Relevant bibliographies by topics / Brecht

Academic literature on the topic 'Brecht'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 March 2023

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Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Journal articles on the topic "Brecht":

1

Schechter, Joel. "Brecht After Brecht." Theater 17, no. 2 (1986): 4. http://dx.doi.org/10.1215/01610775-17-2-4.

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Bornheim, Gerd. "Brecht ainda hoje?" Pandaemonium Germanicum, no. 4 (November 5, 2000): 47. http://dx.doi.org/10.11606/1982-8837.pg.2000.64137.

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Der vorliegende Aufsatz versucht, Argumente für die Aktualität Berltolt Brechts zu finden. Es werden Parallelen zwischen Brechts epischem Theater und der Musik, insbesondere der Oper, aufgezeit. Dabei spielt die für Brecht so wichtige Ästhetik der Form eine zentrale Rolle, die entscheidend für seine Modernität ist.
3

Zurbach, Christine. "Homem = Homem? Brecht = Brecht?" Sinais de cena, no. 8 (December 2007): 93–95. http://dx.doi.org/10.51427/cet.sdc.2007.0054.

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Westermann, Bernd. "Hundert Jahre Brecht – Brechts Jahrhundert?" Informationen Deutsch als Fremdsprache 27, no. 2-3 (June 1, 2000): 238–41. http://dx.doi.org/10.1515/infodaf-2000-2-363.

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MARKELL, PATCHEN. "POLITICS AND THE CASE OF POETRY: ARENDT ON BRECHT." Modern Intellectual History 15, no. 2 (November 22, 2016): 503–33. http://dx.doi.org/10.1017/s1479244316000366.

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Hannah Arendt's essay on Bertolt Brecht has often been understood as an indictment of Brecht's postwar accommodation with the Stalinist regime in East Germany, in line with Arendt's supposed commitment to a firm separation between poetry and politics. Offering the first full reconstruction of the transnational history of Arendt's writing on Brecht, this article shows instead that Arendt's essay was a defense of Brecht against the polemics it is often taken to exemplify. Joining poetry to politics by holding both at a distance from philosophy, Arendt assigned poetry the vocation of disruptive faithfulness to factual reality, which allowed her to praise Brecht on political grounds and to leverage forbearance for his political “sins.” Indeed, by narrating Brecht's “sins” and “punishment” against the grain of Cold War discourse about the poet, Arendt's essay emulated aspects of the poetic practice she admired in Brecht's writing.
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Asimakoulas, Dimitris. "Brecht in dark times." Target. International Journal of Translation Studies 17, no. 1 (December 31, 2005): 93–110. http://dx.doi.org/10.1075/target.17.1.06asi.

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This paper will place Brecht’s published works within the socio-political context of the Greek junta (1967–1974). After preventive censorship was lifted in 1969, a massive import of Brecht’s works occurred. Brecht was immediately incorporated in the recently established tradition of serious books addressing important social issues, bringing the reader closer to modern thought and kindling the desire for democracy. Two of the most influential publishers of the time published Brecht’s works and actively subscribed to this trend of defiance against the regime in the publishing industry. The publishers’ activity as well as the content and paratextual elements of Brecht’s works they launched constituted instantiations of the discursive motif of dark times introduced by Brecht himself to describe oppression and distortion of truth.
7

Martin, Carol. "Brecht, Feminism, and Chinese Theatre." TDR/The Drama Review 43, no. 4 (December 1999): 77–85. http://dx.doi.org/10.1162/105420499760263543.

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American feminist theatre theorists have taken to Brecht's “Alienation Effects in Chinese Acting”. But what did Brecht know about Chinese acting? Could feminists benefit by looking past Brecht to the Chinese theatre itself?
8

Sousa, Celeste H. M. Ribeiro de. "Da imagem do Brasil ao teatro de Brecht: A peça Baal." Pandaemonium Germanicum, no. 4 (November 5, 2000): 109. http://dx.doi.org/10.11606/1982-8837.pg.2000.64165.

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Das Stück Baal des jungen Brecht enthält eine Anspielung auf Brasilien. Aus der Interpretation des dort vermittelten Brasilienbildes kann sich eine nützliche Diskussion entwickeln, um das Theater Brechts im Unterricht einzuführen und den Schüler zur Beschäftigung mit ihm zu motivieren. Der vorliegende Aufsatz will dazu anregen, die Auseinandersetzung mit Brecht mit seinem Erstlingsstück zu beginnen, und skizziert dazu einen möglichen Weg.
9

Evenden, M. "Die Burgschaft, or "Brecht ohne Brecht"." Theater 30, no. 3 (January 1, 2000): 63–75. http://dx.doi.org/10.1215/01610775-30-3-63.

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Costa, Iná Camargo. "O teatro épico de Brecht." Pandaemonium Germanicum, no. 4 (November 5, 2000): 27. http://dx.doi.org/10.11606/1982-8837.pg.2000.64058.

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Dieser Artikel ist eine gekürzte Fassung des Kapitels "Sinta o drama" aus dem gleichnamigen Buch. Er untersucht Brechts Gründe, sein Theater als episch zu bezeichnen, ausgehend von wichtigen Literaturkritikern wie Peter Szondi, Adorno, Lukács und Anatol Rosenfeld sowie Brecht selbst.
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Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Brecht":

1

Wood, Jesse Cannon. ""Aber das Geistige, das sehen Sie, das ist nichts." Collisions with Hegel in Bertolt Brecht's Early Materialism." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345231617.

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Bonnaud, Irène. "Brecht, période américaine." Paris 3, 2001. http://www.theses.fr/2001PA030007.

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Bertolt brecht, en exil a los angeles de 1941 a 1947, n'a cesse d'ecrire pour l'industrie culturelle americaine. Scenarios pour hollywood ou pieces de theatre concues pour conquerir broadway, ses oeuvres d'alors empruntent aux genres populaires du cinema ou du theatre americains des armes nouvelles contre la tradition du drame. Mais la polemique continuee contre l'identification et l'illusion mimetique est accompagnee d'une autocritique permanente. Brecht met son propre theatre en crise et l'examine avec mefiance. Chaque piece devient reflexion sur l'art de la scene et ce dernier doit plus que jamais repondre de ses choix. A l'ombre de l'actualite mondiale, capitulation, collaboration et resistance a l'oppression deviennent non seulement les grands themes des textes de brecht, mais aussi les criteres qui determinent ses strategies d'ecriture. A l'heure des destructions et des massacres de la seconde guerre mondiale, la moindre decision formelle est un probleme politique : la fable du theatre narratif, souvenir d'un temps ou le recit etait encore signe de sagesse, et l'ampleur shakespearienne des personnages sont pour brecht deux facons d'etre volontairement anachronique au milieu du desastre.
3

Ďurik, Andrej. "Bertolt Brecht Život Galileiho (možnosti interpretace B. Brechta v současném divadle)." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78664.

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In my thesis I endeavoured to document the development of the view of Brecht?s works in our countries. It means mapping the interpretation attempts in the Czech Republic, coping with Brecht?s theoretical work, and last but not least with Brecht as a political man with social feeling due to what he remained many times miscomprehended. It is certain that the history mentions a large-minded, talented, educated personality, a strongly up to self-destructively hard-working one. On the one hand, he is artistically sensitive and fine, however, on the other hand he is a disintegrated and a very complicated person. In the course of time, I came to the conclusion that it is likely impossible to fully join a Brecht theoretician and a Brecht dramatist, while the theory of epic theatre significantly hungers for a formal aspect though on the other hand, it seems to fail to conform to ease and poetry of his dramas. It is important to say that Bertolt Brecht was practically a communist during all his life in a complicated period. His relationship to communism was developing and it can be learned that this relationship had undergone a long way from enthusiasm up to full disillusion. That is why this fact appears in my thesis; it is a statement, a truth about a great artist and a truth about the view and contemporary interpretations in our countries where he was quoted and belauded, as necessary. At staging, it is impossible to consider all aspects of Brecht personality. It is good since it leaves space for a man, one can be both Brecht a bit and also himself. It provides ?space? while showing a human being in his complicacy, it is as a search in the human soul and mind. He does not psychologize, he just states, shows a human being in particular situations including his behaviour, and at the end all these situations make a whole picture about us and about our period. Therefore, we can say that Bertolt Brecht is a great author of great dramas with timeless themes. His characters reflect contemporary people. As if nothing has changed, just the time is perceived in a bit different way, it oscillates and befogs our perception, with decoding matters becoming more difficult for us but with the essence remaining the same as before. His dramas are interesting as for formal aspect, they are ?up-to-date? providing space also for an experiment. They may serve as a formal reflection, the beauty of speech for itself.
4

Siljeholm, Olof. "Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen." Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/997031301/04.

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Miranda, Rita Alves. "O teatro experimental de Brecht." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/11641.

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Made available in DSpace on 2016-04-27T17:27:05Z (GMT). No. of bitstreams: 1 Rita Alves Miranda.pdf: 2197473 bytes, checksum: 27e1b604e4f02f387a522aa42435e2a0 (MD5) Previous issue date: 2013-10-23
Conselho Nacional de Desenvolvimento Científico e Tecnológico
This master s thesis aims to approach the passage of Bertolt Brecht through the theater history and the influence of his proposal for the contemporary art. Initially, we analyzed Brecht s criticism towards some traditional conceptions of theater and the path taken by the author to think the crisis of drama that had settled times before. Along the way were considered some references and possible objections from Brecht to Aristotle and the Aristotelian model of theater. In this controversial debate, we analyzed the references to the Greek philosopher, to clarify weather Brecht really wanted to reject Aristotle, or he proposed an appropriation of that formal model. It is known that the Aristotelian model of theater was removed from the Poetics of Aristotle and suffered different appropriations in different epochs, one of them being the bourgeois reading. This view is refuted by Brecht, when he analyzes the reality of bourgeois drama and realizes that it was necessary that it be revised immediately, because the theater is no longer affecting the people, in the sense that their willingness depended on a relationship of passivity on the part of viewers. Facing this crisis of drama, some artists tried to reformulate it without however succeeding. Brecht, when began his work, had knowledge of these attempts and facing their failures, the goal was to make theater inaugurate a new place in society. In search of the best place he has in mind a place of production of consciousness, radically opposed to the bourgeois-capitalist logic that sought the alienation of individuals. So, now located outside the debate of reckoning with the past, Brecht focuses on your present and faces the ideas of György Lukács which oppose Brecht by thinking art in a different manner and attributing to him the image of Formalist. We also deal whit defending Brecht from these charges. This dissertation, different from common aspect of texts on Bertolt Brecht is not intended to scrutinize the techniques developed by the playwright in the formulation of the Epic Theater, or talking about the formal aspects of his work, but it is based on a philosophical approach, passing briefly through a few moments of the author s thought until it reaches the stage considered as a mature conception of theater, which is also the last phase of his career, when he revised many of his previous positions. This phase is one in which he writes pieces like The Good Soul of Setsuan (1939-1942) and Life of Galileo (1938-1939). Being so, our focus was this mature conception of the author s work and the characteristics of his thinking at that time, thinking that we take as very Brechtian itself. We focus at this moment of his work, to show the compatibility of his thought and a contemporary conception of theater
Este trabalho tem por objetivo abordar a passagem de Bertolt Brecht pela história do teatro e a influência de sua proposta na fase contemporânea da arte. Inicialmente, analisamos a crítica de Brecht dirigida a algumas concepções tradicionais de teatro e o caminho percorrido pelo autor para pensar a crise do drama que se instalara tempos antes. Nesse percurso foram consideradas algumas referências e possíveis objeções de Brecht a Aristóteles e ao modelo aristotélico de teatro. Nesse debate polêmico, analisamos as referências ao filósofo grego, a fim de esclarecer se o que Brecht pretendia era rejeitar mesmo Aristóteles, ou mais uma apropriação daquele modelo formal. Sabe-se que o modelo aristotélico de teatro foi retirado da obra Poética de Aristóteles e que sofreu apropriações segundo as épocas, sendo uma delas a leitura burguesa. Essa leitura é rebatida por Brecht que revê a realidade do drama burguês e percebe que era preciso que ele fosse revisto imediatamente, pois o teatro já não atingia mais as pessoas, mas sua disposição dependia de uma relação de passividade por parte dos espectadores. Frente a dessa crise do drama, alguns artistas, tentaram reformulá-lo sem, no entanto, obter sucesso. Brecht, quando deu início a seu trabalho, já tinha conhecimento dessas tentativas e diante desses fracassos, o objetivo era fazer o teatro inaugurar um novo lugar dentro da sociedade. Em busca do melhor lugar, ele tem em mente um lugar de produção de consciências, opondo-se radicalmente à logica burguesa-capitalista que buscava a alienação dos indivíduos. Assim, localizado já fora do debate de acerto de contas com o passado, Brecht concentrase em seu presente e enfrenta György Lukács que se opõe a Brecht ao pensar a arte de uma forma diferente, atribuindo a este a imagem de Formalista. Nos ocupámos de defender Brecht também dessas acusações. Esta dissertação, diferente do aspecto comum de textos sobre Bertolt Brecht não se propõe a analisar minuciosamente as técnicas desenvolvidas pelo dramaturgo na formulação do Teatro Épico, ou a falar dos aspectos formais de sua obra, senão que se apoia numa abordagem filosófica, que passa rapidamente por alguns momentos do pensamento do autor até chegar à fase considerada como fase de uma concepção madura de teatro, que é também a última fase de sua carreira, quando ele reviu muitas de suas posições anteriores. Esta fase é aquela em que ele escreve peças como A Alma Boa de Setsuan (1939-1942) e Vida de Galileu (1938- 1939). Neste momento do trabalho nosso foco foi essa dada concepção madura da obra do autor e as características de seu pensamento nessa época, pensamento que tomamos como próprio brechtiano. Concentramos nossa atenção neste momento da obra, a fim de mostrar a compatibilidade desse pensamento e uma concepção de teatro contemporânea
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Baker, Clara Martha. "Bertolt Brecht and the Bible." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3436.

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This thesis presents evidence which supports Bertolt Brecht's oft-quoted statement that the Bible was the book which exerted the greatest influence upon his writings. While Brecht's early works, Die Bibel (1913), and Die Dreigroschenoper (1928), serve as the main examples, there are also references to biblical allusions from a number of his other writings and some of his poetry. There is general information on Brecht's religious background and en his extensive biblical knowledge which enabled him to use the Bible as one of his principal sources. Brecht's manner of usage and adaptation of religious and biblical material to suit his purposes is noted. As well, a consideration of the views and findings of a number of critics and writers with an interest in Brecht both as an individual and as a writer and poet, provides a degree of clarification of Brecht's approach to the Bible. Included too is sane detail which could posit the Bible as a possible catalyst in Brecht's examination of Marxism as a viable alternative to religion in meeting the needs and aspirations of mankind and of society.
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Neureuter, Hans-Peter. "Brecht in Finnland : Studien zu Leben und Werk, 1940-1941 /." Frankfurt am Main : Suhrkamp, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341779d.

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Lang, Joachim. "Episches Theater als Film : Bühnenstücke Bertolt Brechts in den audiovisuellen Medien." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2864715&prov=M&dokv̲ar=1&doke̲xt=htm.

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Bai, Rongning. "Brecht and China : a mutual response." Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/4493/.

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This thesis deals with the cross-cultural relations between Brecht and China through an analysis of how Brecht responded to the traditional Chinese theatre and how his drama was received in turn by modern Chinese theatre. It attempts to examine the respective socio-cultural or political contexts wherein such kind of crosscultural contacts were needed, and the consequent aesthetic-theatrical as well as socio-cultural or political changes brought about by these contacts that have produced two distinctively independent yet related forms of theatre. It is argued that Brecht's search for a theatre style of his own amidst the sociocultural as well as political crises between the two world wars made him look to the East for inspirations, and his direct encounter with Mei Lanfang enabled him to interpret the latter's acting in such a way that he responded to it with his postulation of the alienation effect and modification of a gestic performance style. His repudiation of the well-made dramatic theatre brought his epic theatre closer to the traditional Chinese theatre whose aesthetic principles he shared in constructing a non- Aristotelian episodic form of drama. In his experimentations with new modes of theatrical expressions, he did not simply borrow or copy the forms and content of classical Chinese drama; he appropriated, transformed and renewed them, for example, in The Caucasian Chalk Circle, for the particular purpose of instructing audiences in a scientific age. China! s reception of Brecht has had much to do with the country's changing socio-cultural as well as political situations. Chinese theatre practitioners responded to him because he was a politically, culturally and aesthetically suitable figure. His epic drama provided an alternative style for the Chinese in their attempt to innovate their realist spoken drama imported from the West, and was also introduced into local forms of performing arts in hope that the traditional Chinese theatre could be resurrected. Furthermore, he prompted Huang Zuolin to theoretically re-examine Chinese operas, which the latter integrated with techniques of Brecht and Stanislavsky into spoken drama to establish a new theatre style called Xieyi drama.
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Tackels, Bruno. "Histoire d'aura. Benjamin, brecht, adorno, heidegger." Université Marc Bloch (Strasbourg) (1971-2008), 1994. http://www.theses.fr/1994STR20043.

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Des la premiere lecture du fameux essai de walter benjamin, l'oeuvre d'art a l'epoque de sa reproductibilite technique. J'ai percu une hesitation, un flottement, ou plutot un malaise a meme le texte. Au point que je n'ai jamais vraiment compris sur quoi se fondait sa celebrite. Je n'ai jamais vraiment pu me satisfaire des deux idees (parfaitement contradictoires9 qui structurent ce texte : la reproduction dans les oeuvres fait disparaitre l'art et l'on peut penser cette disparition comme un declin, le mal de l'occident. On en arrive donc a regretter l'age du "grand art" qui devrait etre imperativement restaure pour sauver l'humanite. Mais le texte permet aussi de lire cette disparition de l'art comme une chance (messianique) qui ouvre l'espace et le temps utopiques d'un monde nouveau, desenchaine. Ces deux visions contradictoires ne me paraissaient pas satisfaisantes ou, pour etre plus precis, il me semblait qu'a travers ces deux perspectives de lecture le texte disait tout autre chose : ni la nostalgie, ni l'utopie, mais une traversee de ces visions du monde, qui elabore une perspective veritablement politique. Cette intuition m'a donne l'idee de remonter aux sources du texte et de comparer les auatres versions successives que benjamin a
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Books on the topic "Brecht":

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1942-, Knobloch Hans-Jörg, Koopmann Helmut, and Johannesburger Germanistentreffen (4th : 1998), eds. Hundert Jahre Brecht-Brechts Jahrhundert? Tübingen: Stauffenburg, 1998.

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Frank-Michael, Raddatz, ed. Brecht frisst Brecht. [Berlin]: Henschel, 2007.

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Gibson, Cima Gay, ed. Brecht/"Brecht": A symposium. New Haven, CT: Yale School of Drama/Yale Repertory Theater, 1994.

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Brecht, Bertolt. Brecht. [s.l.]: Y Colegiwm Cymraeg, 1987.

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Hayman, Ronald. Brecht. Barcelona: Editorial Argos Vergara, S.A., 1985.

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Hans, Mayer. Brecht. Frankfurt am Main: Suhrkamp, 1996.

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Jones, G. L. Brecht. Dinbych: Gwasg Gee, 1985.

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Germany), Brecht-Tage (1985 Berlin. Brecht 85: Zur Ästhetik Brechts : Fortsetzung eines Gesprächs über Brecht und Marxismus : Dokumentation. Edited by Gellert Inge and Brecht-Zentrum der DDR. Berlin: Henschelverlag Kunst und Gesellschaft, 1986.

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Germany), Brecht-Tage (2009 Berlin. Müller Brecht Theater: Brecht-Tage 2009. Berlin: Theater der Zeit, 2010.

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Marc, Silberman, ed. Essays on Brecht =: Versuche über Brecht. Madison, Wis: University of Wisconsin for the International Brecht Society, 1990.

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Book chapters on the topic "Brecht":

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Dehner, Anne, and Jan Knopf. "Brecht, Bertolt: Bertolt Brechts Hauspostille." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6060-1.

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Lehmann, Jürgen. "Bertolt Brecht." In Russische Literatur in Deutschland, 199–220. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05373-2_7.

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Catani, Stephanie. "Bertolt Brecht." In Handbuch Kriminalliteratur, 123–26. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05430-2_15.

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Banghard, Melanie, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 139–42. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_26.

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Widmaier, Michael, Nicole Welz, Petra Haubner, Ann Christine Zuber, Rebekka Braun, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Drama des 20. Jahrhunderts, 85–94. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_15.

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Hayman, Ronald. "Bertolt Brecht." In The Craft of Literary Biography, 186–98. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_12.

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Prateek. "Politicising Brecht." In Brecht in India, 90–110. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003030317-4.

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Knopf, Jan. "Brecht, Bertolt." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6041-1.

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Haubner, Petra, Ann Christine Zuber, Jan Knopf, Manuela Dietz, and Denise Kratzmeier. "Bertolt Brecht." In Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 78–86. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_10.

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Forcht, Georg W. "Bertolt Brecht." In Reihe Sprach- und Literaturwissenschaft, 59–78. Herbolzheim: Centaurus Verlag & Media, 2012. http://dx.doi.org/10.1007/978-3-86226-990-7_4.

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Conference papers on the topic "Brecht":

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Carvalho, Ricardo. "BRECHT: UMA ABORDAGEM PEDAGÓGICA NO CENÁRIO CONTEMPORÂNEO DO ENSINO- APRENDIZAGEM." In Colóquio Internacional De Pedagogia Do Teatro. Campinas - SP, Brazil: Galoa, 2018. http://dx.doi.org/10.17648/colipete-2018-86091.

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"The Symbolic Representation of the Female Body in the Poems by Bertolt Brecht." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115091.

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Cimpoi, Mihai. "Folclorul și valorile imaginației." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.02.

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The author demonstrates in this approach that folklore, unlike cult literature, values the essential richness of the imaginary, being closer to the world, which Eminescu said he „ thought in fairy tales and spoke in poetry”. Folklore was must also conceived as literary art, the interference between it and cult literature was the aesthetic program of the German romantics, of the Romanian classics Eminescu, Alecsandri and Anton Pann, of the contemporary authors Brecht and Auden. Folklore works have the same principles of elaboration as cult literature, they being social and documentary documents, which capture essential moments of human relations with society and history. The author refers to the folklorist Sergiu Moraru, who studied especially the poetic system of the sung lyrical song, subjecting it to a structural and typological analysis.
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Rodríguez Pulecio, Laura Sofía, and Sara Aída Rodríguez Pulecio. "EFECTO SOBRE LA BRECHA ECONÓMICA ENTRE HOMBRES Y MUJERES DE LA BAJA PARTICIPACIÓN DE LAS MUJERES EN INGENIERÍA EN COLOMBIA." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1597.

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Algunos de los factores que explican la brecha económica entre hombre y mujeres son: la cantidad de horas de trabajo no remunerado, las diferencia salarial entre las carreras típicamente masculinas y las típicamente femeninas, la desigualdad salarial entre hombres y mujeres en los mismos cargos y misma responsabilidades, las limitaciones para las mujeres en la consecución de promociones y asensos en las organizaciones y finalmente el efecto del COVID-19 en la empleabilidad de mujeres. En este articulo se analiza como la baja participación de mujeres en ingeniería impacta en la brecha económica entre hombres y mujeres en Colombia pues aunque se han hecho grandes esfuerzos para incrementar la participación de las mujeres en las áreas de ciencia, tecnología, ingeniería y matemáticas denominadas STEM (por las siglas en inglés de Science, Tecnology, Engineering, and Mathematics) persisten grandes brechas en la participación de las mujeres y en muchas ingenierías tradicionalmente masculinas estos esfuerzos no se manifiestan en ningún cambio positivo. En ingeniería, menos del 30% de los estudiantes en todo el país son mujeres y algunas áreas tienen una participación menor al 10% como es el caso de ingeniería mecánica e ingeniería mecatrónica, otras áreas con indicadores muy críticos son electrónica y eléctrica en las cuales la participación de las mujeres está alrededor del 15% o como es el caso de ingeniería de sistemas que pasó del 45% en 2001 al 23% en 2017. Basado en los datos del ministerio de educación nacional de graduados de 2001 a 2018 y porcentaje de empleabilidad y salario de cotización este articulo muestra que cerrar la brecha de participación en la ingeniería es fundamental para aportar a la igualdad económica y por tanto al logro del quinto objetivo de desarrollo sostenible.
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De Lorenzo, Marco, Philippe Lafon, Yann Bartosiewicz, and Jean-Marie Seynhaeve. "Physical and Numerical Investigations for the Development of a New Experimental Facility for Studying Blowdown Phenomena." In 2016 24th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/icone24-60988.

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Electricité de France (EDF), with the scientific cooperation of Université Catholique de Louvain (UCL), is starting new investigations about the blowdown phenomena. For these purposes, EDF is considering to build a new experimental installation called BRECHE. In this article, the main features of the design of the test rig are presented together with the numerical simulation carried out with EUROPLEXUS code for the hydraulic and mechanical design of BRECHE.
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Barbosa, Gabriel, Thaiana Lima, Rodrigo Santos, and Claudia Werner. "Brechó-SocialSECO: Uma Ferramenta para Apoiar Modelagem e Análise de Ecossistemas de Software." In IV Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2015. http://dx.doi.org/10.5753/brasnam.2015.6793.

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Em todo sistema de software, existe interação entre componentes. Ao unir uma rede técnica de artefatos com um ambiente social, cria-se uma rede socio-técnica. Visando desenvolver uma ferramenta que modele, analise e incentive as relações sociais na rede socio-técnica, foi proposta a Brechó SocialSECO. Estendeu-se a biblioteca de componente Brechó para melhor entender ecossistemas de software e dar suporte para tomadas de decisão. Este trabalho apresenta a ferramenta e seu funcionamento.
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Kuroda, Flávia, Cicero Andrade Urban, Marcelo Paula Loureiro, Mateus Ricardo Ulsan Lourenço, and Bernardo Passos Sobreiro. "A PROSPECTIVE EVALUATION OF BREAST SATISFACTION AND EXPECTATION IN PREOPERATIVE BREAST RECONSTRUCTION PATIENTS." In Scientifc papers of XXIII Brazilian Breast Congress - 2021. Mastology, 2021. http://dx.doi.org/10.29289/259453942021v31s1092.

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Introduction: There is a consensus that breast reconstruction makes an important positive contribution to the quality of life of breast cancer patients. However, a large proportion of breast cancer survivors have unmet expectations surrounding reconstruction after mastectomy, particularly in relation to appearance. Approximately 40% of women who underwent breast reconstruction after mastectomy reported their reconstruction to be worse than expected. There is little consensus about what impact specific factors have on women`s satisfaction with breast reconstruction process and outcomes. Objectives: To delineate factors affecting preoperative native breast satisfaction and expectation with the surgery using the BREAST-Q in patients prior to oncological breast surgery following breast reconstruction. Methods: A prospective cross-sectional trial with breast cancer patients enrolled from November 2019 to December 2020 at Hospital Nossa Senhora das Graças Breast Unit in Curitiba, Brazil. Two independent groups were studied. The first group included patients who underwent mastectomy following immediate breast reconstruction (IBR) with implant. The second group underwent breast-conserving therapy (BCT) following level 2 oncoplastic techniques. This study was approved by the Internal Review Boad of Positivo University, Curitiba, Brazil. All patients were invited to complete a patient-reported outcome (BREAST-Q) Expectations Module and Pre-operative Breast reconstruction module prior to surgery. Results: Overall, seventy-nine patients with breast cancer completed the preoperative BREAST-Q. Patients were divided into BCT following oncoplastic surgery (n=49) and mastectomy following IBR with implant (n=30) groups. The mastectomy with IBR implants group had better satisfaction with their native breast than BCT oncoplastic group. Comparing Breast-Q expectations rate, women in BCT following oncoplastic group had higher expectations for breast appearance when clothed than the group of mastectomy with IBR implant. Previous aesthetic breast surgery and neoadjuvant chemotherapy were significant predictors of preoperative physical well-being. Younger age was significantly correlated with pain expectation in the surgery. Patients who were fifty years old or more and had a university or higher education level expected that the breast appearance would match almost as well as the same ten years after. Conclusions: This study results highlight the need to improve education and informed decision-making about breast reconstruction. Patients demonstrated to have high expectations for breast appearance after reconstruction and expect not to change over time. Understanding which factors affect patient’s satisfaction with native breasts and their expectation with the surgery in the preoperative set could improve preoperative counseling and the management of patient’s expectations of subsequent breast reconstruction.
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Kurniasari, Lia, Aji Mohammad Irfannur, Ayu Mardiana, Elvi Natalia, Erlinda Rara Sulviana, and Nur Ainun Jariah. "Predisposing and Reinforcing Factors in Patients with Breast Cancer in Samarinda, East Kalimantan." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.01.32.

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ABSTRACT Background: Breast Cancer can be disturbed for health and psychologically. Breast cancer has reached the second deadly disease. Causative factors include age, marital status, use of hormonal contraception, history of breastfeeding, family history, family support, self-acceptance, stress levels and knowledge of breast self-exam. This study aimed to investigate the factors predisposing and reinforcing the incidence of breast cancer in Samarinda, East Kalimantan. Subject and Method: This was a cross sectional study conducted in Samarinda, East Kalimantan. A total of 216 samples by using accidental sampling were selected for this study. The dependent variable was incidence of breast cancer. The independent variables were education, marital status, use of hormonal contraception, history of breastfeeding, family history, family support, self-acceptance, stress levels and knowledge of breast self-exam. The data were collected by questionnaire via google form. Data analysis used Chi Square test. Results: The significant risk factors of breast cancer were education, marital status, hormonal contraception, history of breastfeeding, stress conditions, and self-acceptance. family history and family support, and breast self-exam knowledge were insignificantly associate with the risk of breast cancer. Conclusion: The significant risk factors of breast cancer are education, marital status, hormonal contraception, history of breastfeeding, stress conditions, and self-acceptance. Family history and family support, and breast self-exam knowledge are insignificantly associate with the risk of breast cancer. Keywords: Breast cancer, predisposing, reinforcing. Correspondence: Lia Kurniasari. Public Health Study Program, Faculty of Health and Pharmacy, Muhammadiyah University of East Kalimantan, Indonesia. Email: liakesmas@umkt.ac.id. Mobile: +6285231669773. DOI: https://doi.org/10.26911/the7thicph.01.32
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Running, During. "Biomechanical Model of Bare-Breasts." In Applied Human Factors and Ergonomics Conference. AHFE International, 2020. http://dx.doi.org/10.54941/ahfe100423.

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Sports bras are designed to reduce mammary glands or breast movement during exercises, but there is no standardized, valid and reliable method to evaluate relative three-dimensional (3D) breast movement; and there is no literature to predict the 3D force acting on the breasts during activities. A reliable method is essential to evaluate 3D breast movement and to determine the effective design features of supportive sports bras. This study derived and validated a new Breast Coordinate System (BCS) for investigating 3D breast movement, so as to identify the most effective bra features and to analyze the effects of breast volume and bra strap properties on breast movement, then to develop theoretical models of breast force generated during bare-breasted running. In the light of this, 3D mechanical models have been developed based on a system comprising a mass, springs and dampers. The orthogonal force exerted on the breasts during running was derived. The predicted results of maximum breast force were verified with previous literature. The new methods will contribute to future research on human locomotion and the design of close-fitting garments.
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Gupta, Vivek, Amita Mishra, Namit Kalra, and Bhawna Narula. "A rare case report of incidental solitary uterine metastasis in primary invasive lobular carcinoma of breast." In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685401.

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Introduction: Infiltrating Lobular carcinoma (ILC) of the breast is second most common cancer of breast next only to Infiltrating ductal carcinoma (IDC). It has a different metastatic pattern as compared to the IDC. Breast cancer is the most frequent primary site which spreads to gynaecologic organs. Case Presentation: A 40 yrs old Iraqi lady presented as a diagnosed case of lobular carcinoma of left breast. She had already undergone a lumpectomy at Iraq a month back and now had come for completion of treatment. On metastatic workup with PETCT scan, we found a multicentric residual disease in the left breast along with some ipsilateral axillary LN with significant uptake. The concurrent CECT done showed a uterine leiomyomam also. As she was strongly hormone receptor positive, had completed her family and was having mennorhagia probably attributable to uterine fibroids. She was offered hysterectomy with B/L salpingo-oophorectomy. She was keen for breast preservation but in view of her multicentricity of disease on the left breast she was counselled for mastectomy with upfront whole breast reconstruction with TRAM flap. She underwent left modified radical mastectomy with hysterectomy with BSO and TRAM flap reconstruction. The histopathological examination revealed a multicentric, multifocal ILC, grade II with heavy nodal involvement including extracapsular extension. The leiomyoma of uterus also showed tumor deposits from lobular carcinoma breast. Conclusion: We report a very rare case of metastatic pattern of carcinoma of breast. On literature review we found that it is common for the lobular carcinomas of breast to metastasise to gynaecologic organs. Uterine corpus is a very rare site of metastasis for extragenital cancers including breast. All the patients of primary lobular carcinoma of breast should be screened for gynaecologic secondaries in the preoperative workup with high degree of suspicion.

Reports on the topic "Brecht":

1

Baker, Clara. Bertolt Brecht and the Bible. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5319.

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Patrick, Brigitte. Der Verfremdungseffekt von Brecht bis Handke. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2412.

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DeWolfe, Brigitte. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2862.

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Folk, Robert. Illusion und Verfremdung: Begriff, Form und Wirkung; Bezogen auf Bertolt Brecht: "Der gute Mensch von Sezuan,". Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.953.

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Aguerrevere, Gabriela, María Caridad Araujo, Mariano Bosch, Mariángela Mendoza, Andrea Ortega, Pablo Picón, Laura Ripani, and María Teresa Villanueva. La gran oportunidad: De la crisis a la transformación del empleo femenino. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003222.

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Desde una perspectiva macro, el empleo femenino en América Latina y el Caribe ha vivido cambios positivos a lo largo del siglo XXI. Sin embargo, la incorporación de la mujer al mercado laboral se venía dando en un contexto de desigualdad que se manifestaba en mayor desempleo, segregación ocupacional, y brecha salarial, entre otras desventajas. A esto se suma la pandemia del COVID-19, que ha destruido el empleo como ninguna otra crisis y ha impactado especialmente a las mujeres, exponiendo las vulnerabilidades de los mercados de trabajo de la región y amenazando con deshacer los avances logrados en el cierre de las brechas económicas de género en las últimas tres décadas. Pero la pandemia también ha transformado el mundo del trabajo, lo que abre un escenario de oportunidades para apoyar, mejorar y aumentar la participación laboral femenina. El COVID-19 ha generado un fuerte impulso en áreas específicas donde la perspectiva de género será clave para poder cerrar las brechas entre hombres y mujeres. Además, la igualdad y la diversidad en el mercado laboral brindan innumerables beneficios a los sectores público y privado. La recuperación económica de América Latina y el Caribe será un desafío enorme y por lo tanto requiere acciones asimismo importantes, especialmente si queremos asegurar que las mujeres no se queden atrás y aprovechar esta oportunidad para reconstruir el mercado laboral de una forma más equitativa. Esta publicación presenta un conjunto de acciones que se pueden tomar para seguir avanzando en el cierre de la brecha de género en el contexto de la nueva normalidad, reactivando a las empresas, potenciando las habilidades de las mujeres, y modernizando las regulaciones laborales.
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García Zaballos, Antonio, and Enrique Iglesias Rodriguez. Informe anual del Índice de Desarrollo de la Banda Ancha: IDBA 2020: Brecha digital en América Latina y el Caribe. Inter-American Development Bank, June 2021. http://dx.doi.org/10.18235/0003337.

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¿Está avanzando la región América Latina y el Caribe (ALC) en cerrar las brechas de acceso a la Banda Ancha? Esta actualización del Índice de Desarrollo de la Banda Ancha (IDBA), conformado de 44 variables, muestra brechas persistentes y progreso lento en relación a cuatro pilares: “Políticas públicas y visión estratégica”, “Regulación estratégica”, “Infraestructuras” y “Aplicaciones y capacitación”. El IDBA es una herramienta potente, actualizada cada año, que permite identificar la magnitud de la brecha digital en dos enfoques geográficos diferentes (estado de un país frente al clúster al que pertenece y estado de un país frente a la OCDE). El BID ha elaborado esta herramienta para avanzar su misión de ayudar al desarrollo de ALC y financiar los esfuerzos dirigidos a reducir la pobreza y la desigualdad social en la región. La herramienta facilita la toma de decisiones, el desarrollo de políticas públicas y la elaboración de planes de acción concretos para el beneficio de cada país, incluso la priorización de financiamiento a los proyectos destinados a acelerar el desarrollo de la banda ancha.
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Auguste, Sebastián, Jordi Prat, and Gisele Braun. Brecha de género en el acceso al financiamiento en Centroamérica y República Dominicana. Inter-American Development Bank, March 2021. http://dx.doi.org/10.18235/0003151.

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La evidencia empírica internacional muestra que las mujeres tienen menos acceso al financiamiento, tanto al crédito personal como al crédito empresario (según el género de quién lidera la empresa). Esta brecha de género, que se debe a factores de oferta y de demanda, preocupa, tanto desde el punto de vista de equidad o igualdad de oportunidades, como de la eficiencia, ya que en una economía de mercado el acceso al financiamiento es clave para la asignación eficiente de los recursos, y cualquier imperfección en su funcionamiento se puede traducir en menos crecimiento económico. En este trabajo se analiza la brecha de género con tres bases de datos distintas, Global Findex, una encuesta a nivel de individuos, SME Finance Forum, datos agregados estimados, y Enterprise Survey, una encuesta a nivel empresarial que informa el género del gerente general. Se destaca que, en ningún caso, ni a nivel personal ni a nivel empresarial, ha sido posible eliminar las brechas incluyendo factores observables. Por lo tanto, las mujeres en la región están más desaventajadas y esto es un motivo de preocupación, ya que incide en la productividad de la economía, la fertilidad y la tasa de acumulación del capital humano, tres dimensiones donde los países estudiados muestran déficit.
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Puig Gabarró, Pau, Ricardo Martínez Garza Fernández, Antonio García Zaballos, Enrique Iglesias Rodriguez, and Maribel Dalio. La última milla: conectividad digital en municipios: análisis de barreras e iniciativas públicas en América Latina y el Caribe. Inter-American Development Bank, December 2022. http://dx.doi.org/10.18235/0004657.

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El objetivo que persigue el presente documento es analizar el conjunto de barreras que explican las brechas de infraestructura de conectividad digital de última milla a nivel municipal y recopilar 100 iniciativas públicas de en América Latina y el Caribe (ALC) que las abordan. Para ello, el documento se estructura en las siguientes cuatro secciones: (i) la primera sección repasa los antecedentes que sientan las bases de la importancia de la conectividad digital de última milla en los municipios de la Región, (ii) la segunda sección identifica y describe los factores clave que explican la brecha de conectividad digital municipal en ALC, (iii) la tercera sección analiza y dimensiona el estado actual de estos factores en los diferentes países de la Región a nivel municipal y (iv) la cuarta sección recopila 100 iniciativas de política pública de ALC que persiguen mejorar el estado de los factores clave identificados. El compendio de 100 iniciativas públicas permite y facilita la identificación de elementos que pueden servir de referencia e inspiración a las autoridades nacionales, municipales y sectoriales de la Región enfocadas a la formulación de nuevas iniciativas para fomentar la conectividad digital de última milla. Para facilitar la navegación entre este amplio compendio de iniciativas, se estructuran y agrupan en los 13 factores identificados como clave para salvar las brechas existentes en la conectividad de última milla de la región.
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Urquidi, Manuel, Miguel Chalup, and Guillaume Durand. Brecha de ingresos laborales por género en Paraguay: un análisis de su evolución año por año entre 2002 y 2019. Banco Interamericano de Desarrollo, September 2022. http://dx.doi.org/10.18235/0004455.

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En Paraguay se puede apreciar que la brecha de ingresos laborales entre hombres y mujeres está concentrada principalmente en el sector informal, específicamente en grupos con menores niveles educativos y del área rural. Además, se percibe una diferencia de ingresos heterogénea, pero a favor de los hombres en la mayoría de las actividades económicas. Gran parte de esta brecha no está explicada por variables como experiencia, características personales y familiares, sector y actividad económica, región o zona del país, por lo que probablemente está relacionada a factores normativos, sesgos o discriminación (Becker, 2005). En el presente documento se analiza la evolución de la brecha de género en Paraguay entre 2002 y 2019. Se utilizan como insumo las Encuestas de Hogares, realizadas por el Instituto Nacional de Estadística de Paraguay (INE) y armonizadas por el Banco Interamericano de Desarrollo (BID), y se presentan dos modelos para la estimación de la brecha de ingresos laborales, las descomposiciones Blinder-Oaxaca y opo. A través del análisis en el tiempo, se evidencia que el comportamiento de la brecha de ingresos por género no muestra un patrón claro de reducción o aumento en el periodo analizado.
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Nosiglia, María Catalina, and Silvia Andreoli. Brecha digital: articulaciones institucionales, estrategias de formación inmersivas y contextos de innovación. Fundación Carolina, April 2022. http://dx.doi.org/10.33960/issn-e.1885-9119.dt64.

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Las tecnologías digitales configuran un escenario de cambio permanente, dinámico y complejo donde la sociedad, la economía y el Estado se transforman. En la actualidad, el acceso y el uso de tecnologías son un elemento clave para estimular la innovación, el crecimiento y el desarrollo; pero, a su vez, las tecnologías generan la exclusión de una parte significativa de la sociedad, cuya condición socioeconómica les impide acceder a dispositivos y conectividad de calidad; ello se ha agravado aún más por los efectos de la pandemia. Este artículo analiza las políticas institucionales desarrolladas por la Universidad de Buenos Aires (UBA) para garantizar la continuidad pedagógica y disminuir las brechas digitales de uso y apropiación en estudiantes, docentes y personal administrativo. Se parte de una mirada multidimensional del concepto de brecha digital, y se presenta la agenda regional y local sobre política digital. Luego, se caracteriza la situación de las unidades académicas, los docentes y personal administrativo durante la pandemia, y se presentan las políticas implementadas. Finalmente, se esbozan algunas acciones que deberían diseñarse para la pospandemia a nivel sistémico e institucional.

To the bibliography