Dissertations / Theses on the topic 'British exhibitions'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 34 dissertations / theses for your research on the topic 'British exhibitions.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Edwards, Anthony David. "International exhibitions, British economic decline and the technical education issue 1851-1910." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366662.
Full textKong, Da. "Imaging China : China's cultural diplomacy through loan exhibitions to British museums." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/33072.
Full textWinston, Susan. "Great Exhibitions : representing the world at the Great Exhibition, the Crystal Palace at Sydenham and early British films shows." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309960.
Full textLee, Yunah. "Selling modern British design : overseas exhibitions by the Council of Industrial Design, 1949-1971." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/da8871a2-8a20-4744-a0f1-7d6a3e7a09d9.
Full textSpooner, Rosemary Gall. "Close encounters : international exhibitions and the material culture of the British Empire, c.1880-1940." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7386/.
Full textDeeter, Burton Charles. "A survey of science fairs in school district 36 (Surrey)." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26806.
Full textEducation, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Full textClarkson, Verity. "The organisation and reception of Eastern Bloc exhibitions on the British Cold War 'home front' c.1956-1979." Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/99502e86-6691-4cc6-82a2-df6c575d6cc9.
Full textHeinonen, Alayna. "CONTESTED SPACES IN LONDON: EXHIBITIONARY REPRESENTATIONS OF INDIA, c. 1886-1951." UKnowledge, 2012. http://uknowledge.uky.edu/history_etds/1.
Full textMedina, Gonzalez E. I. "Structuring the notion of 'ancient civilisation' through displays : semantic research on early to mid-nineteenth century British and American exhibitions of Mesoamerican cultures." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1310263/.
Full textRyan, Deborah S. "The Daily Mail Ideal Home Exhibition and suburban modernity, 1908-1951." Thesis, University of East London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283702.
Full textMorrison, Barrs Eanna. "'Great British Fashion Is...' : An Institutional Analysis of Vogue and the V&A." Thesis, Stockholms universitet, Modevetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184198.
Full textHållen, Nicklas. "Travelling objects : modernity and materiality in British Colonial travel literature about Africa." Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-46365.
Full textSkiada, Anastasia. "Exhibition in the British film business 1939-1945." Thesis, University of Leicester, 2014. http://hdl.handle.net/2381/28794.
Full textRyu, Jiyi. "Visualising and experiencing the British Imperial World : the British Empire Exhibition at Wembley (1924/25)." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21902/.
Full textFreeman, Julian David. "Breaking Cover : Exhibiting Early Modern British Art 1979-1995." Thesis, University of Brighton, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507202.
Full textChuang, Yiao-hwei. "An investigation into the exhibition of Buddhist objects in British museums." Thesis, University of Leicester, 1993. http://hdl.handle.net/2381/35301.
Full textDalal-Clayton, Anjalie. "Coming into view : black British artists and exhibition cultures 1976-2010." Thesis, Liverpool John Moores University, 2015. http://researchonline.ljmu.ac.uk/4356/.
Full textLister, Ayako. "The Japan-British exhibition of 1910, Its Diplomatic, Economic and Educational Aspects." Thesis, London School of Economics and Political Science (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532160.
Full textDavid, Robert G. "A region of beauty and delight : British imagination and the Arctic 1818-1914." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242817.
Full textMurray, Katie. "Memorials of endurance and adventure : exhibiting British polar exploration, 1819-c.1939." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/11087.
Full textLee, Jenny Rose. "Empire, modernity and design : visual culture and Cable & Wireless' corporate identities, 1924-1955." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/16467.
Full textGrosvenor, Christopher. "Cinema on the Front Line : a history of military cinema exhibition and soldier spectatorship during the First World War." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/34733.
Full textParsons, Thad. "Science collection, exhibition, and display in public museums in Britain from World War Two through the 1960s." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:16cadaac-fb44-4edf-9063-d6ee6a9ffd09.
Full textBarnett, Maura. "The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843." Thesis, University of Warwick, 1993. http://wrap.warwick.ac.uk/34732/.
Full textDavies, Veronica. "A comparative study of state art policies : institutional practices and exhibition organisation in Britain and Germany c.1945-51 with particular attention to the cultural policies of the British-occupied zone of North West Germany during these years." Thesis, University of East London, 2005. http://roar.uel.ac.uk/1300/.
Full textHuang, Michelle Ying Ling. "The reception of Chinese painting in Britain, circa 1880-1920 : with special reference to Laurence Binyon." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1020.
Full textMcKellar, Erin E. "Tomorrow on display: American and British housing exhibitions, 1940-1950." Thesis, 2018. https://hdl.handle.net/2144/31686.
Full text2025-10-31T00:00:00Z
Goudie, Tanya. "Tracing change in Northwest Coast exhibit and collection catalogues, 1949-1998." Thesis, 2001. http://hdl.handle.net/2429/11730.
Full textHughes, Deborah. "Contesting whiteness : race, nationalism and British Empire exhibitions between the wars /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3314795.
Full textSource: Dissertation Abstracts International, Volume: 69-05, Section: A, page: 1941. Adviser: Antoinette Burton. Includes bibliographical references (leaves 242-261) Available on microfilm from Pro Quest Information and Learning.
Lee, Yun, and 李昀. "The Grosvenor Gallery's Exhibitions and Its Promotion of British Art, 1877-1890." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/80455217288754770155.
Full text國立中央大學
藝術學研究所
101
The Grosvenor Gallery, established in 1877, promoted contemporary and earlier art during its 14 years of operation. Grosvenor Gallery’s exhibitions attracted much attention because Sir Coutts Lindsay, its owner, adopted a new method of inviting painters and hanging of paintings. It was also well-known for its versatility of new art styles. While the Royal Academy was conservative towards new trends of art and continued its outsiders-unfriendly tradition of exhibition practices, the Grosvenor Gallery provided contemporary artists with an ideal alternative. This thesis explores the function of the Grosvenor Gallery’s exhibitions and its promotion of British art by examining its exhibition practices and paintings on show. The first chapter traces the background of the establishment of the Grosvenor Gallery and its owner’s original ideas. It is important to know how Lindsay’s aristocratic breeds and education gave birth to the establishment of the Grosvenor Gallery and how the past careers of the two managers influenced the exhibition practices. The second chapter examines Grosvenor Gallery’s exhibitions’ strategies. Apart from discovering what kinds of art styles were shown, the second part of this chapter will focus on the demonstration of British art’s development in winter exhibitions. The third chapter explores how Grosvenor Gallery’s summer exhibitions benefited different artist groups. For example, the younger associates of Pre-Raphaelite circle got chances to show their paintings and to participate in Universal Exhibitions. In addition to this, academicians and artists who frequented the Royal Academy exhibitions also made use of this alternative chance to show their works, which were not often shown in the Royal Academy exhibitions. In order to trace the influence upon Grosvenor Gallery’s exhibitions made by other newly established art institutions in the 1880s, the third part of this chapter will discuss the choices made by young artists who were either members of London Impressionism groups or influenced by foreign naturalist painters. In the conclusion, I will point out that the Grosvenor Gallery, as a private institution, demonstrated the taste of its owners and artists and successfully promoted British art in the late Victorian period.
Korteweg, Elisabeth (Lisa) Maria. "Mining the curriculum: comparing the form and content of the museum exhibit Mine games with other mining curricula." Thesis, 1996. http://hdl.handle.net/2429/4618.
Full textChen, Chih-Ping. "Re-mapping female space: The politics of exhibition in nineteenth-century women writers." 2000. https://scholarworks.umass.edu/dissertations/AAI9988770.
Full textLi, YingYing, and 李盈盈. "A Study on the Performance of Utilizing Integrated Marketing Communication in Non-profit Organization: A Case Study of the British Council's Education Exhibition in Taiwan." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/27808409591703708512.
Full text中國文化大學
新聞學系
99
In the face of a relentless competitive environment, both for-profit organizations and conglomerates and non-profit organizations (NGOs) are increasingly utilizing Integrated Marketing Communications (IMC) to extend their reach, convey their messages and achieve their goals. This study, based on the theory of IMC, examines the marketing strategies and marketing communications tools utilized by NGOs to reach its target audiences; how the NGO communicates with its target audiences; and the effectiveness of utilizing IMC. The study was conducted via a purposive sampling questionnaire survey, in-depth interviews and secondary analysis, and appraises the organisation’s achievements in the following three areas: firstly, analysis of the audiences reached to ascertain whether they met the NGO’s criteria; secondly, assessment of the effectiveness of the marketing communications tools; thirdly, audience satisfaction analysis to discover how far they were satisfied with the NGO’s services. The 2011 March Education UK Exhibition conducted by the British Council Taipei, an international cultural relations organisation aiming to create educational opportunities between Taiwan and the United Kingdom, was chosen for the case study. The findings reveal the following: firstly, the visitor profiles predominantly met the criteria of the NGO; secondly, the various marketing communication tools (outdoor advertisements, internet and word-of-mouth channels) were differentially effective according to the ages of the target audiences; thirdly, regarding audience satisfaction, the majority of visitors were content with the information, services and overall planning of the exhibition, but some areas need to be improved, such as the flow of the exhibition venue, the amount of information about British culture and the content of the event website “EDUKEX”.