Relevant bibliographies by topics / Broadcast media

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Broadcast media'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Broadcast media"

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Kurniawan, Edy Kusnadi, and Ardiansyah. "Upaya Radio El-Dity Meningkatkan Kualitas Siaran Menghadapi Persaingan Media Massa." MAUIZOH: Jurnal Ilmu Dakwah dan Komunikasi 4, no. 1 (July 9, 2020): 43–64. http://dx.doi.org/10.30631/mauizoh.v4i1.29.

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This research is motivated by the rapid development of online media. Radio strives for its broadcasts to continue to be of interest to listeners. The aim of the research is to see El-Dity radio's efforts to improve broadcast quality in the face of mass media competition. The research method is qualitative with data collection of observations, interviews, and documentation. Observations were made at the El-Dity radio studio, while the interview informants were the director and broadcaster of the bulletin program, the person in charge of reporting, and the broadcasters of El-Dity radio. The results of the study found that El-Dity radio had tried to improve the quality of bulletin broadcasts in order to face mass media competition, by selecting news that was interesting, broadcast worthy, up to date, and packaged in an attractive manner. Broadcasters try to present the news clearly, and another thing that El-Dity radio does to improve the quality of its bulletin broadcasts is to divide its broadcast segmentation with various types of regional, national and international news.
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Lundgren, Lars, and Christine E. Evans. "Producing global media memories: Media events and the power dynamics of transnational television history." European Journal of Cultural Studies 20, no. 3 (January 13, 2017): 252–70. http://dx.doi.org/10.1177/1367549416682240.

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The 1960s witnessed the emergence of television as a global medium. One way of demonstrating the powers and possibilities of television was the production and airing of transnational broadcast events. In order to produce these, national broadcast organizations had to engage in joint production of such events. The article examines two such events: Gagarin’s return to Moscow after orbiting the earth in April 1961 and the more well-known ‘Our World’ broadcast 6 years later. At the time of their production, these broadcasts were seen as crucial moments in television history, as prototypes of what could be expected of television in the future. They also relied on extensive cooperation between broadcast organizations in socialist and Western countries, organizations that to a large extent shared the same production values but also had to negotiate competing visions of the geography of modern communications networks. The broadcasts discussed in this article thus provide the opportunity to reflect upon the shaping of television history and global media memories. Based on case studies of the planning and production of the broadcasts, the article argues that global power relations have shaped the remembered history of television and therefore must be part of our understanding of it.
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Fardiah, Dedeh, Ferry Darmawan, and Rini Rinawati. "Media Literacy Capabilities of Broadcast Monitoring in Regional Indonesian Broadcasting Commission (KPID) of West Java." Jurnal Komunikasi: Malaysian Journal of Communication 36, no. 4 (December 11, 2020): 126–42. http://dx.doi.org/10.17576/jkmjc-2020-3604-08.

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The role of media literacy is significantly needed to ward off the harmful effects of the media, especially television. Ideally, media literacy skills should be possessed by all people to avoid numerous harmful effects of television. The Indonesian broadcasting commission (KPI) as the broadcast regulator in Indonesia has the task of monitoring broadcast content and also educating the public to be media literate. In conducting its duties, it involves the community to monitor broadcasts by forming volunteers, known as broadcast monitors. This study uses a quantitative approach to examine accessibility, analysis, evaluation, and broadcast monitoring communication in supporting broadcast regulator performance. The research object is broadcast monitors supervised by the Regional Indonesian Broadcasting Commission (KPID) of West Java Province in 2018. The monitors consist of five batches from five regions in West Java, namely Sumedang, Subang, Karawang, Bogor, and Bandung. Based on the research results, it shows that the media literacy capability of broadcast monitors is high, both in terms of the ability to access the media, analyze television programs and evaluate them, and even communicate the results of their monitoring to KPID West Java. The high level of media literacy has decent implications for the high participation of broadcast monitors to make complaints and the frequent findings of violations related to broadcast contents. Keywords: Media literacy, broadcasting, regulation, regulator, television.
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Arifin, Tommy Satriadi Nur. "Revolusi Nirkabel dan Akses Universal Media Penyiaran dalam Lingkup Konvergensi." JOPPAS: Journal of Public Policy and Administration Silampari 1, no. 2 (June 30, 2020): 70–81. http://dx.doi.org/10.31539/joppa.v1i2.1271.

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The purpose of this study is to discuss media convergence as the development of Information and Communication Technology (ICT). This study uses a historical perspective which is the first media age with the broadcast pattern and the second media age with interactivity patterns. Results of research Broadcast media that use radio frequency transmission can now be accessed through an Internet connection as streaming media. In conclusion, the public can access radio and television through an internet connection and reduce the need for these devices, using an internet connection when it is available for the network to access broadcasts. Keywords: Convergence, Broadcast Media, New Media, Streaming
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Fernández, José Luis. "Broadcast Yourself: Oxymoron or Media Mistake?" Comunicar 17, no. 33 (October 1, 2009): 55–61. http://dx.doi.org/10.3916/c33-2009-02-005.

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This article analyses the possibility offered by the Internet to select radio content to build customized radios. Each internet user could select radio content, replacing the traditional radio stations that have always broadcasted. Previous results from our investigations are presented to allow us to compare the still-existing traditional radio to some of the offers on the Internet. Such a comparison will allow us to determine two different ways of listening to the radio on the Internet: the usual one, which allows the coexistence of listening and any parallel social practice (work, driving, etc.), and another one, appropriate to the internet, that adds visual attention to hearing. It is unavoidable to consider this as a loss compared to the visual independence that radio has always allowed. En este trabajo se analiza el hecho de que Internet ofrezca la posibilidad de seleccionar los contenidos que construirían radios individualizadas. Cada usuario de la Red podría ahora seleccionar contenidos radiofónicos reemplazando a las emisoras de radio tradicionales que siempre han transmitido en modelo «broadcasting». Se exponen resultados previos de nuestras investigaciones que permiten comparar la radio todavía existente con algunas de las ofertas presentes en la Red. La comparación permite en las conclusiones establecer la presencia de dos procedimientos de escucha de radio en la Red: el habitual, que permite la coexistencia entre escucha y práctica social paralela (trabajo, conducción de automóviles, etc.) y el propio de Internet, frente en la web de la emisora, que obliga a la atención visual además de la sonora. Resulta inevitable considerar a este último como una pérdida, frente la independencia visual que la radio siempre ha permitido.
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Wilson, Helen. "Hosting the Olympic Broadcast." Media International Australia 97, no. 1 (November 2000): 23–34. http://dx.doi.org/10.1177/1329878x0009700106.

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The host broadcaster is a peculiar, temporary but complex media institution which takes its most developed form in the case of the Olympic Games. The Sydney Olympic Broadcasting Organisation (SOBO) was the host broadcaster for the Sydney Olympics, providing vision for world television networks. Its political economy is examined from the point of view of the changing dynamics of television technologies and the Olympic Movement's assignment of intellectual property, including broadcast rights. The concept of a host broadcaster is shown to be a product of a particular moment in television history and in this respect it is compared to other hosting functions that the media provide for such an event.
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Mulyana, Ahmad. "MANAJEMEN RANTAI PASOK: IMPLEMENTASI DAN EFEKTIVITAS MEDIA SOSIAL DALAM PENGELOLAAN BISNIS RADIO (Studi pada Radio 89.6FM IRadio Jakarta)." MIX JURNAL ILMIAH MANAJEMEN 9, no. 3 (November 16, 2019): 498. http://dx.doi.org/10.22441/mix.2019.v9i3.008.

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The sustainability of industrial business depends on the ability of organizations to manage the needs and desires of consumers so that the products produced become part of consumer life. The radio broadcast industry in the era of digital technology is threatened no longer able to meet the needs of its listeners because social media has changed the behavior of audiences in consuming radio media. on that basis the radio broadcast industry must adapt to managing radio broadcasts by synergizing the behavior of the use of digital media with radio characters that are personal to the audience so that the radio broadcast industry continues to survive. The purpose of this study was to determine the management of social media and identify the added value it generates to maintain the business continuity of radio broadcast programs, especially Iradio 89.6 FM. The related concept is digital media management, product added value for business continuity. The research method used is a case study with a qualitative approach with the support of data triangulation so that the analysis can meet the validity aspects of the data. The results showed that the management was carried out with a strategy to build emotional bounding audiences through social media by synergizing digital technology with broadcast radio-based programming content. This helps the business continuity of IRadio 89.6 FM significantly. The existence of digital media for the radio industry is as a complement rather than as a competitor and digital media makes radio easier to access from various areas
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MacInnes, John. "The broadcast media in Scotland." Scottish Affairs 2 (First Series, no. 1 (February 1993): 84–98. http://dx.doi.org/10.3366/scot.1993.0011.

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Anderson, Douglas A., and Frederic A. Leigh. "How Newspaper Editors and Broadcast News Directors View Media Ethics." Newspaper Research Journal 13, no. 1-2 (January 1992): 112–22. http://dx.doi.org/10.1177/073953299201300110.

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Newsroom concern about journalism ethics is no politically correct fad, say both editors and broadcast managers. And who's more ethical? Newspaper reporters, say editors, but three-quarters of broadcasters disagree. Neither print nor broadcaster people, however, think TV reporters are more concerned about ethics than are print reporters.
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Wilk, Dorota. "Role and Room for Social Broadcaster With Radio Fara as an Example." Social Communication 4, no. 2 (December 1, 2018): 16–29. http://dx.doi.org/10.2478/sc-2018-0012.

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Abstract The broadcaster, who uses the possibility of functioning in the broadcasting media space as a social broadcaster, ensures not only independence from power centres, political parties and commercial entities, but also full control over the broadcast content. He consciously directs ithe message to a specific group of recipients, often a niche group, providing content that commercial and public stations avoid, considering it to be unattractive. The type of programmes broadcast is strictly defined by the role it has to fulfil, the requirements set by the legislator for social broadcasters and the possibilities resulting from having such status. This has a significant impact on the place it occupies in the media radio market.
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Dissertations / Theses on the topic "Broadcast media"

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Morris, Austin. "YouTube in continuity with broadcast media history." Thesis, Boston University, 2014. https://hdl.handle.net/2144/21223.

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Thesis (M.F.A.) PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
Online streaming video portal YouTube began life with the slogan "Broadcast Yourself" as its guiding ethos. Those words invite a critical exploration of YouTube’s relationship to broadcast media history and the current economic, social, and technological landscape of television. Precedent for the discourses of medium-specific ideologies circulating around YouTube is found in the alternative television production cultures of the late 1960s-early 1980s and the processes of radio regulation and spectrum allocation in 1927-1934. In the final analysis, YouTube operates as a simulation of the established television industry, pretending to be disruptive while developing itself as an industry according to the same capitalist logics that structure mainstream television. Thus, YouTube should not be thought of as a viable alternative structure to the television industry. Particular consideration is given to the impacts of YouTube’s technological and industrial structures on queer media producers and consumers.
2031-01-01
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Lagiovane, Allyson. "#Ad: How YouTube Went From “Broadcast Yourself” to Broadcast Brands and Why It Matters." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524823331933917.

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Pereira, Manuela Alexandra Trigo Miranda de Sousa. "Video coding in a broadcast environment." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/62328.

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Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1993.
Includes bibliographical references (leaves 79-81).
by Manuela Alexandra Trigo Miranda de Sousa Pereira.
M.S.
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Föllscher, Heiko. "Transmission of media content on IP-based digital broadcast platforms /." Aachen : Shaker, 2007. http://www.gbv.de/dms/bs/toc/543512584.pdf.

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Litvack, Samara Rose. "Talking Heads: How Broadcast Media Frame the Public Relations Industry." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1396.

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Researchers conducted a content analysis to measure framing of the public relations industry in 354 English language broadcast transcripts from the United States, Canada, and Australia from Sept. 1, 2009 to Aug. 31, 2010. The overall tone toward public relations was strongly negative. Mentions reflected one-way forms of communication and mentions of the pejorative term "PR" appeared more frequently than mentions of "public relations". The profession was almost always mentioned within the body of the broadcast, as opposed to the headline or the lead paragraph. Exploratory research showed 15 shows that included negative mentions 100% of the time. Additionally, 27 shows included zero positive mentions of either term. Of 251 speakers recorded during data analysis, 126 spoke of the industry negatively 100% of the time. American shows were most often negative. Stories about the public relations industry were most likely to reflect public relations as a two-way form of communication.
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Ghasemi, Asemeh. "Iranian women working in broadcast media : motivations, challenges and achievements." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/27827/.

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This research is premised on the investigation of Muslim women working in the Iranian Radio and Television Organisation (IRIB). The study is structured on a number of principal questions: why these women joined IRIB and how they managed the reactions of sceptical family members; how they construct the meaning of womanhood in relation to work, family and motherhood; what challenges these women encounter in the workplace; and how they negotiate and persevere to overcome those challenges, achieve success and make changes in a male-dominated organisation. The main focus is on the post-1979 Islamic revolution, when many practicing Muslim women, who were largely excluded from the film and media industries before the Revolution, began working in radio and television. Modern media that were considered instruments of ‘westernisation’ and ‘decadence’ before the Revolution were re-legitimised by religious authorities and even elevated to the status of ‘public universities’. Many Muslim women, therefore, entered this male dominated ‘forbidden space’ that had a largely secular and liberal work culture before the Revolution. Through 30 semi-structured interviews with these women, this research examines gender relations within the workspace, family domain and in the public arena. The research manifests complex dynamics of gender relations in the context of Iran and in the IRIB organisation. It argues that gender is a relational concept; and an area of constant negotiation and contest. In particular, the study demonstrates that gender relations are defined in negotiation with religious beliefs, traditional norms and political ideologies. They are also reinforced in the family and embedded in the culture of organisation. Overall, it is concluded that after the Islamic revolution, Muslim women found new opportunities to enter spaces in the public domain that were previously considered as being ‘inappropriate’ for women. Despite confronting many challenges in this respect, they have exercised their agency and achieved considerable success in changing traditional and prejudiced attitudes within structures that are underpinned by Islamic gender ideology. In doing so, they have also constructed a new identity of Muslim women that goes beyond simplistic stereotypical dichotomies such as liberated/oppressed, western/eastern, and secular/Muslim.
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Bell, Andrew Wade. "Strange Bedfellows: Science and Storytelling for Broadcast Television." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/bell/BellA0806.pdf.

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Filmmakers exploring natural science subject matter that want to sell their work to broadcast television or theatrical outlets face a difficult challenge. They must somehow conflate two contradictory elements: natural science information and compelling storytelling. Looking at the roots of classical narrative, we can better understand why audiences have come to crave it. Broadcast television, in turn, caters to audience desire. This combination forces filmmakers to present natural science information in an exciting way, and has led filmmakers to employ time-honored narrative structures as organizing strategies. While audiences seem to favor material presented this way, it calls the accuracy of the natural science presented into question. This paper will explore how and why the use of narrative became common to natural science filmmaking, illustrate the inherent incompatibilities between the narrative and natural science, and consider the repercussions of this filmmaking model.
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Guappone, Claire E. "Audience Gratifications and Broadcast Television Networks: A Study of Media Fragmentation." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1164658360.

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Fitzgerald, Richard. "Method in media interaction : an ethnomethodological analysis of a radio phone-in show." Thesis, Bangor University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369277.

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Morton, Benjamin Allen. "Broadcast for one: paging and network communication." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6617.

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This dissertation explores the history and culture of a mobile communication device and practice that has been superseded by today’s networked communication devices. The pager—known later in the 1980s and 1990s as a beeper—has a longer history than most assume. In the early 1950s the device was not a distinct technology in its own right, but a haphazard combination of existing communications technologies: telegraphy, telephony, radio broadcasting, answering services, and hearing aids. These technological origins, and the cultures that support them, are important for broadcast and telecommunications historians, as well as media history and theory in general, for three reasons. First, research on the pager fills a gap in telecommunications history that typically begins with Bell’s wired telephone and ends with wireless mobile car-phones and, later, cellular telephones. Second, the pager’s history contributes to the limited scholarship that has emphasized radio’s many directions after the major broadcast networks left radio for larger television audiences in the late 1940s and early 1950s. Being in-between telephone and radio technology has given the pager somewhat of an identity crisis for historians. Yet this is a silver lining for communication theorists to think about the connection between a medium’s physical form (e.g., a radio is a receiving device that can’t talk back) and its communication form (e.g., a pager was once known as a radio that you would use with the telephone to talk back). Lastly, the pager is not just a technological device, but the embodiment of a rarely discussed form of communication: paging. This project investigates the history of paging as a cultural technique and communication practice. While early pagers utilized both broadcast and telecommunications techniques, paging as a form of communication does not fall clearly within either of those categories. Like being paged over a public intercom system, early paging systems broadcast a message (from one to many) in order to grab the attention of a single individual (one out of many). This form of communication, this project argues, is fundamental for understanding the many contemporary discussions over the publicly-private and privately-public nature of today’s social media services.
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Books on the topic "Broadcast media"

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Contemporary Arab Broadcast Media. Edinburgh: Edinburgh University Press, 2011.

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Ekström, Mats, and Marianna Patrona, eds. Talking Politics in Broadcast Media. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.

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Writing for the broadcast media. Boston: Allyn and Bacon, 1985.

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Bensman, Marvin R. Broadcast/cable regulation. Lanham, MD: University Press of America, 1990.

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Power of the news media. New York: Facts On File, 2004.

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Hausman, Carl. Announcing: Broadcast communicating today. 4th ed. Belmont, CA: Wadsworth/Thompson Learning, 2000.

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Gagne, Louise. Gale directory of publications and broadcast media. Detroit, MI: Gale, 2008.

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Gagné, Louise. Gale directory of publications and broadcast media. Farmington Hills, MI: Gale, 2010.

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(Firm), Gale. Gale directory of publications and broadcast media. Farmington Hills, MI: Gale, 2012.

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author, Reese David E., and Beadle Mary E. author, eds. Broadcast Announcing Worktext: A Media Performance Guide. 4th ed. Burlington, MA: Focal Press, 2013.

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Book chapters on the topic "Broadcast media"

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Robinson, David. "Broadcast Media." In Encyclopedia of Science Education, 135–38. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-2150-0_289.

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Robinson, David. "Broadcast Media." In Encyclopedia of Science Education, 1–4. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6165-0_289-2.

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Batty, Craig, and Sandra Cain. "Writing News: Broadcast." In Media Writing, 55–85. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-52955-8_4.

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Meikle, Graham, and Sherman Young. "From Broadcast to Social Media." In Media Convergence, 59–78. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35670-2_4.

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Brooks, Brian S., and James L. Pinson. "Editing for Broadcast Media." In The Art of Editing in the Age of Convergence, 358–72. 11th edition. | New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315558714-18.

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Papper, Robert A. "Social Media and News." In Broadcast News and Writing Stylebook, 231–49. 7th edition. | New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780367823030-17.

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Ekström, Mats, and Marianna Patrona. "Talking politics in broadcast media." In Talking Politics in Broadcast Media, 1–12. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.03eks.

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Clayman, Steven E., and Tanya Romaniuk. "Chapter 1. Questioning candidates." In Talking Politics in Broadcast Media, 15–32. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.05cla.

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Montgomery, Martin. "Chapter 2. The accountability interview, politics and change in UK public service broadcasting." In Talking Politics in Broadcast Media, 33–56. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.06mon.

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Tolson, Andrew. "Chapter 3. Political discourse in TV news." In Talking Politics in Broadcast Media, 57–74. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.07tol.

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Conference papers on the topic "Broadcast media"

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Eskevich, Maria, Quoc-Minh Bui, Hoang-An Le, and Benoit Huet. "Exploring Video Hyperlinking in Broadcast Media." In the Third Edition Workshop. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2802558.2814647.

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Fardiah, Dedeh, Ferry Darmawan, and Rini Rinawati. "Media Literacy Abilities of Broadcast Monitoring Volunteers to Encourage Healthy Broadcast." In 2nd Social and Humaniora Research Symposium (SoRes 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200225.050.

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Gorostegui, Josu, Angel Martin, Mikel Zorrilla, Inaki Alvaro, and Jon Montalban. "Broadcast delivery system for broadband media content." In 2017 IEEE International Symposium on Broadband Multimedia Systems and Broadcasting (BMSB). IEEE, 2017. http://dx.doi.org/10.1109/bmsb.2017.7986179.

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O'Modhrain, S., and I. Oakley. "Adding interactivity: active touch in broadcast media." In 12th International Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems, 2004. HAPTICS '04. Proceedings. IEEE, 2004. http://dx.doi.org/10.1109/haptic.2004.1287211.

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Ohmata, Hisayuki, Soichi Sato, Satoshi Fujitsu, Arisa Fujii, Hiroshi Fujisawa, and Koichi Shimohana. "Collaboration of Broadcast and Calendar Services." In IMX '20: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3391614.3399401.

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Ciuffoletti, Augusto. "Collision avoidance for Delay_req messages in broadcast media." In 2009 International Symposium on Precision Clock Synchronization for Measurement, Control and Communication (ISPCS 2009). IEEE, 2009. http://dx.doi.org/10.1109/ispcs.2009.5340217.

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Doulaty, Mortaza, Oscar Saz, Raymond W. M. Ng, and Thomas Hain. "Automatic Genre and Show Identification of Broadcast Media." In Interspeech 2016. ISCA, 2016. http://dx.doi.org/10.21437/interspeech.2016-472.

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Owen, P. "Media servers, broadcast servers: the same or different?" In IEE Colloquium on Video File Servers: Masters or Slaves? IEE, 1996. http://dx.doi.org/10.1049/ic:19960685.

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Rayfield, Jem. "Semantic Technology for Online, Broadcast and Print Media." In the 4th International Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2611040.2611043.

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Luby, Michael. "Keynote 1: Converged Internet and Broadcast media delivery." In 2015 IEEE 16th International Symposium on "A World of Wireless, Mobile and Multimedia Networks" (WoWMoM). IEEE, 2015. http://dx.doi.org/10.1109/wowmom.2015.7158110.

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Reports on the topic "Broadcast media"

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Fernández Peña, Emilio. Olympic Summer Games and Broadcast Rights. Evolution and Challenges in the New Media Environment. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-1.000-1.010-eng.

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Winseck, D. Growth and Upheaval in the Network Media Economy in Canada, 1984-2019. Canadian Media Concentration Research Project (CMCRP), Carleton University, November 2020. http://dx.doi.org/10.22215/cmcrp/2020.1.

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This report examines the development of the media economy over the past thirty-five years. Since beginning this project a decade ago, we have focused on analyzing a comprehensive as possible selection of the biggest telecoms, Internet and media industries (based on revenue) in Canada, including: mobile wireless and wireline telecoms; Internet access; cable, satellite & IPTV; broadcast television, specialty and pay television services as well as Internet-based video subscription and download services; radio; newspapers; magazines; music; Internet advertising; social media; operating systems; browsers, etc.
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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.

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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadcasts, digital media, and social networks. The songs analysed were widely played in the past two decades (1998–2018), a period in which three different presidents led the country. Our focus is on the protest song, conceived as those musical products that are concerned with public affairs, particularly public policy and how it affects citizens’ social, political and economic life, and the relationship between citizens and the state.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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