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Books on the topic 'Brightness perception'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

L, Gilchrist Alan, ed. Lightness, brightness, and transparency. Hillsdale, N.J: L. Erlbaum, 1994.

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2

Hewitt, Sally. Light and dark. New York: Children's Press, 1998.

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3

Hewitt, Sally. Solas agus dorchadas. Srath Feabhail, Co. Dhoire: Clar Speisialta Tacamochta um Shmocháin agus Athmhuintearas, Ionad na Mzinteoirm, 2000.

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4

Hewitt, Sally. Light and dark. London: Franklin Watts, 2007.

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5

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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6

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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7

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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8

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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9

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2015.

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10

Gilchrist, Alan. Seeing Black and White (Oxford Psychology Series). Oxford University Press, USA, 2006.

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11

Seeing black and white. Oxford: Oxford University Press, 2006.

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12

Relative visibility of increased legend size vs. brighter materials for traffic signs. McLean, Va. (6300 Georgetown Pike, McLean 22101-2296): U.S. Dept. of Transportation, Federal Highway Administration, Research and Development, Turner-Fairbank Highway Research Center, 1994.

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13

Martinez-Conde, Susana, and Stephen L. Macknik. Vasarely’s Nested Squares and the Alternating Brightness Star Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0054.

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The arts sometimes precede the sciences in the discovery of fundamental visual principles. Victor Vasarely’s “Nested Squares” show an illusory effect in which corners look brighter and more salient than straight edges, despite having equivalent luminance. This chapter summarizes recent research, originally based on Victor Vasarely’s Nested Squares illusion, to discover the related perceptual and underlying physiological principles. The results offer significant insights into how corners, angles, curves, and line endings affect the appearance of brightness, shape, salience, depth, and color in our brains. Concepts covered include the alternating brightness star illusion, center-surround simulations, brain activation, corner perception, and the redundancy-reducing hypothesis.
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14

Mulligan, Jeffrey B. Illusory Variations in Apparent Dot Brightness Induced by Density Modulations. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0056.

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When small, closely spaced dots are moved closer together, they appear brighter. The effect is observed for dot spacings of half a degree of visual angle or less and can be cancelled either by dimming the dots themselves or adding a compensating modulation to the background. The effects are easily observed and challenge current models of brightness perception. This illusion demonstrates that we are unable to judge the brightness of a small dot independently of the total amount of light falling in its local neighborhood. All of the dots are rendered with the same intensity, but the dots appear brighter in the regions where the density is higher.
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15

Lu, Zhong-Lin, and George Sperling. Second-Order Mach Bands, Chevreul, and Craik-O’Brien-Cornsweet Illusions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0053.

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Second-order texture illusions, corresponding to Mach bands, Chevreul, and Craik-O’Brien-Cornsweet illusions in brightness perception, are generated by replacing luminance modulations in the classic stimuli with modulations of texture contrast. Whereas the classic (first-order) illusions exhibit changes in lightness or darkness near boundaries, the second-order stimuli exhibit analogous perceptual effects that are increases or decreases in apparent texture contrast with no concomitant change in apparent brightness. The magnitudes of the second-order texture-contrast changes are comparable to brightness changes in the classic first-order illusions. These results indicate that second-order (texture) illusions involve spatial interactions that are remarkably similar to those in first-order (luminance) processing.
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16

Zavagno, Daniele, and Olga Daneyko. The Glare Effect. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0061.

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The glare effect consists in a strong brightness enhancement of a bright region determined solely by the presence of linear luminance gradients organized in such a way that the bright ends of the gradients delimit the bright region. The effect is obtained with both achromatic and chromatic gradients. In its achromatic version, the illusion has been employed to study the perception of luminosity and the effects of brightness on lightness in simultaneous contrast configurations. The role of photometric gradients and their distribution in space are discussed, with demos showing how luminance gradients can be employed to generate also darkness enhancements and impressions of illumination. A variant of the glare effect is illustrated in which the brightness enhancement is obtained by employing discrete grey steps separated in space, organized to form so-called luminance pseudo-ramps.
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17

Hewitt, Sally. Light and Dark (It's Science!). Franklin Watts Ltd, 1998.

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18

Geier, János, and Mariann Hudák. Changing the Chevreul Illusion by a Background Luminance Ramp. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0044.

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The Chevreul illusion comprises adjacent homogeneous grey bands of different luminance, which are perceived as inhomogeneous. It is generally explained by lateral inhibition. When the Chevreul staircase is placed in a luminance ramp background, the illusion noticeably changes. Since all conditions of the lateral inhibition account are untouched within the staircase, lateral inhibition (which is a local model) fails to model these perceptual changes. Another ramp was placed around the staircase, whose direction was opposite to that of the original, larger ramp. The result here is that though the inner ramp is rather narrow, it still dominates perception. The chapter concludes that long-range interactions between boundary edges and areas enclosed by them provide a much more plausible account for these brightness phenomena, and local models are insufficient.
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