Academic literature on the topic 'Bretagne (France) dans l'art'
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Journal articles on the topic "Bretagne (France) dans l'art"
Pomian, Krzysztof. "Collections et Musées (note critique)." Annales. Histoire, Sciences Sociales 48, no. 6 (December 1993): 1381–401. http://dx.doi.org/10.3406/ahess.1993.279221.
Full textCarter, Laura. "La France vue à travers le kaléidoscope britannique." Questions internationales 119-120, no. 3 (October 19, 2023): 140–47. http://dx.doi.org/10.3917/quin.119.0140.
Full textVictoria, José Guadalupe. "L'art du Xviie siécle dans les Carmels de France." Anales del Instituto de Investigaciones Estéticas 14, no. 55 (August 6, 1986): 259. http://dx.doi.org/10.22201/iie.18703062e.1986.55.1282.
Full textBrown, Cynthia J. "Dédicaces à Anne de Bretagne : éloges d’une reine." Études françaises 47, no. 3 (November 29, 2011): 29–54. http://dx.doi.org/10.7202/1006445ar.
Full textHorn, Ruth. "La France et la Grande-Bretagne à l’ère de la médecine génomique." médecine/sciences 35, no. 2 (February 2019): 163–68. http://dx.doi.org/10.1051/medsci/2019004.
Full textHameau, Philippe. "L'art schématique linéaire dans le sud-est de la France." L'Anthropologie 105, no. 4 (October 2001): 565–610. http://dx.doi.org/10.1016/s0003-5521(01)80053-4.
Full textSimon, Jean-François. "Ethnologie de la France : avant-premières en Bretagne ou la marge comme terrain exploratoire?" Port Acadie, no. 13-14-15 (October 27, 2009): 33–43. http://dx.doi.org/10.7202/038418ar.
Full textGordon-Krief, David. "L’influence de la common law dans la pratique du droit, en France et dans l’Union européenne." Colloque 32, no. 1 (January 14, 2015): 141–53. http://dx.doi.org/10.7202/1028062ar.
Full textd’Iribarne, Philippe. "Trois figures de la l iberté." Annales. Histoire, Sciences Sociales 58, no. 5 (October 2003): 951–78. http://dx.doi.org/10.1017/s0395264900018084.
Full textSebbah, Emmanuelle. "Quand la sociologie des sciences se saisit de la sociologie de l'art." Sociedade e Estado 20, no. 3 (December 2005): 541–60. http://dx.doi.org/10.1590/s0102-69922005000300003.
Full textDissertations / Theses on the topic "Bretagne (France) dans l'art"
Prevel-Montagne, Corinne. "La représentation des grands hommes dans la sculpture publique commémorative en Bretagne : 1685-1945 : les pratiques, les sculptures et les oeuvres." Rennes 2, 2003. http://www.theses.fr/2003REN20009.
Full textThe @public statutory represents a large artistic patrimony forsaken for a long time by history of art. In Brittany, on hundred and nineteen monuments have been erected to great men between 1685 and 1945. Initiatives from local councils or private commissions succeed to royal orders. They set up more democratic practices in the choice of the sculptors and the financings. In the end of the ninetenth century, the statue-mania, inspired by the egalitarian ideals of the Revolution, follows republican propaganda. In Brittany, its growth is rather slow til the Second Empire and reaches its golden age during the Third Republic in spite of some legitimist and religious oppositions. All sculptors come from Paris Academy of Art and produce conventional works inspired by David d'Angers. But in the early twenties, the emergence of regional culture give a new inspiration to this sculpture
Lecerf, Guy. "Le coloris dans l'art des jardins : théories en France et en Angleterre, 1820-1930." Paris 1, 1991. http://www.theses.fr/1991PA010644.
Full textDesfontaine, Muriel. "Aspects de la personnification de la Mort en Bretagne dans les arts et la littérature à travers les siècles." Rennes 2, 2003. http://www.theses.fr/2003REN20042.
Full textThis thesis is a study of different aspects of the personnification of death in Brittany (l'Ankou). It looks into the the characters of the celtic religion and of the Arthurian literature that could represent its ancestors. It also shows the influence that the theme of the gruesome within the Occident during the end of the Middle Age had on written culture in East Brittany, the area of contact and exchange that influenced the representations of death in Brittany. Death gets personnified in religious works : in missionary paintings, on cult statues and in canticles. It is also found within literature in breton language, as early as the time of middle-breton. Futhermore, it is found in breton popular drama, as well as in popular tales (third and fourth parts). Each literature style has cared personality of its own out the character. Death has as many features as there are works that feature it
Le, Tiec Patrick. "Mathurin Méheut (1882-1958), peintre de la vie." Rennes 2, 1991. http://www.theses.fr/1991REN20016.
Full textMathurin Méheut begins his career to illustrate articles in magazines and acquires national famous to exhibit in 1913, his five exhibitions will all notice by the general public. In his paintings, he sets off the animal's spontaneity, the beauty of the flora and above all artisans and traditions of his native country, Brittany which is his favourite subject. He paint too countrymen of south and south-west of France, Japan and Greece. Meheut is also decorator. He's collaborated with the national factory of Sevres and Henriot factory of Quimper; his crockerys often picture sea fauna and Brittany life. He's also taken a part in decoration of several steamers lines. At least, his arts works is known by his 40 illustrated books about the sea, the fauna and the craftsmen
Kellenberger, Sonja. "Pratiques artistiques et formes de la mobilisation politique dans la ville : une approche sociologique de quatre collectifs d'artistes-activistes à Paris et à Londres." Paris 10, 2004. http://www.theses.fr/2004PA100154.
Full textThe protest movements of the 90s comes along, in France as in other European countries, of the reactication of an original form of the political commitment based on the artistic intervention. The participation of artists highlights the aesthetic dimensions of the mobilization and reveals the contemporary stakes in the democratization of the art as well as the role of the urban environment in the collective action. The research interrogates this phenomenom in its artistic, political and urban dimensions and their interactions from an ethnographical work about four groups of activist artists in Paris and in London. The study of hybrid groups allows to understand the modes of mobilization , participation and organization which update the militant and artistic practices
Lefeuvre, Olivier. "Philippe-Jacques de Loutherbourg (1740-1771) : vie et oeuvre." Paris 4, 2008. http://www.theses.fr/2008PA040153.
Full textPhilippe-Jacques de Loutherbourg, born in 1740, died in London in 1812 was a multi-facetted artist with numerous passions. Above all a landscape painter, he was also a history painter, stage designer, inventor of a show that was a precursor of the Dioramas, but also a man who was passionate about the occult who abandoned painting for a time in order to become a healer. Trained in France by an Italian artist, Francesco Giuseppe Casanova, he began his career in Paris before settling permanently in London and all his life had a considerable reputation which disappeared quickly after his death. Despite several attempts at a rehabilitation, Loutherbourg is today forgotten. The reconstitution of his painted output and the establishment of an accurate biography has allowed the author to asses more fairly his place in the history of painting in the second half of the 18th and early 19th centuries. In considering his contemporaries’ attitude to his work, in particular his favourite genre, landscape painting and his approach to the art market of his time, the author has attempted to understand better this individual who in his time was considered to be essential
Motte, Edwige. "Iconographie et Géomorphologie : l’usage de représentations artistiques des rivages comme outil de connaissance de l’évolution du littoral." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20036/document.
Full textThe shoreline is submitted to constant changes : its evolution results from both biophysical processes – swells, storms, ocean currents, meteorological factors –, and significant anthropisation, strongly accentuated during the last centuries. In France, on the coast of the Channel, variety and sumptuousness of types of coasts have aroused the inspiration of numerous artists, especially since the middle of the 19th century. Museums, archives, private collections possess precious records of the story of places. This research aims to reveal the informative value of artistic shoreline iconography to observe geomorphological evolutions of the coast. The first part contextualizes the general approach, setting out some essential theoretical considerations centered on modern geomorphology, the status of images in geography and a retrospective of the history of landscape pictorial representations. The second part concretely explores the foreseen potential of using artistic documents as knowledge sources at the scale of the French coasts of the Channel. From a limited corpus of art works, a methodology is developed. Finally, the third and last part of the work presents an application of the developed methodology in a precise context. The territory considered is the Rance estuary, with, as main issue, the identification and evaluation of architectural and sedimentological modifications that occurred in the coastline and foreshore. Results are released through a dedicated Website, which intends to be consulted, and eventually contributed, by a large public
Le, Guirriec Patrick. "Paysans, parents, partisans : l'ordre social dans une commune bretonne." Paris 10, 1985. http://www.theses.fr/1985PA100015.
Full textEl, Mortaji Mohammed SaÏd. "L'art islamique dans les musées français." Avignon, 2006. http://www.theses.fr/2006AVIG1049.
Full textLeguay, Jean-Pierre. "Vivre dans les villes bretonnes au Moyen âge /." Rennes : Presses universitaires de Rennes, 2009. http://catalogue.bnf.fr/ark:/12148/cb41468025t.
Full textBooks on the topic "Bretagne (France) dans l'art"
Platform_Regroupement des Fonds régionaux d'art contemporain. Voyage sentimental: Déplacements dans l'art contemporain. Montreuil-sous-Bois: LienArt, 2012.
Find full textBrigitte, Delluc, and Delluc Gilles, eds. Représentation de l'intimité féminine dans l'art paléolithique en France. Liège: Université de Liège, 2014.
Find full textFernand, Grenier. De Ker-Is à Québec: Légendes de France et de Nouvelle-France. Québec: Editions de la Galerie le Chien d'Or, 1990.
Find full textThierry, Zéphir, ed. L'art khmer dans les collections du Musée Guimet. Paris: Réunion des musées nationaux, 2008.
Find full textTachin, Agnès. Amie et rivale: La Grande-Bretagne dans l'imaginaire français à l'époque gaullienne. Bruxelles: Peter Lang, 2009.
Find full textAlluchon, Marion. Primitifs modernes?: Définir l'art naïf en France dans les années 1930. Lyon: Fage, 2022.
Find full textArlaux, Claire. Le dragon en Bretagne: Mythes et symboles. Gourin [France]: Keltia graphic éditions, 2000.
Find full textAstill, Grenville G. Un paysage breton: De l'archéologie à l'histoire dans le sud de la Haute-Bretagne. Saint-Malo: Centre régional d'archéologie d'Alet, 2001.
Find full textBrassaï. Paris le jour Paris la nuit. Paris: Musée Carnavalet, 1988.
Find full textGuillerme, André. Bâtir la ville: Révolutions industrielles dans les matériaux de construction France-Grande-Bretagne (1760-1840). Seyssel: Champ Vallon, 1995.
Find full textBook chapters on the topic "Bretagne (France) dans l'art"
Gehmacher, Johanna. "Féminisme: Translations, Transfers, and Transformations." In Translation History, 153–86. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42763-3_6.
Full textVogt, J. "Problèmes de Sismicité Historique : Exemples de Faux Seismes, de Seismes Meconnus et de Seismes Reinterpretes dans l’ensemble Allemagne/Belgique/Nord-Ouest de la France/Sud de Grande-Bretagne." In Seismic Activity in Western Europe, 205–14. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5273-7_16.
Full textGourlay, Patrick. "Les voyages du président de Gaulle en Bretagne. La France, la Bretagne et l’histoire." In L’Ouest dans les années 68, 145–59. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.130050.
Full textOuellet, Pierre-Olivier. "Les pérégrinations de François-Marc Gagnon dans les arts de la Nouvelle-France." In François-Marc Gagnon et l'art au Québec, 41–57. Les Presses de l’Université de Montréal, 2021. http://dx.doi.org/10.1515/9782760643673-004.
Full textGall, Erwan Le. "Saint-Malo, la Bretagne, la France : des multiples inscriptions territoriales du 47e régiment d’infanterie." In Petites patries dans la grande guerre, 71–87. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.134433.
Full textGenet, Jean-Philippe. "Le droit dans les bibliothèques médiévales anglaises." In Droit et société en France et en Grande-Bretagne (XIIe-XXe siècles), 65–78. Éditions de la Sorbonne, 2003. http://dx.doi.org/10.4000/books.psorbonne.44883.
Full textDupuy, Pascal. "La caricature face à la noblesse française sous la Révolution (France, Grande-Bretagne, Allemagne, Italie)." In Les noblesses françaises dans l'Europe de la Révolution, 513–34. Presses universitaires de Rennes, 2010. http://dx.doi.org/10.4000/books.pur.129957.
Full textSuso López, Javier, and Irene Valdés Melguizo. "La grammaire dans le mouvement de la réforme en France et en Grande-Bretagne." In The History of Grammar in Foreign Language Teaching. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724616_ch10.
Full textLópez, Javier Suso, and Irene Valdés Melguizo. "La grammaire dans le mouvement de la réforme en France et en Grande-Bretagne." In The History of Grammar in Foreign Language Teaching, 191–210. Amsterdam University Press, 2020. http://dx.doi.org/10.2307/j.ctv1b0fvzr.13.
Full textGardey, Delphine. "30. Le travail des femmes en France et en Grande-Bretagne de la révolution industrielle à la Seconde Guerre mondiale." In Travail et genre dans le monde, 318–26. La Découverte, 2013. http://dx.doi.org/10.3917/dec.marua.2013.01.0318.
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