam. ""He died as he lived": Biopolitical mediatization in the death of David Goodall." Religions 10, no. 10 (October 2, 2019): 566. http://dx.doi.org/10.3390/rel10100566.

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This article explores the nexus of biopolitics, mediatization and secularization, drawing out their relationship as it pertains to matters of assisted dying and euthanasia. In particular, it examines the dynamics of the media coverage of a highly-publicized case of euthanasia, namely, that of scientist David Goodall, based in Perth, Australia, who flew to Switzerland in May 2018 to end his own life at the age of 104. Focusing on the Australian Broadcasting Corporation’s coverage, the article keys in on the theme of embodiment, discussing it within recent developments in social theory on the “secular body” and pain, suggesting that the mediatization of his death facilitated and structured an “environment” for staging and negotiating issues of biopolitical import. It then contextualizes this analysis within broader discussions on biopolitics and secularity.

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