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Journal articles on the topic 'British literature'

To see the other types of publications on this topic, follow the link: British literature.

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Niama, Haidyr Hashim. "IMPACT OF BRITISH LITERATURE ON GLOBAL LITERATURE." American Journal of Social Science and Education Innovations 6, no. 6 (June 1, 2024): 176–89. http://dx.doi.org/10.37547/tajssei/volume06issue06-24.

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The influence of British literature on global literature is enormous. In so many ways, British literature has influenced world literature. The Anglo-Saxon period established the British literature tradition, which continues to influence world literature today. In this blog post, we will look at various aspects of British literature's influence on global literature. The study of literary works from the United Kingdom and other countries around the world is known as British and world literature. It includes classic and contemporary works, often translated into English, that reflect regional and historical cultural and social norms. Individuals who study British and world literature gain insights into the historical, social, and cultural contexts in which the works were written. This allows for a better understanding of human experiences and the appreciation of different points of view. British literature composition is the process of creating written works in the English language that originate in or are related to the United Kingdom. This includes works written by British authors throughout history in the genres of fiction, poetry, drama, and nonfiction. Different literary movements, such as Medieval, Renaissance, Romanticism, and Postmodernism, have shaped the evolution of British literature composition. The composition of British literature has had a significant impact on the literary world and continues to inspire many contemporary writers.

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2

Sprinker, M. "British Literature and British Empire." Radical History Review 1992, no. 53 (April 1, 1992): 122–25. http://dx.doi.org/10.1215/01636545-1992-53-122.

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3

Aoul, Abdelkrim. "The Spirit of the Renaissance in British Literature." International Journal of Science and Research (IJSR) 12, no. 4 (April 5, 2023): 625–27. http://dx.doi.org/10.21275/sr23405175040.

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4

Levay, Matthew, Francesca Bratton, Caroline Krzakowski, Andrew Keese, Sophie Corser, Catriona Livingstone, Mark West, et al. "XIV Modern Literature." Year's Work in English Studies 98, no. 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.

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Abstract This chapter has eight sections 1. General. 2 British Fiction Pre-1945; 3. British Fiction 1945 to the Present; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. British Poetry 1900–1950; 7. British Poetry Post-1950; 8. Irish Poetry. Section 1 is by Matthew Levay; section 2(a) is by Francesca Bratton; section 2(b) is by Caroline Krzakowski; section 2(c) is by Sophie Corser; section 2(d) is by Andrew Keese; section 2(e) is by Catriona Livingstone; section 3(a) is by Mark West; section 3(b) is by Samuel Cooper; section 4(a) is by Rebecca D’Monte; section 4(b) is by Gustavo A. Rodríguez Martín; section 5 is by Graham Saunders and William Baker; section 6(a) is by Noreen Masud; section 6(b) is by Matthew Creasy; section 7 is by Alex Alonso; section 8 is by Karl O’Hanlon.

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5

Nitka, Małgorzata. "British Children’s Literature and Multicultural Education." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Pedagogika 23 (2014): 197–207. http://dx.doi.org/10.16926/p.2014.23.14.

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6

Ezell, Margaret J. M. "British Literature and Print Culture." Scriblerian and the Kit-Cats 49, no. 2 (2017): 74–76. http://dx.doi.org/10.5325/scriblerian.49.2.0074.

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7

Grochowicz, Joanna. "Antarctica in British children’s literature." Polar Journal 11, no. 2 (July 3, 2021): 482–84. http://dx.doi.org/10.1080/2154896x.2021.2002538.

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8

Bauer, R. "The Literature of "British America"." American Literary History 21, no. 4 (November 3, 2009): 818–35. http://dx.doi.org/10.1093/alh/ajp034.

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9

Ledent, Bénédicte. "Race and antiracism in black British and British Asian literature." Journal of Postcolonial Writing 48, no. 4 (September 2012): 460–61. http://dx.doi.org/10.1080/17449855.2012.694704.

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10

Angelianawati, Desca, and Darsono Darsono. "Romancing Masculinities in Utsana Phleungtham's The Story of Jan Darra: A Thai Literature." British (Jurnal Bahasa dan Sastra Inggris) 9, no. 2 (September 26, 2020): 37. http://dx.doi.org/10.31314/british.9.2.37-47.2020.

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The portrayal of male masculinities varies from time to time following the engulfment of gender studies. It is seen from the significant increase of the discussion related to male and masculinities. Furthermore, discussions of masculinity are linked with how a particular culture perceive masculinity. In several Thai folktales and so-considered classic literature like the Legendary Tale of Krai Thong and the Legend of Phra Chao Sua, the heroes and the warriors present themselves as masculine. Their manly assets including body and gesture have become the exploitation of the story whilst being the model of masculinity. Utsana Phleungtham’s two main male characters in the novel the Story of Jan Dara is without exception. Those heroes of the story portray male masculinities through their existence and domination. Undertaking the library studies, this article illustrates how male masculinities are depicted and why it is manifested though those characters. The findings show that the male masculinities are presented vividly in order to maintain the rooted masculine domination.

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11

Indriyanto, Kristiawan. "ARTICULATING THE MARGINALIZED VOICES: SYMBOLISM IN AFRICAN AMERICAN, HISPANIC, AND ASIAN AMERICAN LITERATURE." British (Jurnal Bahasa dan Sastra Inggris) 9, no. 2 (September 26, 2020): 20. http://dx.doi.org/10.31314/british.9.2.20-36.2020.

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The present study contextualizes how symbolism is employed by writers of ethnically minority in the United States as an avenue of their agency and criticism against the dominant white perspective. The history of American minorities is marred with legacy of racial discrimination and segregation which highlights the inequality of race. Literature as a cultural production captures the experiences of the marginalized and the use of symbolism is intended to transform themes into the field of aesthetics. This study is a qualitative research which is conducted through the post-nationalist American Studies framework in order to focus on the minorities’ experience instead of the Anglo-Saxon outlook. The object of the study is three playscripts written from authors from Mexican-American, African-American and Asian-American to emphasize how discrimination is faced by multi-ethnic. The finding suggests how symbolism in these literary works intends to counter the stereotypical representation of Mexican-American, aligns with the passive resistance of the Civil Right Movement and subvert binary opposition of East and West which exoticizing the East. Keywords : minority literature in the U.S , symbolism, post-national

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12

Hunt, Peter. "Children's Literature and Children's Literature Scholarship: The British Perspective." Children's Literature 50, no. 1 (2022): 18–31. http://dx.doi.org/10.1353/chl.2022.0002.

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13

Kelemen, Erick, David J. Baker, and Willy Maley. "British Identities and English Renaissance Literature." Sixteenth Century Journal 34, no. 4 (December 1, 2003): 1157. http://dx.doi.org/10.2307/20061678.

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14

Wang, Fuson. "Physical Disability in British Romantic Literature." European Romantic Review 33, no. 4 (July 4, 2022): 555–57. http://dx.doi.org/10.1080/10509585.2022.2090715.

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15

Moran, Michael. "The literature on British pressure groups." Contemporary Record 3, no. 2 (November 1989): 20–21. http://dx.doi.org/10.1080/13619468908581055.

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16

Lurcock, A. F. T. "British Literature 1640-1789: An Anthology." Notes and Queries 49, no. 4 (December 1, 2002): 527–29. http://dx.doi.org/10.1093/nq/49.4.527-a.

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17

Lurcock, A. F. T. "British Literature 1640–1789: An Anthology." Notes and Queries 49, no. 4 (December 1, 2002): 527–29. http://dx.doi.org/10.1093/nq/490527a.

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18

Dick, Madelyn B. "British Identities and English Renaissance Literature." History: Reviews of New Books 31, no. 1 (January 2002): 21. http://dx.doi.org/10.1080/03612759.2002.10526299.

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19

Leventhal, Howard. "British Literature on the Illness Experience." Contemporary Psychology: A Journal of Reviews 31, no. 12 (December 1986): 962–63. http://dx.doi.org/10.1037/024326.

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20

Williams-Wanquet, Eileen. "Towards Defining "Postrealism" in British Literature." Journal of Narrative Theory 36, no. 3 (2006): 389–419. http://dx.doi.org/10.1353/jnt.2007.0013.

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21

Brennan, M. G. "British Identities and English Renaissance Literature." Notes and Queries 50, no. 4 (December 1, 2003): 471–72. http://dx.doi.org/10.1093/nq/50.4.471.

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22

Brennan, Michael G. "British Identities and English Renaissance Literature." Notes and Queries 50, no. 4 (December 1, 2003): 471–72. http://dx.doi.org/10.1093/nq/500471.

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23

Yadav, Alok. "Nationalism and Eighteenth-Century British Literature." Literature Compass 1, no. 1 (January 2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00071.x.

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24

Bove, Geoffrey M., and Andrew Dilley. "A lesson from classic British literature." Lancet 393, no. 10178 (March 2019): 1297–98. http://dx.doi.org/10.1016/s0140-6736(18)32533-9.

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25

Davis, Thomas S. "Late Modernism: British Literature at Midcentury." Literature Compass 9, no. 4 (April 2012): 326–37. http://dx.doi.org/10.1111/j.1741-4113.2012.00879.x.

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26

Khan, Afsheen, and Dr Mona Dandwate. "Contribution of the British To Develop Indian English Literature." International Journal of Multidisciplinary Research Configuration 2, no. 1 (January 28, 2022): 18–23. http://dx.doi.org/10.52984/ijomrc2102.

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Development of Indian English Literature in India gathered momentum with the consolidation of British imperialism in India. As we know the British sow the seed of Indian Writing in English during the period of the British rule in India. English language and literature in India starts with the advent of East India Company in India. It all started in the summers of 1608 when Emperor Jahangir, in the courts of Mughals, welcomed Captain William Hawkins, Commander of British Naval Expedition Hector. It was India's first tryst with an Englishman and English. Jahangir later allowed Britain to open a permanent port and factory on the special request of King James IV that was conveyed by his ambassador Sir Thomas Roe. English were here to stay. Indian writings in English were heavily influenced by the Western art form of the novel. It was typical for the early Indian English language writers to use English unadulterated by Indian words to convey experiences that were primarily Indian. The core reason behind this step was the fact that most of the readers were either British or British educated Indians. In the early 20th century, when the British conquest of India was achieved, a new breed of writers started to emerge on the block. These writers were essentially British who were born or brought up or both in India. Their writing consisted of Indian themes and sentiments but the way of storytelling was primarily western. They had no reservation in using native words, though, to signify the context. This group consisted likes of Rudyard Kipling, Jim Corbett, and George Orwell among others. In fact, some of the writings of that era are still considered to be masterpieces of English Literature. KEYWORDS: Contribution of British, Development, British works & strategy, English Literature.

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27

Kennedy, Valerie. "Postwar British Literature and Postcolonial Studies (Postcolonial Literature Studies Series)." English Studies 96, no. 1 (November 14, 2014): 111–12. http://dx.doi.org/10.1080/0013838x.2014.962321.

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28

Shastalo, Vira. "VICTORIAN VIRTUES IN TEACHING “LITERATURE OF GREAT BRITAIN”." Scientific Journal of Polonia University 31, no. 6 (December 20, 2018): 103–8. http://dx.doi.org/10.23856/3109.

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The article is dedicated to the problem of Victorian system of values reflected in the British literature studied at the department of foreign languages. The paper distinguishes the most relevant and typical virtues of the British society in the 19th century.

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29

Pearson, Lucy, Karen Sands-O'Connor, and Aishwarya Subramanian. "Prize Culture and Diversity in British Children's Literature." International Research in Children's Literature 12, no. 1 (July 2019): 90–106. http://dx.doi.org/10.3366/ircl.2019.0293.

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Literary prizes often determine eligibility in terms of nationality; this article posits that they also play a significant role in constructing national literatures. An analysis of the Carnegie Medal, the UK's oldest children's book award, and some of its competitors, including the Guardian Prize and Other Award demonstrates the tension between the desire to claim cultural value for children's literature and to construct a body of literature that represents the real and imagined community of the nation. In the UK, this tension appears most notably with regard to depictions of Black, Asian and minority ethnic Britons.

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30

Semple, Rhonda. "Missionary cosmopolitanism in nineteenth-century British literature." Nineteenth-Century Contexts 43, no. 1 (January 1, 2021): 127–29. http://dx.doi.org/10.1080/08905495.2021.1870280.

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31

Mayer, Nevin J. "Sources: The Oxford Encyclopedia of British Literature." Reference & User Services Quarterly 46, no. 1 (September 1, 2006): 75–76. http://dx.doi.org/10.5860/rusq.46n1.75.

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32

Hurt, James, and Stephen Fender. "Sea Changes: British Emigration & American Literature." Modern Language Review 89, no. 2 (April 1994): 444. http://dx.doi.org/10.2307/3735256.

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33

Rischin, Moses, and Stephen Fender. "Sea Changes: British Emigration and American Literature." American Historical Review 99, no. 2 (April 1994): 634. http://dx.doi.org/10.2307/2167442.

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34

Martin, Larry R. G. "The important published literature of British planners." Town Planning Review 60, no. 4 (October 1989): 441. http://dx.doi.org/10.3828/tpr.60.4.822701w53u08234q.

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35

Barton, Edwin J., Stephen Fender, and Lydia Dittler Schulman. "Sea Changes: British Emigration and American Literature." American Literature 65, no. 2 (June 1993): 363. http://dx.doi.org/10.2307/2927354.

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36

Keirstead, Christopher M. "Missionary Cosmopolitanism in Nineteenth-Century British Literature." Victorians Institute Journal 49 (November 1, 2022): 266–74. http://dx.doi.org/10.5325/victinstj.49.2022.0266.

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37

Kaufmann, Michael, and Stephen Fender. "Sea Changes: British Emigration and American Literature." New England Quarterly 66, no. 3 (September 1993): 510. http://dx.doi.org/10.2307/366025.

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38

Godfrey, Esther. "Replotting Marriage in Nineteenth-Century British Literature." Victorians Institute Journal 46, no. 1 (December 1, 2018): 146–50. http://dx.doi.org/10.5325/victinstj.46.2018.0146.

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39

Hill, Alan. "British publishers' constructive contribution to African literature." Logos 3, no. 1 (1992): 45–52. http://dx.doi.org/10.2959/logo.1992.3.1.45.

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40

Green, Martin, and Stephen Fender. "Sea Changes: British Emigration and American Literature." Journal of Interdisciplinary History 25, no. 1 (1994): 162. http://dx.doi.org/10.2307/206148.

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41

Ball, John Clement. "Black British Literature: Novels of Transformation (review)." MFS Modern Fiction Studies 53, no. 3 (2007): 621–24. http://dx.doi.org/10.1353/mfs.2007.0052.

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42

Mafe, Diana. "British and African Literature in Transnational Context." Safundi 14, no. 2 (April 2013): 227–29. http://dx.doi.org/10.1080/17533171.2013.778104.

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43

Bowers, Toni. "Gender Studies and Eighteenth-Century British Literature." Literature Compass 4, no. 4 (July 2007): 935–66. http://dx.doi.org/10.1111/j.1741-4113.2007.00446.x.

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44

Crawford, Rachel. "British Garden Literature: Historiography and Idiomatic Change." Literature Compass 5, no. 5 (September 2008): 894–905. http://dx.doi.org/10.1111/j.1741-4113.2008.00564.x.

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45

Mulvey, Christopher. "Review: Seachanges: British Immigration and American Literature." Literature & History 4, no. 1 (March 1995): 107–8. http://dx.doi.org/10.1177/030619739500400118.

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46

Brantlinger, Patrick. "Anti-Semitism and British Gothic Literature (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 24, no. 4 (2006): 162–64. http://dx.doi.org/10.1353/sho.2006.0084.

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47

VALMAN, NADIA. "British Jewish Literature and Culture: An Introduction." Jewish Culture and History 12, no. 1-2 (August 2010): 204–12. http://dx.doi.org/10.1080/1462169x.2010.10512150.

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48

Harrison, Mary-Catherine. "Replotting marriage in nineteenth-century British literature." Nineteenth-Century Contexts 42, no. 1 (September 2, 2019): 115–18. http://dx.doi.org/10.1080/08905495.2019.1658387.

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49

Parker, David B. "Previously Unknown Early Examples ofY’allin British Literature." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 29, no. 3 (July 2, 2016): 142–44. http://dx.doi.org/10.1080/0895769x.2016.1215902.

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50

John Style. "Trauma and Romance in Contemporary British Literature." Miscelánea: A Journal of English and American Studies 52 (December 13, 2022): 127–30. http://dx.doi.org/10.26754/ojs_misc/mj.20157210.

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