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Books on the topic 'Broadcast Control'

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Published: 10 December 2022
Last updated: 28 January 2023

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1

Donahue, Hugh Carter. The battle to control broadcast news: Who owns the First Amendment? Cambridge, Mass: MIT Press, 1989.

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2

Teeter, Dwight L. Law of mass communications: Freedom and control of print and broadcast media. New York, NY: Foundation Press Thomson/West, 2011.

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3

Teeter, Dwight L. Law of mass communications: Freedom and control of print and broadcast media. New York, N.Y: Foundation Press, 2001.

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4

Bill, Loving, ed. Law of mass communications: Freedom and control of print and broadcast media. New York: Foundation Press, 2008.

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5

Teeter, Dwight L. Law of mass communications: Freedom and control of print and broadcast media. 7th ed. Westbury, N.Y: Foundation Press, 1992.

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6

L, Nelson Harold. Law of mass communications: Freedom and control of print and broadcast media. 6th ed. Westbury, N.Y: Foundation Press, 1989.

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7

Teeter, Dwight L. Law of mass communications: Freedom and control of print and broadcast media. 8th ed. Westbury, N.Y: Foundation Press, 1995.

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8

Teeter, Dwight L. Law of Mass Communications:: Freedom And Control of Print and Broadcast Media. New York, N.Y., USA: Foundation Press, 2004.

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9

L, Teeter Dwight, ed. Law of mass communications: Freedom and control of print and broadcast media. 5th ed. Mineola, N.Y: Foundation Press, 1986.

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10

Duc, Jon R. Le. Law of Mass Communications: Freedom and Control of Print and Broadcast Media. 9th ed. New York, USA: Foundation Press, 1998.

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11

Broadcast wars: The money, the ego, the power behind your remote control. Sydney, NSW: Hachette Australia, 2011.

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12

Office, National Audit. Home Office: Control of broadcast receiving licence revenue : report by the Comptroller and Auditor General. London: HMSO, 1985.

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13

Prinzo, O. Veronika. Automatic Dependent Surveillance-Broadcast/cockpit display of traffic information: Innovations in aircraft navigation on the airport surface. Washington, D.C: U.S. Federal Aviation Administration, Office of Aerospace Medicine, 2004.

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14

Great Britain. Parliament. House of Commons. Committee of Public Accounts. Twenty-seventh report from the Committee of Public Accounts session 1984-85: Control of broadcast receiving licence revenue. London: HMSO, 1985.

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15

Intercountry Workshop on the Role of the Broadcast Media in the Prevention and Control of HIV Infection and AIDS (1990 Sydney, N.S.W.). Intercountry Workshop on the Role of the Broadcast Media in the Prevention and Control of HIV Infection and AIDS, Sydney, Australia 26-30 March 1990: Report. Manila, Philippines: The Office, 1990.

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16

Regional, Workshop on the Role of the Broadcast Media in the Prevention and Control of HIV Infection and AIDS (1989 Tokyo Japan). Report: Regional Workshop on the Role of the Broadcast Media in the Prevention and Control of HIV Infection and AIDS, Tokyo, Japan, 12-16 June 1989. Manila, Philippines: The Office, 1989.

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17

NextGen: The Federal Aviation Administration's Automatic Dependent Surveillance Broadcast contract : hearing before the Subcommittee on Aviation of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Tenth Congress, first session, October 17, 2007. Washington: U.S. G.P.O., 2007.

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18

Klee, Marcus. The communication of class: CBC National Labour Forum and the struggle for working-class control of radio broadcasts during the Second World War. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1993.

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19

Tanenbaum, Andrew S. Computer networks. 3rd ed. London: Prentice Hall International, 1996.

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20

Tanenbaum, Andrew S. Computer networks. 5th ed. Boston: Pearson Prentice Hall, 2011.

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21

Tanenbaum, Andrew S. Computer networks. 4th ed. New Delhi: Prentice-Hall of India, 2007.

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22

Tanenbaum, Andrew S. Computer networks. 3rd ed. Upper Saddle River, N.J: Prentice Hall PTR, 1996.

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23

Tanenbaum, Andrew S. Computer networks. 4th ed. Upper Saddle River, NJ: Prentice Hall, 2003.

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24

Tanenbaum, Andrew S. Reti di computer. 3rd ed. Torino: UTET, 1998.

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25

Meyers, Marian. News coverage of violence against women: Engendering blame. Thousand Oaks: Sage Publications, 1997.

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26

Winter, James. Democracy's Oxygen: How Corporations Control the News. Black Rose Books, 1997.

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27

Battle to Control Broadcast News: Who Owns the First Amendment? MIT Press, 1989.

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28

Aircraft Surveillance Systems: Radar Limitations and the Advent of the Automatic Dependent Surveillance Broadcast. Taylor & Francis Group, 2017.

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29

Ali, Busyairah Syd. Aircraft Surveillance Systems: Radar Limitations and the Advent of the Automatic Dependent Surveillance Broadcast. Taylor & Francis Group, 2017.

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30

Ali, Busyairah Syd. Aircraft Surveillance Systems: Radar Limitations and the Advent of the Automatic Dependent Surveillance Broadcast. Taylor & Francis Group, 2017.

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31

Teeter, Dwight L., and Bill Loving. Law of Mass Communications: Freedom and Control of Print and Broadcast Media. Foundation Pr, 2002.

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32

Law of Mass Communications: Freedom and Control of Print and Broadcast Media. West, 2016.

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33

Loving, Bill, and Michael T. Martinez. Law of Mass Communications: Freedom and Control of Print and Broadcast Media. West Academic, 2020.

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34

Gantzias, George. Dynamics of Regulation : Global Control, Local Resistance : Cultural Management and Policy: A Case Study of Broadcasting Advertising in the United Kingdom. Taylor & Francis Group, 2019.

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35

Gantzias, George. Dynamics of Regulation : Global Control, Local Resistance : Cultural Management and Policy: A Case Study of Broadcasting Advertising in the United Kingdom. Taylor & Francis Group, 2019.

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36

Library, The Law. Automatic Dependent Surveillance-Broadcast Out Performance Requirements to Support Air Traffic Control Service. Createspace Independent Publishing Platform, 2018.

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37

Tetter, Dwight L. Jr. Mass Communications: Freedom and Control of Print and Broadcast Media, Instruction Manual To. 7th ed. Foundation Pr, 1992.

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38

The Dynamics of Regulation: Global Control, Local Resistance Cultural management and policy: A case study of broadcasting advertising in the United Kingdom. Ashgate Pub Ltd, 2001.

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39

Duc, Don R. Le, and Dwight L. Teeter. Law of Mass Communications 1996 Supplement: Freedom and Control of Print and Broadcast Media. 8th ed. Foundation Pr, 1996.

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40

Barnhurst, Kevin G. The “What” Waned in Broadcast News. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040184.003.0008.

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This chapter analyzes changes in news event coverage. In early 1950, when Sen. Joseph R. McCarthy mounted his virulent attacks accusing the Truman administration of harboring Communists in the State Department, the press simply reported who said what. The Republican Party won the 1952 election and took control of the Senate, and McCarthy became committee chair and expanded his attacks, going after defense industries, universities, and the broadcasters themselves. ABC Television came into national prominence by airing the hearings about supposed Communist infiltration of the U.S. Army, riveting national attention with the live proceedings. But the events could not really speak for themselves, a discovery that seemed to expose a weakness in realism. Every name named exacted a human cost, as McCarthy dragged innocent individuals into the public eye, and his baseless accusations harmed their relationships and destroyed their livelihoods. The consequences, although not lost on the press, were not in themselves news events as then defined.
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41

Duc, Don R. Le, Dwight L. Teeter, and Bill Loving. 1997 Supplement to Law of Mass Communications: Freedom and Control of Print and Broadcast Media. 8th ed. Foundation Pr, 1997.

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42

Leduc, Teeter, and Loving. 2000 Supplement to Law of Mass Communications, Freedom and Control from Broadcast Media (University Casebook). 9th ed. Foundation Pr, 2000.

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43

Winter, James. Democracy's Oxygen: How Corporations Control the News. Black Rose Books, 1997.

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44

Savage, Robert J. Northern Ireland, the BBC, and Censorship in Thatcher's Britain. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849748.001.0001.

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This book addresses the British broadcast media’s coverage of the conflict in Northern Ireland throughout the 1980s, one of the most turbulent decades in post-war British and Irish history. It explores the incessant wrangling between the government of Margaret Thatcher and an aggressive broadcast media determined to provide objective news and information about the complexities of ‘the Troubles’ to regional, national, and international audiences. The Thatcher government was determined to protect its interests by shaping a narrative of the conflict in simplistic terms, presenting it as a fight between the democratic forces of law and order and ruthless terrorists hell-bent on carnage and chaos. Programming that questioned this simple paradigm by challenging the decisions, policies, and tactics of politicians, civil servants, and the army provoked outrage, angering governments intent on influencing how the conflict was presented at home and abroad. Senior officials employed a variety of tactics to try and shape a complex narrative, including threatening journalists with prosecution under the draconian Prevention of Terrorism Act. The constant pressure exerted by the government succeeded in encouraging self-censorship within both the BBC and IBA. Nevertheless, BBC and independent television companies remained determined to provide objective, cutting-edge reporting about the relentless violence of ‘the Troubles’. This resulted in the imposition of formal censorship in 1988. However, threatening, bullying, denouncing, and finally censoring the broadcast media did not enable London to control the contested narrative of ‘the Troubles’.
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45

Garon, Jon M. Sports in the Context of Social Media Law. Edited by Michael A. McCann. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190465957.013.33.

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Social media has emerged as an essential communications format among players, teams, leagues, fans, and consumers. Social media has fewer control points than traditional broadcast or print media, so players are better able to engage directly with their fans. The new relationship between athletes and the public, however, may conflict with some of the current exclusive agreements between leagues and broadcasters. Moreover, this immediacy eliminates the ability of teams and leagues to manage player communications, and thus it imposes additional responsibility on the athlete in regard to unauthorized or undisclosed commercial endorsements and to avoid defamatory, racist, or other harmful communications.
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46

Anastasi, Susan Cooke. A case study of social responsibility press theory: Institutional controls restricting Edward R. Murrow. 1985.

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47

Herbst, Jeffrey. Introduction. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164137.003.0010.

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This introductory chapter explains that the book examines state-building and consolidation in Africa over the last several hundred years by focusing on the fundamental problem confronting leaders of almost all African states: how to broadcast power over sparsely settled lands. The book’s fundamental assumption is that states are only viable if they are able to control the territory defined by their borders. It argues that the failure of many African states to consolidate their authority has resulted in civil wars in some countries, the presence of millions of refugees throughout the continent, and the adoption of highly dysfunctional policies by many leaders. Yet international society, by dint of the granting of sovereignty, still assumes that all African countries are able to control all of the territory within their boundaries. The book also evaluates different policy alternatives that might address some of the fundamental political challenges African states face today.
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48

Starosielski, Nicole. Media Hot and Cold. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021841.

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In Media Hot and Cold Nicole Starosielski examines the cultural dimensions of temperature to theorize the ways heat and cold can be used as a means of communication, subjugation, and control. Diving into the history of thermal media, from infrared cameras to thermostats to torture sweatboxes, Starosielski explores the many meanings and messages of temperature. During the twentieth century, heat and cold were broadcast through mass thermal media. Today, digital thermal media such as bodily air conditioners offer personalized forms of thermal communication and comfort. Although these new media promise to help mitigate the uneven effects of climate change, Starosielski shows how they can operate as a form of biopower by determining who has the ability to control their own thermal environment. In this way, thermal media can enact thermal violence in ways that reinforce racialized, colonial, gendered, and sexualized hierarchies. By outlining how the control of temperature reveals power relations, Starosielski offers a framework to better understand the dramatic transformations of hot and cold media in the twenty-first century.
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49

Dow, Bonnie J. The Movement Makes the News. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038563.003.0003.

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This chapter begins the story of 1970's “grand press blitz,” when a barrage of print stories on the movement set the stage for network news' first reports on women's liberation. It couples a discussion of all three networks' first, brief, hard news reports on feminist protest in January—the disruption of the Senate birth control pill hearings by a women's liberation group—with an extensive analysis of two series of lengthy soft feature stories on women's liberation broadcast by CBS and NBC in March and April. On one level, both network series created a sort of moderate middle ground of acceptable feminism anchored by their legitimation of liberal feminist issues related to workplace discrimination, but they diverged sharply in other ways that indicated key differences in their purposes and their imagined audiences. The CBS and NBC series provide a sort of baseline for national television representations of the movement in 1970; between them, they display the wide range of rhetorical strategies contained in early network reports. The CBS stories offered a generally dismissive and visually sensationalized narrative about the movement, particularly its radical contingent, displaying the gender anxiety assumed to afflict its male target audience. In contrast, the NBC series presented a generally sympathetic narrative about the movement's issues that unified radical and liberal concerns rather than using the latter to marginalize the former.
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50

Potter, Simon J. This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.001.0001.

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This book examines one hundred years of the history of the British Broadcasting Corporation (BBC), from 1922 to 2022. It looks at that history in terms of people and programmes, and also explores the BBC as an institution. It examines the role of politicians and civil servants in shaping and guiding the work of the BBC, and the impact of successive technological innovations, from radio, to television, to the new digital age. It shows how the BBC has changed over the last century, adapting to dramatic shifts in its political, social, and cultural environment. The BBC was initially constituted as a monopoly, controlling all broadcasting in Britain, including an Empire Service for white listeners in Britain’s colonies. It went on to provide services for audiences at home and overseas throughout the Second World War and into the Cold War, seeking to ‘inform, educate, and entertain’, roughly in that order of priority. From the 1950s, it faced domestic commercial competition, as politicians overturned the idea of a public service monopoly. It has since faced multiple challenges from those who question whether the public sector has a legitimate role to play in the mass media, and from governments seeking to control and influence what gets broadcast. Today it can be regarded as a vast machine for commissioning programmes, patronizing the arts, doing journalism, promoting the Union, and projecting British cultural influence to a global audience.
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